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  Partner: UNT College of Visual Arts + Design
Interior of a School in Cairo
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The interior of a school is depicted. The architecture is complex in its patterned surfaces and lighting patterns. Some children have rapt attention to the teacher and one is dosing and two appear to be sneaking out of the classroom. digital.library.unt.edu/ark:/67531/metadc41161/
Interior of the Palm House
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The painting detail shows two women resting and a view of part of a column as well as some foliage. The oil paint technique has the appearance of being like watercolor in this loose and transparent style. digital.library.unt.edu/ark:/67531/metadc49752/
Interior of the Palm House
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In bright greens and reds, large potted plants are seen inside a building or green house. The building appears luxurious in marble with balconies, railings, and columns. digital.library.unt.edu/ark:/67531/metadc49751/
Interior with Etruscan Vase
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Painting depicting interior with Etruscan vase. digital.library.unt.edu/ark:/67531/metadc50343/
Interior with Etruscan Vase
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detail with woman digital.library.unt.edu/ark:/67531/metadc50344/
Interior with Figures
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No Description digital.library.unt.edu/ark:/67531/metadc8322/
[International Conference Hall]
Photograph of an International Conference Hall in Kyoto, Japan. In the foreground, numerous people sit in rows at long tables. Each person wears a name tag. digital.library.unt.edu/ark:/67531/metadc10788/
[Intersecting Rooflines]
Photograph of intersecting rooflines in the Summer Palace of Beijing, China. A stone fence cuts across the bottom foreground. Four tile roofs are visible in the picture plane. People are visible underneath the roofs. Trees are visible in the background. digital.library.unt.edu/ark:/67531/metadc10144/
[Interview with Adelma Benavente Garcia]
This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9523/
[Interview with Elda Harrington]
This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9522/
[Interview with Paula Sibilia]
This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9521/
[Les Invalides]
Photograph of Les Invalides in Paris, France. In the foreground, a bridge is visible with a row of street lamps. Coulples walk on the sidewalk. Les Invalides is visible in the background. digital.library.unt.edu/ark:/67531/metadc10297/
Inversion IV
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No Description digital.library.unt.edu/ark:/67531/metadc8533/
The Invocation
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Oil painting depicting a naked woman with her arms raised to the sky. Two young women are sitting on the ground on the left and two other women are standing behind the first woman. Mountains and trees are visible in the background. digital.library.unt.edu/ark:/67531/metadc8404/
[Ireland]
Photograph of a shaded street in Ireland. The street in the foreground is intersected by an archway. Two men pass through the archway. A perpendicular street is visible in the background. digital.library.unt.edu/ark:/67531/metadc10469/
[Ireland]
Photograph of a curved building in Ireland. The building curves around a street and circle of grass. digital.library.unt.edu/ark:/67531/metadc10467/
[Ireland]
Photograph of a street in Ireland. An archway is visible in the foreground. A street passes through the archway and into the background. Stone buildings line the street. digital.library.unt.edu/ark:/67531/metadc10511/
[Ireland]
Photograph of a building in Ireland. In the foreground, the side of a stone building is visible. The building has two arched windows that are filled in with bricks. digital.library.unt.edu/ark:/67531/metadc10505/
[Ireland]
Photograph of a street in Ireland. In the foreground, a body of water enclosed by a stone wall is visible. A street lined with cars and buildings is visible behind the stone wall. digital.library.unt.edu/ark:/67531/metadc10488/
[Ireland]
Photograph of a row of buildings in Ireland. All the buildings have brick facades which are visible in the foreground. A street runs in front of the buildings. Two street lamps are visible receding down the street. digital.library.unt.edu/ark:/67531/metadc10495/
[Ireland]
Photograph of a city in Ireland. In the foreground, a row of houses lines a street. Behind the row of houses, A large stone building with surrounding wall rises on the rocky hillside. digital.library.unt.edu/ark:/67531/metadc10490/
[Ireland]
Photograph of buildings in Ireland. The sides of two buildings are visible in the foreground. There is a gap between the buildings. Through the gap, trees and a white cupola are visible in the background. digital.library.unt.edu/ark:/67531/metadc10498/
[Irish Castle]
Photograph of a castle in Ireland. A stone wall is visible in the bottom foreground framed by trees. The castle is visible behind the wall. digital.library.unt.edu/ark:/67531/metadc10499/
[Irish Farm House]
Photograph of an Irish farm house in Ireland. A white house with thatched roof is visible in the foreground. A small stone wall extends off the right side of the house. The green countryside surrounds the house. digital.library.unt.edu/ark:/67531/metadc10476/
[Iron Gate View]
Photograph of the view through an iron gate in Cambridge, England. Through the ironwork, a stone pathway lined with bushes leads through a succession of archways inset in large stone buildings. digital.library.unt.edu/ark:/67531/metadc10334/
[Ironwork]
Photograph of ironwork on the St. Vitus Cathedral in Prague, Czech Republic. In the foreground, an ironwork grid is visible with three small iron sculptures attached. The sculptures depict figures at work and two small fish. Stone walls of the cathedral are visible in the background. digital.library.unt.edu/ark:/67531/metadc10056/
Is my Mom a he?
