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  Partner: UNT College of Visual Arts + Design
 Resource Type: Artwork
Abbey Church of St. Michael
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No Description digital.library.unt.edu/ark:/67531/metadc44083/
Abe Lincoln the Great Emancipator
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Painting of five male subjects in warm and cool hues of burnt-orange, dark blue, gray and black. Abraham Lincoln is depicted wearing his signature black top hat and black knee-length overcoat. The subject to the left of Abraham Lincoln appears to be in decorated military attire. The two subjects on the far right are also in military attire. digital.library.unt.edu/ark:/67531/metadc8643/
Abigail Smith Babcock (Mrs Adam Babcock)
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Oil painting of Abigail Smith Babcock wearing a pink-colored gown and a fur-lined cloak. She is seated for the portrait, facing toward the right side of the painting. She appears to be holding beads in her hands. digital.library.unt.edu/ark:/67531/metadc8000/
Abraham and Melchizedek
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No Description digital.library.unt.edu/ark:/67531/metadc7828/
Abraham Sacrificing Isaac
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The horizontally oriented painting depicts a man in a red robe with a knife threatening a seated figure while a winged angelic figure reaches for the man with the knife. digital.library.unt.edu/ark:/67531/metadc48737/
Abraham Sacrificing Isaac
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The painting detail shows the central portion with the action of the figures. digital.library.unt.edu/ark:/67531/metadc48738/
Abraham's Sacrifice of Isaac
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46269/
Abraham's Sacrifice of Isaac
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sacrifice at right digital.library.unt.edu/ark:/67531/metadc46270/
Abstract Composition
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No Description digital.library.unt.edu/ark:/67531/metadc8789/
Abstract Emotions 10
The born digital photograph consists of a textured red color in the bottom two-thirds of the image and the upper portion is mostly purple with many spots of various colors. digital.library.unt.edu/ark:/67531/metadc129796/
Abstract Emotions 14
The born digital photograph orange textured color in the lower area while the uppermost is mostly a white textured area with many colors creating the texture. Between the orange and white areas is a blue section. The surface of the work is highly textured and swirls with movement. digital.library.unt.edu/ark:/67531/metadc129797/
Abstract Painting of Marcel Duchamp
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No Description digital.library.unt.edu/ark:/67531/metadc8716/
Abstraction
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No Description digital.library.unt.edu/ark:/67531/metadc8438/
Abstraction, Biarritz
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No Description digital.library.unt.edu/ark:/67531/metadc7972/
AC 99-8
The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors. digital.library.unt.edu/ark:/67531/metadc27149/
Achilles
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The painting consists of a large red vertical field on a darker red/black field. digital.library.unt.edu/ark:/67531/metadc8816/
Achilles Discovered Among the Women
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A figure wearing a red dress wields a sword among a group of people some of whom are on the floor rummaging through trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48044/
Achilles Discovered Among the Women
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A close view of the woman wearing white and two figures behind her is featured in this detail view. digital.library.unt.edu/ark:/67531/metadc48046/
Achilles Discovered Among the Women
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In the painting detail, a close view of the figure wearing red is shown. digital.library.unt.edu/ark:/67531/metadc48045/
Achilles Discovered Among the Women
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The center portion of the painting and the main focus of the action is shown in this detail. The figure raises the sword and women rummage through the trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48047/
Action Pattern, Number 2
The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface. digital.library.unt.edu/ark:/67531/metadc102405/
Acute Calm Pink
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Painting entitled Acute Calm Pink. digital.library.unt.edu/ark:/67531/metadc51206/
Adam and Eve After the Expulsion from Paradise
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46262/
Adam and Eve After the Expulsion from Paradise
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46263/
Adam and Eve Eating the Forbidden Fruit and God Discovering Them, north doors trumeau relief, Orvieto Cathedral, Orvieto, Italy
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The relief decoration on the north doors of the Orvieto Cathedral show Adam and Eve eating the forbidden fruit and God discovering them. Large deeply-carved foliage runs across the top of the relief. digital.library.unt.edu/ark:/67531/metadc36457/
The Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc8177/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7886/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7885/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7878/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7879/
Adoration of the Magi
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detail at left of Adoration digital.library.unt.edu/ark:/67531/metadc46235/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc46234/
Adoration of the Magi
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46281/
The Adoration of the Shepherds
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No Description digital.library.unt.edu/ark:/67531/metadc8850/
Adoration of the Shepherds
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Madonna and Child digital.library.unt.edu/ark:/67531/metadc46129/
Adoration of the Shepherds
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Shepherd digital.library.unt.edu/ark:/67531/metadc46130/
Adoration of the Shepherds
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No Description digital.library.unt.edu/ark:/67531/metadc46128/
Adoration of the Shepherds
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central detail digital.library.unt.edu/ark:/67531/metadc46164/
Adoration of the Shepherds
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No Description digital.library.unt.edu/ark:/67531/metadc46163/
Adoration of the Shepherds (unfinished)
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adoration of shepherds digital.library.unt.edu/ark:/67531/metadc46034/
Adoration of the Shepherds (unfinished)
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No Description digital.library.unt.edu/ark:/67531/metadc46033/
Adoration of the Shepherds (unfinished)
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No Description digital.library.unt.edu/ark:/67531/metadc46178/
Adrienne (Woman with Bangs)
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No Description digital.library.unt.edu/ark:/67531/metadc8102/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
After the Bath
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A woman leaving her bath seen from behind is depicted in this pastel drawing. digital.library.unt.edu/ark:/67531/metadc7989/
After the Hunt
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A still life painting of hunting items and game animals. digital.library.unt.edu/ark:/67531/metadc8301/
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas. digital.library.unt.edu/ark:/67531/metadc27151/
Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of Félix Fénéon in 1890
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Oil painting of Félix Fénéon, wearing a suit and holding a top hat and cane in his left hand and holding out a flower in his right. There are multicolored designs in the background. digital.library.unt.edu/ark:/67531/metadc8598/
The Age of Bronze
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A nude male statue. digital.library.unt.edu/ark:/67531/metadc8369/
Age of Rectangles
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No Description digital.library.unt.edu/ark:/67531/metadc8712/