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Hyper mix : sent to analyze lifeforms

Description: Recording of James Aikman's Hyper mix: sent to analyze lifeforms. The work combines digital sampling/editing of non-musical sound sources, including stationary exercise bicycles, rowing machines, clangorous weights, and a basketball scrimmage, with digitally sampled and edited musical source material (harp, flute, trumpet, voice, saxophone, drums, and full orchestra). Frequency modulation synthesis and digital effects processing are also used in this work. This piece refers not only to various … more
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Date: 1991
Duration: 9 minutes 43 seconds
Creator: Aikman, James

Lament

Description: Recording of Marc Ainger's Lament. This piece uses acoustic instruments, electronically built sounds, pre-recorded audio, and traditional electronic techniques.
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Date: 1991
Duration: 8 minutes 50 seconds
Creator: Ainger, Marc

Poéme de la lune aux abois, suivi du réveil des oiseaux II

Description: Recording of Jan Pascal Alagna's Poéme de la lune aux abois, suivi du réveil des oiseaux II. This pieces is the object of a process of knowledge, direct and immediate, of the elements of the world that surrounds us, of the minerals, the animals, which are transformed by the movements of water.
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Date: 1991/1993
Duration: 18 minutes 09 seconds
Creator: Alagna, Jan Pascal

Grito 1

Description: Recording of David Alarcón's Grito 1. This piece emphasizes silence many times and as the piece plays the silence become less and less. There is heavy use of musical spatialization, the sounds travel through the stereo listening field. This piece utilizes many sound and tones from many different frequencies.
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Date: 1991
Duration: 21 minutes 15 seconds
Creator: Alarcón, David

In Mosaic

Description: Recording of Joseph Lloyd Anderson's In Mosaic. This work is for digitally manipulated voice. This piece explores the possibilities of electronically manipulating the voice and mouth sounds. The piece begins with a granular synthesis sound, taking tiny grains and layering them at different speed, phases, volumes, and frequencies. This same process is done for the mouth sounds, but the grains are further apart creating space and more transparency.
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Date: 1991/1992
Duration: 10 minutes 27 seconds
Creator: Anderson, Joseph L. (Joseph Lloyd), 1970-

Humpty Dumpty's Unfortunate Diversion

Description: Recording of David Arzouman's Humpty Dumpty's Unfortunate Diversion. This common nursery rhyme from Mother Goose is a variation of one of the oldest and most universal stories on earth. Its curious images, seemingly nonsensical, work as profound symbols. Humpty is a personified egg. This represents the potential birth of each individual’s higher spiritual faculties. To be on top of a wall is to be equipoised between the various worldly dualities. The image of a fallen, shattered egg is an … more
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Date: 1991
Duration: 16 minutes 19 seconds
Creator: Arzouman, David, 1955-

Precipitation

Description: Recording of David Arzouman's Precipitation, composition for computer-generated sound. Precipitation (in its specific sense of falling)–the introduction and transformation of sound material as proceeding from the uppermost portions of the sound spectrum to the lowest. Condensation–the dialing off of any modulation or reverberation of the original sound material. Crystallization–the lining up in time of the elemental sound units and the removal of envelopes to these units so that they link toget… more
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Date: 1991
Duration: 10 minutes 28 seconds
Creator: Arzouman, David, 1955-

Chants Sphériques

Description: Recording of Patrick Ascione's Chants Sphériques. This work exploits the mobility and successive metamorphoses of characteristic spatial figures. The sounds move according to various configurations specific to their meaning, but also inside these "frames of spaces" already in motion, or sometimes even outside these frames. Sound is therefore here to space, what color is to form for the painter. Original version is for 16 speakers.
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Date: 1991
Duration: 19 minutes 48 seconds
Creator: Ascione, Patrick, 1953-

Ocean of ages revealed

Description: Recording of Wende Bartley's Ocean of Ages Revealed. This work was composed using the granular synthesis technique on the PODX computer music system developed by Barry Truax at Simon Fraser University in Vancouver. Original source material includes the voices of Brenna McCrimmon, Hayne Brown, and Paul Dutton, the Staro Selo ensemble, and the Bulgarian gaida played by Nick Ouroumis.
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Date: 1991
Duration: 13 minutes 52 seconds
Creator: Bartley, Wende, 1951-

