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  Partner: UNT College of Visual Arts + Design
Peristyle Garden, House of the Vettii, Pompeii
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Peristyle Garden, House of the Vettii, Pompeii. From the Roman Republican Period. digital.library.unt.edu/ark:/67531/metadc43139/
Persian Jacket
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No Description digital.library.unt.edu/ark:/67531/metadc8798/
A Person Overhearing Secret Songs
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A figure playing a stringed instrument is in the background while a person hiding in the foreground listens. The style is angular with flat areas of color. digital.library.unt.edu/ark:/67531/metadc41348/
Person Throwing Stone at a Bird,
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No Description digital.library.unt.edu/ark:/67531/metadc8272/
Personal Response to Digital Frontiers Roundtable: Allison Jarek
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Allison Jarek. digital.library.unt.edu/ark:/67531/metadc109707/
Personal Response to Digital Frontiers Roundtable: Ann Howington
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Ann Howington. digital.library.unt.edu/ark:/67531/metadc109706/
Personal Response to Digital Frontiers Roundtable: Caleb Zouhary
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Caleb Zouhary. digital.library.unt.edu/ark:/67531/metadc109721/
Personal Response to Digital Frontiers Roundtable: Cassie Phan
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Cassie Phan. digital.library.unt.edu/ark:/67531/metadc109718/
Personal Response to Digital Frontiers Roundtable: Chance Dunlap
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Chance Dunlap. digital.library.unt.edu/ark:/67531/metadc109702/
Personal Response to Digital Frontiers Roundtable: Justin Strickland Hoff
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Justin Strickland Hoff. digital.library.unt.edu/ark:/67531/metadc109705/
Personal Response to Digital Frontiers Roundtable: Madeleine Fitzgerald
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Madeleine Fitzgerald. digital.library.unt.edu/ark:/67531/metadc109703/
Personal Response to Digital Frontiers Roundtable: Marseille Moon
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Marseille Moon. digital.library.unt.edu/ark:/67531/metadc109709/
Personal Response to Digital Frontiers Roundtable: Michael Blair
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Michael Blair. digital.library.unt.edu/ark:/67531/metadc109699/
Personal Response to Digital Frontiers Roundtable: Rachel Christensen
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Rachel Christensen. digital.library.unt.edu/ark:/67531/metadc109701/
Personal Response to Digital Frontiers Roundtable: Sean Miller
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Sean Miller. digital.library.unt.edu/ark:/67531/metadc109708/
Personal Response to Digital Frontiers Roundtable: XuHao Yang
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, XuHao Yang. digital.library.unt.edu/ark:/67531/metadc109720/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This group of petroglyphs includes snakes, hoof prints, sheep, deer, and possibly a rainbow. digital.library.unt.edu/ark:/67531/metadc31188/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This portion of the living rock contains anthropomorphic shapes and animals. digital.library.unt.edu/ark:/67531/metadc31184/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock includes petroglyphs in the shapes of animals and people and a vandalized anthropomorphic shape with feathers. digital.library.unt.edu/ark:/67531/metadc31189/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock contains a petroglyph of a snake. digital.library.unt.edu/ark:/67531/metadc31186/
Petroglyphs, Kane Creek Road, near Moab, Utah
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Shallow incised petroglyphs are visible in this living rock. This view is referred to as the Birth Rock. digital.library.unt.edu/ark:/67531/metadc31185/
Petroglyphs, Kane Creek Road, near Moab, Utah
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The petroglyphs in this living rock include some lozenge shapes with x-pattern, small stick figure, mountain sheep, and another small animal, possibly a dog. digital.library.unt.edu/ark:/67531/metadc31187/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock has outlined anthropomorphs. digital.library.unt.edu/ark:/67531/metadc31191/
Petroglyphs, Kane Creek Road, near Moab, Utah
Access: Use of this item is restricted to the UNT Community.
This living rock has large outlined petroglyphs. digital.library.unt.edu/ark:/67531/metadc31190/
Petti-Hoop
Petti-hoop of steel hoops within a white cotton petticoat. A modified form of cage crinoline consisting of three graduated steel hoops that open with snaps that fit within horizontal pockets of the full-length petticoat. Petticoat has gathered waist and eyelet lace at hem. Maker's label sewn in: "Petti-hoop / Created by / Ru-Nell / Pat Pend #494517" Size label, "10". The Ru-Nell Manufacturing Co. was founded by Fred Poole in 1935 in Yorkville, Georgia, USA. The company was named after his wife Ruby, and his oldest daughter Nell. Originally producing chenille bedspreads, they began to manufacturing "Petti-hoops" after their daughter Dorothy was unable to find a petticoat/hoop set to wear for a Southern Bell Ball in the 1950's. Ruby Poole designed the first one, and it became so popular that they went into production. Later they were produced as wedding gown underpinnings. digital.library.unt.edu/ark:/67531/metadc87029/
Phantasy II
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Painting of yellow, red, blue and dark green with thin black illustrations of triangles, squares and circle. digital.library.unt.edu/ark:/67531/metadc8708/
Phase III Chief Blanket
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No Description digital.library.unt.edu/ark:/67531/metadc8065/
Photogram
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No Description digital.library.unt.edu/ark:/67531/metadc8327/
Physichromie 114
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No Description digital.library.unt.edu/ark:/67531/metadc8387/
