Recording of Sten Hanson's Dance figure. This work is for voice and electronics. The voice is put they a delay processor to continuously loop the phrase, accompanied by the electronics which allow for the repetition to evolve.
A partial set of playlists for individual Music USA programs 6150 through 6209, broadcast in November and December of 1971. There are 25 pages in this document.
Recording of John Gilliland interviewing Patty Andrews of the Andrews Sisters for the Pop Chronicles radio program series. The interview occurred either March 13 or September 13, 1971. A rehearsal is audible in the background. This segment is part 1 of 2.
Recording of John Gilliland interviewing Patty Andrews of the Andrews Sisters for the Pop Chronicles radio program series. The interview occurred either March 13 or September 13, 1971. A rehearsal is audible in the background. This segment is part 2 of 2.
Recording of John Gilliland interviewing Perry Como for the Pop Chronicles radio program series. This recording includes discussion of sexual harassment.
Recording of John Gilliland interviewing composer Jimmy Van Heusen for the Pop Chronicles radio program series. This is the first of three segments. Van Heusen's wife is present for this recording, and speaks in track 5.
Recording of John Gilliland interviewing Harry Mills of the Mills Brothers for the Pop Chronicles radio program series. This recording includes unrelated audio from other broadcasts after the interview with Mills.
Recording of John Gilliland interviewing Edgar Bergen for the Pop Chronicles radio program series. The interview begins in track 3 following unrelated material, and continues through track 6, followed by an apparent live performance by the Mills Brothers. This recording contains slurs or stereotyping directed at race, socioeconomic background, sexual orientation, or religion.
A short promotional film, perhaps designed as a "day in the life" of Willis Conover. The film follows him from the Voice of America studios to a tour of the John F. Kennedy Center for the Performing Arts under construction, to the New York City club Jim and Andy's, at the piano with his wife at the time, Shirley Conover, and back to the studio.
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