You limited your search to:

  Partner: UNT College of Visual Arts + Design
[Patio}
Photograph of a patio in Mexico. Numerous plants and items of furniture are spread across the patio. The patio is paved with tiles and lined with brick planters. A man is visible in the right middle ground of the photograph. The surrounding landscape is visible in the background. digital.library.unt.edu/ark:/67531/metadc10890/
[Patmos]
Photograph of a building on the island of Patmos, Greece. In the foreground, the top of a stone building is visible; the sea and distant hills are visible in the background. digital.library.unt.edu/ark:/67531/metadc10409/
Pattadakal Temple Complex
Access: Use of this item is restricted to the UNT Community.
This close detail view shows the Virupaksha Temple's Bull Pavilion with its relief of a gatekeeper. digital.library.unt.edu/ark:/67531/metadc44276/
Pattadakal Temple Complex
Access: Use of this item is restricted to the UNT Community.
This view shows the Jambulinga and Galaganatha temples. The view is east, northeast. digital.library.unt.edu/ark:/67531/metadc44271/
Pattadakal Temple Complex
Access: Use of this item is restricted to the UNT Community.
This view shows the monolithic bull in profile. digital.library.unt.edu/ark:/67531/metadc44275/
Pattadakal Temple Complex
Access: Use of this item is restricted to the UNT Community.
No Description digital.library.unt.edu/ark:/67531/metadc44272/
Pattadakal Temple Complex
Access: Use of this item is restricted to the UNT Community.
This close detail shows the Mallikarjuna Temple's central facade with its tower. digital.library.unt.edu/ark:/67531/metadc44273/
Pattadakal Temple Complex
Access: Use of this item is restricted to the UNT Community.
1 carved complex : sandstone digital.library.unt.edu/ark:/67531/metadc44274/
Paul Newman is Hombre
The nearly square painting is composed of several standing figures, some of whom hold weapons. The colors of the painting are primarily reds, blues and yellows. Two figures on the right side of the canvas appear to be holding microphone and a guitar. Green and red silhouettes of horses are in the background. The picture plane is filled with figures with almost no negative space. digital.library.unt.edu/ark:/67531/metadc274982/
A Pavane
Access: Use of this item is restricted to the UNT Community.
The painting is long and horizontally oriented. Four people, three women and one man, dance and to one side is a landscape, sculpture, and building and on the opposite side are several seated musicians. The women wear full gowns in red, gold, and white while the man is dressed in striped tights. digital.library.unt.edu/ark:/67531/metadc41300/
[Pavilion overlooking the Li River]
Photograph of a pavillion overlooking the Li River in Guilin, China. The pavilion sits atop a rocky cliff by the river. Trees are visible behind the pavilion. digital.library.unt.edu/ark:/67531/metadc10072/
[Pazzi Chapel]
Photograph of the Pazzi Chapel located in the cloisters of the Basilica of Santa Croce in Florence, Italy. In the foreground, the stone path leading towards the chapel entrance is visible; the path is flanked by greenery and arched colonnades. The chapel and bell tower are visible in the background. There is a small figure in front of the chapel. The chapel was designed by Filippo Brunelleschi. digital.library.unt.edu/ark:/67531/metadc10801/
Pazzi Chapel
Access: Use of this item is restricted to the UNT Community.
Diagonal view of the sanctuary in the Pazzi Chapel from the Italian Renaissance Period. digital.library.unt.edu/ark:/67531/metadc45637/
Peaceable Kingdom
Access: Use of this item is restricted to the UNT Community.
Oil painting depicting a number of animals and small children under a tree. A group of Native Americans are visible in the background, trading with a group of Englishmen. digital.library.unt.edu/ark:/67531/metadc8552/
Peaceful Moment at a Canyon
The work of art depicts canyon like shapes from wavy shapes from which lines have been created vertically making the canyon like shapes. The vertical stripes gradate from pinks to blues and purples. digital.library.unt.edu/ark:/67531/metadc27078/
A Peaceful Small Heaven
Access: Use of this item is restricted to the UNT Community.
