Search Results

Study
Vertical dark gray painting with shade gradations from white to black on surface. Some numbers and some text in upper right portion along with red, blue, and yellow green spots.
Study for 95-3 and E 95-7
A vertical work with horizontal stripes in light blue and light tan and includes gray to black numbered brushstrokes.
Study of Forms and Color
The strong colors and vertical orientation with definite geometric shapes and stripes contribute to the graphic design. Blue and white stripes on the right hand side with a gradated purple sphere on the left and orange sphere at the top right are linked with some angled green lines.
Sun: Studio 321
This two-panel woven artwork depicts several gold angular spear shapes that jut downward vertically and break apart in two pieces. Weaving through and around the gold and orange vertical spears are two long two-toned ribbons. The background is purple with a few light blue streaks.
Sunset View from My Window
The horizontally oriented work of art consists of three vertical panels. Each panel depicts space through a series of gradated horizontally running lines and stripes. Moving from the foreground to the background are white ribbon shapes.
System
The slug shape forms the base and emerging from the top of it are two pipes terminating in funnel like shapes one of which is covered. In the surface of the lower portion are two circular screen covered openings.
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae.
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae.
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae.
Tail Shoes
This pair of hand-made shoes includes a tail like feature. They are natural in color with a closed toe.
Tares and Wheat
The vertically oriented painting depicts pieces of several contemporary images, a small portion of Life magazine logo, woman's face, cigarette package, tire, rocket, photograph, woman in a swimsuit and a car. The way in which the images are painted they appear to be torn from a magazine and are arranged in a collage fashion.
Teacher/Student: Technology as a Basis for Centrifugal Learning that “Goes Both Ways,” Part 1
This article provides retrospective insight on incorporating geographic information systems into medieval studies research.
Ten Plastic Concepts on a Love Scene
The painting consists of shapes floating together and overlapping in places. Two large yellow shapes in the upper portion of the canvas appear as sun type images. A brown shape resembles two seated figures and floats in the upper portion of the painting. A brown meandering shape moves across the lower section of the painting. Surrounding the brown meandering shape is blue which might represent water.
Texas Series
Acrylic paint on paper depicting two large squares, one turned forty-five degrees and both filled with small lines, dots, and dashes creating many more small grids. Light blues and purples dominate.
That
The drawing consists of a grid drawn in graphite with angled marks at each corner. India ink foils the grid pattern with its loose pattern.
Thinking of You
The sculpture depicts a crackled yellow head with blue eyes. The bottom portion of the head, including the mouth is not included in the sculptural piece. A serpentine shape in the same yellow color encircles the top of the head. Sitting atop the head like a small hat is a green cylindrical shape out of which protrudes a coil-rope funnel shape.
Three Strokes and Some Eggs
The square painting consists of a layering of grids. Variations in the colors in the bottom layer of paint creates shapes which the scratched out grid lines reveal. On the top most layer are three vertical streaks of a light color paint.
[tie-dyeing in a tall vertical artwork]
This long vertical work consists of a tie dyed or shibori method of screen printing. The imagery in the top portion of the work is a large red circle floating on an orange colored ground. The bottom portion of the work is a purple with many dark streaks running horizontally and a large light purple wave shape moves from the bottom edge of the work towards the top.
Trees Landscape
The painting depicts trees, fence and water. The colors are vibrant and the texture of the rough paper is visible.
Tsunami
The sculptural earthenware piece depicts a person's head from the nose up. The eyes are wide open and atop the head are four shapes resembling ears of corn. The colors are predominately yellows and light browns with blue eyes. The face and hair are highly textured.
[two vertical striped panel artwork]
The vertical artwork consists of two long vertical panels with horizontal stripes that do not match between panels. Floating wave or cloud like shapes overlap and float between both panels. The colors gradate from pink to dark blue and the ribbon like wave shapes gradate from dull pink to blue.
[two vertical striped panel artwork]
The vertical two panel artwork depicts horizontal stripes in gradations of blues and pinks. Floating across the two panels is a long wave shape that moves vertically and is an orange pink color. A ribbon like form floats across the two panels and is blue and purple.
Unknown
No Description Available.
Unplugged
The artwork is in the shape of a plate and on it is depicted a masked man applying something to a large cactus like shape. The plate is rimmed in a textured blue. The light yellow background of the plate is covered with hieroglyphic type marks and symbols. The man's body is a heavily textured green color and his mask is orange.
UNT Speaks Out on No Child Left Behind: The Impact of NCLB on Arts Education
This presentation is part of the faculty lecture series UNT Speaks Out on No Child Left Behind. This presentation discusses the No Child Left Behind (NCLB) Act and its impact on arts education.
