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  Partner: UNT College of Visual Arts + Design
[Ireland]
Photograph of a street in Ireland. In the foreground, a body of water enclosed by a stone wall is visible. A street lined with cars and buildings is visible behind the stone wall. digital.library.unt.edu/ark:/67531/metadc10488/
[Ireland]
Photograph of a row of buildings in Ireland. All the buildings have brick facades which are visible in the foreground. A street runs in front of the buildings. Two street lamps are visible receding down the street. digital.library.unt.edu/ark:/67531/metadc10495/
[Ireland]
Photograph of a city in Ireland. In the foreground, a row of houses lines a street. Behind the row of houses, A large stone building with surrounding wall rises on the rocky hillside. digital.library.unt.edu/ark:/67531/metadc10490/
[Ireland]
Photograph of buildings in Ireland. The sides of two buildings are visible in the foreground. There is a gap between the buildings. Through the gap, trees and a white cupola are visible in the background. digital.library.unt.edu/ark:/67531/metadc10498/
[Irish Castle]
Photograph of a castle in Ireland. A stone wall is visible in the bottom foreground framed by trees. The castle is visible behind the wall. digital.library.unt.edu/ark:/67531/metadc10499/
[Irish Farm House]
Photograph of an Irish farm house in Ireland. A white house with thatched roof is visible in the foreground. A small stone wall extends off the right side of the house. The green countryside surrounds the house. digital.library.unt.edu/ark:/67531/metadc10476/
[Iron Gate View]
Photograph of the view through an iron gate in Cambridge, England. Through the ironwork, a stone pathway lined with bushes leads through a succession of archways inset in large stone buildings. digital.library.unt.edu/ark:/67531/metadc10334/
[Ironwork]
Photograph of ironwork on the St. Vitus Cathedral in Prague, Czech Republic. In the foreground, an ironwork grid is visible with three small iron sculptures attached. The sculptures depict figures at work and two small fish. Stone walls of the cathedral are visible in the background. digital.library.unt.edu/ark:/67531/metadc10056/
Is my Mom a he?
This black and white photograph montage depicts a boy in the foreground, somewhat out of focus, peering underneath the central figure. The main figure in the montage clearly has male genitals but the mirror reflection of the face is that of a woman. The photograph was created with collage and sculpture creating a tableaux which was then photographed. This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus. digital.library.unt.edu/ark:/67531/metadc129769/
Isadora Duncan
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No Description digital.library.unt.edu/ark:/67531/metadc8264/
Isaiah
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No Description digital.library.unt.edu/ark:/67531/metadc44341/
The Island of Raguenez Brittany
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No Description digital.library.unt.edu/ark:/67531/metadc8004/
Isola Tiberina with the Ponte Rotto
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Isola Tiberina with the Ponte Rotto, 16th c. bridge, built on Roman ruins, collapsed in 1598. From the Italian Renaissance Period. digital.library.unt.edu/ark:/67531/metadc43169/
[Italian Cemetery]
Photograph of a cemetery in Florence, Italy. Two trees are visible on each side of the photograph. In the foreground, men and women with flowers walk on the path in front of the cemetery wall. The wall is lined with stacked graves. A mausoleum is centered in the wall of graves. digital.library.unt.edu/ark:/67531/metadc10709/
Italian Coast Scene with Ruined Tower
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A painting of a shepherd and his sheep on the coast. digital.library.unt.edu/ark:/67531/metadc8144/
It's Not Always Black and White
The geometric black, white and gray collage appears to depict a person afloat in the middle of a body of water. However, a shape like this artist has used before for a cordial glass sits atop a set of three steps in the foreground and receding into the distance are planks ranging from white to black. There are some cutouts in the platform that appear to be traps for the seated figure. digital.library.unt.edu/ark:/67531/metadc102402/
It's Not Always Black and White
A two-part shape that resembles this artist's three-dimensional cordial glasses stands in an interior into the floor of which is a rectangular cut out. Into this recess in the floor falls two small triangular shapes. Two windows are on the walls of the interior while a square shape is cut out of the ceiling. The artwork is made up of white, purplish grays and black. digital.library.unt.edu/ark:/67531/metadc102403/