Acéré

Description: Recording of Alain Basso's Acéré. The intention was to create a piece about war. Different object sounds were recorded in the studio, to have a wider palette of percussion sounds. The idea is that these percussions gradually change. As in the repetition of a 'kata', a movement sequence in martial arts, the concentration becomes more intense and the sounds increasingly sharp, by playing on the harmonics they contain. To give a feeling of space to this movement, transformed soundscapes create an … more
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Date: 1991
Duration: 9 minutes 58 seconds
Creator: Basso, Alain

Soliloquies

Description: Recording of Charles Bestor's Soliloquies.
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Date: 1991
Duration: 7 minutes 59 seconds
Creator: Bestor, Charles

Le soir, la vent, la mer

Description: Recording of Michele Biasutti's Le soir, la vent, la mer. This work is for flute and signal processing. In the piece the flute was utilized to produce aeolian sounds. In the formal organization of the piece the timbre has a primary role. As in a game, the flute sounds are masked by the signal processing and only at the end of the work it is possible to hear the real sound of the flute in a condition of aleatory harmony in which the instrument produces chords of harmonics.
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Date: 1991
Duration: 10 minutes 10 seconds
Creator: Biasutti, Michele, 1963-

Sale temps ce matin !

Description: Recording of Bruno Billaudeau's Sale temps ce matin ! This works describes the story of a person who discovers a place a place of curiosity and mystery in his city.
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Date: 1991
Duration: 11 minutes 09 seconds
Creator: Billaudeau, Bruno

Do it again

Description: Recording of Thomas Bjelkeborn's, Do it again. The compositional work uses breaking dried out tree branches, which are heavily processed with electronic techniques. This sound file has been transformed over and over and with sound mutation and has been split in various sounding directions. This piece uses transformations which are similar to partly human gestures controlling the changes. The resulting sound files were cut, spliced and mixed in a canonic form where the original sound file length… more
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Date: 1991
Duration: 10 minutes 32 seconds
Creator: Bjelkeborn, Thomas

On yer nose

Description: Recording of Thomas Bjelkeborn's On yer nose. Instead of synthesizing a lot of material, one tiny concrete material is used as a starting point. From this the composer developed a series of sounds and transformations which they tried to keep close to the original sound and the behavior of that sound in its original context. Through various mixing processes borderline materials are created on the verge to more consistent contexts, but very much related to the original material and to what that m… more
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Date: 1991
Duration: 9 minutes 09 seconds
Creator: Bjelkeborn, Thomas, 1959-

Brasse coulée

Description: Recording of Philippe Blanchard's Brasse Coulée. This is a piece for electronics written using traditional electro-acoustic techniques and sound samples.
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Date: 1991
Duration: 24 minutes 56 seconds
Creator: Blanchard, Philippe, 1961-

Divertimento for Dalle

Description: My work is dedicated to the memory of Uncle Dalle, who died last year. Uncle Dalle, whose real name was Carl Gustav Wahlqvist, was my father's best friend, already from his earliest childhood. Uncle Dalle was born in Stockholm in the house next to ours where my father and I both were born. Then a day came when he also became one of my dear friends, especially after the death of my father. Uncle Dalle was a wonderful and cheerful person, he was extremely gifted in society and was always passiona… more
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Date: 1991
Duration: 15 minutes 04 seconds
Creator: Bodin, Lars-Gunnar, 1935-

Barbe à papa (Arum manis)

Description: Recording of Jack Body's Barbe à Papa (Arum Manis). The original recording forms the basis of the tape and is the sound of a two stringed fiddle played by an Indonesian seller, recorded by the composer in 1977. Carrying the already made candy floss in a bin from his shoulder the seller played the fiddle to advertise presence. The music was both improvisation and sometimes recognizable tunes, and consisted of a melody.
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Date: 1991
Duration: 1 hour 2 minutes 02 seconds
Creator: Body, Jack, 1944-2015
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