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  Partner: UNT College of Visual Arts + Design
 Resource Type: Artwork
Achilles Discovered Among the Women
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A figure wearing a red dress wields a sword among a group of people some of whom are on the floor rummaging through trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48044/
Achilles Discovered Among the Women
Access: Use of this item is restricted to the UNT Community.
A close view of the woman wearing white and two figures behind her is featured in this detail view. digital.library.unt.edu/ark:/67531/metadc48046/
Achilles Discovered Among the Women
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In the painting detail, a close view of the figure wearing red is shown. digital.library.unt.edu/ark:/67531/metadc48045/
Achilles Discovered Among the Women
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The center portion of the painting and the main focus of the action is shown in this detail. The figure raises the sword and women rummage through the trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48047/
Action Pattern, Number 2
The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface. digital.library.unt.edu/ark:/67531/metadc102405/
Acute Calm Pink
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Painting entitled Acute Calm Pink. digital.library.unt.edu/ark:/67531/metadc51206/
Acute Calm Pink
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forms, brushwork digital.library.unt.edu/ark:/67531/metadc51207/
Adam and Eve After the Expulsion from Paradise
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46262/
Adam and Eve After the Expulsion from Paradise
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46263/
Adam and Eve Eating the Forbidden Fruit and God Discovering Them, north doors trumeau relief, Orvieto Cathedral, Orvieto, Italy
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The relief decoration on the north doors of the Orvieto Cathedral show Adam and Eve eating the forbidden fruit and God discovering them. Large deeply-carved foliage runs across the top of the relief. digital.library.unt.edu/ark:/67531/metadc36457/
The Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc8177/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7886/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7885/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7878/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7879/
Adoration of the Magi
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detail at left of Adoration digital.library.unt.edu/ark:/67531/metadc46235/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc46234/
Adoration of the Magi
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46281/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc46408/
Adoration of the Magi
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adoration digital.library.unt.edu/ark:/67531/metadc47698/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc47697/
The Adoration of the Shepherds
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No Description digital.library.unt.edu/ark:/67531/metadc8850/
Adoration of the Shepherds
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Madonna and Child digital.library.unt.edu/ark:/67531/metadc46129/
Adoration of the Shepherds
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Shepherd digital.library.unt.edu/ark:/67531/metadc46130/
Adoration of the Shepherds
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No Description digital.library.unt.edu/ark:/67531/metadc46128/
Adoration of the Shepherds
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central detail digital.library.unt.edu/ark:/67531/metadc46164/
Adoration of the Shepherds
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No Description digital.library.unt.edu/ark:/67531/metadc46163/
Adoration of the Shepherds (unfinished)
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adoration of shepherds digital.library.unt.edu/ark:/67531/metadc46034/
Adoration of the Shepherds (unfinished)
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No Description digital.library.unt.edu/ark:/67531/metadc46033/
Adoration of the Shepherds (unfinished)
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No Description digital.library.unt.edu/ark:/67531/metadc46178/
Adrienne (Woman with Bangs)
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No Description digital.library.unt.edu/ark:/67531/metadc8102/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
Aeneas in the Underworld
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figures in underworld digital.library.unt.edu/ark:/67531/metadc47923/
Aeneas in the Underworld
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figures in underworld digital.library.unt.edu/ark:/67531/metadc47922/
Aeneas in the Underworld
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No Description digital.library.unt.edu/ark:/67531/metadc47921/
Aerial view toward Porta San Giovanni from Torre Grosso, with Via San Giovanni and adjacent houses (1985)
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keywords: panorama ; Aerial view of Porta San Giovanni w. Via San Giovanni and adjacent houses digital.library.unt.edu/ark:/67531/metadc51753/
L'Afficionado
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geometric forms, brushwork digital.library.unt.edu/ark:/67531/metadc51282/
L'Afficionado
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No Description digital.library.unt.edu/ark:/67531/metadc51306/
After the Bath
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A woman leaving her bath seen from behind is depicted in this pastel drawing. digital.library.unt.edu/ark:/67531/metadc7989/
After the Hunt
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A still life painting of hunting items and game animals. digital.library.unt.edu/ark:/67531/metadc8301/
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas. digital.library.unt.edu/ark:/67531/metadc27151/
Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of Félix Fénéon in 1890
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Oil painting of Félix Fénéon, wearing a suit and holding a top hat and cane in his left hand and holding out a flower in his right. There are multicolored designs in the background. digital.library.unt.edu/ark:/67531/metadc8598/
The Age of Bronze
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A nude male statue. digital.library.unt.edu/ark:/67531/metadc8369/
Age of Rectangles
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No Description digital.library.unt.edu/ark:/67531/metadc8712/
Agostina
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No Description digital.library.unt.edu/ark:/67531/metadc8846/
AH 99-13
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes. digital.library.unt.edu/ark:/67531/metadc27152/
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27153/
AJ 00-1
This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center. digital.library.unt.edu/ark:/67531/metadc27159/
Ajanta Cave 2
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This view shows the carved figurative decoration on the lintel frieze of figures both seated and standing. digital.library.unt.edu/ark:/67531/metadc44395/
Ajanta, Cave 17 Painted Wall
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The scene painted on the wall of the cave consists of many male and female figures. In the foreground, a couple are engaged in an enclosed shrine. digital.library.unt.edu/ark:/67531/metadc44400/