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  Partner: UNT College of Visual Arts + Design
 Decade: 1940-1949
 Collection: ARTsource
A brief note about your search: All of the results matching your search query require you to be a member of the UNT Community (you must be on campus or login with university credentials for access).
Number 10: They were very poor.
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No Description digital.library.unt.edu/ark:/67531/metadc8891/
Number 12: The railroad stations were at times so overpacked with people leaving that special guards had to be called to keep order.
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No Description digital.library.unt.edu/ark:/67531/metadc8894/
Number 14: Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.
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No Description digital.library.unt.edu/ark:/67531/metadc8522/
Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.
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No Description digital.library.unt.edu/ark:/67531/metadc8973/
Number 18: The migration gained in momentum.
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No Description digital.library.unt.edu/ark:/67531/metadc8886/
Number 20: In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement.
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No Description digital.library.unt.edu/ark:/67531/metadc8366/
Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...
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No Description digital.library.unt.edu/ark:/67531/metadc8964/
Number 24: Child labor and a lack of education was one of the other reasons for people wishing to leave their homes.
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No Description digital.library.unt.edu/ark:/67531/metadc8365/
Number 26: And people all over the South began to discuss this great movement.
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No Description digital.library.unt.edu/ark:/67531/metadc8521/
Number 28: The labor agent who had been sent south by northern industry was a very familiar person in the Negro counties.
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No Description digital.library.unt.edu/ark:/67531/metadc8963/
Number 30: In every home people who had not gone North met and tried to decide if they should go North or not.
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No Description digital.library.unt.edu/ark:/67531/metadc8962/
Number 32: The railroad stations in the South were crowded with people leaving for the North.
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No Description digital.library.unt.edu/ark:/67531/metadc8961/
Number 34: The Negro press was also influential in urging the people to leave the South.
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No Description digital.library.unt.edu/ark:/67531/metadc8520/
Number 36: In Chicago and other cities they labored in the steel mills
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No Description digital.library.unt.edu/ark:/67531/metadc8960/
Number 38: They also worked in large numbers on the railroad.
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No Description digital.library.unt.edu/ark:/67531/metadc8516/
Number 40
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No Description digital.library.unt.edu/ark:/67531/metadc8726/
Number 40: The migrants arrived in great numbers.
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No Description digital.library.unt.edu/ark:/67531/metadc8364/
Number 42: Sometimes the [labor] agents disguised themselves to avoid arrest, but the migrants were often taken from railroad stations and jailed until the trains departed
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No Description digital.library.unt.edu/ark:/67531/metadc8519/
Number 44: Living conditions in the North were better.
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No Description digital.library.unt.edu/ark:/67531/metadc8959/
Number 46: Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous.
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No Description digital.library.unt.edu/ark:/67531/metadc8882/
Number 48: Housing for the Negroes was a very difficult problem.
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No Description digital.library.unt.edu/ark:/67531/metadc8518/
Number 50: Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers.
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No Description digital.library.unt.edu/ark:/67531/metadc8958/
Number 52: One of the largest race riots occured in East Saint Louis.
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No Description digital.library.unt.edu/ark:/67531/metadc8517/
Number 54: One of the main forms of social and recreational activities in which migrants indulged occured in the church.
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No Description digital.library.unt.edu/ark:/67531/metadc8957/
Number 56: Among the last groups to leave the South ws the Negro professional who was forced to follow his clientele to make a living.
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No Description digital.library.unt.edu/ark:/67531/metadc8956/
Number 58: In the North the Negro had better education facilities.
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No Description digital.library.unt.edu/ark:/67531/metadc8892/
Number 60: The trains were packed continually with migrants.
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No Description digital.library.unt.edu/ark:/67531/metadc8972/
Onement III
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No Description digital.library.unt.edu/ark:/67531/metadc8651/
Painting
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No Description digital.library.unt.edu/ark:/67531/metadc8290/
Painting
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Painting of black and yellowish white layered rectangular shapes. digital.library.unt.edu/ark:/67531/metadc8490/
Painting
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Painting of black irregular layered strokes on off-white background. digital.library.unt.edu/ark:/67531/metadc8745/
Phantasy II
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Painting of yellow, red, blue and dark green with thin black illustrations of triangles, squares and circle. digital.library.unt.edu/ark:/67531/metadc8708/
Poem-Object
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No Description digital.library.unt.edu/ark:/67531/metadc8748/
Portrait of a Woman
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No Description digital.library.unt.edu/ark:/67531/metadc8794/
Quarantania I
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No Description digital.library.unt.edu/ark:/67531/metadc8624/
Red Votive Lights
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This abstract painting on wood includes various hues of red with touches of purple and green. digital.library.unt.edu/ark:/67531/metadc8688/
Sand Mines of Tetelpa
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No Description digital.library.unt.edu/ark:/67531/metadc8761/
Self-Portrait with Cropped Hair
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No Description digital.library.unt.edu/ark:/67531/metadc8898/
Tate Modern Gallery
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The power station, now a contemporary art gallery, view is of the west side with its main entrance and ramp. digital.library.unt.edu/ark:/67531/metadc41144/
Tempo in Red Major
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No Description digital.library.unt.edu/ark:/67531/metadc8106/
Three Men Walking I
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No Description digital.library.unt.edu/ark:/67531/metadc8353/
Tree
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This painting portrays a tree with a fence in the foreground in hues of brown and green. digital.library.unt.edu/ark:/67531/metadc8757/
Two Edges
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No Description digital.library.unt.edu/ark:/67531/metadc8442/
Two Sisters
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No Description digital.library.unt.edu/ark:/67531/metadc8792/
Untitled
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No Description digital.library.unt.edu/ark:/67531/metadc8987/
Untitled
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No Description digital.library.unt.edu/ark:/67531/metadc8498/
Usonian Style Pope-Leighey House
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The view of the exterior includes a large glassed space so some interior is visible. digital.library.unt.edu/ark:/67531/metadc51551/
Usonian Style Pope-Leighey House
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The view of the exterior facade in the sunlight shows the pierced overhang view from the northeast. digital.library.unt.edu/ark:/67531/metadc51550/
Usonian Style Pope-Leighey House
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The view is of the house in a foliage dense setting. digital.library.unt.edu/ark:/67531/metadc51549/
The Vertigo of Eros
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This painting contains unidentifiable objects that appear to float in space among swirling and straight lines. The overall color palette is dark with highlights of red and yellow. digital.library.unt.edu/ark:/67531/metadc8666/