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  Partner: UNT College of Visual Arts + Design
[Ireland]
Photograph of a city in Ireland. In the foreground, a row of houses lines a street. Behind the row of houses, A large stone building with surrounding wall rises on the rocky hillside. digital.library.unt.edu/ark:/67531/metadc10490/
[Ireland]
Photograph of buildings in Ireland. The sides of two buildings are visible in the foreground. There is a gap between the buildings. Through the gap, trees and a white cupola are visible in the background. digital.library.unt.edu/ark:/67531/metadc10498/
[Irish Castle]
Photograph of a castle in Ireland. A stone wall is visible in the bottom foreground framed by trees. The castle is visible behind the wall. digital.library.unt.edu/ark:/67531/metadc10499/
[Irish Farm House]
Photograph of an Irish farm house in Ireland. A white house with thatched roof is visible in the foreground. A small stone wall extends off the right side of the house. The green countryside surrounds the house. digital.library.unt.edu/ark:/67531/metadc10476/
[Iron Gate View]
Photograph of the view through an iron gate in Cambridge, England. Through the ironwork, a stone pathway lined with bushes leads through a succession of archways inset in large stone buildings. digital.library.unt.edu/ark:/67531/metadc10334/
[Ironwork]
Photograph of ironwork on the St. Vitus Cathedral in Prague, Czech Republic. In the foreground, an ironwork grid is visible with three small iron sculptures attached. The sculptures depict figures at work and two small fish. Stone walls of the cathedral are visible in the background. digital.library.unt.edu/ark:/67531/metadc10056/
Is my Mom a he?
This black and white photograph montage depicts a boy in the foreground, somewhat out of focus, peering underneath the central figure. The main figure in the montage clearly has male genitals but the mirror reflection of the face is that of a woman. The photograph was created with collage and sculpture creating a tableaux which was then photographed. This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus. digital.library.unt.edu/ark:/67531/metadc129769/
Isadora Duncan
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No Description digital.library.unt.edu/ark:/67531/metadc8264/
Isaiah
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No Description digital.library.unt.edu/ark:/67531/metadc44341/
Isis
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Total digital.library.unt.edu/ark:/67531/metadc50324/
Isis
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det: nude woman giving blood from her breasts digital.library.unt.edu/ark:/67531/metadc50325/
The Island of Raguenez Brittany
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No Description digital.library.unt.edu/ark:/67531/metadc8004/
Isola Tiberina with the Ponte Rotto
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Isola Tiberina with the Ponte Rotto, 16th c. bridge, built on Roman ruins, collapsed in 1598. From the Italian Renaissance Period. digital.library.unt.edu/ark:/67531/metadc43169/
[Italian Cemetery]
Photograph of a cemetery in Florence, Italy. Two trees are visible on each side of the photograph. In the foreground, men and women with flowers walk on the path in front of the cemetery wall. The wall is lined with stacked graves. A mausoleum is centered in the wall of graves. digital.library.unt.edu/ark:/67531/metadc10709/
Italian Coast Scene with Ruined Tower
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A painting of a shepherd and his sheep on the coast. digital.library.unt.edu/ark:/67531/metadc8144/
It's Not Always Black and White
The geometric black, white and gray collage appears to depict a person afloat in the middle of a body of water. However, a shape like this artist has used before for a cordial glass sits atop a set of three steps in the foreground and receding into the distance are planks ranging from white to black. There are some cutouts in the platform that appear to be traps for the seated figure. digital.library.unt.edu/ark:/67531/metadc102402/
It's Not Always Black and White
A two-part shape that resembles this artist's three-dimensional cordial glasses stands in an interior into the floor of which is a rectangular cut out. Into this recess in the floor falls two small triangular shapes. Two windows are on the walls of the interior while a square shape is cut out of the ceiling. The artwork is made up of white, purplish grays and black. digital.library.unt.edu/ark:/67531/metadc102403/
