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  Partner: UNT Music Library
 Language: French
Les deux journées

Les deux journées

Date: [1800~]
Creator: Cherubini, Luigi, 1760-1842.
Description: Vocal score of Luigi Cherubini's rescue opera "Les deux journées" (also known by the title, The water carrier) to a libretto by Jean-Nicolas Bouilly. The first performance took place in Paris at Théâtre Feydeau on January 16, 1800 followed by 56 performance during that year. Les deux journées remained in the international repertory of operas for most of the 19th century. The piano reduction contains the text in French and German.
Contributing Partner: UNT Music Library
Isis, tragedie en musique

Isis, tragedie en musique

Date: 1677
Creator: Quinault, Philippe, 1635-1688.
Description: Libretto of the opera "Isis," by Philippe Quinolt. The music of the opera was composed by Jean-Baptiste Lully's and premiered on January 5, 1677 at St. Germain-en-Laye. The libretto is a loose adaptation of one of the episodes in Ovid's Metamorphoses. The plot resembles that of Lully's previous opera, Atys. It is set in pastoral and divine realms. In the opera, Jupiter courts the nymph Io, and jealous Juno imprisons her under the hundred watchful eyes of Argus. The god Mercury helps Io to escape and turns Hiérax, Io's former lover, into a bird when he tries to interfere. Then, Juno orders a Fury to torment Io. After a series of tortures, Io invokes Jupiter who interferes with Juno promising he will be faithful to her in exchange of her sparing Io. Juno then transforms Io into the Egyptian goddess Isis. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King.
Contributing Partner: UNT Music Library
Enée et Lavinie

Enée et Lavinie

Date: 1690
Creator: Fontenelle, M. de (Bernard Le Bovier), 1657-1757.
Description: Libretto of the opera "Enée et Lavinie" by Bernard le Bovier de Fontenelle. Pascal Collasse composed the music of the opera which premiered on November 7, 1690. The plot, which Bovier de Fontenelle adapted from Virgil's "Aeneid, Book vii," revolves around the marriage of Enée (i.e., Aeneas) to the Latin bride Lavinia.
Contributing Partner: UNT Music Library
Coronis

Coronis

Date: 1891
Creator: Chappuzeau de Baugé, Daniel-Paul.
Description: Libretto of the 1691 "Coronis," a French lyrical genre called pastorale-heroïque, representing the love of nobles or gods often disguised as shepherds (or shepherdesses) in Arcadian settings. Daniel-Paul Chappuzeau de Baugé wrote the libretto and Teobaldo de Gatti composed its music.
Contributing Partner: UNT Music Library
Zephire et Flore

Zephire et Flore

Date: 1688
Creator: Duboullay, Michel
Description: This is a digital reproduction of the 1688 libretto of the opera "Zephire et Flore" by Michel Du Boullay. The music of the opera is attributed to Louis and Jean-Louis Lully, sons of Jean-Baptiste Lully. It was performed for the first time on March 22, 1688 at the Palais Royale in Paris.
Contributing Partner: UNT Music Library
Pigmalion

Pigmalion

Date: 1773
Creator: Panard, Charles-François, d. 1765.
Description: This is the 1773 edition of the libretto to the comic opera and vaudeville, "Pigmalion" by Charles-François Panard and Thomas Laffichard. The opera premiered at the Paris Opéra Comique in 1735 . The plot is an adaptation of Ovid's story of Pygmalion, a sculptor who fell in love with a statue that he carved. Operatic and ballet representation of the subject of Pigmalion (or Pygmalion) became famous after Antoine Houdar de la Motte's entrée "La sculpture" for the ballet "Le triomphe des arts," which staged in 1700 at Académie Royale de Musique with music by Michel de la Barre. Page 16 of this edition was incorrectly numbered as number 10.
Contributing Partner: UNT Music Library
Romeo et Juliette, opera en trois actes, en prose

Romeo et Juliette, opera en trois actes, en prose

Date: 1793
Creator: Steibelt, Daniel, 1765-1823.
Description: This is the score of Daniel Steibelt's first opera "Roméo et Juliette" composed in 1793 to a libretto by Vicomte Alexandre de Ségur. According to Grove Music, Steibelt submitted this opera to the Académie Royale de Musique, but it was rejected. The work was performed as opéra comique at the Théâtre Feydeau on 9 October 1793, after Steibelt replaced the original recitatives with spoken dialog. The opera is in three acts and the orchestral forces comprise: woodwinds (flutes (2), oboes (2), clarinets (2), and bassoon (2)), brass instruments (horns in E-flat (2), trumpets in C (2), and trombones (3)), timpani in C, and strings (violins, viola, violoncello, and bass). On the t.p., the publisher advertised Steibelt's arrangement for the piano of arias and overture of this opera.
Contributing Partner: UNT Music Library
[Operas]

[Operas]

Date: [170-?]
Creator: unknown
Description: This is the second of a two-volume collection containing the basso continuo accompaniment to melodies from these 17th - 18th century operas: Des quatre saisons (p.1); Roland (p.16); Hesione (p.39); Persée (p.58); L'Europe galante (p.76); Amadis de Gaules (p.107); Issé (p.126); Phaéton (p.134). The manuscript contains cues for instruments, choruses, and characters of the opera. Most of the melodies are dances of the era: minuets, saraband, passacaglia, march; rondeau, boureé, gavotte, gigue, and canaries. The hard leather cover of the library's copy includes the titles of the operas and the statement, "Apartenant à M[onsieu]r de Pimont" (i.e, belonging to Mr. De Pimont).
Contributing Partner: UNT Music Library
[Operas]

[Operas]

Date: [170-?]
Creator: unknown
Description: This is the first of a two-volume collection of melodies from these 17th - 18th century operas: Des quatre saisons (p.1); Roland (p.12); Hesione (p.29); Persée (p.46); L'Europe galante (p.61); Amadis de Gaules (p.83); Issé (p.101); Phaéton (p.108). The manuscript contains cues for instruments, choruses, and characters of the opera. Most of the melodies are dances of the era: minuets, saraband, passacaglia, march; rondeau, boureé, gavotte, gigue, and canaries. The hard leather cover of the library's copy includes the titles of the operas and the statement, "Apartenant à M[onsieu]r de Pimont" (i.e, belonging to Mr. De Pimont).
Contributing Partner: UNT Music Library
Proserpine, tragedie en musique

Proserpine, tragedie en musique

Date: [1688]
Creator: Quinault, Philippe, 1635-1688.
Description: This is a copy of the libretto of "Proserpine," a tragedy in five acts by Phillipe Quinault. The tragedy was set to music by Jean Baptiste Lully, superintendent chamber composer of the court of Louis XIV, and performed in the King's presence at Saint Germain-en-Laye on February, [3] 1680. The month and year of the opera premiere are indicated on the t.p., but the day of performance was left out with a blank space. The library's copy shows errors in pagination. The number of p. 25 was scribbled with ink and rendered illegible. A second p.66 should read p. 67, and the last page of the libretto, numbered 70, should be p. 68. The libretto contains an engraving of one of the stage settings by J. Le Pautre, after a design by J. Berain. The item contains a prologue and list of characters.
Contributing Partner: UNT Music Library