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- 3 elektronische Studien
- Recording of Lothar Voigtländer's 3 elektronische Studien. The basis for the composition are the poems of the poet Erich Arendt. The poems were written around 1925 in his Expressionist creative period. Accordingly, the compositional means: concrete musical material is mixed with electronic sounds to achieve a strongly expressive and suggestive associative effect. It is less thought of as a "setting" of the texts, but should be added to the often strongly symbolic language formulations as a different, musical dimension. The vocals and the piano usually work live. The piano is mostly treated as unrecognizable - this is to achieve a seamless insertion into the electro-acoustic sound material. In a performance, both piano and singer can be electro-acoustically amplified and to a lesser extent technically manipulated (reverberation, iteration, etc).
- 48 13 N, 16 200
- Recording of Tae Hong Park's 48 13 N, 16 200. This is a work for electronics that includes ambient sounds and spoken German language.
- Abominable A
- Recording of Luigi Ceccarelli's "Abominable A" for magnetic tape. The piece includes the voices of Kadigia Bove, Francesca Furlanetto, Eugenio Giordani, Luciano Martinis, Michela Mollia, Achille Perilli, Marina Poggi, Enrico Pulsoni, Giovanni Puma, Kerstin Riemer, Claudio Rufa, Stefano Scodanibbio, Gaetano Trusso, and Catherine Verwilgen. The piece contains a recitation of all the words in the Italian vocabulary that begin with the letter A, read in sequence from voices with different stamps, rhythms, and intonations. To these are added other sequences in French, German, and English. The work is divided into fifteen sections, each of which has a different criterion for processing the timbre, rhythm, and space. It was realized at the Electronic Laboratory for Experimental Music at the Conservatory "G. Rossini" in Pesaro from 1978 to 1980.
- Aï∂a ∂omi
- Recording of Mia Schmidt's Aï∂a ∂omi. The spoken word, on which the composers short composition for tape "a rose is a rose" is basing, transfers two antithetical messages. The poem "rose is a rose" written by Gertrude Stein is a love- poem. The composer added sentences, taken from newspaper articles discussing the brutality of the pornographic industry. The poem is represented by this overtone-spectrum in form of sinus-tones or slightly modified sinus-tones. The sentences from the newspaper articles are normally spoken.
- Andere die Welt, sie braucht es
- Recording of Wilhelm Zobl's Andere die Welt, sie braucht es.
- Approcci a petrarca
- Recording of Hans Ulrich Humpert's Approcci a petrarca. This work is made up of five sections, which are voice and electronics. The piece features many sounds such as voice, electronics, writing with a pencil, and sound effects.
- Aquapolis
- Recording of Lou Mallozzi's Aquapolis. The sound material is language and ambient recordings. The text is written in English, and has been translated into German and Venetian Italian. There are aquatic sounds, body sounds, and sounds of physical labor. Conceptually, the piece is based on a fictional trans-historical walk through an aquatic city, loosely based on Venice. The piece is in four sections: Preamble, 2000 Years Ago, 200 Years Ago, and This Year.
- Le bass de auf a bourges du dat
- Recording of Jürgen Bräuninger and Ulrich Süsse's Le bass de auf a bourges du dat. It is a work for saxophone, bass clarinet, and electronics. There are speech snippets which are accompanied by free improv from the saxophone and clarinet, while processed and manipulated recording of these instruments play in the background.
- Berlin views
- Recording of Günter Heinz's Berlin views. This work presents the "sound of the city at the end of the century" and arose in connection with the video project Ç Vortex È of Akademie der Künste Berlin.
- Candide: Unterwegs - en cheminn en el camino - Away
- Recording of Hans Ulrich Humpert's Candide: Unterwegs - en cheminn en el camino - Away. This piece includes periods of overlapping voices, with voices speaking in French, German, English, and Spanish; sometimes these overlaps consist of two voices in different languages, sometimes more.
- Chacoel (Musik für den frühen Abend)
- Recording of Martin Rudolf Schwarzenlander-Fischer's "Chacoel (Musik für den frühen Abend)" for tape.
- Chanson
- Recording of Dieter Kaufmann's Chanson.