Ivory Plaque with Two Yakshi, from the Treasure of Begram
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No Description digital.library.unt.edu/ark:/67531/metadc7969/
J 97-10
Vertical painting consists of long gray, black and brown brushstrokes that create a plaid pattern. digital.library.unt.edu/ark:/67531/metadc27141/
Jack-in-the-Pulpit No. III
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No Description digital.library.unt.edu/ark:/67531/metadc8634/
Jacket
Jacket of black silk satin. The jacket, formed as a basque bodice with typical close-fitting achieved by seaming, has extended front panels and is edged with ivory lace. The jacket is embellished with dark blue velvet and olive brown chenille appliques of floral and leaf forms and black jet beading. Lined in ivory silk satin. Photograph is from the exhibition Haute Couture - The Great Paris Designers, held at The Grace Museum, Abilene Texas, October 17 - December 30, 2000, and shows jacket as displayed with a period hat (Accession #: 1981.015.001) and skirt (Accession #: 1967.025.099). digital.library.unt.edu/ark:/67531/metadc29991/
Jacket
Jacket of black, green, red, pink, and yellow flannel in a large, painterly plaid pattern. The jacket is just below hip-length, and has a round neckline and no collar. Center front closure has a zipper with a gold metal rose charm pull, matching the pulls of the zippers on the two diagonal slit pockets at hips. Long-sleeved, with three non-functional buttons at wrists, formed as coiled snakes/spirals of gold metal. The jacket has inner shoulder pads and is fully lined in black satin. Designer's label: "Ungaro / Parallele / Paris" digital.library.unt.edu/ark:/67531/metadc286901/
Jacket
Jacket of navy blue wool crepe. Asymmetrically trimmed with pleated band falling from right shoulder, secured with white buckle at waistline. Self belt at waist with matching white buckle. Long sleeved with pleated diagonal at lower right sleeve. Designer's label: "Adrian / Original" digital.library.unt.edu/ark:/67531/metadc283688/
Jacket
Woman's jacket of purple wool with asymmetrical curved inset at right shoulder. Two bound slit pockets below shoulder. Center front closure with 3 buttons and bound buttonholes. Two slit pockets at hips with an asymmetrical inset over left pocket. Designer's label: "Adrian / Original" digital.library.unt.edu/ark:/67531/metadc283694/
Jacket
Waist-length black simulated alligator jacket. The cropped shell is constructed of panels of leather blind-stamped to simulate alligator. Panels are edged with silver-colored circular metal grommeted eyelets, and are joined with knitted black cording. The high, rounded spread collar is of ribbed black knit. Zipper closure from throat to hem at center front. The jacket is unlined, and has two interior, black canvas, envelope pockets with snap closures. Label is located inside at center back, below the collar. "Paco Rabanne / Paris Made in France". Jacket was donated as part of an ensemble which also included black wool and cashmere knit sweater by Dior, and black hip-hugger trousers by Remy. digital.library.unt.edu/ark:/67531/metadc30238/
Jacket
Varsity style jacket with front of mustard colored wool felt. Knit male kabuki style face on back. Center front zippered opening with snap at neckline. Wide rolled collar of black corduroy has 5 snaps. Left black corduroy and right red corduroy sleeves are zippered and detachable; cuffs have snap closure. Black corduroy waistband closes with 2 snaps. Two angled pockets at hips and patch pocket at left front with embroidered patch of male kabuki style face. Lined in yellow quilted polyester. Designer's label at center back neckline: "Yamamoto / Kansai" digital.library.unt.edu/ark:/67531/metadc501331/
Jacket
Jacket of black satin and black mink fur. Short, cropped jacket with high rounded neckline and full-length set-in sleeves made in heavy silk satin. Center front opening without closure devices. Neckline, front opening and cuffs trimmed in black mink fur. Fully lined in black silk. Designer's label at inside center back below collar: "Made in France / Automne-Hiver 1962 / Christian Dior / Paris"and s Style number stamped on label: "117880" digital.library.unt.edu/ark:/67531/metadc115012/
