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Flux (panoramic)

Description: Recording of James Carpenter's Flux (panoramic). This is a work for electronics where a large amount of the source material was collected from an expansive field in Yorkshire, New England. "Panoramic" refers to the form while "Flux" refers to the continuous blending of material.
Date: 2004/2005
Duration: 8 minutes 46 seconds
Creator: James, Carpenter, 1982-

(Un)folding

Description: Recording of Daniel Barreiro's (Un)folding. This is a work for electroacoustic sounds that uses sounds of paper as its main source material. This piece can be thought of as showing different points of view of an object that moves and changes its form during the unfolding of time.
Date: 2004
Duration: 12 minutes 23 seconds
Creator: Barreiro, Daniel Luís, 1974-

Sediment

Description: Recording of Benjamin Wilson's Sediment. The majority of the sound sources for this work come from rock, sand, dirt, gravel, etc. The presence of non-geological sounds could refer to historical or archeological discoveries. The listener encounters blurred remnants of complex events that reveal little information to the average person. The composer used layering as a key role in this piece, establishing a journey to either the the ends or the center of the Earth.
Date: 2003
Duration: 8 minutes 24 seconds
Creator: Wilson, Scott, 1969 November 26-

Acousmatek

Description: Recording of Didier Simione's Acousmatek. This is a work about the distribution of U.S.T. over time and across different spaces and includes 3 parts: 1. deep space, 2. near space, 3. return to the initial space. The composer attempts to prioritize the emotional aspect over the intellectual aspect of the music.
Date: 2005
Duration: 8 minutes 48 seconds
Creator: Simione, Didier

Stretto

Description: Recording of Matthias Ockert's Stretto. This is a work for 8-channel tape and was commissioned by the ZKM (Center for Arts and Media) at Karlsruhe, Germany. This work comes from a larger composition that was inspired by 12 terms from Holls essay, "Intertwining". The sound materials used in this composition came from recorded samples of electric and acoustic guitar. The title of this piece comes from the musical term "stretto" as well as the "stretto house" built by architect Steven Holl.
Date: 2005
Duration: 1 hour 47 minutes 37 seconds
Creator: Ockert, Matthias, 1970-

Swallow

Description: Recording of Haruka Hirayama's Swallow. This work was created for soprano saxophone and a live computer. The various timbres of soprano saxophone creates the significant contrast throughout the piece. Transformed instrumental sound from the computer supports the virtuoso of the soloist.
Date: 2004
Duration: 7 minutes 51 seconds
Creator: Hirayama, Haruka

Auto-Domestikalia

Description: Recording of Paolo Besagno's Auto-Domestikalia. This work is based on an old study that the composer made years before and is dedicated to his mother. The inspiration for this work is his house and the sounds it makes due to changes in the environment.
Date: 2005
Duration: 5 minutes 31 seconds
Creator: Besagno, Paolo

Improglio

Description: Recording of Roald Baudoux's Improglio. This work contains collected voice samples from a previous improvisation collective called "Inaudible". This composition takes its unity from the material's vocal origin which in this case is vocalist Jean-Michel Van Schouwburg.
Date: 2004/2005
Duration: 10 minutes 46 seconds
Creator: Baudoux, Roald

Jules Mobile 2005

Description: Recording of Klaus Roder's Jules Mobile 2005. This work pays homage to Jules Verne and was inspired by fictitious vehicles, submarines, machines, strange beings, and other creatures that can delight and fright. The sounds for this piece were created with Csound and the software of CDP. It does not include any recordings of acoustic material.
Date: 2005
Duration: 5 minutes 55 seconds
Creator: Röder, Klaus, 1948-

Exploración de Cerebro

Description: Recording of Fernando Laub's Exploración de Cerebro. This is a work for electronics that discusses a future machine that can explore the depths of the mind and for the first time has an experience with a human.
Date: 2005
Duration: 6 minutes 37 seconds
Creator: Laub, Fernando

DREAMS

Description: Recording of Abdul Wahid Hasnizam's DREAMS. This work was created with series of material collected during the composer's 4 year stay at Birmingham. The composer considers this his comment towards the cultural differences between the industrialized city of Birmingham and the small town of Kota Samarahan in Malaysia.
Date: 2005
Duration: 5 minutes 22 seconds
Creator: Hasnizam, Abdul Wahid

Nello spazio sommerso

Description: Recording of Marco Dibeltulu's Nello spazio sommerso. The composer describes this work as a journey inside the human mind which he relates to an attempt to discover a submerged space.
Date: 2005
Duration: 4 minutes 46 seconds
Creator: Dibeltulu, Marco

Déplacements

Description: Recording of Xavier Gipulo's Déplacements. This is a work for electronics that includes sound samples of a band.
Date: 2005
Duration: 4 minutes 05 seconds
Creator: Gipulo, Xavier

Mare tranquilitatis

Description: Recording of Gabriel Jorge Cerini's Mare tranquilitatis. This work was inspired by Jules Verne and his imagination. The main sound source of this work comes from a recording of the composers rehearsal of "Fractales para orquesta" done by "Orquesta Sinf—nica de la Universidad Nacional de Cuyo" and directed by David del Pino-Klinge. The composer used these sound samples and created diverse treatments of the material.
Date: 2005
Duration: 5 minutes 33 seconds
Creator: Cerini, Gabriel Jorge

Hoja sin ruta

Description: Recording of Hugo Druetta's Hoja sin ruta. This is a work that uses recordings made from different tools like saw and hammer which sawed up and struck pieces of wood and metal. The original sources cannot be clearly perceived because they have been widely processed by computer software. The composer attempted to express all of the feelings he experiences when reading Jules Verne.
Date: 2005
Duration: 5 minutes 35 seconds
Creator: Druetta, Hugo Víctor 1965-

Imaginary part of life

Description: Recording of Marcin Wierzbicki's Imaginary part of life. This work was inspired by the concept of robots and their artificial lives, emotions, and dreams. When describing this piece, the composer references Stanisław Lem's "The Robots' Tales".
Date: 2005
Duration: 5 minutes 50 seconds
Creator: Wierzbicki, Marcin

La vida Entrulala

Description: Recording of Javier Leichman's La vida Entrulala. This is a work for electronics that includes octophonic tracks as well as a stereo track. This piece includes squeaking sounds.
Date: 2005
Duration: 1 hour 7 minutes 19 seconds
Creator: Leichman, Javier, 1959-

What is that sound from under the door

Description: Recording of Antonio Moliterni's What is that sound from under the door. This work was composed for the INA-GRM. This piece is for electronics and includes parts of a song by Tom Waits from his album, "Mule Variations" which is related to the musical gesture, adding rock elements.
Date: 2000
Duration: 8 minutes 56 seconds
Creator: Moliterni, Antonio

2, rue Charles Dubois

Description: Recording of Etienne Saur's 2, rue Charles Dubois. The title of this piece is the address of the house where Jules Verne lived in Amiens. This work is comprised of 3 movements inspired by one of Verne's novels and was created as part of the open work project for the Synthèse Festival. The composer wrote this piece to explore Verne's fascination with the speed of means of communication.
Date: 2005
Duration: 6 minutes 01 second
Creator: Saur, Etienne
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