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UNT College of Visual Arts + Design
- Wall Street Banquet, Court of Fiestas, Corridor of the Agrarian Revolution
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This panel of the mural depicts eight people at a dinner table. On the table is a sculpture resembling the Statue of Liberty. Behind the table appears to be a vault with a black figure holding the vault. Each of the diners holds a portion of a cash register tape that emerges from a cash register underneath glass. digital.library.unt.edu/ark:/67531/metadc40923/ - Wall Street Banquet, Court of Fiestas, Corridor of the Agrarian Revolution
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One side of the banquet is visible in this painted mural detail. digital.library.unt.edu/ark:/67531/metadc40925/ - Wanted: Dead or Alive, 1.000.000. $
- Poster used in the Polish Solidarity movement during the 1980s depicting an image of a man wearing dark glasses. Above his face is the word, WANTED, and beneath, the words, Dead or Alive 1.000.000. $ digital.library.unt.edu/ark:/67531/metadc130058/
- Wanting to Be Independent: Cloth from Echigo Province
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Woman looking into a hand-held mirror and dabbing at her forehead is the main portion of the composition. Her kimono consists of two colors and patterns, one pale purple and the collar red. A landscape scene is behind the woman with people toting bushels of straw and others working in the water. digital.library.unt.edu/ark:/67531/metadc41334/ - Wanting to Decide Right Away: Octopus from Takasago in Harima Province
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A woman in a kimono sits next to a cat and reads. In a scene behind the woman, people work in and around the sea. Insets include some Japanese text. digital.library.unt.edu/ark:/67531/metadc41329/ - Wanting to Eat Something Good: Giant Butterbur from Akita in Dewa Province
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A woman wearing a purple kimono rests her head on both hands and behind her is a scene of people walking underneath huge green leaves. Insets includes Japanese text. digital.library.unt.edu/ark:/67531/metadc41335/ - Wanting to Get a Discount: Veranda Planks from Ôsumi Province
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A woman in a blue striped kimono holds two small potted plants. An outdoor scene is shown behind her with men working lumber. Some insets include Japanese text. digital.library.unt.edu/ark:/67531/metadc41316/ - Wanting to Get Away Quickly: Shimôsa Province
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A woman appears to be scared of a dragon that looks to be made of cloth. Behind the woman is a landscape scene and in the upper corner of the print is some Japanese text. digital.library.unt.edu/ark:/67531/metadc41315/ - Wanting to Have Good Weather: Dried Bonito from Tosa Province
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A woman wearing a kimono holds a doll and a cup of tea. Behind her is scene of people doing laundry by the sea. Some Japanese text is in the upper right corner of the print. digital.library.unt.edu/ark:/67531/metadc41333/ - Wanting to Hit the Mark: Oysters from Aki Province
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A woman wearing a kimono holds a fan. Behind her is a scene of men working. In the upper right corner of the print is some Japanese text. digital.library.unt.edu/ark:/67531/metadc41320/ - Wanting to Pour Sake for a Guest: Crabs from Nagato
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A woman in a flowered kimono holds a teapot. Behind her is a scene of men fishing. In the upper right corner of the print is an inset containing Japanese text. digital.library.unt.edu/ark:/67531/metadc41317/ - Wanting to See One's Appearance: Tie-dyed Fabric from Bungo Province
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A woman wearing a striped and flowered kimono is in front of a scene of a man weaving. Japanese text is included in insets in the upper right corner of the print. digital.library.unt.edu/ark:/67531/metadc41311/ - Wanting to Sober Up Quickly: Buzen Province
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A woman in a blue striped and flowered kimono is in the foreground. Behind her is a scene of people working yarns. In the upper right corner of the print is some Japanese text. digital.library.unt.edu/ark:/67531/metadc41309/ - Wanting to Suckle: Fresh Sea Cucumbers from Mikawa Province
