Handbag. Arched frame of silver (plated?), lightly chased and engraved. Openwork areas on sides of frame allow rings from suspension chain to slide up and down acting as "locks". Mesh bag with enameled design of flowers. Inside bag are makers tag marked: "Mesh / Whiting & Davis Co. / Bags / Reg. U.S. & Can." and brand tag marked "El Sah".
Shirtwaist of ivory cotton net and lace. Wide falling collar; sleeveless; Center-front closure of hidden snaps. Hand made filet lace and hand corcheted Irish lace inserts and trim.
Pair of lady's boots or "High Button Shoes" of brown leather. The shoes, designed with pointed toes, have decorative band across toe cap with row of tiny holes along line of band. The boots close along center front with laces (laces lacking), 18 holes high. Medium/high stacked heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering slightly to base, and with curved front section. Sole of brown leather. Lined in off-white/tan canvas. Stamped on lining: "37 / 1 / 7395"
Pair of shoes of red silk satin. Designed with a rounded toe and three straps across vamp which lace with red silk cord. Toebox with floral embroidery in red, and with decorative twisted fabric band across top of toebox. Edges of upper and straps edged off-white leather(?) 2" high modified Louis heel, rounded at sides and back, flaring slightly to base. Mostly illegible stamp inside.
Nightgown of pale pink silk and floral tulle lace with under skirt of finely pleated chiffon; square neckline with 1 1/8" straps of silk ribbon; bodice is of lace with upper trimmed in silk; waistband of tulle set in pique stitch; mid-length skirt of lace with diamond insets that wrap around both sides of silk; 5" silk trim at hem with zig-zag where it attaches to lace; layer of pleated pink chiffon underneath; button closure at center-back bodice.
Pair of lady's shoes of black silk. The shoes, designed as modified D'Orsay pumps with pointed toes, are of black silk with cut-away areas at sides. Toe-box with opening at vamp and "T"-strap extending from vamp to connect with strap across instep that extends from heel area. Instep strap secures on outer side of shoe with circular button. Tear-drop shaped cut-outs on either side near heel. Lined in black silk. Medium high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with very slightly curved front section. Heels covered with matching black silk on sides and back. Sole of tan leather. No marks or labels on the shoes. L: 26 cm W: 7.5 cm H: 13.7 cm Heel: 5.5 cm / 2 1/8 in.
Red silk cheongsam style skirt - ankle length taper off skirt fully lined with silk crepe. Hand embroidered silk design motifs - Vertical gold rickrack creates the illusion of the traditional aproned skirt popular in the Qing Dynasty. This is probably a transitional garment going from the ancient style to the more contemporary garments of the 1920's and 1930's. There is a Neiman Marcus and a People’s Republic of China label inside.
Ivory colored. horizontally ribbed knit. cotton. wool and rayon. summer weight undershirt. Adjustable. high rounded neckline with embroidered drawstring casing. Cotton ribbon drawstring that ties centerfront. Lapped centerfront placket opening to bustlevel with three tailored buttonholes and round. ivory. buttons as the closures. Long set-in sleeves with overcast serged cuffs. Hip-length shell with serged hem. All seams are overcast. Label stitched inside centerback. below neckline casing.
Sunbonnet of blue cotton with white lace trim. The brim is slightly square-shaped and heavily starched. The top of the crown is stitched to the brim in a flat seam, with fullness created in the lower crown through a set of 3 snaps on each side which fasten the crown to the brim, giving the lower crown a crenelated shape. The bonnet has no tail, and has self-fabric chin ties of blue ribbon. The left tie is formed from two pieces of fabric pieced together, while the right tie is of a single length of fabric. The ties are narrow hemmed, except for one side of a lower section of left tie, which is cut along the selvage and left unfinished. There are no labels or marks in the piece. The fact that this bonnet does not have a tail probably indicates that this was a visiting bonnet rather than a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Toque of black velvet. The circular crown is of black velvet, gathered at top and crafted to create wrinkles. Brim at sides and front folds up to form "visor" at front of crown, on which are artificial berries, flowers, and leaves. Hat is lined with black satin. Maker's mark stamped inside crown, partly faded/worn: Perry Hat Shoppe / Perry, NY."
Man's tuxedo shirt of white cotton. Banded neckline for detachable collar. Bib front with two buttonholes for studs. Center back button closure of one button at waist. Sleeves have been removed. Maker's label: Manhattan / Trade Mark / Short Bosom b & c) Sleeves to tuxedo shirt have been detached from shirt. Long sleeves with vents and French cuffs.
Ivory colored. horizontally ribbed knit. cotton. wool and rayon. summer weight undershirt. Adjustable. high rounded neckline with embroidered drawstring casing. Cotton ribbon drawstring that ties centerfront. Lapped centerfront placket opening to bustlevel with three tailored buttonholes and round. ivory. buttons as the closures. Long set-in sleeves with overcast serged cuffs. Hip-length shell with serged hem. All seams are overcast. Label stitched inside centerback. below neckline casing.
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