UNT Music Library - 633 Matching Results
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- Master's Recital: 2016 04-17 - Erin Alcorn, soprano
- Master's recital presented at the UNT College of Music Voertman Hall.
- Master's Recital: 2016-04-17 – Erin Alcorn, soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Junior Recital: 2014-11-18 - Michael Alonzo, tenor and Matthew Dinh, baritone
- A junior recital presented at the UNT College of Music Recital Hall.
- Senior Recital: 2015-11-22 – Lyanne Alvarado, soprano
- A senior recital presented at the UNT College of Music Voertman Hall.
- Senior Recital: 2015-11-22 – Lyanne Alvarado, soprano
- Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment for the Bachelor of Music (BM) in Performance.
- Mimoyecques
- Recording of Elizabeth Anderson's Mimoyecques. The piece consists of two sets of recordings and electronics. One set of recordings would be made in and around the fortress and would serve as the base where the imprisonment, death, and transfiguration themes would be built. The second recording is in the languages of the 18 nationalities of the laborers. The central section of the work illustrates the idea of terror freedom is suddenly, inexplicably removed. The final section explores the concept of the departure of the souls of the victims.
- Senior Recital: 2007-04-15 - Jessica Angle, mezzo-soprano
- A senior recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Bachelor of Music (BM) degree
- Senior Recital: 2009-04-18 - Rachel Baldwin, flute
- A senior recital presented at the UNT College of Music Concert Hall.
- Master's Recital: 2018-01-28 – Emily Baltzer, collaborative piano
- Master's recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- La violence (mix2)
- Recording of Roald Baudoux's La violence (mix2). This short piece was composed for the Phonurgia Nova 2001 competition the rules of which stated that at least one extract of a radio library provided by the organizers had to be included in the composition. The record that grabbed the composer's attention was one that included words by French writer, Jean-Paul Sartre: "La violence est la seule chose qui reste, quel que soit le système". The composer used this question of violence to inspire the rest of the piece.
- Pierre
- Recording of François Bayle's Pierre. This is a work for electronics that was written as an homage to Pierre Schaeffer.
- Master's Recital: 2009-12-03 - Conrad Bear, baritone
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
- Apte
- Recording of David Behar's and Xavier Gipulo's Apte. This is a work for electronics that includes samples of electric guitar and French spoken word.
- L'arracheuse de poussière
- Recording of Julien Belet's L'arracheuse de poussière. This is a work for electronics that the composer describes as a "voluntarily unfinished piece of poetic character" with children's voices whispering.
- Creusement de l'être où surgissement de l'incontient de la forme et la chaire
- Recording of Maxime Benoist's Creusement de l'être où surgissement de l'incontient de la forme et la chaire. This is a work for electronics that includes samples of French spoken word and nature sounds.
- Emotions de guerre
- Recording of Bruno Bernard's Emotions de guerre. This work is a sound representation of what the composer imagines could have happened in an underground military shelter during WWII. The various sound materials explore different aspects of the situation, both above ground and under it.
- Un singe blanc si rusé
- Recording of Marie-Hélène Bernard's Un singe blanc si rusé. The common thread of this sound fresco is drawn from the adventures of Hanuman, the hero white monkey of the Ramayana. The text extracts which appear fleetingly are taken from the French translation of the Reamker carried out by Franois Bizot. Most of the sounds of the band were collected during a stay in Cambodia.
- Master's Recital: 2019-02-16 – Xavier O. Bernazard, tenor
- Recital performed at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Personal relations
- Recording of Milos Betko's Personal relations. This piece is segmented into 9 parts by the composer: 1. just before, 2. micado of mammoths, 3. speech of birds, 4. celestial threats, 5. song 1, 6. up and down, 7. song 2: "How many times it sings...", 8. emotions, 9. trio. It's comprised of background noise, violin, voices of the composer's friends, etc. The piece seems to be a collection of sounds that the composer relates to his personal life and day to day.