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A woman in a kimono holds an infant while behind her is a scene of men in a boat with a mountain in the distance. In the upper right corner of the print is an inset containing Japanese text. digital.library.unt.edu/ark:/67531/metadc41331/ - Wanting to Try It On Right Away: Fungus from Kumano in Kii Province
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A woman in a red kimono and a blue robe dominates the foreground of the print while in a scene behind her is a man climbing a mountain. The woman's hair is in an elaborate style with two long picks with sculpted handles. In an inset in the upper right corner of the print is some Japanese text. digital.library.unt.edu/ark:/67531/metadc41330/ - Wanting to Tweeze the Nape of the Neck: Air Bladders of Fish from the Sunomata RIver in Tôtômi Province
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A woman looks into a hand mirror as her hand rests on the nape of her neck. Two cats frolic on the floor beneath her and beyond is a scene of three people with large baskets on the beach. Japanese text is contained in several insets along the right hand side of the print. digital.library.unt.edu/ark:/67531/metadc41321/ - Wanting to Warm It: Daikon Radishes from Higo Province
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A woman wearing a dark striped kimono has her back to the viewer and she appears to be stamping something. In the scene in the distance, several men are engaged in an activity. Japanese text is included in several insets along the right hand side of the print. digital.library.unt.edu/ark:/67531/metadc41314/ - Wanting to Wear This: Hida Province
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A woman in a brown flowered and blue and black striped kimono leans forward while holding folded fabric. Behind her is a scene of men with a fishing net between two boats in the water. Japanese text is included in small insets in the composition of the print. digital.library.unt.edu/ark:/67531/metadc41327/ - War
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This painting detail shows the girl on the horse. digital.library.unt.edu/ark:/67531/metadc50572/ - War
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The painting depicts a girl in white dress brandishing a sword on a horse riding through a number of fallen people. Broken and barren trees and black birds round out the composition. digital.library.unt.edu/ark:/67531/metadc50571/ - War
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This close detail of the painting shows some of the fallen figures, landscape, a bird and the horse's two front hooves. The flat rendering of the shapes is visible. digital.library.unt.edu/ark:/67531/metadc50573/ - The Warwick Gitterne
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The fiddle is highly carved on the sides of the body. The bridge making the instrument into a viol was added in the sixteenth century. digital.library.unt.edu/ark:/67531/metadc41254/ - Washerwomen at the Oise River near Valmondois
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Forested area is depicted on the left side of the composition, water in the foreground, and low hills in the background. Washerwomen along the shore are extremely small in the immense landscape. digital.library.unt.edu/ark:/67531/metadc8206/ - Washington Crossing the Delaware
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Drawing of dark gray, blue-gray, gold and white oil graphite on on line. Various gestural figures depicted throughout piece. Several figures are appear to be on horseback while other are standing in water. The scene is a loose rendering of the President George Washington Crossing the Delaware. digital.library.unt.edu/ark:/67531/metadc8930/ - The Washington Family
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No Description digital.library.unt.edu/ark:/67531/metadc8858/ - Watching the Clock
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Near abstract painting of muted red, gold, brown and blue-gray. Various linear shapes throughout piece. digital.library.unt.edu/ark:/67531/metadc8756/ - Watchtower (Hochsitz)
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Mixed media collage painting of multi-colored textured mediums throughout surface including a repeated floral motif along the right bottom corner. White abstract horizontal and diagonal lines on top. digital.library.unt.edu/ark:/67531/metadc8472/ - [Water garden]
- Photograph of the Ryoanji Temple in Kyoto, Japan. A garden with a pond is visible in the foreground. The temple has a covered porch that is visible behind and stretches partially over the pond. Trees are visible in the background. digital.library.unt.edu/ark:/67531/metadc10732/