On a green ground and behind a lattice a rooster and a black hen sit. digital.library.unt.edu/ark:/67531/metadc41349/
The Peasant Dance
Access: Use of this item is restricted to the UNT Community.
Painting depicting the peasant dance. digital.library.unt.edu/ark:/67531/metadc44866/
[Peasant Houses]
Photograph of peasant houses in Lund, Sweden. In the foreground, a low stone wall is visible on a grass lawn. Trees are interspersed with peasant houses behind the wall. The houses are constructed of wood with grass roofs. digital.library.unt.edu/ark:/67531/metadc10939/
Peasants in an Interior
Access: Use of this item is restricted to the UNT Community.
No Description digital.library.unt.edu/ark:/67531/metadc7842/
Pedestal for a Sculpture with Dancing Maenads
Access: Use of this item is restricted to the UNT Community.
Detail of the dancing maenad in the Pedestal for a Sculpture with Dancing Maenads. Roman copy, 1st c. BC. From Coll. Sciarra Amoenita Artis, Rome; from the Greek Classical Period. digital.library.unt.edu/ark:/67531/metadc42991/
Pedestal for a Sculpture with Dancing Maenads
Access: Use of this item is restricted to the UNT Community.
Total view of sculpture depicting pedestal for a sculpture with dancing maenads. From Coll. Sciarra Amoenita Artis, Rome; from the Greek Classical Period. digital.library.unt.edu/ark:/67531/metadc42990/
Pedestal Relief, Roman trophies of war, from Temple of Hadrian
Access: Use of this item is restricted to the UNT Community.
Pedestal Relief, Roman trophies of war, from Temple of Hadrian. Originated in Cortile of Pal. Of Conservators. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43171/
Pedestal Reliefs, Allegories of Roman provinces, from Temple of Hadrian
Access: Use of this item is restricted to the UNT Community.
Pedestal Reliefs, Allegories of Roman provinces, from Temple of Hadrian. Originated in Cortile of Pal. Of Conservators. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43170/
Peerless Pool in Fatehpur Sikri Palace Complex
Access: Use of this item is restricted to the UNT Community.
The water feature is geometric and includes surrounding steps. Beyond the pools is a building with many compartments open to the exterior. digital.library.unt.edu/ark:/67531/metadc45466/
Pencil of Nature
Access: Use of this item is restricted to the UNT Community.
The cover of the book is decorated with a cartouche in black and red in a mixture of styles, Medieval, Celtic and Victorian. digital.library.unt.edu/ark:/67531/metadc41489/
[Penguins]
Photograph of the penguin pool in Regent's Park in London, England. In the foreground, the pool is visible. Two concrete spiral ramps lead into the pool. Penguins are visible on the ramp, in the pool, and on the side. A concrete wall surrounds the pool. People are visible behind the wall looking towards the penguins. Trees are visible in the background. digital.library.unt.edu/ark:/67531/metadc10222/
Pennsylvania House
This painting depicts one of the annexes that remain on the property. A fire long ago destroyed the building's interior, but the brick remains. The low-chroma painting features ink washes. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129763/
[Penshurst Place]
Photograph of Penshurst Place in Kent, England. A stone walkway is visible in the foreground. The walkway cuts through a green lawn leading to an arched doorway. The manor is visible at the end of the walkway. A group of people stands in front of the entranceway. digital.library.unt.edu/ark:/67531/metadc10210/
[Penshurst Place]
Photograph of Penshurst Place in Kent, England. A grass lawn fills the foreground. The manor is visible in the background. A parking lot is visible to the left of the manor. digital.library.unt.edu/ark:/67531/metadc10207/
[Penshurst Place]
Photograph of Penshurst Place in Kent, England. In the foreground, the garden is visible complete with roses and sculpted hedges. The manor is visible in the background. digital.library.unt.edu/ark:/67531/metadc10208/
[Penshurst Place Gardens]
Photograph of the gardens of Penshurst Place in Kent, England. A gravel pathway beside a stone wall leads from the foreground to background. The pathway is lined with red flowers. Trees and hedges are visible in the background. digital.library.unt.edu/ark:/67531/metadc10209/
The People's Budget
Access: Use of this item is restricted to the UNT Community.
