Latest content added for UNT Digital Library Partner: UNT College of Visual Arts and Designhttps://digital.library.unt.edu/explore/partners/UNTCVA/browse/?start=20&fq=untl_collection:UNTSW&display=list2018-01-23T05:28:11-06:00UNT LibrariesThis is a custom feed for browsing UNT Digital Library Partner: UNT College of Visual Arts and DesignTeacher/Student: Technology as a Basis for Centrifugal Learning that “Goes Both Ways,” Part 12018-01-23T05:28:11-06:00https://digital.library.unt.edu/ark:/67531/metadc1062084/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1062084/"><img alt="Teacher/Student: Technology as a Basis for Centrifugal Learning that “Goes Both Ways,” Part 1" title="Teacher/Student: Technology as a Basis for Centrifugal Learning that “Goes Both Ways,” Part 1" src="https://digital.library.unt.edu/ark:/67531/metadc1062084/small/"/></a></p><p>This article provides retrospective insight on incorporating geographic information systems into medieval studies research.</p>Defining a New Coast: G.I.S. Reconstruction of Maillezais Abbey’s Hydraulic Drainage Program and the Coastline It Created2018-01-23T05:28:11-06:00https://digital.library.unt.edu/ark:/67531/metadc1062094/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1062094/"><img alt="Defining a New Coast: G.I.S. Reconstruction of Maillezais Abbey’s Hydraulic Drainage Program and the Coastline It Created" title="Defining a New Coast: G.I.S. Reconstruction of Maillezais Abbey’s Hydraulic Drainage Program and the Coastline It Created" src="https://digital.library.unt.edu/ark:/67531/metadc1062094/small/"/></a></p><p>This article discusses the expansion of Maillezais Abbey and the creation of its hydraulic infrastructure.</p>Assessing the Media Visibility of China's President Xi Jinping's First 3-Year Governance in the New York Times2017-07-11T19:49:35-05:00https://digital.library.unt.edu/ark:/67531/metadc984092/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc984092/"><img alt="Assessing the Media Visibility of China's President Xi Jinping's First 3-Year Governance in the New York Times" title="Assessing the Media Visibility of China's President Xi Jinping's First 3-Year Governance in the New York Times" src="https://digital.library.unt.edu/ark:/67531/metadc984092/small/"/></a></p><p>This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.</p>Paul Newman is Hombre2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274982/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274982/"><img alt="Paul Newman is Hombre" title="Paul Newman is Hombre" src="https://digital.library.unt.edu/ark:/67531/metadc274982/small/"/></a></p><p>The nearly square painting is composed of several standing figures, some of whom hold weapons. The colors of the painting are primarily reds, blues and yellows. Two figures on the right side of the canvas appear to be holding microphone and a guitar. Green and red silhouettes of horses are in the background. The picture plane is filled with figures with almost no negative space.</p>Orson2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274984/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274984/"><img alt="Orson" title="Orson" src="https://digital.library.unt.edu/ark:/67531/metadc274984/small/"/></a></p><p>The painting, mostly monochromatic, depicts a portrait of Orson Welles in the top two-thirds of the canvas. Along the bottom edge, also in monochromatic tones, are men depicted in combat with automatic weapons. At the right edge, the face of a superhero is depicted in pink, blue, red and yellow. Running vertically in the left hand portion of the canvas is a depiction of lined notebook paper with a small pencil sketch of a landing craft or space ship.</p>Santa Fe2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274991/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274991/"><img alt="Santa Fe" title="Santa Fe" src="https://digital.library.unt.edu/ark:/67531/metadc274991/small/"/></a></p><p>In this black and white painting are depicted three men. The two main figures wear cowboy hats and the figure on the right side of the painting also sports a sheriff's badge in the shape of a star. The brushstrokes are loose and expressive. The men appear to be having a dialogue.</p>The Big Heat2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274992/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274992/"><img alt="The Big Heat" title="The Big Heat" src="https://digital.library.unt.edu/ark:/67531/metadc274992/small/"/></a></p><p>The black and white painting depicts a version of a famous scene in the movie The Big Heat from 1953 directed by Fritz Lang and starring Glenn Ford. The brushstrokes are loose. One man holds a gun on a second wounded man. The man in the right foreground reaches out to the man in the center who leans against the wall.</p>The Color of Money2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274993/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274993/"><img alt="The Color of Money" title="The Color of Money" src="https://digital.library.unt.edu/ark:/67531/metadc274993/small/"/></a></p><p>In this horizontally oriented painting, two men, in the foreground, are recognizable depictions of Paul Newman and Tom Cruise from the movie titled The Color of Money. In the background, a car and a woman are seen on the right side of the picture. The older man has his arm around the shoulder of the younger man and is holding a roll of money in front of the face of the younger man. The background is a light bright green color. The young man wears a pink and purple plaid shirt and blue jacket. The older man wears a green coat and has gray hair.</p>Jesus and Disciples in a Storm2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274994/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274994/"><img alt="Jesus and Disciples in a Storm" title="Jesus and Disciples in a Storm" src="https://digital.library.unt.edu/ark:/67531/metadc274994/small/"/></a></p><p>The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines.</p>Tares and Wheat2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274985/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274985/"><img alt="Tares and Wheat" title="Tares and Wheat" src="https://digital.library.unt.edu/ark:/67531/metadc274985/small/"/></a></p><p>The vertically oriented painting depicts pieces of several contemporary images, a small portion of Life magazine logo, woman's face, cigarette package, tire, rocket, photograph, woman in a swimsuit and a car. The way in which the images are painted they appear to be torn from a magazine and are arranged in a collage fashion.</p>Bush Meets Pope2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc275000/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc275000/"><img alt="Bush Meets Pope" title="Bush Meets Pope" src="https://digital.library.unt.edu/ark:/67531/metadc275000/small/"/></a></p><p>The painting depicts George W. Bush meeting the Pope, Pope Benedict XVI. The colors are solid and flat with black outlines.</p>Cain and Abel2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274995/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274995/"><img alt="Cain and Abel" title="Cain and Abel" src="https://digital.library.unt.edu/ark:/67531/metadc274995/small/"/></a></p><p>This large colorful painting depicts the brothers, Cain and Abel, from the Book of Genesis in the Bible. The story of these brothers is also found in the Quran. The painting consists of many bright colors in flat fields with black lines and outlines. The shepherd brother is in the background herding sheep and in the foreground is the second brother holding a large club and peering over his left shoulder.