- Water Jar (Olla)
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The wide mouth, earthenware water jar is decorated with black patterns on the cream colored body. digital.library.unt.edu/ark:/67531/metadc41872/ - [Water lilies]
- Photograph of water lilies in Caracas, Venezuela. The water lilies densely fill the water in the image. Four of the pink lilies are blooming. digital.library.unt.edu/ark:/67531/metadc10969/
- Water Lilies
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No Description digital.library.unt.edu/ark:/67531/metadc8600/ - Water Lilies (Nymphéas)
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No Description digital.library.unt.edu/ark:/67531/metadc8100/ - [Water Theatre]
- Photograph of the Water Theatre at the Villa Torlonia in Frascati, Italy. The retaining wall is visible across the foreground. The water steps lead up the hill into the background. The fountains are dry in the photograph. Trees surround the steps on both sides. digital.library.unt.edu/ark:/67531/metadc10844/
- Watercolor Abstract Emotions No. 1
- The painting consists of a rainbow of colors with a rusty red in the center. The colors flow from top to bottom; the artist states that the painting was created with the idea that it may be hung in any direction. Although the colors meet and begin to interact with each other, they remain mostly independent. There are spots and blotches as well that creates texture. digital.library.unt.edu/ark:/67531/metadc129748/
- Watercolor Abstract Emotions No. 2
- The painting includes a large black area on the left hand side. The upper right hand portion includes many reddish colors. Sprinkled among the black ground are many yellow, red, blue and white areas that resemble balls of fire or stars. The artist states that the painting was created with the idea that it may be hung in any direction. digital.library.unt.edu/ark:/67531/metadc129749/
- Waterloo Bridge, London, at Dusk
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No Description digital.library.unt.edu/ark:/67531/metadc8097/ - [waves and bird-like ribbons]
- Underlying horizontal dyed silk with depictions of rolling waves receding into the distance with bird-like ribbons above and in the foreground a framed section of the sea at opposing angle. digital.library.unt.edu/ark:/67531/metadc27032/
- [waves and bird-like ribbons, detail view]
- No Description digital.library.unt.edu/ark:/67531/metadc27033/
- Wawel Head: Girl with Laurel Wreath
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A head wearing a laurel wreath carved from wood protrudes from a blue wooden base. digital.library.unt.edu/ark:/67531/metadc41856/ - Wawel Head: Man in a Net Bonnet
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The sculpted and polychrome wooden head is that of a man with a beard and mustache and wearing a hat with a flower emblem. digital.library.unt.edu/ark:/67531/metadc41854/ - Wawel Head: Man with a Laurel Wreath
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The head of a man wearing a laurel wreath is carved in wood and painted. digital.library.unt.edu/ark:/67531/metadc41855/ - Wawel Head: Warrior in Kapelin Helmet
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The carved head is of a man with a large mustache and a hat. digital.library.unt.edu/ark:/67531/metadc41857/ - The Way to the Citadel
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No Description digital.library.unt.edu/ark:/67531/metadc7981/ - [WCC Sculpture]
- Photograph of a sculpture in China. In the foreground, a white geometric sculpture is visible with the letters W and C printed on it. The sculpture sits in a stone courtyard backed by a gray building. A family is visible in the courtyard on the right side. Trees and buildings are visible in the background. digital.library.unt.edu/ark:/67531/metadc10160/
- Wedding Boots
- Pair of lady's wedding boots of ivory silk or satin. Designed with pointed toes, the short boots fasten up the outer sides of each shoe with eleven buttons. The button lining is of ivory leather. The remaining lining is of ivory cloth with the upper portion silk or satin. Natural light brown leather sole; Heels are in the style of a Louis heel, rounded at sides and back, concave and flaring slightly to base. Handwritten notation on inner lining: "59576". Stamped on sole near heel: "6587". digital.library.unt.edu/ark:/67531/metadc39010/
- Wedding Dress
