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  Partner: UNT College of Visual Arts + Design
 Decade: 1990-1999
W 99-2
Brushstrokes of black, white, and beige are smeared and scraped together creating a patterned background upon which, in the center, is a white to black gradation of horizontal brushstrokes. digital.library.unt.edu/ark:/67531/metadc27155/
[waves and bird-like ribbons]
Underlying horizontal dyed silk with depictions of rolling waves receding into the distance with bird-like ribbons above and in the foreground a framed section of the sea at opposing angle. digital.library.unt.edu/ark:/67531/metadc27032/
Wedding Dress
Wedding ensemble. The dress is of creme satin styled as a sleeveless A-line dress, with wide shoulder straps. The neckline of the bodice is embellished with rows of satin cording forming a cross-over design. The skirt has a high waistline, and is formed of a lattice of groups of four vertical and four horizontal rows of satin cording, with a backing of creme gauze. Label sewn into inside back of dress: "Victor Costa / Bridal" With veil of silk tulle with satin binding, not shown in photograph. digital.library.unt.edu/ark:/67531/metadc30279/
Wedding Dress
Wedding dress of hot pink net with shirred all-over appliques and rhinestones. Dress is a short sheath style with V-neck and long sleeves with full length train in back with pink satin bustle with pink silk flowers. Has a matching headpiece with hot pink net veil, not photographed. digital.library.unt.edu/ark:/67531/metadc286837/
Wedding Ensemble
Wedding ensemble of ivory silk embroidered with green and yellow crewel flowers. The bodice of the dress is sleeveless, with scoop neck and fitted seaming. The skirt is floor-length at front, with train at back. The surface of the skirt is decorated with crewel embroidery of flowers in pinks, greens, reds, and blues. The lower part of the skirt has a wide band of lace in floral patterns, with an under layer of pleated plain net with embroidered dots. The dress has a center back zipper closure and is lined in ivory fabric, and has an attached petticoat. Matching the dress is a fitted jacket of ivory silk, long sleeves, and stand-up collar. The collar and cuffs are trimmed in the same net as the hem of the dress. The fitted jacket has a peplum and center front closure with four silk cord frog closures which snap on left side and disguise a series of snaps and hook-and-eyes. The collar, cuffs, and panels at front and back are bordered by striped bands of yellow, blue, green, and coral/pink ribbon. The panels formed on front and back have crewel embroidered flowers as the dress. Jacket is fully lined in ivory fabric. Not shown in photo is the accompanying hat of ivory silk. The low ivory silk brim is tear-drop in shape, the point at the front edge of the hat. The rolled brim encircles the lace crown and anchors the ivory net slight veil which extends around brim. At back of hat is short "tail" of net. Hat has an off-white grosgrain inner hat-band and a black cord to secure hat to wearer's head. digital.library.unt.edu/ark:/67531/metadc30283/
Whisk
Access: Use of this item is restricted to the UNT Community.
Painting of peach, brown and gray female portrait; 3/4ths view. Raised gray triangle shapes throughout clothing. digital.library.unt.edu/ark:/67531/metadc8737/
White Number 19
Access: Use of this item is restricted to the UNT Community.
The painting, White #19, is entirely made out of text. It's a painting made with oil stick, and it was done by stenciling the text of a paragraph from an essay onto the canvas with oil paint, and the more you stencil, the darker and denser the painting becomes. digital.library.unt.edu/ark:/67531/metadc8502/
Wiggle Manhattan
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No Description digital.library.unt.edu/ark:/67531/metadc8443/
Willy Brandt (Herbert Ernst Karl Frahm) Haus, SPD (Social Democratic Party of Germany) Headquarters
Access: Use of this item is restricted to the UNT Community.
The view is of the front, prow-like, entrance to the building. digital.library.unt.edu/ark:/67531/metadc50934/
Winter Rose
Access: Use of this item is restricted to the UNT Community.
Painting of blue, red, and yellow loose brush strokes featuring a large white cat in the center of the composition. digital.library.unt.edu/ark:/67531/metadc8367/
X 99-3
Black, white and beige brushstrokes create a patterned background upon which several white to black gradation motifs float. digital.library.unt.edu/ark:/67531/metadc27156/
Y 99-4
Black, beige, and white brushstrokes are scattered evenly on the background of the painting creating a patterned surface upon which a large white to black gradation floats in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27157/
Z 99-5
The abstract painting consists of shades of tan, white, black and gray with two bars of gradations floating on the surface, one lower edge and one center right. digital.library.unt.edu/ark:/67531/metadc27158/