- Tango
- Recording of Gonzalo Biffarella's Tango. This work was commissioned by the WDR 3 of Cologne, Germany. This radiophonic piece was inspired by the origin of Tango and uses fragments from old songs as well as a lecture by Jorge Luis Borges about the topic. The text has been translated into German and French for segments of the work.
- Balloonarticularity 80
- Recording of Andy Birtwistle's Balloonarticularity 80. This work was inspired by Jules Verne and his novel, "Around the World In 80 Days". This piece plays with the possibility of that book being a futuristic novel, rather than a piece of 19th century literature. In this piece, a Victorian traveler journeys into the future of the present, listening for differences in an increasingly homogeneous world. This work for electronics includes balloon sounds the and sounds of counting numbers in French.
- Junior Recital: 2009-04-21 - Kristen Blair and Evan Black, voice
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Bachelor of Music (BM) degree.
- Senior Recital: 2011-04-07 - Kristin Blair, soprano
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.
- Un dimanche idéal
- Recording of Phillippe Blanchard's Un dimanche idéal. This work is a screenplay by Nicolas Fraix, with the composer creating the music. Sound manipulation techniques and vocal processing were used to explore the sonic possibilities of voice and electronics.
- L'Enfer est un petit début ou "la messe des pauvres" (requiem électroacoustique)
- Recording of Philippe Blachard's L'Enfer est un petit début ou "la messe des pauvres" (requiem électroacoustique). Rabelais adored nothing so much as liberty and it therefore takes this anniversary to be remembered a little. The sound sources include Rabelaisian quotations and the five parts of a traditional mass, the selected texts being superimposed on a string of adulterated sounds. The sounds consists of many variety, such as, everyday sound object, voice, and synthetic sounds; which provide many musical dialogue.
- Katastrophe
- Recording of Philippe Blanchard's Katastrophe. This work uses field recording of nature and animal sounds, voice, electronic and acoustic instruments, and pre-recorded sound. There is a big emphasis within musical transition, which at times is silence. The use of electronic technique also allows for musical space and sound travel.
- A La bataille
- Recording of Philippe Blanchard's A La bataille. This piece is for electronics. This work has sounds from electronically manipulated voice, pre-recorded fragments, and synthetically built sounds.
- 1789-1989
- Recording of Juan Blanco's 1789-1989. This piece aims to expose how the French Revolution, through the Declaration of the Rights of Man and of the Citizen, inspired the liberation movements of the people against the oppressive and tyrannical governments. The piece is divided into two parts, which give a sound panorama of the triumph, using electronic and acoustic equipment, the latter taken from songs of the time: "Departure to Place de la Bastille"; "Place and capture of the Bastille", "Lamentation of Louis XVI" and "The Permanent Guillotine", and ends with a few words from the Declaration of 1789, in French.
- Kyoto, le 15 septembre 1998
- Recording of Rainer Boesch's Kyoto, le 15 septembre 1998. This is a work for electronics and is meant to represent the memory of an unexpected disaster as well as a walk down the mountain, unsure which reality is being experienced.
- La promenade du dimanche
- Recording of Pierre Boeswillwald's La promenade du dimanche. First encounter with the widest possible electroacoustic language. The shape and geometry of sounds fade away in favor of emotion, images and climates. Sunday, day of rest where we do nothing but the simulacrum of what we would like to do!
- Bouclettes
- Recording of Pierre Boeswillwald's Bouclettes. This is a work for electronics that includes various concrete sounds.
- La création ; Madame !
- Recording of Pierre Boeswillwald's La création ; Madame !. This work was written for an openwork during the Synthèse Festival in Bourges, France.
- L'Eté, j'étais...
- Recording of Pierre Boeswillwald's L'Eté, j'étais.... This work was inspired by the seasons, specifically summer, in which the hottest weather typically takes place as well as vacation breaks. This work is for electronics and includes various concrete sounds, including excerpts from Vivaldi's "Summer (The Four Seasons)".
