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  Partner: UNT College of Visual Arts + Design
 Collection: ARTsource
Abbey Church of St. Michael
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No Description digital.library.unt.edu/ark:/67531/metadc44093/
Abbey Church of St. Michael
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No Description digital.library.unt.edu/ark:/67531/metadc44083/
Abe Lincoln the Great Emancipator
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Painting of five male subjects in warm and cool hues of burnt-orange, dark blue, gray and black. Abraham Lincoln is depicted wearing his signature black top hat and black knee-length overcoat. The subject to the left of Abraham Lincoln appears to be in decorated military attire. The two subjects on the far right are also in military attire. digital.library.unt.edu/ark:/67531/metadc8643/
Abigail Smith Babcock (Mrs Adam Babcock)
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Oil painting of Abigail Smith Babcock wearing a pink-colored gown and a fur-lined cloak. She is seated for the portrait, facing toward the right side of the painting. She appears to be holding beads in her hands. digital.library.unt.edu/ark:/67531/metadc8000/
Abraham and Melchizedek
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No Description digital.library.unt.edu/ark:/67531/metadc7828/
Abraham Lincoln Center
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The building is clad in red brick, flat topped and unadorned. digital.library.unt.edu/ark:/67531/metadc36472/
Abraham Sacrificing Isaac
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The horizontally oriented painting depicts a man in a red robe with a knife threatening a seated figure while a winged angelic figure reaches for the man with the knife. digital.library.unt.edu/ark:/67531/metadc48737/
Abraham Sacrificing Isaac
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The painting detail shows the central portion with the action of the figures. digital.library.unt.edu/ark:/67531/metadc48738/
Abstract Composition
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No Description digital.library.unt.edu/ark:/67531/metadc8789/
Abstract Painting of Marcel Duchamp
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No Description digital.library.unt.edu/ark:/67531/metadc8716/
Abstraction
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No Description digital.library.unt.edu/ark:/67531/metadc8438/
Abstraction, Biarritz
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No Description digital.library.unt.edu/ark:/67531/metadc7972/
Accordion
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No Description digital.library.unt.edu/ark:/67531/metadc41414/
Accordion
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The accordion is upright with bellows partially expanded and keys visible. digital.library.unt.edu/ark:/67531/metadc41404/
Accordion
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A nineteenth-century rosewood accordion is visible in upright position with keys showing and bellows partially expanded. digital.library.unt.edu/ark:/67531/metadc41403/
Accordion
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The accordion is partially expanded and the keys are visible. digital.library.unt.edu/ark:/67531/metadc41407/
Accounting
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An grounded airplane is depicted in the monochromatic postcard. digital.library.unt.edu/ark:/67531/metadc41346/
Accounting
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The monochromatic postcard includes a depiction of an airplane in the air. There is some Japanese text along the bottom edge. digital.library.unt.edu/ark:/67531/metadc41347/
Accumulation of Cans
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Total view from front of accumulation of cans. From the Contemporary Period. digital.library.unt.edu/ark:/67531/metadc50307/
Achemid Stone Capital with Kneeling Bull Protomes
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Total from front left of the Achemid Stone Capital with Kneeling Bull Protomes, from the Apadana (audience hall), Palace of Susa. from Royal Audience Hall, Palace of Artaxerxes. From the Ancient Near Eastern Period. digital.library.unt.edu/ark:/67531/metadc43271/
Achilles
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The painting consists of a large red vertical field on a darker red/black field. digital.library.unt.edu/ark:/67531/metadc8816/
Achilles Discovered Among the Women
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A figure wearing a red dress wields a sword among a group of people some of whom are on the floor rummaging through trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48044/
Achilles Discovered Among the Women
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A close view of the woman wearing white and two figures behind her is featured in this detail view. digital.library.unt.edu/ark:/67531/metadc48046/
Achilles Discovered Among the Women
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In the painting detail, a close view of the figure wearing red is shown. digital.library.unt.edu/ark:/67531/metadc48045/
Achilles Discovered Among the Women
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The center portion of the painting and the main focus of the action is shown in this detail. The figure raises the sword and women rummage through the trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48047/
Acid Pitcher
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The pitcher has a wide spout, a large curved handle and is glazed white. digital.library.unt.edu/ark:/67531/metadc41559/
Acoustic / Electric Guitar (Chrysalis Model)
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The main front view of the guitar is visible with its red body. digital.library.unt.edu/ark:/67531/metadc41415/
Acute Calm Pink
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Painting entitled Acute Calm Pink. digital.library.unt.edu/ark:/67531/metadc51206/
Adam and Eve Eating the Forbidden Fruit and God Discovering Them, north doors trumeau relief, Orvieto Cathedral, Orvieto, Italy
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The relief decoration on the north doors of the Orvieto Cathedral show Adam and Eve eating the forbidden fruit and God discovering them. Large deeply-carved foliage runs across the top of the relief. digital.library.unt.edu/ark:/67531/metadc36457/
The Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc8177/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7886/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7885/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7878/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7879/
The Adoration of the Shepherds
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No Description digital.library.unt.edu/ark:/67531/metadc8850/
Adrienne (Woman with Bangs)
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No Description digital.library.unt.edu/ark:/67531/metadc8102/
After the Bath
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A woman leaving her bath seen from behind is depicted in this pastel drawing. digital.library.unt.edu/ark:/67531/metadc7989/
After the Hunt
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A still life painting of hunting items and game animals. digital.library.unt.edu/ark:/67531/metadc8301/
Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of Félix Fénéon in 1890
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Oil painting of Félix Fénéon, wearing a suit and holding a top hat and cane in his left hand and holding out a flower in his right. There are multicolored designs in the background. digital.library.unt.edu/ark:/67531/metadc8598/
Agam Fountain, Paris, France
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The water is visible from the ground level seating. digital.library.unt.edu/ark:/67531/metadc40947/
Agam Fountain, Paris, France
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An aerial view of the fountain shows its scale and colors. digital.library.unt.edu/ark:/67531/metadc40946/
The Age of Bronze
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A nude male statue. digital.library.unt.edu/ark:/67531/metadc8369/
Age of Rectangles
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No Description digital.library.unt.edu/ark:/67531/metadc8712/
Agostina
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No Description digital.library.unt.edu/ark:/67531/metadc8846/
The Agra Diamond
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1 gem : digital.library.unt.edu/ark:/67531/metadc36434/
Air
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No Description digital.library.unt.edu/ark:/67531/metadc40961/
Air
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This view from the top of the sculpture shows the face and the figure's left hand frontally and shows the figure in extreme perspective. digital.library.unt.edu/ark:/67531/metadc40962/
Ajanta Cave 2
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This view shows the carved figurative decoration on the lintel frieze of figures both seated and standing. digital.library.unt.edu/ark:/67531/metadc44395/
Ajanta Cave 2
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The sculptural relief consists of lotus medallion in a mandala pattern. Two figures flank the sides of the relief. digital.library.unt.edu/ark:/67531/metadc44397/
Ajanta Cave 2
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The painting on the cave wall depicts several seated half-clothed figures inside an architectural setting. In the lower right corner is another couple can be seen through a gold embellished window. In the upper right corner are more people. On the left side is an animal that resembles a horse or dog. There are many missing chips. Vidhurapandita teaches the sacred doctrine to the Naga King Varuna on the left and Queen Vimala is on the balcony discussing her marriage. Vidhurapandita and the court lady are below the balcony. digital.library.unt.edu/ark:/67531/metadc44396/