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- Doctoral Recital: 2015-03-26 - Shoko Abe, collaborative piano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Master's Recital: 2016 04-17 - Erin Alcorn, soprano
- Master's recital presented at the UNT College of Music Voertman Hall.
- Master's Recital: 2016-04-17 – Erin Alcorn, soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Junior Recital: 2014-11-18 - Michael Alonzo, tenor and Matthew Dinh, baritone
- A junior recital presented at the UNT College of Music Recital Hall.
- Senior Recital: 2015-11-22 – Lyanne Alvarado, soprano
- A senior recital presented at the UNT College of Music Voertman Hall.
- Senior Recital: 2015-11-22 – Lyanne Alvarado, soprano
- Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment for the Bachelor of Music (BM) in Performance.
- Mimoyecques
- Recording of Elizabeth Anderson's Mimoyecques. The piece consists of two sets of recordings and electronics. One set of recordings would be made in and around the fortress and would serve as the base where the imprisonment, death, and transfiguration themes would be built. The second recording is in the languages of the 18 nationalities of the laborers. The central section of the work illustrates the idea of terror freedom is suddenly, inexplicably removed. The final section explores the concept of the departure of the souls of the victims.
- Senior Recital: 2007-04-15 - Jessica Angle, mezzo-soprano
- A senior recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Bachelor of Music (BM) degree
- Cendrillon
- Libretto of the 1759 pastiche-style comic opera "Cendrillon," by Louis Anseaume. The songs were contributed by the singer-composer Jean-Louis Laruette and Egidio Duni, which they likely adapted from fashionable tunes. "Cendrillon" (Cinderella in English) premiered in Paris at Foire St-Germain on February 21, 1759. The opera underwent two revisions before the definitive version of 1764. Anseaume adapted the plot the fairy tale by Charles Perrault. This copy includes (from pp.54-63) notated melodies of airs and recitatives.
- Doctoral Recital: 2021-05-03 – Lilliana V. Aponte Moreno, mezzo-soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Le tonnelier
- Libretto of the comic opera "Le tonnelier" (The cooper) by Nicolas-Médard Audinot in collaboration with Antoine-François Quétant. The music of this one-act opera is a pasticcio of works by Gossec and other contemporaneous composers. Typical of the genre, the opera contains a variety of musical forms (airs, romance, vaudeville, and recitatives) and the dialogues are interspersed with additional airs, possibly using popular tunes. This copy includes (on pp. 52 and 54-56) notated melodies of airs.
- Doctoral Lecture Recital: 2013-05-21 – Laurissa Backlin, soprano
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 2011-01-27 - Laurissa Backlin, soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 2012-01-26 - Laurissa Backlin, soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 2012-06-14 - Laurissa Backlin, soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Senior Recital: 2009-04-18 - Rachel Baldwin, flute
- A senior recital presented at the UNT College of Music Concert Hall.
- Nouvelles parodies bachiques, mélées de vaudevilles ou ronde de table
- This a copy of vol. 2 of an anthology of French songs compiled by Christophe Ballad, music publisher of King Louis XIV. The work consists mainly of unaccompanied melodies with underlaid text for selected acts of the following tragedies: Proserpine (pp. 1-19); Le triomphe de l'amour (pp. 20-60); Persée (pp. 61-81); Phaeton (pp. 62-94); Amadis (pp. 95-125); Roland (pp. 126-155); Armide (pp. 169-176); Acis et Galatée (pp. 177-192). It contains also melodies for "Ballet du temple de la Paix" (pp. 156-168), and Vaudevilles on rondes de table (pp. 193-264). Two previous editions, compiled by Monsieur Ribon, published under title: Parodies bachiques. Cf. RISM, v. B I, 1 1695(4) and 1696(1), present ed. listed as 1700(3).
