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Paraptra

Description: Recording of Cort Lippe's Paraptra. This work was created using the program MAX, whose technical advice made this piece possible and signal processing and control programs for the 4X real-time digital signal processor. The material for the tape is made up solely of digitally transformed and processed harp and classical guitar sounds. The sounds were sampled and transformed in a variety of ways including: frequency shifting, spatial panning, harmonizing, random amplitude modulating, time-stretch… more
Date: unknown
Duration: 14 minutes 28 seconds
Creator: Lippe, Cort, 1953-
Item Type: Refine your search to only Sound

Fallout

Description: Recording of Cathy Lane's Fallout. For electronics, electronic instrument, and pre-recorded sound.
Date: 1993/1994
Duration: 10 minutes 36 seconds
Creator: Lane, Cathy
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Time chants I. Los Angeles

Description: Recording of Bruce Mahin's Time chants I. Los Angeles. This work is written for Yamaha WX11 wind controller, Macintosh computer, videotape and synthesizers. Written in response to the events leading to and including the Los Angeles riots in the Spring of 1992. Many forces are heard, different hierarchical levels in the public community, violent outbursts, as well as meditative reflection which must accompany any such collective action. Striking chords in quick succession at the beginning of the… more
Date: 1992
Duration: 8 minutes 06 seconds
Creator: Mahin, Bruce P.
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Pulsations

Description: Recording of Simo Lazarov's Pulsations. Described as "Pulsations of the Space" by the composer.
Date: 1985/1993
Duration: 5 minutes 38 seconds
Creator: Lazarov, Simo, 1948-
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L'arbre égayé

Description: Recording of Ragnar Grippe's L'arbre égayé. The title, "L'arbre égayé," refers to "the cut tree," but the composer does stress that it also means "the reviving tree." This reference to a cut tree is intentional as a tie-in and homage to the composer's experience (20 years prior to the composition of this piece) at Groupe de Recherches Musicales de l'ORTF in Paris under the direction of Pierre Schaeffer. As Grippe explains: "This piece - without any overambitious zeals - is a hommage to the scho… more
Date: 1992
Duration: 13 minutes 31 seconds
Creator: Grippe, Ragnar, 1951-
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Suspended choirs

Description: Recording of Ragnar Grippe's Suspended choirs. The material is described by the composer as somewhat eclectic, with a deviation from a "pure" electro-acoustic sense, instead including several influences from many different styles. The compositional work started after some two months of programming of real-time control devices controlling filtering, reverb, chorus and pan functions. The resulting sounds were then used for the composition. The name of this piece is derived from the "gliding" choi… more
Date: 1993
Duration: 20 minutes 52 seconds
Creator: Grippe, Ragnar, 1951-
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Le mécanicien effréné

Description: Recording of Ragnar Grippe's Le mécanicien effréné. Voices are explicitly mentioned by the composer as acting as instruments; no language is intended or represented in this performance. This piece follows the composer's "symphonic" approach to timbre and construction of sound, wherein every sound is a composite of several included timbres, in a way that the composer identifies as being specifically contrary to the technique known as Musique Concrète of Groupe de Recherches Musicales in Paris. T… more
Date: 1994
Duration: 23 minutes 56 seconds
Creator: Grippe, Ragnar, 1951-
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Les arcs boutants

Description: Recording of Ragnar Grippe's Les arcs boutants. This work used synthetic sound to create a minimal soundscape, along with incorporating traditional electro-acoustic technique to enhance music space and movement.
Date: 1995
Duration: 2 minutes 45 seconds
Creator: Grippe, Ragnar, 1951-
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Tap,tap,tap, voulez-vous entrer ? Voulez-vous taper ?

Description: Recording of Eduardo Kusnir's Tap, tap, tap, voulez-vous entrer ? "Tap, tap, tap, do you want to come in, do you want to pass?" is a short work barely 3 minutes long. It is based on the main motif of "Unanswered question", by Charles Ives, which has been treated as an "idée fixe". During the work, a second "idée fixe" is introduced, contrasting with the first: one melodic, the other rhythmic. The latter represents knocks, as if one would like to knock on an imaginary door, asking to enter, to p… more
Date: 1995
Duration: 3 minutes 11 seconds
Creator: Kusnir, Eduardo, 1939-
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Fragment from Epitaph for N.Copernicus

Description: Recording of Roman Berger's Fragment of Epitaph for N.Copernicus. In addition to "traditional" electroacoustic apparatus, modules of the ARP synthesizer were used. A single relatively longer object is initially exposed as a "subject" and some sections of the composition are then intended as its variations. The form of the "epitaph" also ties in with tradition by respecting the principle of symmetry as well as that of evolution. In the background stands the idea of ​​continuous multidimensional… more
Date: 1995
Duration: 4 minutes 01 second
Creator: Berger, Roman, 1930-
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Multiplication

Description: Recording of Miroslav Bazlik's Multiplication. This work uses piano sounds, which becomes increasingly processed with electronic sound effects.
Date: 1995
Duration: 2 minutes 41 seconds
Creator: Bázlik, Miroslav
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Memory of Orthogenesis

Description: Recording of Jozef Malovec's Memory of Orthogenesis. We feel in this room the inspiration of the ideas of Teilhard de Chardin, the Christian philosopher. We see the composer's interest in the confrontation between new material, processed electronically and fragments of the conventional, the known, the trivial.
Date: 1995
Duration: 4 minutes 09 seconds
Creator: Malovec, Jozef, 1933-1998
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Tincanchant

Description: Recording of Milan Adamciak's Tincanchant. For electronics, manipulated pre-recorded sound, and samples from varying sources. Created using traditional electro-acoustic technique.
Date: 1995
Duration: 5 minutes 22 seconds
Creator: Adamčiak, Milan
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Invisible Belleza

Description: Recording of Nicola Sani's Invisible Belleza. For tape in stereo and electronics. Among the most important things that the 20th century bequeathed to us is the invisible beauty of silence, the different silences of Cage, of Nono, of Michaux, who wrote "In my music, there are many silence, above all there is silence." This work is inspired by the words from these influential composers and these sonic discovering from the 20th century.
Date: 1995
Duration: 2 minutes 36 seconds
Creator: Sani, Nicola
Item Type: Refine your search to only Sound
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