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  Partner: UNT College of Visual Arts + Design
Abbey Church of Ottobeuren
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The interior of the south transept is shown with its elaborately decorated ceiling and walls as well as the curved crossing pier. digital.library.unt.edu/ark:/67531/metadc40637/
Abbey Church of Ottobeuren
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A full view of the west facade is shown with its two bell towers. digital.library.unt.edu/ark:/67531/metadc40636/
Abbey Church of Ottobeuren
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The highly carved choir stalls are in a dark wood with relief decorations above. digital.library.unt.edu/ark:/67531/metadc51695/
Abbey Church of Ottobeuren
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The choir stall is adorned with a putto. digital.library.unt.edu/ark:/67531/metadc51697/
Abbey Church of Ottobeuren
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The pulpit is decorated with many figures of putti and angels. Surrounding the pulpit is a relief depicting the Assumption. digital.library.unt.edu/ark:/67531/metadc51698/
Abbey Church of Ottobeuren
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The baptismal font is highly carved and decorated with many figurative sculptures. digital.library.unt.edu/ark:/67531/metadc51699/
Abbey Church of Ottobeuren
Access: Use of this item is restricted to the UNT Community.
An angel and a putto decorate the choir stall. digital.library.unt.edu/ark:/67531/metadc51696/
Abbey Church of Ottobeuren
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The view is straight up into the cupolas and shows the paintings with their relief texture encircling the frescoes. The arrangement of the subject matter in the paintings enhances the cupola shape. The subject matter appears to be scenes from the the life of St. Benedict, the Pentecost, and redemption. digital.library.unt.edu/ark:/67531/metadc50951/
Abbey Church of Ottobeuren
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This interior view shows two side chapels. Elaborate Baroque decoration and pristine white walls are accompanied by two large windows in this particular view of the nave. digital.library.unt.edu/ark:/67531/metadc40644/
Abbey Church of Ottobeuren, Abbey Buildings
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The south facing wing of an abbey building is visible in this view. Part of the facade is blocked by a clump of trees. The building is three-stories and in a restrained Baroque style. digital.library.unt.edu/ark:/67531/metadc40638/
Abbey Church of Ottobeuren, Abbey Buildings
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The three-story abbey buildings and the inner courtyard are shown in this view. The buildings are decorated with quoins and simple pediments on some windows and less elaborate linear decoration around other windows. A small fountain is situated in the center of the courtyard. digital.library.unt.edu/ark:/67531/metadc40639/
Abbey Church of Ottobeuren, Altar of the Sacrament
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The richly carved altar sits at the entrance to the choir. digital.library.unt.edu/ark:/67531/metadc51700/
Abbey Church of Ottobeuren, Imperial Hall of Statues of Hapsburg Emperors
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The hall is highly decorated with sculptural details on the walls and ceilings. The ceiling also contains a painted scene. Lining the room are over life size statues of the Hapsburg emperors situated next to elaborate Corinthian columns. The room is opulent and above each window is a painted portrait. digital.library.unt.edu/ark:/67531/metadc40640/
Abbey Church of Ottobeuren, Library
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The interior of the library is decorated in a Baroque style with ceiling painting, columns with Corinthian capitals. The ceiling includes a pale pink hue topped with a white relief floral motif. digital.library.unt.edu/ark:/67531/metadc40641/
Abbey Church of Ottobeuren, Picture Gallery
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An interior view of a picture gallery with white walls. Frescoes and stucco decoration decorate the ceiling. digital.library.unt.edu/ark:/67531/metadc40642/
Abbey Church of Ottobeuren, Picture Gallery
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A corridor outside the monks cells displays paintings and the arched ceilings are decorated with relief floral motifs. digital.library.unt.edu/ark:/67531/metadc40643/
Abbey Church of St.-Etiénne and Abbaye aux Hommes
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No Description digital.library.unt.edu/ark:/67531/metadc43821/
Abbey Church of St.-Etiénne and Abbaye aux Hommes
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No Description digital.library.unt.edu/ark:/67531/metadc43820/
Abbey Church of St. Michael
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No Description digital.library.unt.edu/ark:/67531/metadc44093/
Abbey Church of St. Michael
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No Description digital.library.unt.edu/ark:/67531/metadc44083/
Abbey Church of Val de Grace
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Total from WSW digital.library.unt.edu/ark:/67531/metadc47620/
Abbey Church of Val de Grace
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Façade, volutes, drum, dome digital.library.unt.edu/ark:/67531/metadc47621/
Abbey Church of Val de Grace
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detail fr SW: upper register of Façade, volutes, drum and sculpture digital.library.unt.edu/ark:/67531/metadc47625/
Abbey Church of Val de Grace