This black and white photograph montage depicts a boy in the foreground, somewhat out of focus, peering underneath the central figure. The main figure in the montage clearly has male genitals but the mirror reflection of the face is that of a woman. The photograph was created with collage and sculpture creating a tableaux which was then photographed. This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus. digital.library.unt.edu/ark:/67531/metadc129769/
Isadora Duncan
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No Description digital.library.unt.edu/ark:/67531/metadc8264/
Isaiah
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No Description digital.library.unt.edu/ark:/67531/metadc44341/
Isis
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Total digital.library.unt.edu/ark:/67531/metadc50324/
Isis
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det: nude woman giving blood from her breasts digital.library.unt.edu/ark:/67531/metadc50325/
The Island of Raguenez Brittany
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No Description digital.library.unt.edu/ark:/67531/metadc8004/
Isola Tiberina with the Ponte Rotto
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Isola Tiberina with the Ponte Rotto, 16th c. bridge, built on Roman ruins, collapsed in 1598. From the Italian Renaissance Period. digital.library.unt.edu/ark:/67531/metadc43169/
[Italian Cemetery]
Photograph of a cemetery in Florence, Italy. Two trees are visible on each side of the photograph. In the foreground, men and women with flowers walk on the path in front of the cemetery wall. The wall is lined with stacked graves. A mausoleum is centered in the wall of graves. digital.library.unt.edu/ark:/67531/metadc10709/
Italian Coast Scene with Ruined Tower
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A painting of a shepherd and his sheep on the coast. digital.library.unt.edu/ark:/67531/metadc8144/
It's Not Always Black and White
The geometric black, white and gray collage appears to depict a person afloat in the middle of a body of water. However, a shape like this artist has used before for a cordial glass sits atop a set of three steps in the foreground and receding into the distance are planks ranging from white to black. There are some cutouts in the platform that appear to be traps for the seated figure. digital.library.unt.edu/ark:/67531/metadc102402/
It's Not Always Black and White
A two-part shape that resembles this artist's three-dimensional cordial glasses stands in an interior into the floor of which is a rectangular cut out. Into this recess in the floor falls two small triangular shapes. Two windows are on the walls of the interior while a square shape is cut out of the ceiling. The artwork is made up of white, purplish grays and black. digital.library.unt.edu/ark:/67531/metadc102403/
Ivory Plaque with Two Yakshi, from the Treasure of Begram
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No Description digital.library.unt.edu/ark:/67531/metadc7969/
J 97-10
Vertical painting consists of long gray, black and brown brushstrokes that create a plaid pattern. digital.library.unt.edu/ark:/67531/metadc27141/
Jack-in-the-Pulpit No. III
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No Description digital.library.unt.edu/ark:/67531/metadc8634/
Jacket
Jacket of black silk satin. The jacket, formed as a basque bodice with typical close-fitting achieved by seaming, has extended front panels and is edged with ivory lace. The jacket is embellished with dark blue velvet and olive brown chenille appliques of floral and leaf forms and black jet beading. Lined in ivory silk satin. Photograph is from the exhibition Haute Couture - The Great Paris Designers, held at The Grace Museum, Abilene Texas, October 17 - December 30, 2000, and shows jacket as displayed with a period hat (Accession #: 1981.015.001) and skirt (Accession #: 1967.025.099). digital.library.unt.edu/ark:/67531/metadc29991/
Jacket
Jacket of black, green, red, pink, and yellow flannel in a large, painterly plaid pattern. The jacket is just below hip-length, and has a round neckline and no collar. Center front closure has a zipper with a gold metal rose charm pull, matching the pulls of the zippers on the two diagonal slit pockets at hips. Long-sleeved, with three non-functional buttons at wrists, formed as coiled snakes/spirals of gold metal. The jacket has inner shoulder pads and is fully lined in black satin. Designer's label: "Ungaro / Parallele / Paris" digital.library.unt.edu/ark:/67531/metadc286901/