Ivory Plaque with Two Yakshi, from the Treasure of Begram
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No Description digital.library.unt.edu/ark:/67531/metadc7969/
J 97-10
Vertical painting consists of long gray, black and brown brushstrokes that create a plaid pattern. digital.library.unt.edu/ark:/67531/metadc27141/
Jack-in-the-Pulpit No. III
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No Description digital.library.unt.edu/ark:/67531/metadc8634/
Jacket
Jacket of black silk satin. The jacket, formed as a basque bodice with typical close-fitting achieved by seaming, has extended front panels and is edged with ivory lace. The jacket is embellished with dark blue velvet and olive brown chenille appliques of floral and leaf forms and black jet beading. Lined in ivory silk satin. Photograph is from the exhibition Haute Couture - The Great Paris Designers, held at The Grace Museum, Abilene Texas, October 17 - December 30, 2000, and shows jacket as displayed with a period hat (Accession #: 1981.015.001) and skirt (Accession #: 1967.025.099). digital.library.unt.edu/ark:/67531/metadc29991/
Jacket
Jacket of black, green, red, pink, and yellow flannel in a large, painterly plaid pattern. The jacket is just below hip-length, and has a round neckline and no collar. Center front closure has a zipper with a gold metal rose charm pull, matching the pulls of the zippers on the two diagonal slit pockets at hips. Long-sleeved, with three non-functional buttons at wrists, formed as coiled snakes/spirals of gold metal. The jacket has inner shoulder pads and is fully lined in black satin. Designer's label: "Ungaro / Parallele / Paris" digital.library.unt.edu/ark:/67531/metadc286901/
Jacket
Jacket of Golden Spotted Seal fur with rounded collar and lapels; double breasted button accents with buttons of pearl grey circle set in gold metallic soft square; 4 fur covered belt loops, 2 on front and 2 on back, front belt loops are accented with self-buttons (right side button missing); two slit pockets at sides are lined in grey silk satin; long sleeves, pockets and jacket opening are trimmed in leather piping; 2 concealed metal hook and leather eye closures, one at bust and one at waist; fully lined in grey silk satin; hits at below hips. Label inside coat: Expressly made for William Schmidt/ OSLO/ 1853. With belt of black leather with oval, silver metal buckle; 2” width. digital.library.unt.edu/ark:/67531/metadc283730/
Jacket
Jacket of black satin and black mink fur. Short, cropped jacket with high rounded neckline and full-length set-in sleeves made in heavy silk satin. Center front opening without closure devices. Neckline, front opening and cuffs trimmed in black mink fur. Fully lined in black silk. Designer's label at inside center back below collar: "Made in France / Automne-Hiver 1962 / Christian Dior / Paris"and s Style number stamped on label: "117880" digital.library.unt.edu/ark:/67531/metadc115012/
Jacket
Jacket of navy blue wool crepe. Asymmetrically trimmed with pleated band falling from right shoulder, secured with white buckle at waistline. Self belt at waist with matching white buckle. Long sleeved with pleated diagonal at lower right sleeve. Designer's label: "Adrian / Original" digital.library.unt.edu/ark:/67531/metadc283688/
Jacket
Woman's jacket of purple wool with asymmetrical curved inset at right shoulder. Two bound slit pockets below shoulder. Center front closure with 3 buttons and bound buttonholes. Two slit pockets at hips with an asymmetrical inset over left pocket. Designer's label: "Adrian / Original" digital.library.unt.edu/ark:/67531/metadc283694/
Jacket
Waist-length black simulated alligator jacket. The cropped shell is constructed of panels of leather blind-stamped to simulate alligator. Panels are edged with silver-colored circular metal grommeted eyelets, and are joined with knitted black cording. The high, rounded spread collar is of ribbed black knit. Zipper closure from throat to hem at center front. The jacket is unlined, and has two interior, black canvas, envelope pockets with snap closures. Label is located inside at center back, below the collar. "Paco Rabanne / Paris Made in France". Jacket was donated as part of an ensemble which also included black wool and cashmere knit sweater by Dior, and black hip-hugger trousers by Remy. digital.library.unt.edu/ark:/67531/metadc30238/
James Cuthbert (?)