Jacket
Jacket of off-white linen. Fitted, waist length jacket with wide, notched collar and long sleeves with 3" cuffs and two white, circular buttons and barred buttonholes. Two patch pockets at bust line. Unlined. Combined designer's/retailer's label: "Christian Dior / for / Lou Lattimore, Inc. / Paris New York" Care label to right of designer's label. Lot/size tag at right underarm (faded): "Lot / Size 10" With tie belt for jacket of same fabric; 1" wide. digital.library.unt.edu/ark:/67531/metadc501291/
Jacket
Box style jacket of brown suede. Wide pointed collar and lapels. Long sleeves. Asymmetrical closing at center front with large appliqued circle patch pocket at right front and 2 large metallic silver buttons with bound buttonholes. Closure reinforced with two large snaps on waistband. Four 12" ties at waist band with1-1/2" diameter suede circles at ends. Lined in brown synthetic fabric. Designer's label at center back neckline: "Pierre Cardin / Paris New York / Made in France" Retailer's label at right front opening: "Neiman-Marcus / Trophy Room" Label at left shoulder: "Made in France (rest illegible)" digital.library.unt.edu/ark:/67531/metadc503791/
Jacket
Chinese jacket of red damask silk with multicolored embroidery. Almost knee-length, with long sleeves. Floral damask pattern, embroidery of flowers, moths(?), foliage, and other symbols. Angled center front opening bordered with blue, fastened with carved/chased gold sphere buttons and loops. Around opening, hem, collar, and cuffs is embroidered band in blues and white scrolls, with outer border of gold and black. Lined in pink silk. No labels. digital.library.unt.edu/ark:/67531/metadc503803/
Jacket
Jacket of Golden Spotted Seal fur with rounded collar and lapels; double breasted button accents with buttons of pearl grey circle set in gold metallic soft square; 4 fur covered belt loops, 2 on front and 2 on back, front belt loops are accented with self-buttons (right side button missing); two slit pockets at sides are lined in grey silk satin; long sleeves, pockets and jacket opening are trimmed in leather piping; 2 concealed metal hook and leather eye closures, one at bust and one at waist; fully lined in grey silk satin; hits at below hips. Label inside coat: Expressly made for William Schmidt/ OSLO/ 1853. With belt of black leather with oval, silver metal buckle; 2” width. digital.library.unt.edu/ark:/67531/metadc503795/
Jacket
Box jacket of navy blue wool with cutaway hem. Notched collar. Single-breasted with 5 button closure and tailored buttonholes. Welt pockets at left breast and at hips. Long, set-in sleeves with 3 smaller, non-functioning buttons at hem. Sleeves and back panel lined in black acetate. Designer's label at center back neckline: "Yohji Yamamoto" Also has fiber content, size and cleaning instructions on designer's label. Content/care label attached to inside hem of right pocket. digital.library.unt.edu/ark:/67531/metadc503792/
Jacket
Jacket of black wool twill. Three button single breasted fastening with tailored buttonholes; notched collar. Long sleeves which are wide at the elbow. Tails in back and asymmetrical front-left is cut shorter than right. Unlined. Designer's label at center back neckline: "Yohji Yamamoto; Fabrique Au Japon/Made in Japan; 100% Laine/100% Wool; Nettoyage A Sec Perchorethylene. Sechage Doux En Machine. Repasser Au Fer Doux.; Dryclean Perclorethylene. Tumble Warm. Warm Iron." digital.library.unt.edu/ark:/67531/metadc503789/
Jacket
Box jacket of black wool with cutaway hem. Notched collar. Single-breasted with 5 button closure and tailored buttonholes. Welt pockets at left breast and at hips. Long, set-in sleeves with 3 smaller, non-functioning buttons at hem. Unlined. Designer's label at center back neckline: "Yohji Yamamoto" Also has fiber content, size and cleaning instructions on designer's label. Content/care label attached to inside hem of right pocket. digital.library.unt.edu/ark:/67531/metadc503747/
Jacket
Jacket of black wool and monkey fur. Suit jacket of black wool, long torso, slightly fitted, single-breasted with center front opening of 4 circular self-covered buttons and single hook-and-eye. Long sleeves. Small shoulder pads. From waist to hem coat is trimmed with wide band of long black monkey fur. Retailer's label at inside back collar: "Neiman-Marcus / Dallas" National Recovery Board, Coat and Suit Industry label at inside waist, "001706" digital.library.unt.edu/ark:/67531/metadc795240/
