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  Partner: UNT College of Visual Arts + Design
Number 3
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No Description digital.library.unt.edu/ark:/67531/metadc8739/
Number 04: The Negro was the largest source of labor to be found after all others had been exhausted.
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No Description digital.library.unt.edu/ark:/67531/metadc8974/
Number 5
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This abstract painting includes hues of red and gray with black and white. digital.library.unt.edu/ark:/67531/metadc8448/
Number 06: And the migrants kept coming.
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No Description digital.library.unt.edu/ark:/67531/metadc8524/
Number 08: They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops.
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No Description digital.library.unt.edu/ark:/67531/metadc8523/
Number 10: They were very poor.
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No Description digital.library.unt.edu/ark:/67531/metadc8891/
Number 12: The railroad stations were at times so overpacked with people leaving that special guards had to be called to keep order.
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No Description digital.library.unt.edu/ark:/67531/metadc8894/
Number 14: Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.
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No Description digital.library.unt.edu/ark:/67531/metadc8522/
Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.
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No Description digital.library.unt.edu/ark:/67531/metadc8973/
Number 18: The migration gained in momentum.
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No Description digital.library.unt.edu/ark:/67531/metadc8886/
Number 20: In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement.
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No Description digital.library.unt.edu/ark:/67531/metadc8366/
Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...
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No Description digital.library.unt.edu/ark:/67531/metadc8964/
Number 24: Child labor and a lack of education was one of the other reasons for people wishing to leave their homes.
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No Description digital.library.unt.edu/ark:/67531/metadc8365/
Number 26: And people all over the South began to discuss this great movement.
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No Description digital.library.unt.edu/ark:/67531/metadc8521/
Number 28: The labor agent who had been sent south by northern industry was a very familiar person in the Negro counties.
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No Description digital.library.unt.edu/ark:/67531/metadc8963/
Number 30: In every home people who had not gone North met and tried to decide if they should go North or not.
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No Description digital.library.unt.edu/ark:/67531/metadc8962/
Number 32: The railroad stations in the South were crowded with people leaving for the North.
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No Description digital.library.unt.edu/ark:/67531/metadc8961/
Number 34: The Negro press was also influential in urging the people to leave the South.
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No Description digital.library.unt.edu/ark:/67531/metadc8520/
Number 36: In Chicago and other cities they labored in the steel mills
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No Description digital.library.unt.edu/ark:/67531/metadc8960/
Number 38: They also worked in large numbers on the railroad.
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No Description digital.library.unt.edu/ark:/67531/metadc8516/
Number 40
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No Description digital.library.unt.edu/ark:/67531/metadc8726/
Number 40: The migrants arrived in great numbers.
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No Description digital.library.unt.edu/ark:/67531/metadc8364/
Number 42: Sometimes the [labor] agents disguised themselves to avoid arrest, but the migrants were often taken from railroad stations and jailed until the trains departed
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No Description digital.library.unt.edu/ark:/67531/metadc8519/
Number 44: Living conditions in the North were better.
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No Description digital.library.unt.edu/ark:/67531/metadc8959/
Number 46: Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous.
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No Description digital.library.unt.edu/ark:/67531/metadc8882/
Number 48: Housing for the Negroes was a very difficult problem.
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No Description digital.library.unt.edu/ark:/67531/metadc8518/
Number 50: Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers.
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No Description digital.library.unt.edu/ark:/67531/metadc8958/
Number 52: One of the largest race riots occured in East Saint Louis.
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No Description digital.library.unt.edu/ark:/67531/metadc8517/
Number 54: One of the main forms of social and recreational activities in which migrants indulged occured in the church.
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No Description digital.library.unt.edu/ark:/67531/metadc8957/
Number 56: Among the last groups to leave the South ws the Negro professional who was forced to follow his clientele to make a living.
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No Description digital.library.unt.edu/ark:/67531/metadc8956/
Number 58: In the North the Negro had better education facilities.
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No Description digital.library.unt.edu/ark:/67531/metadc8892/
Number 60: The trains were packed continually with migrants.
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No Description digital.library.unt.edu/ark:/67531/metadc8972/
Number 68
This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
Number 69
The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
Number 126
Black and orange painting consists of vertical wavy parallel lines and perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27178/
Number 132
This orange and black painting consists of vertical curved, wavy, and parallel lines. digital.library.unt.edu/ark:/67531/metadc27179/
Number 133
This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
Number 142
Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
Number 149
This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
Number 154
This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/
Number 155
This painting has a predominately white background and includes many multi-colored jagged lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27203/
Number 165
This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27206/
Number 168
This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
Number 169
This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
Number 172
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No Description digital.library.unt.edu/ark:/67531/metadc8380/
Number Four
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Painting of red, yellow, light blue, green, gray and brown abstract loosely rendered shapes at center of composition. digital.library.unt.edu/ark:/67531/metadc8377/
Number XIV
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No Description digital.library.unt.edu/ark:/67531/metadc8386/
Numbers 136, 142, 126, and 127
Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
Numbers 143, 144 and 145
Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/
The Nymph of the Spring
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No Description digital.library.unt.edu/ark:/67531/metadc8843/