UNT Music Library - 31 Matching Results
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- Faculty Recital: 1999-02-12 - Linda Di Fiore, contralto
- A faculty recital performed at the UNT College of Music Concert Hall.
- Faculty Recital: 1997-01-17 - Linda Di Fiore, contralto
- A faculty and guest artist recital performed at the UNT College of Music Recital Hall.
- Faculty Recital: 1990-04-17 - Steven Farish, baritone; Jack Roberts, piano
- Faculty recital performed at the UNT College of Music Recital Hall.
- Faculty Recital: 1990-08-30 – College of Music Fall Convocation
- Fall Convocation presented at University of North Texas College of Music Concert Hall.
- Doctoral Recital: 1991-04-08 – Colleen R. Bolthouse, soprano and Sarah D. Click, piano
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Recital: 1991-07-01 – Paul David Haskins, Baritone
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- L'ouest du palmarès
- Recording of Robert Grassi's L'ouest du palmarès. The composer describes this work as a live improvisation from a sample percussionists and speaker. The instrumentation was created by Yamaha drums and a Yamaha sampler.
- Radiodays
- Recording of Marco Ligabue's Radiodays. This recording is a "radio" soundscape of some moments from the 20th century.
- Babel
- Recording of Jorge Rodrigo Sigal's Babel. This work is part of a larger CD project called "Manifesto". The piece is meant for flute, tape, and optional live electronics. The sound materials were recorded in Spain, France, and Mexico City. The composer dedicates this work to Stefano Scarani and it was premiered by Mr. Harrie Starreveld.
- Ensemble: 1992-11-15 – Opera Without Elephants
- UNT Opera Theater Scenes recital performed at the UNT College of Music Concert Hall.
- Aquapolis
- Recording of Lou Mallozzi's Aquapolis. The sound material is language and ambient recordings. The text is written in English, and has been translated into German and Venetian Italian. There are aquatic sounds, body sounds, and sounds of physical labor. Conceptually, the piece is based on a fictional trans-historical walk through an aquatic city, loosely based on Venice. The piece is in four sections: Preamble, 2000 Years Ago, 200 Years Ago, and This Year.
- Die Unsichtbare front
- Recording of Ipke Starke's Die Unsichtbare front. The composer notes the following: The spatial installation of this work was designed and realized for the highest space in the building of the Technical Collections of the city of Dresden. This place just below the dome of the tower with its exceptional view of the city and the nearby radio tower is part of the work. The composition itself consists of 16 minutes of music on magnetic tape, constantly looped, spatialized and broadcast through the 7 loudspeakers configured in the space. The piece is based on modulations of extremely high frequencies, up to the limits of the audible, whose dynamic degree barely reaches the threshold of perception. What is significant vis-à -vis the content of the play is their interruption by documentary material: news in different languages, interviews, recordings of demonstrations, reports and documents from the archives, and synthetically generated or processed sounds of associative character. This confrontation of situational elements with documentary elements generates contradictory tensions in space. The architectural form of this one is also substantial: first of all, the space is presented in a neutral way, not done on purpose for pleasure. The exposed location of the dome provides openness, the experience of seeing the big picture. After the East German secret service left its offices, housed here six years ago, public access is now, the finished restoration work, made possible again. The space was left in its pristine state. It gives the impression of transparency, a membrane permeable to the signal. Within this constellation, the documentary and definable material fulfills the expectations of habitual sensual pleasure, and the desired ornament appears, but distanced and in modern form, that is, as information. or, more correctly, clothed with information, since the information itself is of no importance and is far from …
- Faculty Recital: 1997-01-17 – Linda Di Fiore, contralto
- Faculty voice recital performed at the UNT College of Music Concert Hall.
- Ensemble: 1999-09-28 – ChoralFest
- A choir concert performed at the UNT College of Music Winspear Hall
- Facutly Recital: 1998-11-13 - Jeffrey Snider, baritone and Harold Heiberg, piano
- A faculty recital performed at the UNT College of Music Concert Hall.
- Faculty Recital: 1990-08-30 - Fall Convocation
- Faculty recital performed at the UNT College of Music Concert Hall.
- Guest Artist Recital: 1990-09-20 - Brazos Baroque
- Guest artist recital performed at the UNT College of Music Recital Hall.
- Ensemble: 1993-11-05 – Women's Chorus Fall Concert
- Women's Chorus concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1992-11-14 - Opera without Elephants
- Opera scenes recital performed at the UNT College of Music Concert Hall.
- Ensemble: 1998-11-20/1998-11-21 - Opera Without Elephants
- Concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1991-11-07 – A Cappella Choir, Concert Choir, Grand Chorus, and Orchestra
- Choir concert presented at UNT College of Music Concert Hall.
- Ensemble: 1996-03-08 – A Cappella Choir
- UNT A Cappella Choir concert presented at the UNT College of Music Concert Hall.
- Ensemble: 1997-11-22 – UNT College of Music
- UNT College of Music concert performed at Prestonwood Town Center, Dallas.
- Ensemble: 1999-12-03 - Opera without Elephants
- Recording of a performance of "Opera Without Elephants: scenes from operas by Wolfgang Amadeus Mozart" at the UNT College of Music.
- Ensemble: 1996-10-25 – Opera
- Recording of the Friday evening performance of "Opera Without Elephants" at the UNT College of Music Concert Hall.
- Ensemble: 1995-11-29 – Opera
- Recording of the Wednesday evening performance of "Opera Without Elephants" presented at the UNT College of Music Concert Hall.
- Ensemble: 1997-12-02 - Men's and Women's Chorus
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1991-11-01 – UNT Men's Chorus
- UNT Men's Chorus concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1992-03-02 – Concert Choir
- Concert Choir concert performed at the UNT College of Music Concert Hall.
- I hear you think
- Recording of Johannes S. Sistermanns' I hear you think. This work consists of various concrete sounds as well as spoken text written by Hazrat Inayat Khan.
- Ensemble: 1999-03-06 – Opera Theatre and Chamber Orchestra
- Concert performed at the UNT College of Music Lyric Theatre.