Jacket
Jacket of white re-embroidered St. Gallen lace. Knee-length, center front opening with three snaps. Bracelet length sleeves. Collarless, with rounded neckline with scallops following the lace. Unlined. Designer's label at inside right under-arm: "Balenciaga / 10 Avenue George V Paris". With accompanying belt/sash of white satin. Reinforced at center, but single thickness at ends, which tie. digital.library.unt.edu/ark:/67531/metadc795315/
Jacket
Jacket of tan leather in a sueded finish. Decorated with pink and blue machine embroidered lines and flowers. Two embroidered patch pockets on front. Trimmed with long, crimped sheep fur around cuffs, hem, neckline, and center front opening. Closure of three large hook & eyes. Lined in a short pale fur, the "hair side" of the leather the from which the coat is made. Label at center back neckline: "Made / In / Turkey" digital.library.unt.edu/ark:/67531/metadc795269/
James Cuthbert (?)
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Portrait of a man, visible from the waist up. He is wearing a light-colored shirt with a dark-colored suit and has his left hand is tucked inside his vest. digital.library.unt.edu/ark:/67531/metadc8020/
[Jan Evertsenplaats]
Photograph of the Jan Evertsenplaats in Rotterdam, Netherlands. In the foreground, a bronze bust on a marble pedestal is visible; two apartment buildings and a parking lot are visible in the background. digital.library.unt.edu/ark:/67531/metadc10886/
The Japanese Footbridge, Giverny
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No Description digital.library.unt.edu/ark:/67531/metadc8098/
[Japanese house]
Photograph of a house in the city of Kyoto, Japan. In the foreground, the outer wall of a house is visible on the corner of a street. The wall has a wooden window and a tile roof. The street that runs perpendicular is visible in the background. digital.library.unt.edu/ark:/67531/metadc10740/
Japanese Pilgrim Returning from Mount Fusi Yama
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An open courtyard with several people walking through are the main subject of the painting. digital.library.unt.edu/ark:/67531/metadc52146/
Japanese Postcard
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The postcard depicts three figures in the foreground who appear to be at odds with each other. In the background are two large snowmen like figures. digital.library.unt.edu/ark:/67531/metadc41378/
Japanese Pottery
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The ceramic object depicts a person huddled in a reddish blanket or covering with just his face showing. digital.library.unt.edu/ark:/67531/metadc41387/
Japanese Pottery
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The short straight sided bowl is decorated in deep blue and lighter blue tones and has a small foot. digital.library.unt.edu/ark:/67531/metadc41389/
Jar
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No Description digital.library.unt.edu/ark:/67531/metadc7974/
El Jarabe en Ultatumba
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No Description digital.library.unt.edu/ark:/67531/metadc8087/
[Jardin des Plantes]
Photograph of the Jardin des Plantes in Paris, France. In the center of the image, a pathway leads from foreground to background. A man is visible walking on the pathway with his back turned towards the camera. The pathway is lined with rows of flower beds and trees. Smoke is visible coming from one of the flower beds in the right middle ground. The Gallery of Evolution is visible in the background at the end of the pathway. digital.library.unt.edu/ark:/67531/metadc10308/
[Jardin des Plantes]
Photograph of the Jardin des Plantes in Paris, France. In the foreground, a greenhouse is visible. Trees are visible behind the greenhouse. digital.library.unt.edu/ark:/67531/metadc10309/
[Jardin du Château]
Photograph of the Jardin du Château in Angers, France. In the foreground the small garden is visible with a wall on one side and the chateau on the other. The city of Angers is visible beyond the walls. digital.library.unt.edu/ark:/67531/metadc10403/