- Die chore der andromache
- Recording of Hans Ulrich Humpert's Die chore der andromache. This work is made up of five sections which are made up of electronicly-processed voice and electronics.
- Composition Recital: 2017-11-28 – Spectrum
- Spectrum concert performed at the UNT College of Music Voertman Hall.
- La Confession
- This work was created from a story entitled "The Confession" that I wrote in 1989. In Spanish originally, it was translated into Hebrew, French, English and German. Some of these texts in different languages have been integrated into the work. "Confession" records the psychological oscillations - from mental stability to madness or vice versa - that the protagonist goes through. "The Confession" of the human voice, the electronic instruments (synclaiver), the acoustic instruments (harp, trombone, cello, flute, percussion) and the concrete sounds create a semantic interaction with the syntax of the musical language.
- Dialogue avec Wittgenstein
- Recording of Dieter Kaufmann's Dialogue avec Wittgenstein. This work is built on fragments of philosophical text spoken in both French and German, as well as various musical segments by composers Beethoven, Brahms, Bruckner, and the composer himself. The work was produces at the ELAK Institute of the University of Vienna Music and had two premieres. The German version in Vienna (1999) and the French version in Bourges (1999).
- An die materie
- Recording of David Prior's An die materie. Written for dancer, choreographers, voice, and electronics. The relationship established between the music and the movement, was carefully considered throughout the collaborators. The piece was inspired by a poem by French Jesuit mystic Pierre Theilhard de Chardin in its German translation.
- Dirigez la fortune
- No Description Available.
- Doctoral Lecture: 2017-02-22 – Ah Young Kim, piano
- Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 1989-04-17 – Kristine H. Kresge, conductor
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 1990-11-19 – Gale Odom, soprano
- Lecture recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 2002-04-22 – Jemmilou Rye Rushing, soprano
- Doctoral lecture recital at the UNT College of Music Concert Hall.
- Doctoral Lecture Recital: 2009-06-18 – Conroy Cupido, tenor
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 2013-05-21 – Laurissa Backlin, soprano
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 2016-02-12 – Alicia Wallace, soprano
- Doctoral lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 2017-04-08 – Chul Woong Chang, baritone
- Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 1986-12-01 - Robert Hansen, tenor
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 1987-04-13 – Susan Masters, soprano
- Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 1987-07-15 – Robert Hanson, tenor
- Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 1988-04-18 – Sam Germany, tenor
- Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 1989-01-16 – Chong-Pil Lim, piano
- Recital presented at the UNT School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 1990-02-19 – Samuel R. German, Jr., tenor
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 1991-04-08 – Colleen R. Bolthouse, soprano and Sarah D. Click, piano
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Recital: 1991-04-15 – Susan Masters Wyatt, soprano
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 1991-07-01 – Paul David Haskins, Baritone
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 1999-04-19 – Daniel Farris, conductor
- Recital presented at the UNT College of Music Winspear Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 2002-03-30 – Paul Tucker, conductor
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 2003-01-27 – Riki Darding, soprano
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 2006-03-20 – Anne Beloncik Schantz, soprano
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Recital: 2006-06-19 – Richard Novak, tenor
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Recital: 2007-02-26 - Kellie Quijano, clarinet
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Recital: 2007-03-01 - Jessica McCormack, soprano
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 2007-03-05 - Daniel Stevens, viola
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Recital: 2007-04-16 - Chie Watanabe, piano
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Recital: 2007-04-16 - John Roberts, percussion
- Recital presented at the UNT College of Music Recital Hall in fulfillment of the Doctor of Music Arts (DMA) degree
- Doctoral Recital: 2007-04-21 - José Luís Reséndez, saxophone
- Recital presented at the UNT College of Music Concert Hall in fulfillment of the Doctor of Music Arts (DMA) degree
- Doctoral Recital: 2007-04-27 - Wen-Chien Tang, piano
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Recital: 2007-11-04 Hyun-Jun Choi, tenor
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 2007-11-05 - Jeremy Blackwood, bass
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Recital: 2007-11-15 - Hyeryung Kwon, soprano
- Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.