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  Partner: UNT College of Visual Arts + Design
 Decade: 1960-1969
 Language: No Language
Hat

Hat

Date: 1962
Creator: unknown
Description: "Lampshade" style hat of black straw or raffia. The basically conical hat is woven of a black straw material, with flattened top. On the front of the hat, off-set to the left, is affixed a wide black velvet ribbon from the top edge of the crown down to almost the brim. Sewn to the ribbon at top is a circular stamped metal brooch set with 17 large circular rhinestones in three concentric circles. The hat is lined in black net, with inner black grosgrain hatband. Sewn to the inner ribbon band is manufacturer's label: "Edette / Exclusive / New York - Paris"
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1960?
Creator: Green-Field, Benjamin B.
Description: Hatlet of indigo felt and beads. The hatlet is formed as a roughly rectangular piece of stiffened navy blue felt worn across the head from ear to ear, edged with navy blue beads. Surmounting the hatlet is a stacked series of four smaller stiffened rectangular strips running across the head, each edged with navy blue beads, with a fifth piece running perpendicular across the whole from front to back, forming a bow-like form at top front of hatlet. Hatlet is lined in stiffened navy blue mesh, edged inside with band of dark blue/gray/black grosgrain ribbon. At either side are attached small plastic combs to secure hatlet to wearer's head. Designer's Label: "Bes-Ben / Made in Chicago".
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1962
Creator: Balenciaga, Cristóbal
Description: Hat of black silk chiffon. The hat is formed from a cylindrical pillbox style hat surmounted by a conical section that is folded back and flares out to form an extension behind the hat. Where the surmounting piece meets the pillbox is a black bow formed from the same cloth. Inside of crown is lined in stiff black netting, and has a black grosgrain ribbon running along the base of the crown. A small plastic comb is sewn in front of hat to inner ribbon to secure it to wearer's head. No labels. The donor records that "... Balenciaga showed it with dress and sleeveless coat..."
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1960/1969
Creator: Javits, Eric
Description: Picture style hat. Pillbox shaped crown is covered in black sequins. Large horsehair net brim from top of hat decorated with concentric circles of sequins. Brim lifts in back and is decorated with large bow of black horsehair netting accented with large sequins. Narrow elastic band for securing hat to wearer's head. Lined. Interior headband of black grosgrain ribbon. Designer's label: Eric Javits"
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1960/1965
Creator: Victor, Sally
Description: Hat of wine-red velvet. When seen from above, the low crown is shaped as a quatrefoil, with four projecting, down-turned lobes. The sides of crown and the lobes have black braid appliques of scrolling forms. Inside of the crown is lined in black fabric and has a coral/faded pink grosgrain ribbon inner hatband. On either side are stiff black-covered wire loops to help secure hat to wearer's head. Sewn to inner ribbon band is label: Sally Victor / 18 East 53rd St"
Contributing Partner: UNT College of Visual Arts + Design
[Hatfield]

[Hatfield]

Date: August 31, 1960
Creator: Gough, Ray
Description: Photograph of houses in Hatfield, England. The house in the foreground is half-timbered with white walls. The house sits next to a concrete path. Another red brick house is visible in the background.
Contributing Partner: UNT College of Visual Arts + Design
[Hatfield House Exterior]

[Hatfield House Exterior]

Date: August 31, 1960
Creator: Gough, Ray
Description: Photograph of Hatfield House in Hatfield, England. The exterior fence surrounding the house is visible in the foreground. It is a low brick fence connected to a tall gate on the right side. The facade of the house is visible in the background. The house was build by Robert Cecil in 1611.
Contributing Partner: UNT College of Visual Arts + Design
Hatlet

Hatlet

Date: 1960~
Creator: Green-Field, Benjamin B.
Description: Hatlet of brown velvet. The open-crown hat is formed of a hollow square with down-turned sides and corners, covered in brown velvet and edged in tiny pearls. "Flying" around the hat are 8 golden stamped metal hummingbirds. One wing of each bird is hinged, allowing movement of the birds as the wearer moves their head. Over all is a brown net veil "capturing" the hummingbirds, with scattered gathers of 4 pearls. The underside is edged in brown grosgrain ribbon, and has two small plastic combs attached to secure hatlet to wearer's head. Sewn onto the inner ribbon is maker's label: "Bes-Ben / Made in Chicago". Also sewn onto inner ribbon is hand-written label "917".
Contributing Partner: UNT College of Visual Arts + Design
Hatlet

Hatlet

Date: 1960
Creator: Ahrens, Therese
Description: Hatlet of artificial flowers and net. The hatlet is composed of a radiating group of artificial rosebuds of pink and white with green stems and leaves. The sprays are attached to a black net circular veil. Designer's label: "By / Therese Ahrens" Retailer's label: "I. Magnin & Co."
Contributing Partner: UNT College of Visual Arts + Design
Hatlet

Hatlet

Date: 1960
Creator: Green-Field, Benjamin B.
Description: Embroidered hatlet. Formed of two hollow teardrop shapes overlaid on each other and edged with tiny gold beads. The shapes are covered in light green satin with is heavily embroidered with flowers and leaves in red, blue, greens, yellow, brown, purple/lavender. At back of hat is a sculptural bow of the same materials, edged in gold beads and with a quadruple strand of the beads at the "knot". Overall is a brown net veil with attached embroidered pieces matching the embroidery on the hatlet. The hatlet is lined in brown knit, with a plastic comb attached at each side to secure hat to wearer's head. Sewn into lining is maker's label: "Bes-Ben / Made in Chicago". Gift of John C. Murphy, through the Chicago Historical Society.
Contributing Partner: UNT College of Visual Arts + Design