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  Partner: UNT College of Visual Arts + Design
Peasants in an Interior
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No Description digital.library.unt.edu/ark:/67531/metadc7842/
Pedestal for a Sculpture with Dancing Maenads
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Detail of the dancing maenad in the Pedestal for a Sculpture with Dancing Maenads. Roman copy, 1st c. BC. From Coll. Sciarra Amoenita Artis, Rome; from the Greek Classical Period. digital.library.unt.edu/ark:/67531/metadc42991/
Pedestal for a Sculpture with Dancing Maenads
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Total view of sculpture depicting pedestal for a sculpture with dancing maenads. From Coll. Sciarra Amoenita Artis, Rome; from the Greek Classical Period. digital.library.unt.edu/ark:/67531/metadc42990/
Pedestal Relief, Roman trophies of war, from Temple of Hadrian
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Pedestal Relief, Roman trophies of war, from Temple of Hadrian. Originated in Cortile of Pal. Of Conservators. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43171/
Pedestal Reliefs, Allegories of Roman provinces, from Temple of Hadrian
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Pedestal Reliefs, Allegories of Roman provinces, from Temple of Hadrian. Originated in Cortile of Pal. Of Conservators. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43170/
Peerless Pool in Fatehpur Sikri Palace Complex
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The water feature is geometric and includes surrounding steps. Beyond the pools is a building with many compartments open to the exterior. digital.library.unt.edu/ark:/67531/metadc45466/
Pencil of Nature
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The cover of the book is decorated with a cartouche in black and red in a mixture of styles, Medieval, Celtic and Victorian. digital.library.unt.edu/ark:/67531/metadc41489/
[Penguins]
Photograph of the penguin pool in Regent's Park in London, England. In the foreground, the pool is visible. Two concrete spiral ramps lead into the pool. Penguins are visible on the ramp, in the pool, and on the side. A concrete wall surrounds the pool. People are visible behind the wall looking towards the penguins. Trees are visible in the background. digital.library.unt.edu/ark:/67531/metadc10222/
Pennsylvania House
This painting depicts one of the annexes that remain on the property. A fire long ago destroyed the building's interior, but the brick remains. The low-chroma painting features ink washes. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129763/
[Penshurst Place]
Photograph of Penshurst Place in Kent, England. A grass lawn fills the foreground. The manor is visible in the background. A parking lot is visible to the left of the manor. digital.library.unt.edu/ark:/67531/metadc10207/
[Penshurst Place]
Photograph of Penshurst Place in Kent, England. In the foreground, the garden is visible complete with roses and sculpted hedges. The manor is visible in the background. digital.library.unt.edu/ark:/67531/metadc10208/
[Penshurst Place]
Photograph of Penshurst Place in Kent, England. A stone walkway is visible in the foreground. The walkway cuts through a green lawn leading to an arched doorway. The manor is visible at the end of the walkway. A group of people stands in front of the entranceway. digital.library.unt.edu/ark:/67531/metadc10210/
[Penshurst Place Gardens]
Photograph of the gardens of Penshurst Place in Kent, England. A gravel pathway beside a stone wall leads from the foreground to background. The pathway is lined with red flowers. Trees and hedges are visible in the background. digital.library.unt.edu/ark:/67531/metadc10209/
The People's Budget
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A group of people in the background carry protest placards while a disheveled couple in the foreground make a comment about taxes. digital.library.unt.edu/ark:/67531/metadc41198/
[Peristyle]
Photograph of the Süleymaniye Mosque in Istanbul, Turkey. The peristyle of the mosque is visible in the foreground. The dome rises up in the back with three minarets visible. digital.library.unt.edu/ark:/67531/metadc10957/
[Peristyle Court]
Photograph of the peristyle court of the Temple of Ramses III in Medinet Habu, Egypt. A row of columns is visible in the foreground. Each column is preceded by a stone figure. Each figure is in various states of deterioration. digital.library.unt.edu/ark:/67531/metadc10114/
Peristyle Garden, House of the Vettii, Pompeii
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Peristyle Garden, House of the Vettii, Pompeii. From the Roman Republican Period. digital.library.unt.edu/ark:/67531/metadc43139/
Persian Jacket
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No Description digital.library.unt.edu/ark:/67531/metadc8798/
A Person Overhearing Secret Songs
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A figure playing a stringed instrument is in the background while a person hiding in the foreground listens. The style is angular with flat areas of color. digital.library.unt.edu/ark:/67531/metadc41348/
Person Throwing Stone at a Bird,
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No Description digital.library.unt.edu/ark:/67531/metadc8272/
Personal Response to Digital Frontiers Roundtable: Allison Jarek
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Allison Jarek. digital.library.unt.edu/ark:/67531/metadc109707/
Personal Response to Digital Frontiers Roundtable: Ann Howington
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Ann Howington. digital.library.unt.edu/ark:/67531/metadc109706/
Personal Response to Digital Frontiers Roundtable: Caleb Zouhary
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Caleb Zouhary. digital.library.unt.edu/ark:/67531/metadc109721/
Personal Response to Digital Frontiers Roundtable: Cassie Phan
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Cassie Phan. digital.library.unt.edu/ark:/67531/metadc109718/