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portal pediment and entablature with Corinthian capitals digital.library.unt.edu/ark:/67531/metadc47623/
Abbey Church of Val de Grace
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Diagonal total from SW, with Façade, drum and dome digital.library.unt.edu/ark:/67531/metadc47624/
Abbey Church of Val de Grace
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sculpture and entablature blocks at base of dome digital.library.unt.edu/ark:/67531/metadc47622/
Abbey Church of Val de Grace
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Interior: General view toward High Altar digital.library.unt.edu/ark:/67531/metadc47626/
Abbey Church of Val de Grace
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Interior: baldachin with high altar, 1669, by Michel Anguier digital.library.unt.edu/ark:/67531/metadc47627/
Abe Lincoln the Great Emancipator
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Painting of five male subjects in warm and cool hues of burnt-orange, dark blue, gray and black. Abraham Lincoln is depicted wearing his signature black top hat and black knee-length overcoat. The subject to the left of Abraham Lincoln appears to be in decorated military attire. The two subjects on the far right are also in military attire. digital.library.unt.edu/ark:/67531/metadc8643/
Abigail Smith Babcock (Mrs Adam Babcock)
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Oil painting of Abigail Smith Babcock wearing a pink-colored gown and a fur-lined cloak. She is seated for the portrait, facing toward the right side of the painting. She appears to be holding beads in her hands. digital.library.unt.edu/ark:/67531/metadc8000/
[Above View of the Odeion of Herodes Atticus]
Photograph of the Odeion of Herodes Atticus in the Acropolis of Athens, Greece. The photograph was taken on the hillside above the odeion. A stone pathway is visible in the foreground above the odeion. A street and the city of Athens are visible behind the odeion in the background. digital.library.unt.edu/ark:/67531/metadc10496/
Abraham and Melchizedek
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No Description digital.library.unt.edu/ark:/67531/metadc7828/
Abraham Lincoln Center
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The building is clad in red brick, flat topped and unadorned. digital.library.unt.edu/ark:/67531/metadc36472/
Abraham Sacrificing Isaac
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The horizontally oriented painting depicts a man in a red robe with a knife threatening a seated figure while a winged angelic figure reaches for the man with the knife. digital.library.unt.edu/ark:/67531/metadc48737/
Abraham Sacrificing Isaac
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The painting detail shows the central portion with the action of the figures. digital.library.unt.edu/ark:/67531/metadc48738/
Abraham Sacrificing Isaac
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No Description digital.library.unt.edu/ark:/67531/metadc46964/
Abraham Sacrificing Isaac
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Isaac about to be sacrificed digital.library.unt.edu/ark:/67531/metadc46965/
Abraham's Sacrifice of Isaac
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46269/
Abraham's Sacrifice of Isaac
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sacrifice at right digital.library.unt.edu/ark:/67531/metadc46270/
Abstract Composition
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No Description digital.library.unt.edu/ark:/67531/metadc8789/
Abstract Emotions 10
The born digital photograph consists of a textured red color in the bottom two-thirds of the image and the upper portion is mostly purple with many spots of various colors. digital.library.unt.edu/ark:/67531/metadc129796/
Abstract Emotions 14
The born digital photograph orange textured color in the lower area while the uppermost is mostly a white textured area with many colors creating the texture. Between the orange and white areas is a blue section. The surface of the work is highly textured and swirls with movement. digital.library.unt.edu/ark:/67531/metadc129797/
Abstract Painting of Marcel Duchamp
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No Description digital.library.unt.edu/ark:/67531/metadc8716/
Abstraction
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No Description digital.library.unt.edu/ark:/67531/metadc8438/
Abstraction, Biarritz
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No Description digital.library.unt.edu/ark:/67531/metadc7972/
AC 99-8
The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors. digital.library.unt.edu/ark:/67531/metadc27149/
[Acapulco Bay]
Photograph of the bay in Acapulco de Juárez, Mexico. Palm trees and other vegetation fill the bottom foreground. The bay is visible in the middle ground. Numerous boats are visible in the water. The opposing shore lined with high rise buildings is visible in the background. digital.library.unt.edu/ark:/67531/metadc10877/
[Acapulco de Juárez, Mexico]
Photograph of a street in Acapulco de Juárez, Mexico. The street is visible in the right foreground. There is a building visible on the left side of the street. The building walls have been painted with a bright blue bottom border. Trees are visible in the background. digital.library.unt.edu/ark:/67531/metadc10882/
[Acapulco Street]
Photograph of a street in Acapulco de Juárez, Mexico. The street is lined with apartment buildings on both sides. Cars line the left side of the street. More buildings are visible in the background ascending the hillside. digital.library.unt.edu/ark:/67531/metadc10885/
Accordion
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No Description digital.library.unt.edu/ark:/67531/metadc41414/