Untitled
This watercolor and ink painting consists of wavy and jagged multi-colored lines.
Untitled
This painting consists of curved vertical lines.
Untitled
The untitled set of photographs depict, in one, a man dressed in a suit and tie seated next to computer equipment and, in the second photograph, a man wearing a western style hat stands in front of a counter piled with many papers and objects as well as on the shelving behind him.
Untitled
This painting on paper was included in the Senior Level Painting Exhibit in October 2012. The show was in the Lightwell Gallery in the Art Building on the University of North Texas campus.
Untitled
The image of the painting displays its many colors in horizontal bands with texture in many other colors. The effect is much like marbling. This painting was included in the Senior Level Painting exhibition held in the Lightwell Gallery in the Art Building during October of 2012.
Untitled
The painting consists of an orange ground upon which are many colors moving across the canvas. This painting was included in the Senior Level Painting exhibition held in the Lightwell Gallery in the Art Building during October of 2012.
Untitled
This digital photograph depicts standing figures in black and white superimposed with secondary figures in bright colors. The composition in horizontal.
Untitled
The digital photograph with its pale blue background depicts on the left side of the frame white overlapping planes that create the sense of movement. Some yellow color enters the frame of the work in the lower right hand corner.
Untitled
This black and white digital photograph depicts an umbrella shape circling large from the lower right to smaller in the lower left. The background is dark.
Untitled
The vertically oriented sculpture is in the form of a ladder type shape. Each "rung" has the shape of rolling pins that are decorated with geometric shapes in various colors.
Untitled
The vertical painting consists of a large vertical shape in the center with a red head or top and a dark bottom or body. Surrounding the figurative type image is a orange and red oval which floats in the center. At the top and bottom edges are orange bands which lay behind the cartouche.
Untitled
The landscape painting includes a cluster of houses in the distance. In the foreground is a fencing and rolling hills with a windmill. Framing each side of the painting are tall tree trunks or electrical poles.
Untitled
The bronze sculptural pieces consist of architectural type elements combined into a vertical almost bell-like shape.
Untitled
The painting depicts several birds in profile. The style is abstracted with the fowls outlined and brightly colored.
Untitled
The horizontal painting depicts a landscape in which the sky is gray and the moon or sun is a solid red-orange color. In the foreground is some brown and yellow grasses which create a hill or small mountain shape.
Untitled
An angular and abstracted tree shape dominates the center of the painting. The brushstrokes are dark and angular. The foreground landscape is created from several stripes of color and pattern. A tree with yellow leaves is in the background and the composition in surrounded by a brown arch shape at the top of the painting.
Untitled
The vertically oriented sculpture appears to depict a fish or a bird. The upper portion of the piece is smooth while the base is rough.
Untitled
The sculpture consists of several vertical pieces twisting with each other secured in a square wood base.
Untitled and Sew Bits
Two sleeveless white dresses are shown in this view of the exhibition entitled From Here to There: Practice, Form, and Meaning that was hosted in the UNT Art Gallery from May 22 to August 4, 2012.
Untitled Hanging
The artwork consists of several woven panels in various colors and textures. The panels are evenly spaced in a circular fashion and end in fringe draping to the floor. The work was created on a 16 heddle loom.
[vertical striped shibori artwork]
Tie-dyed cotton tapes hang in front of dyed fabric. The colors are warm and cool and gradate simultaneously from side to side and top to bottom. The piece is striped vertically with some angled from high left to low right in a paler version of the underneath hue.
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference."
Visual Narratives: Anti-racist Pedagogy in Art and Design
Video recording featuring guest panelists, Bridget R. Cooks, Ph.D., Omari Souza, and Wesley Taylor, this fourth installment of the 2044 series frames Afrofuturism and futurist thinking as a means for exploring the practices of design and museum curation as well as implications for art/design pedagogy. The panelists explore and discuss how hegemony is perpetuated, sharing the ways in which they decolonize within their curricula and pedagogy, as well as practice anti-racism in their work to reimagine risk or resist classification. While design institutions perpetuate neoliberalist ideals and language and teach under the paradigm of design for consumption, art/design education has the capacity to make a great impact by embracing the power of art and design to imagine alternative futures. The speakers also discuss important issues of cultural ethics, including copyright and appropriation, protections, and speaking up for community.
V 99-1
Painting consists of black, white, and beige brushstrokes scraped and blended in equal quantities. On the far right edge of the canvas, a gradation from white to black is painted in long horizontal bands.
Vortex
The brooch front has granulation while the back side has keum boo overlay. The texture is created by chasing and repousse.
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