Personal Response to Digital Frontiers Roundtable: Chance Dunlap
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Chance Dunlap. digital.library.unt.edu/ark:/67531/metadc109702/
Personal Response to Digital Frontiers Roundtable: Justin Strickland Hoff
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Justin Strickland Hoff. digital.library.unt.edu/ark:/67531/metadc109705/
Personal Response to Digital Frontiers Roundtable: Madeleine Fitzgerald
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Madeleine Fitzgerald. digital.library.unt.edu/ark:/67531/metadc109703/
Personal Response to Digital Frontiers Roundtable: Marseille Moon
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Marseille Moon. digital.library.unt.edu/ark:/67531/metadc109709/
Personal Response to Digital Frontiers Roundtable: Michael Blair
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Michael Blair. digital.library.unt.edu/ark:/67531/metadc109699/
Personal Response to Digital Frontiers Roundtable: Rachel Christensen
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Rachel Christensen. digital.library.unt.edu/ark:/67531/metadc109701/
Personal Response to Digital Frontiers Roundtable: Sean Miller
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Sean Miller. digital.library.unt.edu/ark:/67531/metadc109708/
Personal Response to Digital Frontiers Roundtable: XuHao Yang
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, XuHao Yang. digital.library.unt.edu/ark:/67531/metadc109720/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This group of petroglyphs includes snakes, hoof prints, sheep, deer, and possibly a rainbow. digital.library.unt.edu/ark:/67531/metadc31188/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This portion of the living rock contains anthropomorphic shapes and animals. digital.library.unt.edu/ark:/67531/metadc31184/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock includes petroglyphs in the shapes of animals and people and a vandalized anthropomorphic shape with feathers. digital.library.unt.edu/ark:/67531/metadc31189/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock contains a petroglyph of a snake. digital.library.unt.edu/ark:/67531/metadc31186/
Petroglyphs, Kane Creek Road, near Moab, Utah
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Shallow incised petroglyphs are visible in this living rock. This view is referred to as the Birth Rock. digital.library.unt.edu/ark:/67531/metadc31185/
Petroglyphs, Kane Creek Road, near Moab, Utah
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The petroglyphs in this living rock include some lozenge shapes with x-pattern, small stick figure, mountain sheep, and another small animal, possibly a dog. digital.library.unt.edu/ark:/67531/metadc31187/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock has outlined anthropomorphs. digital.library.unt.edu/ark:/67531/metadc31191/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock has large outlined petroglyphs. digital.library.unt.edu/ark:/67531/metadc31190/
Petti-Hoop
Petti-hoop of steel hoops within a white cotton petticoat. A modified form of cage crinoline consisting of three graduated steel hoops that open with snaps that fit within horizontal pockets of the full-length petticoat. Petticoat has gathered waist and eyelet lace at hem. Maker's label sewn in: "Petti-hoop / Created by / Ru-Nell / Pat Pend #494517" Size label, "10". The Ru-Nell Manufacturing Co. was founded by Fred Poole in 1935 in Yorkville, Georgia, USA. The company was named after his wife Ruby, and his oldest daughter Nell. Originally producing chenille bedspreads, they began to manufacturing "Petti-hoops" after their daughter Dorothy was unable to find a petticoat/hoop set to wear for a Southern Bell Ball in the 1950's. Ruby Poole designed the first one, and it became so popular that they went into production. Later they were produced as wedding gown underpinnings. digital.library.unt.edu/ark:/67531/metadc87029/
Phantasy II
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Painting of yellow, red, blue and dark green with thin black illustrations of triangles, squares and circle. digital.library.unt.edu/ark:/67531/metadc8708/
Phase III Chief Blanket
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No Description digital.library.unt.edu/ark:/67531/metadc8065/
Photogram
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No Description digital.library.unt.edu/ark:/67531/metadc8327/
Physichromie 114
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No Description digital.library.unt.edu/ark:/67531/metadc8387/
Piano Belonging to Franz Peter Schubert (1797-1828)
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No Description digital.library.unt.edu/ark:/67531/metadc41219/
Piano Lesson
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The painting shows a young boy facing the viewer, looking at sheet music, and playing the piano. At the lower left of the painting is a depiction of Matisse's "Decorative Figure," a nude female figure. At the top right of the painting on the wall behind the piano is a replication of Matisse's "Woman on a High Stool" painting. On the piano are a rose-colored cloth, candle and metronome. Black scrollwork is seen on the piano stand and the grillwork of the window. digital.library.unt.edu/ark:/67531/metadc8597/
Piano That Belonged to Ludwig von Beethoven (1770-1827)
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The piano sits on dramatically tapered legs; the wood is figured and the body is unadorned. digital.library.unt.edu/ark:/67531/metadc51977/
[Piazza]
Photograph of the side of a piazza in Siena, Italy. In the foreground, multiple people and a small child are visible . Behind the people, and series of arches are visible on one wall and a row of flags is visible on the other. digital.library.unt.edu/ark:/67531/metadc10567/
[Piazza Capranica]
Photograph of the Piazza Capranica in Rome, Italy. In the foreground, parked cars are visible in front of a church. The church has a dark green door with a red curtain. digital.library.unt.edu/ark:/67531/metadc10690/