A group of people in the background carry protest placards while a disheveled couple in the foreground make a comment about taxes. digital.library.unt.edu/ark:/67531/metadc41198/
[Peristyle]
Photograph of the Süleymaniye Mosque in Istanbul, Turkey. The peristyle of the mosque is visible in the foreground. The dome rises up in the back with three minarets visible. digital.library.unt.edu/ark:/67531/metadc10957/
[Peristyle Court]
Photograph of the peristyle court of the Temple of Ramses III in Medinet Habu, Egypt. A row of columns is visible in the foreground. Each column is preceded by a stone figure. Each figure is in various states of deterioration. digital.library.unt.edu/ark:/67531/metadc10114/
Peristyle Garden, House of the Vettii, Pompeii
Access: Use of this item is restricted to the UNT Community.
Peristyle Garden, House of the Vettii, Pompeii. From the Roman Republican Period. digital.library.unt.edu/ark:/67531/metadc43139/
Persian Jacket
Access: Use of this item is restricted to the UNT Community.
No Description digital.library.unt.edu/ark:/67531/metadc8798/
A Person Overhearing Secret Songs
Access: Use of this item is restricted to the UNT Community.
A figure playing a stringed instrument is in the background while a person hiding in the foreground listens. The style is angular with flat areas of color. digital.library.unt.edu/ark:/67531/metadc41348/
Person Throwing Stone at a Bird,
Access: Use of this item is restricted to the UNT Community.
No Description digital.library.unt.edu/ark:/67531/metadc8272/
Personal Response to Digital Frontiers Roundtable: Allison Jarek
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Allison Jarek. digital.library.unt.edu/ark:/67531/metadc109707/
Personal Response to Digital Frontiers Roundtable: Ann Howington
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Ann Howington. digital.library.unt.edu/ark:/67531/metadc109706/
Personal Response to Digital Frontiers Roundtable: Caleb Zouhary
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Caleb Zouhary. digital.library.unt.edu/ark:/67531/metadc109721/
Personal Response to Digital Frontiers Roundtable: Cassie Phan
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Cassie Phan. digital.library.unt.edu/ark:/67531/metadc109718/
Personal Response to Digital Frontiers Roundtable: Chance Dunlap
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Chance Dunlap. digital.library.unt.edu/ark:/67531/metadc109702/
Personal Response to Digital Frontiers Roundtable: Justin Strickland Hoff
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Justin Strickland Hoff. digital.library.unt.edu/ark:/67531/metadc109705/
Personal Response to Digital Frontiers Roundtable: Madeleine Fitzgerald
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Madeleine Fitzgerald. digital.library.unt.edu/ark:/67531/metadc109703/
Personal Response to Digital Frontiers Roundtable: Marseille Moon
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Marseille Moon. digital.library.unt.edu/ark:/67531/metadc109709/
Personal Response to Digital Frontiers Roundtable: Michael Blair
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Michael Blair. digital.library.unt.edu/ark:/67531/metadc109699/
Personal Response to Digital Frontiers Roundtable: Rachel Christensen
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Rachel Christensen. digital.library.unt.edu/ark:/67531/metadc109701/
Personal Response to Digital Frontiers Roundtable: Sean Miller
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Sean Miller. digital.library.unt.edu/ark:/67531/metadc109708/
Personal Response to Digital Frontiers Roundtable: XuHao Yang
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, XuHao Yang. digital.library.unt.edu/ark:/67531/metadc109720/