- Wedding ensemble. The dress is of creme satin styled as a sleeveless A-line dress, with wide shoulder straps. The neckline of the bodice is embellished with rows of satin cording forming a cross-over design. The skirt has a high waistline, and is formed of a lattice of groups of four vertical and four horizontal rows of satin cording, with a backing of creme gauze. Label sewn into inside back of dress: "Victor Costa / Bridal" With veil of silk tulle with satin binding, not shown in photograph. digital.library.unt.edu/ark:/67531/metadc30279/
- Wedding Ensemble
- Wedding ensemble of ivory silk embroidered with green and yellow crewel flowers. The bodice of the dress is sleeveless, with scoop neck and fitted seaming. The skirt is floor-length at front, with train at back. The surface of the skirt is decorated with crewel embroidery of flowers in pinks, greens, reds, and blues. The lower part of the skirt has a wide band of lace in floral patterns, with an under layer of pleated plain net with embroidered dots. The dress has a center back zipper closure and is lined in ivory fabric, and has an attached petticoat. Matching the dress is a fitted jacket of ivory silk, long sleeves, and stand-up collar. The collar and cuffs are trimmed in the same net as the hem of the dress. The fitted jacket has a peplum and center front closure with four silk cord frog closures which snap on left side and disguise a series of snaps and hook-and-eyes. The collar, cuffs, and panels at front and back are bordered by striped bands of yellow, blue, green, and coral/pink ribbon. The panels formed on front and back have crewel embroidered flowers as the dress. Jacket is fully lined in ivory fabric. Not shown in photo is the accompanying hat of ivory silk. The low ivory silk brim is tear-drop in shape, the point at the front edge of the hat. The rolled brim encircles the lace crown and anchors the ivory net slight veil which extends around brim. At back of hat is short "tail" of net. Hat has an off-white grosgrain inner hat-band and a black cord to secure hat to wearer's head. digital.library.unt.edu/ark:/67531/metadc30283/
- Wedding Ensemble
- Wedding gown of fine white batiste with various kinds of lace. The full-length gown has a slender silhouette which flares out from the Empire waist downward to the hem. The high neckline has a standing lace collar at throat, an embroidered net section covering lower throat and upper chest, an attached small lace fichu or bertha below that, and attached lace simulated shawl collar "lapels" running from the waist at back, up and over the shoulders, to the waist at front. The short sleeves are of bands and tiers of lace, with a satin band and tightly pleated/ruched rosette on each sleeve near cuff. At waist is a wide satin band with larger pleated/ruched satin rosette in front and back. The main body of the skirt has a vertical inset lace panel at front and back which runs from waist to about knee-height. The lower part of the skirt is made of inset horizontal bands of various types of lace Dress has a center back opening with a series of 28 hook-and-eyes, four hook-and-eyes for satin band at waist, and 3 hook-and-eyes for inner waistband. Not shown are accompanying half slip edged with lace and elbow-length kidskin leather gloves size 5 3/4. digital.library.unt.edu/ark:/67531/metadc30062/
- Wedding Shoes
- Wedding shoes of off-white leather. The shoes have pointed toes, and a "Mary-Jane" style strap across the instep which secures with a domed opalescent button. At throat of each shoe is a rectangular ornamental buckle covered with matching leather. The medium-high heel tapers slightly to the base and is covered with matching leather on the rounded sides and back; it has the same natural brown colored leather on the heel's curved inside and on the soles of the shoes. Retail's label stamped inside one shoe: "Sanger Bros. / Dallas Texas" Stamped inside both shoes on leather upper: "36-2 68082" The shoes are accompanied by a shoe bag of tan colored raw silk with a Japanese character style embroidery motif of blue silk worked in satin stitch. Worn by Jessie Knapp Nunnally of San Angelo, TX, at her wedding in 1902. digital.library.unt.edu/ark:/67531/metadc39029/
- Wedding Shoes
- Wedding shoes of off-white or champagne satin. The shoes have rounded toes, and no ornamentation. The medium-high heel is set under, is rounded at back and sides and curved at front, tapers to center and then swells to base, and is covered with matching satin; it has the same natural brown colored leather on the heel's cap and on the soles of the shoes. Stamped inside both shoes: "2 D13583" digital.library.unt.edu/ark:/67531/metadc39016/