</p>The Europeans2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274996/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274996/"><img alt="The Europeans" title="The Europeans" src="https://digital.library.unt.edu/ark:/67531/metadc274996/small/"/></a></p><p>Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat.</p>Excuse Me2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274998/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274998/"><img alt="Excuse Me" title="Excuse Me" src="https://digital.library.unt.edu/ark:/67531/metadc274998/small/"/></a></p><p>A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone.</p>Painted Magazine Triptych2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274987/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274987/"><img alt="Painted Magazine Triptych" title="Painted Magazine Triptych" src="https://digital.library.unt.edu/ark:/67531/metadc274987/small/"/></a></p><p>The triptych depicts events and people from the early to mid 1970s such as a battlefield in the Vietnam War, Black Panthers and Patty Hearst being escorted to trial by a federal marshall.</p>Painted Magazine Triptych2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274988/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274988/"><img alt="Painted Magazine Triptych" title="Painted Magazine Triptych" src="https://digital.library.unt.edu/ark:/67531/metadc274988/small/"/></a></p><p>This is the center panel from a triptych.</p>Elvis / Blue Boy Still Life2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274990/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274990/"><img alt="Elvis / Blue Boy Still Life" title="Elvis / Blue Boy Still Life" src="https://digital.library.unt.edu/ark:/67531/metadc274990/small/"/></a></p><p>This large, mostly black and white painting, depicts a scene of a bar fight from one of Elvis Presley's movies and a reproduction of the famous painting, Blue Boy, by Thomas Gainsborough is superimposed. In front of the painting is a wooden table holding an apple, a pear and a pitcher, not unlike a Paul Cezanne still life.</p>Painted Sports Magazine2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc274986/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc274986/"><img alt="Painted Sports Magazine" title="Painted Sports Magazine" src="https://digital.library.unt.edu/ark:/67531/metadc274986/small/"/></a></p><p>This painting depicts a 1976 Sports Illustrated magazine cover featuring Steve Spurrier, a San Francisco 49ers football player. The painting depicts the cover as though the corner has been torn away and some extraneous expressionistic paint marks overlay the realistic portrayal of the football player.</p>Bush and McCain2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc275001/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc275001/"><img alt="Bush and McCain" title="Bush and McCain" src="https://digital.library.unt.edu/ark:/67531/metadc275001/small/"/></a></p><p>This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.</p>Video Conference and Eddie2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc275005/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc275005/"><img alt="Video Conference and Eddie" title="Video Conference and Eddie" src="https://digital.library.unt.edu/ark:/67531/metadc275005/small/"/></a></p><p>This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference."</p>Richardson Endorses Obama2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc275006/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc275006/"><img alt="Richardson Endorses Obama" title="Richardson Endorses Obama" src="https://digital.library.unt.edu/ark:/67531/metadc275006/small/"/></a></p><p>Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles.</p>Gotta Gun2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc275007/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc275007/"><img alt="Gotta Gun" title="Gotta Gun" src="https://digital.library.unt.edu/ark:/67531/metadc275007/small/"/></a></p><p>This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve.</p>Cezanne Painting2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc275009/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc275009/"><img alt="Cezanne Painting" title="Cezanne Painting" src="https://digital.library.unt.edu/ark:/67531/metadc275009/small/"/></a></p><p>This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.</p>Senate Testimony2014-02-14T09:18:24-06:00https://digital.library.unt.edu/ark:/67531/metadc275011/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc275011/"><img alt="Senate Testimony" title="Senate Testimony" src="https://digital.library.unt.edu/ark:/67531/metadc275011/small/"/></a></p><p>The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman.</p>Museum Dilemma: Nazi-era Art Restitution2013-06-28T14:11:04-05:00https://digital.library.unt.edu/ark:/67531/metadc172336/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc172336/"><img alt="Museum Dilemma: Nazi-era Art Restitution" title="Museum Dilemma: Nazi-era Art Restitution" src="https://digital.library.unt.edu/ark:/67531/metadc172336/small/"/></a></p><p>This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face.</p>Black Growth2013-02-01T13:21:15-06:00https://digital.library.unt.edu/ark:/67531/metadc139521/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc139521/"><img alt="Black Growth" title="Black Growth" src="https://digital.library.unt.edu/ark:/67531/metadc139521/small/"/></a></p><p>This head piece was created using mylar removed from floppy disks that were individually machine stitched into form, then hand sewn to create the overall look.</p>A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment2013-02-01T09:58:57-06:00https://digital.library.unt.edu/ark:/67531/metadc139459/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc139459/"><img alt="A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment" title="A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment" src="https://digital.library.unt.edu/ark:/67531/metadc139459/small/"/></a></p><p>This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts.</p>Bear2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129735/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129735/"><img alt="Bear" title="Bear" src="https://digital.library.unt.edu/ark:/67531/metadc129735/small/"/></a></p><p>Image of part of an art installation at Trinity College in Hartford, Connecticut...</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129706/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129706/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129706/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129717/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129717/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129717/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view can be seen the video projection on the rear wall of the swimmer Esther Williams. In the foreground, suspended from the ceiling is a tube raft and netting.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129713/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129713/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129713/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image shows the wall mural that depicts sperm, hand saw, bowling pin, float and netting.