- Le long voyage du professeur Romuald Hochking
- Recording of Pierre Boeswillwald's Le long voyage du professeur Romuald Hochking. This is a work for electronics that includes French spoken word. The piece tells a story about a professor taking a long trip to space.
- Pour la mort de Danton
- Recording of Pierre Boeswillwald's Pour la mort de Danton. This is a work for electronics.
- La Promenade du Dimanche
- Recording of Pierre Boeswillwald's La Promenade du Dimanche.
- Un téléphone
- Recording of Pierre Boeswillwald's Un téléphone.
- La Wal-Manichette
- Recording of Pierre Boeswillwald's La Wal-Manichette. This work was premiered during a Synthèse Festival in Bourges under the appearance of a parody of a cultural radio program. The concept behind this work is "creation" and acts as a theatricalization of sound which is strictly in the domain of electroacoustics.
- Les filles du sommeil
- Recording of Georges Boeuf's Les filles du sommeil. This work was inspired by several paintings by Gustav Klimt which depict women according to the expression, "sleeping beauty". The composer has segmented this work into 4 movements: 1. Pluie d'or, 2. Écran de Nuit, 3. L’œil Profond, 4. Éloge de l'Apparence. This work has been dedicated to Rapha'l de Vivo.
- Master's Recital: 2008-10-24 - Monica Boldt, mezzo-soprano
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.
- Actualitanie
- Recording of Serge Bouc's Actualitanie. This is a work for electronics that contains various samples of spoken word.
- Master's Recital: 2009-03-08 - Jennifer Boyer, soprano
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
- Senior Recital: 2013-04-14 - Jamille Lea Brewster, soprano
- A senior recital performed at the UNT College of Music Voertman Hall.
- Senior Recital: 2013-04-14 - Anthony Brinkman, baritone
- Senior Recital presented at the UNT College of Music Voertman Hall.
- Adieu petit prince
- Recording of Ton Bruynèl's radio composition on the theme of "Le Petit Prince" by Antoine de Saint-Exupéry, "Adieu petit prince." The text of the composition is partly taken from a critical analysis of the children's book entitled "Fantaisie et mystique dans le Petit Prince" by Yves le Hir. The piece was commissioned by the Netherlands Broadcasting Foundation.
- From the Tripod
- Recording of Ton Bruynèl's From the Tripod. This program music musically retraces a kind of history of the West commented by a group of women, from Greece to American society. Charles Baudelaire's quote "Give me the strength and courage to contemplate this world without disgust," is heard at the end of Bruynel's work as a mechanical bird passes by and bells are ringing. From the Tripod is a piece for speakers, women and listeners.
- Le bass de auf a bourges du dat
- Recording of Jürgen Bräuninger and Ulrich Süsse's Le bass de auf a bourges du dat. It is a work for saxophone, bass clarinet, and electronics. There are speech snippets which are accompanied by free improv from the saxophone and clarinet, while processed and manipulated recording of these instruments play in the background.
- Ouvedennerode
- Recording of Nicolae Brînduș' Ouvedennerode. For electronics, voice, and saxophone. This work is an instrumental theatre piece based on the poem by Ion Barbu. This recording is only the tape-music of the play and the verses of the poem translated in French.
- The Industry of Opposition
- Recording of George Budd's The Industry of Opposition. The composer describes this work as a study in varying degrees of mediation and the effort to overcome it. The majority of the sound material in this piece was generated by manipulations of the vocal reading.
- Cause Cachette
- Recording of Roland Cahen's Cause Cachette. For voice, pre-recorded audio, and electronics. The title is a burlesque piece by Théâtrophone. This piece's message is: at a time when, against all logic, we persist in taking effects for causes and actions for effects without effects, while playing tribute to Pierre Schaeffer. The equipment used consisted of an 8-track cassette, accompanied with 8 speakers.