- Master's Recital: 2018-01-28 – Emily Baltzer, collaborative piano
- Master's recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Master's Recital: 2018-01-28 – Emily Baltzer, collaborative piano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- La violence (mix2)
- Recording of Roald Baudoux's La violence (mix2). This short piece was composed for the Phonurgia Nova 2001 competition the rules of which stated that at least one extract of a radio library provided by the organizers had to be included in the composition. The record that grabbed the composer's attention was one that included words by French writer, Jean-Paul Sartre: "La violence est la seule chose qui reste, quel que soit le système". The composer used this question of violence to inspire the rest of the piece.
- Pierre
- Recording of François Bayle's Pierre. This is a work for electronics that was written as an homage to Pierre Schaeffer.
- Master's Recital: 2009-12-03 - Conrad Bear, baritone
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
- Grand septuor, op. 20
- An arrangement for 2 pianos, 4 hands, of Beethoven's Grand Septuor, op. 20, which was originally for clarinet, bassoon, horn, violin, viola, cello and double-bass. Parts are on facing pages; UNT's copy lacks the title page and page 2 (the first page of the lower piano part).
- Sonate pour le pianoforte à quatre mains, oeuv. 6
- Sonate pour le pianoforte à quatre mains, op. 6, in D major, published during Beethoven's lifetime. The name of Ludwig Dreyer is written inside the front cover, dated 1936.
- Trois sonates pour le pianoforte avec accompagnemt, de violon obligé, oeuvre 12
- Piano part for Beethoven's violin sonatas in Op. 12, numbers 1 through 3. The imprint date comes from page 28 of the Kinsky catalog, showing this edition was printed during Beethoven's lifetime.
- Variations à quatre mains pour le piano-forte sur une theme de Monsieur le Comte de Waldstein
- An edition of Beethoven's Variations on a theme by Count Waldstein, for piano, 4 hands in C major, WoO 67. This copy is from the Allen and Madeleine Forte Memorial Collection of the UNT Music Library, Box 1, Folder 2.
- Variations à quatre mains pour le piano-forte sur une theme de Monsieur le Comte de Waldstein
- Music score for Variations à quatre mains pour le piano-forte sur une theme de Monsieur le Comte de Waldstein.
- Apte
- Recording of David Behar's and Xavier Gipulo's Apte. This is a work for electronics that includes samples of electric guitar and French spoken word.
- Senior Recital: 2020-11-11 – Natasha Bekker, soprano
- Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.
- L'arracheuse de poussière
- Recording of Julien Belet's L'arracheuse de poussière. This is a work for electronics that the composer describes as a "voluntarily unfinished piece of poetic character" with children's voices whispering.
- Il pirata: opera complet pour piano et chant, paroles italiennes
- Piano-vocal score of Bellini's opera Il Pirata.
- Creusement de l'être où surgissement de l'incontient de la forme et la chaire
- Recording of Maxime Benoist's Creusement de l'être où surgissement de l'incontient de la forme et la chaire. This is a work for electronics that includes samples of French spoken word and nature sounds.
- Allie. Nocturne pour le piano
- For piano. Copyright W.F. Shaw.
- [Bound volume of music manuscripts]
- Bound volume of music manuscripts, apparently by Louis Berge.
- Faces in the Fire: Morceau Characteristique pour le piano
- Copyright W.F. Shaw.
- La Promesse (The Promise)
- To Miss Cecelia P. Sperb. Publisher number L.B. 59=5.