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129712/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129712/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129712/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This room of the installation has a video projection on the rear wall and in the foreground a setting that includes netting hanging from ceiling with an inflated tube hanging above an iron, a striped marker, two coffee pots and various other items.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129711/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129711/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129711/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The word replicate in rubber letters, lab cages are seen beneath one of the murals depicting a man's face stretched out and distorted.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129710/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129710/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129710/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129709/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129709/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129709/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows one of the murals with the "Stretchman" with rubber letters beneath spelling replicate. Above the letters are many lab cages. On the table in front of the mural is a microscope.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129708/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129708/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129708/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows two murals of the "Stretchman" as well as the complexity of the building in which the exhibition took place. In the background, stairs, a second level and pillars of the building are visible.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129707/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129707/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129707/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation shows murals of the "Stretchman" as well as the rubber letters spelling, assimilate. In the foreground is a blue table with two bottles on it.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129700/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129700/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129700/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Ears of corn and test tubes are seen in the detail view of the installation.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129701/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129701/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129701/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view shows ears of corn and a microscope on a black rubber topped table. The glass slides contain miniaturized bio-ethical questions that can be read under the microscope.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129702/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129702/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129702/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In the foreground is a microscope and many glass slides containing miniaturized bio-ethical questions on a black rubber topped table. On the wall can be seen murals of the "Stretchman."</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129704/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129704/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129704/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view is of the entrance signage to the exhibition.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129705/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129705/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129705/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The entrance signage is visible and a portion of the first part of the exhibit with a found Dinosaur National Park entry sign, a piece of rooftop, and metallic highway tape. The installation included the entry, seen here, a Highway Room, Campground, Hallways that included the myths of Theseus, Ariadne, and the Minotaur written on the walls. Also included were the Communication Room, Boxing Room, Float Room, Dressing Room, Telephone Room, Waiting Room, Braille Book Room, and the Nest Room.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129703/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129703/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129703/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image of the "Stretchman" was repeated several times within the exhibition.</p>Coyote2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129742/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129742/"><img alt="Coyote" title="Coyote" src="https://digital.library.unt.edu/ark:/67531/metadc129742/small/"/></a></p><p>Image of part of an art installation at Trinity College in Hartford, Connecticut.</p>Leopard2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129738/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129738/"><img alt="Leopard" title="Leopard" src="https://digital.library.unt.edu/ark:/67531/metadc129738/small/"/></a></p><p>Image of part of an art installation at Trinity College in Hartford, Connecticut.</p>Deer2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129740/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129740/"><img alt="Deer" title="Deer" src="https://digital.library.unt.edu/ark:/67531/metadc129740/small/"/></a></p><p>Image of part of an art installation at Conduit Gallery in Dallas, Texas.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129689/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129689/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129689/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The detail view shown here is an armature or a trampoline form folded in half and suspended from the ceiling.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129690/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129690/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129690/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows a small trampoline suspended from the ceiling. Strapped to the trampoline is a pillow. A tall structure holds a see-saw with a chair on each end. Behind this grouping is a chain link fence drawing on the wall.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129691/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129691/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129691/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view of the installation includes a small room in which a vanity with two chairs has a crown painted on the wall above. Words, directions, are written on the wall for the performers to the right of the vanity table.</p>Pages from a Quiet Book: A Societal Labyrinth2012-12-19T13:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc129692/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc129692/"><img alt="Pages from a Quiet Book: A Societal Labyrinth" title="Pages from a Quiet Book: A Societal Labyrinth" src="https://digital.library.unt.edu/ark:/67531/metadc129692/small/"/></a></p><p>Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows a detail of the vanity table, its light bulbs, three chairs and the text, scripts for the performers, on the wall.</p>