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  Partner: UNT College of Visual Arts + Design
 Collection: ARTsource
Accordion
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The accordion is upright with bellows partially expanded and keys visible. digital.library.unt.edu/ark:/67531/metadc41404/
Accordion
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A nineteenth-century rosewood accordion is visible in upright position with keys showing and bellows partially expanded. digital.library.unt.edu/ark:/67531/metadc41403/
Accordion
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No Description digital.library.unt.edu/ark:/67531/metadc41414/
Accounting
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The monochromatic postcard includes a depiction of an airplane in the air. There is some Japanese text along the bottom edge. digital.library.unt.edu/ark:/67531/metadc41347/
Accounting
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An grounded airplane is depicted in the monochromatic postcard. digital.library.unt.edu/ark:/67531/metadc41346/
Achilles
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The painting consists of a large red vertical field on a darker red/black field. digital.library.unt.edu/ark:/67531/metadc8816/
Achilles Discovered Among the Women
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In the painting detail, a close view of the figure wearing red is shown. digital.library.unt.edu/ark:/67531/metadc48045/
Achilles Discovered Among the Women
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The center portion of the painting and the main focus of the action is shown in this detail. The figure raises the sword and women rummage through the trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48047/
Achilles Discovered Among the Women
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A figure wearing a red dress wields a sword among a group of people some of whom are on the floor rummaging through trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48044/
Achilles Discovered Among the Women
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A close view of the woman wearing white and two figures behind her is featured in this detail view. digital.library.unt.edu/ark:/67531/metadc48046/
Acid Pitcher
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The pitcher has a wide spout, a large curved handle and is glazed white. digital.library.unt.edu/ark:/67531/metadc41559/
Acoustic / Electric Guitar (Chrysalis Model)
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The main front view of the guitar is visible with its red body. digital.library.unt.edu/ark:/67531/metadc41415/
Adam and Eve Eating the Forbidden Fruit and God Discovering Them, north doors trumeau relief, Orvieto Cathedral, Orvieto, Italy
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The relief decoration on the north doors of the Orvieto Cathedral show Adam and Eve eating the forbidden fruit and God discovering them. Large deeply-carved foliage runs across the top of the relief. digital.library.unt.edu/ark:/67531/metadc36457/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7879/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7885/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7886/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7878/
The Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc8177/
The Adoration of the Shepherds
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No Description digital.library.unt.edu/ark:/67531/metadc8850/
Adrienne (Woman with Bangs)
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No Description digital.library.unt.edu/ark:/67531/metadc8102/
After the Bath
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A woman leaving her bath seen from behind is depicted in this pastel drawing. digital.library.unt.edu/ark:/67531/metadc7989/
After the Hunt
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A still life painting of hunting items and game animals. digital.library.unt.edu/ark:/67531/metadc8301/
Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of Félix Fénéon in 1890
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Oil painting of Félix Fénéon, wearing a suit and holding a top hat and cane in his left hand and holding out a flower in his right. There are multicolored designs in the background. digital.library.unt.edu/ark:/67531/metadc8598/
Agam Fountain, Paris, France
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The water is visible from the ground level seating. digital.library.unt.edu/ark:/67531/metadc40947/
Agam Fountain, Paris, France
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An aerial view of the fountain shows its scale and colors. digital.library.unt.edu/ark:/67531/metadc40946/
The Age of Bronze
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A nude male statue. digital.library.unt.edu/ark:/67531/metadc8369/
Age of Rectangles
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No Description digital.library.unt.edu/ark:/67531/metadc8712/
Agostina
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No Description digital.library.unt.edu/ark:/67531/metadc8846/
The Agra Diamond
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1 gem : digital.library.unt.edu/ark:/67531/metadc36434/
Air
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No Description digital.library.unt.edu/ark:/67531/metadc40961/
Air
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This view from the top of the sculpture shows the face and the figure's left hand frontally and shows the figure in extreme perspective. digital.library.unt.edu/ark:/67531/metadc40962/
Ajanta Cave 2
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This view shows the carved figurative decoration on the lintel frieze of figures both seated and standing. digital.library.unt.edu/ark:/67531/metadc44395/
Ajanta Cave 2
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The sculptural relief consists of lotus medallion in a mandala pattern. Two figures flank the sides of the relief. digital.library.unt.edu/ark:/67531/metadc44397/
Ajanta Cave 2
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The painting on the cave wall depicts several seated half-clothed figures inside an architectural setting. In the lower right corner is another couple can be seen through a gold embellished window. In the upper right corner are more people. On the left side is an animal that resembles a horse or dog. There are many missing chips. Vidhurapandita teaches the sacred doctrine to the Naga King Varuna on the left and Queen Vimala is on the balcony discussing her marriage. Vidhurapandita and the court lady are below the balcony. digital.library.unt.edu/ark:/67531/metadc44396/
Ajanta Cave 10, Votive Stupa in Chaitya Hall
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The stupa inside the cave is shown in this view. The stupa is a large religious structure housed under the domed interior of the prayer hall. digital.library.unt.edu/ark:/67531/metadc43518/
Ajanta, Cave 17 Painted Wall
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The scene painted on the wall of the cave consists of many male and female figures. In the foreground, a couple are engaged in an enclosed shrine. digital.library.unt.edu/ark:/67531/metadc44400/
Ajanta, Cave 17 Painted Wall
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An elephant charges then kneels at feet of a Buddha figure as people watch. digital.library.unt.edu/ark:/67531/metadc44398/
Ajanta, Cave 17 Painted Wall
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An elephant dominates the scene with some figures in the foreground and background. Some foliage and rocky formations are also part of this painted imagery on the wall of the cave. digital.library.unt.edu/ark:/67531/metadc44399/
Alameda Bridge
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The view shows the pedestrian and automobile bridge at a raking angle with a person emerging from the metro station included in the architect's design. digital.library.unt.edu/ark:/67531/metadc40997/
Alameda Bridge
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The view is of the underneath side of the bridge and shows the Turia riverbed. digital.library.unt.edu/ark:/67531/metadc40998/
Alameda Bridge
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The view is of the bridge looking east across the old riverbed of the Turia river. digital.library.unt.edu/ark:/67531/metadc40999/
Alameda Bridge
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The view is from underneath the bridge and looks eastward. digital.library.unt.edu/ark:/67531/metadc41001/
Alameda Bridge
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The view shows both the automobile and the pedestrian paths. The view is looking south. digital.library.unt.edu/ark:/67531/metadc41000/
Alcatraz Island
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This is a detail view that shows a great amount of distance, the Golden Gate bridge, the lighthouse and some contemporary visitors. digital.library.unt.edu/ark:/67531/metadc40760/
Alcatraz Island
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This view shows a corridor of cells. Two tourists are also in the view. digital.library.unt.edu/ark:/67531/metadc40763/
Alcatraz Island
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This view is of a sign indicating Alcatraz Island. digital.library.unt.edu/ark:/67531/metadc40765/
Alcatraz Island
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The administration building's crest is shown in this close detail. digital.library.unt.edu/ark:/67531/metadc40762/
Alcatraz Island
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This view is of several cells inside the prison. digital.library.unt.edu/ark:/67531/metadc40764/
Alcatraz Island: Topographical View
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This view depicts a detail of the building on the island. Several tourists are also visible. digital.library.unt.edu/ark:/67531/metadc40761/
Alcatraz Island: Topographical View
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The view includes the island in its entirety and its immediate surroundings and landscape in the background. digital.library.unt.edu/ark:/67531/metadc40758/