Piano Belonging to Franz Peter Schubert (1797-1828)
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No Description digital.library.unt.edu/ark:/67531/metadc41219/
Piano Lesson
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The painting shows a young boy facing the viewer, looking at sheet music, and playing the piano. At the lower left of the painting is a depiction of Matisse's "Decorative Figure," a nude female figure. At the top right of the painting on the wall behind the piano is a replication of Matisse's "Woman on a High Stool" painting. On the piano are a rose-colored cloth, candle and metronome. Black scrollwork is seen on the piano stand and the grillwork of the window. digital.library.unt.edu/ark:/67531/metadc8597/
Piano That Belonged to Ludwig von Beethoven (1770-1827)
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The piano sits on dramatically tapered legs; the wood is figured and the body is unadorned. digital.library.unt.edu/ark:/67531/metadc51977/
[Piazza]
Photograph of the side of a piazza in Siena, Italy. In the foreground, multiple people and a small child are visible . Behind the people, and series of arches are visible on one wall and a row of flags is visible on the other. digital.library.unt.edu/ark:/67531/metadc10567/
[Piazza Capranica]
Photograph of the Piazza Capranica in Rome, Italy. In the foreground, parked cars are visible in front of a church. The church has a dark green door with a red curtain. digital.library.unt.edu/ark:/67531/metadc10690/
[Piazza del Campo]
Photograph of the Piazza del Campo during Palio in Siena, Italy. In the foreground, a crowd is visible in the middle of the piazza. On the right side of the crowd, the horse track sits next to the Palazzo Pubblico and the Torre del Mangia. Four riders and more buildings are visible in the background. digital.library.unt.edu/ark:/67531/metadc10558/
[Piazza del Campo]
Photograph of the Piazza del Campo in Siena, Italy. In the foreground, a car and a parking sign are visible. The piazza fills the middle ground. A row of buildings spans the background. digital.library.unt.edu/ark:/67531/metadc10575/
[Piazza della Repubblica]
Photograph of the Piazza della Repubblica in Rome, Italy. The piazza is visible in the foreground with cars and bikes scattered throughout. The Fountain of the Naiads sits in the center of the piazza. Buildings and greenery are visible in the background. digital.library.unt.edu/ark:/67531/metadc10582/
[Piazza della Rotonda]
Photograph of a fountain in the Piazza della Rotonda in Rome, Italy. In the foreground, a stone head spurting water out of its mouth is visible with two serpents on either side of the head. A building in the piazza is visible in the background. digital.library.unt.edu/ark:/67531/metadc10640/
[Piazza della Rotonda Fountain]
Photograph of a fountain in the Piazza della Rotonda in Rome, Italy. In the foreground, various stone heads spurting water are visible. A shaded building is visible in the background. digital.library.unt.edu/ark:/67531/metadc10628/
[Piazza della Signoria]
Photograph of the Piazza della Signoria in front of the Palazzo Vecchio in Florence, Italy. In the foreground, the side of the building is visible on the right side of the frame; three statues are visible on pedestals in the piazza as well as numerous people. Sunlit buildings are visible in the background. digital.library.unt.edu/ark:/67531/metadc10725/
[Piazza di Popolo]
Photograph of the Piazza del Popolo in Rome, Italy. In the foreground, a lioness fountain is visible. The twin churches of Santa Maria dei Miracoli and Santa Maria in Montesanto are visible in the background. digital.library.unt.edu/ark:/67531/metadc10664/
[Piazza di Santa Croce]
Photograph of the Piazza di Santa Croce in Florence, Italy. In the foreground, people and cars are visible; the Basilica di Santa Croce is visible in the background with a large statue in front; a row of buildings is visible in the left background of the frame. digital.library.unt.edu/ark:/67531/metadc10703/
[Piazza di Spagna]
Photograph of the Piazza di Spagna in Rome, Italy. In the foreground, two men drink from the Fontana della Barcaccia; people, buildings, and automobiles are visible in the background. digital.library.unt.edu/ark:/67531/metadc10672/
[Piazza di Trevi]
Photograph of the Piazza di Trevi in Rome, Italy. The piazza is visible in the foreground filled with people and cars. The fountain fills the background surrounded by buildings. digital.library.unt.edu/ark:/67531/metadc10577/
[Piazza San Bernardo]
Photograph of a lion fountain in the Piazza San Bernardo in Rome, Italy. The lion sits in the foreground with water pouring from his mouth into a pool to the left. More of the fountain is visible behind the lion. digital.library.unt.edu/ark:/67531/metadc10657/
[Piazza San Marco]
Photograph of the Piazza San Marco in Venice, Italy. Three men sitting around red cafe tables are visible in the foreground. Beyond the men, the side of St. Mark's Basilica is visible. digital.library.unt.edu/ark:/67531/metadc10533/
[Piazza San Marco]
Photograph of the Piazza San Marco in Venice, Italy. In the foreground, a red and black pole rises out of the frame. Men, women, and pigeons are scattered throughout the piazza. Buildings line all three visible sides of the piazza in the background. digital.library.unt.edu/ark:/67531/metadc10525/
[Piazza San Marco]
Photograph of the Piazza San Marco in Venice, Italy. A long row of connected buildings lines the foreground. The piazza in front of the buildings is filled with people and rows of cafe tables. digital.library.unt.edu/ark:/67531/metadc10523/
[Piazza San Pietro]
Photograph of the Piazza San Pietro in Rome, Italy. A man faces the camera in the foreground in front of three white cars. The piazza is visible in the background behind the cars. digital.library.unt.edu/ark:/67531/metadc10848/
[Piazza Santa Maria Novella]
Photograph of the Piazza Santa Maria Novella in Florence, Italy. A horse-drawn carriage and a woman are visible in the foreground; Two obelisks, the Basilica of Santa Maria Novella, and surrounding buildings are visible in the background. digital.library.unt.edu/ark:/67531/metadc10780/