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  Partner: UNT Music Library
 Resource Type: Musical Score/Notation
 Decade: 1750-1759
Amour au village : opera-comique, en un acte, et en vaudeviles

Amour au village : opera-comique, en un acte, et en vaudeviles

Date: 1754
Creator: Favart, M. (Charles-Simon), 1710-1792
Description: Libretto for Charles-Simon Favart's 1754 opera L'amour au village. Charles-Simon Favart gained prominence for his parodies of extant operas during the middle of the eighteenth century. His L’amour au village (1754), a typical example of the genre, was based on Carolet’s L’amour paysan (1737). The parody technique consisted of setting new texts to existing melodies and writing new dialogue based on a familiar plot. L’amour au village includes a typical vaudeville finale. In the Virtual Rare Book Room’s volume, the melody is included along with the first verse’s text. Because vaudeville finales are strophic (with one repeated melody), the subsequent verses are numbered to indicate each time the melody should begin again.
Contributing Partner: UNT Music Library
Servante maîtresse : comédie en deux actes mêlée d'ariettes

Servante maîtresse : comédie en deux actes mêlée d'ariettes

Date: 1755
Creator: Pergolesi, Giovanni Battista, 1710-1736
Description: The intermezzo La serva padrona first appeared between the acts of Pergolesi’s Il prigioniero superbo in 1733. This was the standard way in which to present an intermezzo. The work served as comic relief in the midst of more solemn opera serie, and incorporated elements of the improvisational commedia del’arte tradition. For instance, the few characters are drawn from stock types, such as the servant Serpina.
Contributing Partner: UNT Music Library
Fileuse : parodie d'Omphale

Fileuse : parodie d'Omphale

Date: 1752
Creator: Vade, M. (Jean Joseph), 1719-1757
Description: When Vadé’s first opera comique, La fileuse, appeared at the Foire St Germain on 8 March 1752, the tragic opera that it parodied—Destouches’s Omphale (1701)—had recently been criticized by Friedrich Melchior Grimm in his “Lettre sur Omphale.” Soon after this attack on “bad taste” in French music, the Querelle des Bouffons heated up, with debates about the merits of Italian comic opera versus French serious opera. Many mid-eighteenth-century French comic parodies were based on familiar serious operas, but following the Querelle des Bouffons, lyrical Italianate melodies were incorporated into the opera comique genre. Vadé’s La fileuse follows the older model of reworking existing tunes to new texts, including a vaudeville finale; later in his career, he composed some original airs.
Contributing Partner: UNT Music Library
Oeuvres de M. Vade, ou recueil des opera-comiques, & parodies qu'il a donnes depuis quelques annees; avec les airs, rondes, & vaudevilles notes; & autres ouvrages du meme auteur.

Oeuvres de M. Vade, ou recueil des opera-comiques, & parodies qu'il a donnes depuis quelques annees; avec les airs, rondes, & vaudevilles notes; & autres ouvrages du meme auteur.

Date: 1755
Creator: Vade, M. (Jean Joseph), 1719-1757.
Description: Jean-Joseph Vadé’s popularity as a composer and librettist is evident in the publication of his collected works, which first appeared in 1755 but was expanded in 1758, a year after his death. Vadé’s œuvre consists of mostly opéras comiques, some with original music rather than preexisting tunes. The collected works editions include fictional correspondence and poetry. Vadé’s interest in capturing the bustling atmosphere of fish markets is evident in such works as Les quatre bouquets poissards and the poem La pipe cassée, which is classified as a “poëme epitragipoissardiheroicomique.” Melodies for operatic airs are also printed in this volume. Although Vadé claimed authorship of the music, some were familiar tunes that had existed before Vadé appropriated them.
Contributing Partner: UNT Music Library
Le trompeur trompe, ou, La rencontre imprevue. Opera-comique en un acte. Represente pour la premiere fois sur le Theatre de la Foire S. Germain, le 18 fevrier 1754.

Le trompeur trompe, ou, La rencontre imprevue. Opera-comique en un acte. Represente pour la premiere fois sur le Theatre de la Foire S. Germain, le 18 fevrier 1754.

Date: 1754
Creator: Vade, M. (Jean Joseph), 1719-1757.
Description: In the mid-eighteenth century, comic opera librettos served a dual purpose, as evinced by the libretto to Vadé ’s Trompeur trompé (1754). Although the primary function of the publication was to allow audience members to follow along with the text of the opera, solo airs were printed in the back of the book. Not all the melodies are included, but those printed in the libretto enhance our understanding of an opera the music of which was never published as a comprehensive musical score.
Contributing Partner: UNT Music Library