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Portrait of a man, visible from the waist up. He is wearing a light-colored shirt with a dark-colored suit and has his left hand is tucked inside his vest. digital.library.unt.edu/ark:/67531/metadc8020/
[Jan Evertsenplaats]
Photograph of the Jan Evertsenplaats in Rotterdam, Netherlands. In the foreground, a bronze bust on a marble pedestal is visible; two apartment buildings and a parking lot are visible in the background. digital.library.unt.edu/ark:/67531/metadc10886/
The Japanese Footbridge, Giverny
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No Description digital.library.unt.edu/ark:/67531/metadc8098/
[Japanese house]
Photograph of a house in the city of Kyoto, Japan. In the foreground, the outer wall of a house is visible on the corner of a street. The wall has a wooden window and a tile roof. The street that runs perpendicular is visible in the background. digital.library.unt.edu/ark:/67531/metadc10740/
Japanese Pilgrim Returning from Mount Fusi Yama
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An open courtyard with several people walking through are the main subject of the painting. digital.library.unt.edu/ark:/67531/metadc52146/
Japanese Postcard
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The postcard depicts three figures in the foreground who appear to be at odds with each other. In the background are two large snowmen like figures. digital.library.unt.edu/ark:/67531/metadc41378/
Japanese Pottery
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The ceramic object depicts a person huddled in a reddish blanket or covering with just his face showing. digital.library.unt.edu/ark:/67531/metadc41387/
Japanese Pottery
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The short straight sided bowl is decorated in deep blue and lighter blue tones and has a small foot. digital.library.unt.edu/ark:/67531/metadc41389/
Jar
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No Description digital.library.unt.edu/ark:/67531/metadc7974/
El Jarabe en Ultatumba
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No Description digital.library.unt.edu/ark:/67531/metadc8087/
[Jardin des Plantes]
Photograph of the Jardin des Plantes in Paris, France. In the center of the image, a pathway leads from foreground to background. A man is visible walking on the pathway with his back turned towards the camera. The pathway is lined with rows of flower beds and trees. Smoke is visible coming from one of the flower beds in the right middle ground. The Gallery of Evolution is visible in the background at the end of the pathway. digital.library.unt.edu/ark:/67531/metadc10308/
[Jardin des Plantes]
Photograph of the Jardin des Plantes in Paris, France. In the foreground, a greenhouse is visible. Trees are visible behind the greenhouse. digital.library.unt.edu/ark:/67531/metadc10309/
[Jardin du Château]
Photograph of the Jardin du Château in Angers, France. In the foreground the small garden is visible with a wall on one side and the chateau on the other. The city of Angers is visible beyond the walls. digital.library.unt.edu/ark:/67531/metadc10403/
Jeanette IV
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No Description digital.library.unt.edu/ark:/67531/metadc8668/
Jeanette IV, three-quarters view
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No Description digital.library.unt.edu/ark:/67531/metadc8785/
Jeanette V
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No Description digital.library.unt.edu/ark:/67531/metadc8667/
Jeanne Hebuterne in a Yellow Sweater
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The painting is a portrait of Jeanne Hebuterne wearing a yellow sweater. digital.library.unt.edu/ark:/67531/metadc7839/
Jeans
Pair of commercially produced Wrangler denim jeans that were found in the southern Rocky mountains across from Red River, New Mexico in the late 1960's. The pants had been bleached in irregular patterns by the sun, and had various worn and torn places. After discovery, the Wranglers were embellished with red velour fabric pieces to cover some of the worst structural damage, and with a commercially available embroidered butterfly patch added below waistband at center back. Labels: Evidence of rectangular tag having been sewn on right-side back pocket. Both back pockets have "W" stitching; Fly button engraved "Wrangler"; Tag sewn inside fly: "Wrangler / 30 x 34 / Sanforized / Made in U.S.A."; Zipper pull stamped "Gripper Zipper" and "Pat Pending"; Marked on left front pocket, inside pants: "GDW" digital.library.unt.edu/ark:/67531/metadc30327/
Jeans
Pair of jeans. Commercially manufactured Levi Strauss & Co. denim blue jeans which have been bleached to white, then disassembled and reassembled with embellishments of multi-color crewel embroidered fabric and glass beads. Jeans have two front pockets and two back pockets, front zipper fly and button at waistband. digital.library.unt.edu/ark:/67531/metadc30328/
Jerusalem
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No Description digital.library.unt.edu/ark:/67531/metadc8378/
[Jerzy Popiełuszko]
Poster used in the Polish Solidarity movement during the 1980s depicting a portrait of the Catholic priest Jerzy Popiełuszko. The background is red with the figure depicted in black and a thin white halo around his head. In the margins, registration marks can be seen for creating multiples of this image. digital.library.unt.edu/ark:/67531/metadc130056/
[Jerzy Popiełuszko]
Poster used in the Polish Solidarity movement during the 1980s depicting a portrait of the Catholic priest Jerzy Popiełuszko. The figure is depicted in black on a white background. In the margins, registration marks can be seen for creating multiples of this image and in the lower right are the handwritten in pencil words, kolor czarny (drugi), color black, second. digital.library.unt.edu/ark:/67531/metadc130065/
Jest Wielka noc będzie zmartwychwstanie
Postcard used in the Polish Solidarity movement during the 1980s depicting the side view, in black outline, a ram holding the Polish flag. The text above and below the image is also in black. digital.library.unt.edu/ark:/67531/metadc130086/