- 11 september
- Recording of Carl Bergstrøm-Nielsen's "11 september." The text is from a document called "What is MIR?" which was sent out illegally in Chile in 1974 and from the appeal of MIR two years after the taking over by the junta, on September 11, 1975. A left-wing party, MIR stayed in Chile in order to contribute as efficiently as possible to the building of the opposition. Other sound material also includes sounds from a typewriter and a demonstration at Bastad, Sweden in September 1975 at a tennis match between Sweden and Chile with more than 4,000 participants. The text is taken in small excerpts from the document in Spanish, English, Swedish, Danish, French, Dutch, and Icelandic. The piece consists of three sections overlapping each other gradually, which shows the relationship between the spoken words and the immediate danger connected with that text. The first section "as a spontaneous statement," deals with the document at its direct background: the silence is broken, in spite of the danger connected with the writing, manifolding papers that criticize the politics and methods of the junta and discuss the strategy of the opposition. The second section deals with the document as a medium of discussion. At the end of this section, the "media-environment," "almost as a magazine on foreign affairs," is broken by shouts from the demonstration at the Bastad which were heard directly in Chilean TV. The third section is about the appeal of MIR as a direct request to the audience: to isolate the junta through a boycott of Chilean products and through demanding from national politicians to break the silence which has long been maintained, among other places in the United Nations of which Chile is still a member. Inspiration for the piece came from the composer's participation in the activities of the …
- Emotions de guerre
- Recording of Bruno Bernard's Emotions de guerre. This work is a sound representation of what the composer imagines could have happened in an underground military shelter during WWII. The various sound materials explore different aspects of the situation, both above ground and under it.
- Un singe blanc si rusé
- Recording of Marie-Hélène Bernard's Un singe blanc si rusé. The common thread of this sound fresco is drawn from the adventures of Hanuman, the hero white monkey of the Ramayana. The text extracts which appear fleetingly are taken from the French translation of the Reamker carried out by Franois Bizot. Most of the sounds of the band were collected during a stay in Cambodia.
- Master's Recital: 2019-02-16 – Xavier O. Bernazard, tenor
- Recital performed at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Doctoral Recital: 2012-09-15 - Christian Bester, baritone
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Personal relations
- Recording of Milos Betko's Personal relations. This piece is segmented into 9 parts by the composer: 1. just before, 2. micado of mammoths, 3. speech of birds, 4. celestial threats, 5. song 1, 6. up and down, 7. song 2: "How many times it sings...", 8. emotions, 9. trio. It's comprised of background noise, violin, voices of the composer's friends, etc. The piece seems to be a collection of sounds that the composer relates to his personal life and day to day.
- Tango
- Recording of Gonzalo Biffarella's Tango. This work was commissioned by the WDR 3 of Cologne, Germany. This radiophonic piece was inspired by the origin of Tango and uses fragments from old songs as well as a lecture by Jorge Luis Borges about the topic. The text has been translated into German and French for segments of the work.
- Doctoral Recital: 2015-03-06 - Justin Binek, jazz voice and piano
- Recital presented at the UNT College of Music Kenton Hall.
- Balloonarticularity 80
- Recording of Andy Birtwistle's Balloonarticularity 80. This work was inspired by Jules Verne and his novel, "Around the World In 80 Days". This piece plays with the possibility of that book being a futuristic novel, rather than a piece of 19th century literature. In this piece, a Victorian traveler journeys into the future of the present, listening for differences in an increasingly homogeneous world. This work for electronics includes balloon sounds the and sounds of counting numbers in French.
- Doctoral Recital: 2007-11-05 - Jeremy Blackwood, bass
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Junior Recital: 2009-04-21 - Kristen Blair and Evan Black, voice
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Bachelor of Music (BM) degree.
- Senior Recital: 2011-04-07 - Kristin Blair, soprano
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.
- Un dimanche idéal
- Recording of Phillippe Blanchard's Un dimanche idéal. This work is a screenplay by Nicolas Fraix, with the composer creating the music. Sound manipulation techniques and vocal processing were used to explore the sonic possibilities of voice and electronics.
- L'Enfer est un petit début ou "la messe des pauvres" (requiem électroacoustique)
- Recording of Philippe Blachard's L'Enfer est un petit début ou "la messe des pauvres" (requiem électroacoustique). Rabelais adored nothing so much as liberty and it therefore takes this anniversary to be remembered a little. The sound sources include Rabelaisian quotations and the five parts of a traditional mass, the selected texts being superimposed on a string of adulterated sounds. The sounds consists of many variety, such as, everyday sound object, voice, and synthetic sounds; which provide many musical dialogue.