Jacket
Jacket of navy blue wool crepe. Asymmetrically trimmed with pleated band falling from right shoulder, secured with white buckle at waistline. Self belt at waist with matching white buckle. Long sleeved with pleated diagonal at lower right sleeve. Designer's label: "Adrian / Original" digital.library.unt.edu/ark:/67531/metadc283688/
Jacket
Woman's jacket of purple wool with asymmetrical curved inset at right shoulder. Two bound slit pockets below shoulder. Center front closure with 3 buttons and bound buttonholes. Two slit pockets at hips with an asymmetrical inset over left pocket. Designer's label: "Adrian / Original" digital.library.unt.edu/ark:/67531/metadc283694/
Jacket
Waist-length black simulated alligator jacket. The cropped shell is constructed of panels of leather blind-stamped to simulate alligator. Panels are edged with silver-colored circular metal grommeted eyelets, and are joined with knitted black cording. The high, rounded spread collar is of ribbed black knit. Zipper closure from throat to hem at center front. The jacket is unlined, and has two interior, black canvas, envelope pockets with snap closures. Label is located inside at center back, below the collar. "Paco Rabanne / Paris Made in France". Jacket was donated as part of an ensemble which also included black wool and cashmere knit sweater by Dior, and black hip-hugger trousers by Remy. digital.library.unt.edu/ark:/67531/metadc30238/
Jacket
Varsity style jacket with front of mustard colored wool felt. Knit male kabuki style face on back. Center front zippered opening with snap at neckline. Wide rolled collar of black corduroy has 5 snaps. Left black corduroy and right red corduroy sleeves are zippered and detachable; cuffs have snap closure. Black corduroy waistband closes with 2 snaps. Two angled pockets at hips and patch pocket at left front with embroidered patch of male kabuki style face. Lined in yellow quilted polyester. Designer's label at center back neckline: "Yamamoto / Kansai" digital.library.unt.edu/ark:/67531/metadc501331/
Jacket
Jacket of black satin and black mink fur. Short, cropped jacket with high rounded neckline and full-length set-in sleeves made in heavy silk satin. Center front opening without closure devices. Neckline, front opening and cuffs trimmed in black mink fur. Fully lined in black silk. Designer's label at inside center back below collar: "Made in France / Automne-Hiver 1962 / Christian Dior / Paris"and s Style number stamped on label: "117880" digital.library.unt.edu/ark:/67531/metadc115012/
Jacket
Jacket of off-white linen. Fitted, waist length jacket with wide, notched collar and long sleeves with 3" cuffs and two white, circular buttons and barred buttonholes. Two patch pockets at bust line. Unlined. Combined designer's/retailer's label: "Christian Dior / for / Lou Lattimore, Inc. / Paris New York" Care label to right of designer's label. Lot/size tag at right underarm (faded): "Lot / Size 10" With tie belt for jacket of same fabric; 1" wide. digital.library.unt.edu/ark:/67531/metadc501291/
Jacket
Box style jacket of brown suede. Wide pointed collar and lapels. Long sleeves. Asymmetrical closing at center front with large appliqued circle patch pocket at right front and 2 large metallic silver buttons with bound buttonholes. Closure reinforced with two large snaps on waistband. Four 12" ties at waist band with1-1/2" diameter suede circles at ends. Lined in brown synthetic fabric. Designer's label at center back neckline: "Pierre Cardin / Paris New York / Made in France" Retailer's label at right front opening: "Neiman-Marcus / Trophy Room" Label at left shoulder: "Made in France (rest illegible)" digital.library.unt.edu/ark:/67531/metadc503791/
Jacket
Jacket of Golden Spotted Seal fur with rounded collar and lapels; double breasted button accents with buttons of pearl grey circle set in gold metallic soft square; 4 fur covered belt loops, 2 on front and 2 on back, front belt loops are accented with self-buttons (right side button missing); two slit pockets at sides are lined in grey silk satin; long sleeves, pockets and jacket opening are trimmed in leather piping; 2 concealed metal hook and leather eye closures, one at bust and one at waist; fully lined in grey silk satin; hits at below hips. Label inside coat: Expressly made for William Schmidt/ OSLO/ 1853. With belt of black leather with oval, silver metal buckle; 2” width. digital.library.unt.edu/ark:/67531/metadc503795/