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  Partner: UNT College of Visual Arts + Design
95-6
Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles. digital.library.unt.edu/ark:/67531/metadc27132/
95-7
Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag. digital.library.unt.edu/ark:/67531/metadc27133/
A 97-1
Large black brushstrokes fill background with small, multi-colored circles floating on surface. digital.library.unt.edu/ark:/67531/metadc27137/
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27139/
L 97-12
Vertical painting with vertical yellow and brown brushstrokes. Floating in the center of the painting a black to white gradation motif consists of horizontal brushstrokes. digital.library.unt.edu/ark:/67531/metadc27143/
S 98-7
Loose brown, white and black brushstrokes scraped and smeared with a gradation from white to black motif floating in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27147/
190 South La Salle
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View of the top of a skyscraper at 190 South La Salle Street in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8994/
311 South Wacker
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The view of the skyscraper at 311 South Wacker street in Chicago is shown near the Sears Tower. All 65 stories of the building are visible. digital.library.unt.edu/ark:/67531/metadc40627/
311 South Wacker
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The upper half of the skyscraper is shown in this view. The building is light in color and composed of several vertical elements. digital.library.unt.edu/ark:/67531/metadc40628/
311 South Wacker
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The aerial view shows the building in its setting as well as the cylindrical elements atop the skyscraper. digital.library.unt.edu/ark:/67531/metadc40629/
[333 West Wacker Drive, Chicago, Illinois]
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Southeast entrance to the building at 333 W. Wacker Drive in Chicago, Illinois. There are steps leading up to the entrance and two marble columns flank the doorway. The lower part of the building is made of stone with windows above. digital.library.unt.edu/ark:/67531/metadc8996/
[333 West Wacker Drive, Chicago, Illinois]
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Detail view of the marble columns surrounding an entrance to the building at 333 West Wacker Drive in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8997/
[333 West Wacker Drive, Chicago, Illinois]
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View of the glass facade of the building at 333 West Wacker Drive in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8999/
[333 West Wacker Drive, Chicago, Illinois]
Access: Use of this item is restricted to the UNT Community.
View of the glass facade of the skyscraper at 333 West Wacker Drive in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8995/
[333 West Wacker Drive, Chicago, Illinois]
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View of one corner of the skyscraper at 333 West Wacker Drive, in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8998/
590 Madison Avenue
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The view is of the sidewalk adjoining the building. digital.library.unt.edu/ark:/67531/metadc40654/
590 Madison Avenue
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The view is of the street level facade and includes the glassed atrium public space. digital.library.unt.edu/ark:/67531/metadc40653/
650 Apartments
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The view is of the apartment building in the distance with some parked cars. The facade is comprised of square shapes for windows and the laminate siding. Some yellow siding detail is also visible. digital.library.unt.edu/ark:/67531/metadc41002/
650 Apartments
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The view is of the facade of one of the four apartment modules. The facade is a rich reddish brown and bright yellow with many square windows and balconies. digital.library.unt.edu/ark:/67531/metadc41003/
1987 ZYJ GODNIE! Solidarność nie pije
Poster used in the Polish Solidarity movement during the 1980s depicting five figures in reddish orange silhouette. The figure on the far left is chimpanzee like and the next four figures evolve to man. The man at the front of the line is holding a flower in one hand and his other hand holds up two fingers. digital.library.unt.edu/ark:/67531/metadc130182/
AA 99-6
Painting consists of white, black, and tan brushstrokes, smeared and scraped. Two gradation motifs float vertically in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27148/
Abalone Fishing in Kazusa Province: Wanting to Eavesdrop
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A woman in an elaborately decorated kimono is seated in the foreground. A seascape with a fisherman is seen behind the woman. On the right side of the artwork are several insets with Japanese text. digital.library.unt.edu/ark:/67531/metadc41322/
Abbey Church of Ottobeuren
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The interior of the south transept is shown with its elaborately decorated ceiling and walls as well as the curved crossing pier. digital.library.unt.edu/ark:/67531/metadc40637/
Abbey Church of Ottobeuren
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A full view of the west facade is shown with its two bell towers. digital.library.unt.edu/ark:/67531/metadc40636/
Abbey Church of Ottobeuren
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The highly carved choir stalls are in a dark wood with relief decorations above. digital.library.unt.edu/ark:/67531/metadc51695/
Abbey Church of Ottobeuren
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The choir stall is adorned with a putto. digital.library.unt.edu/ark:/67531/metadc51697/
Abbey Church of Ottobeuren
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The pulpit is decorated with many figures of putti and angels. Surrounding the pulpit is a relief depicting the Assumption. digital.library.unt.edu/ark:/67531/metadc51698/
Abbey Church of Ottobeuren
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The baptismal font is highly carved and decorated with many figurative sculptures. digital.library.unt.edu/ark:/67531/metadc51699/
Abbey Church of Ottobeuren
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An angel and a putto decorate the choir stall. digital.library.unt.edu/ark:/67531/metadc51696/
Abbey Church of Ottobeuren
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The view is straight up into the cupolas and shows the paintings with their relief texture encircling the frescoes. The arrangement of the subject matter in the paintings enhances the cupola shape. The subject matter appears to be scenes from the the life of St. Benedict, the Pentecost, and redemption. digital.library.unt.edu/ark:/67531/metadc50951/
Abbey Church of Ottobeuren
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This interior view shows two side chapels. Elaborate Baroque decoration and pristine white walls are accompanied by two large windows in this particular view of the nave. digital.library.unt.edu/ark:/67531/metadc40644/
Abbey Church of Ottobeuren, Abbey Buildings
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The south facing wing of an abbey building is visible in this view. Part of the facade is blocked by a clump of trees. The building is three-stories and in a restrained Baroque style. digital.library.unt.edu/ark:/67531/metadc40638/
Abbey Church of Ottobeuren, Abbey Buildings
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The three-story abbey buildings and the inner courtyard are shown in this view. The buildings are decorated with quoins and simple pediments on some windows and less elaborate linear decoration around other windows. A small fountain is situated in the center of the courtyard. digital.library.unt.edu/ark:/67531/metadc40639/
Abbey Church of Ottobeuren, Altar of the Sacrament
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The richly carved altar sits at the entrance to the choir. digital.library.unt.edu/ark:/67531/metadc51700/
Abbey Church of Ottobeuren, Imperial Hall of Statues of Hapsburg Emperors
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The hall is highly decorated with sculptural details on the walls and ceilings. The ceiling also contains a painted scene. Lining the room are over life size statues of the Hapsburg emperors situated next to elaborate Corinthian columns. The room is opulent and above each window is a painted portrait. digital.library.unt.edu/ark:/67531/metadc40640/
Abbey Church of Ottobeuren, Library
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The interior of the library is decorated in a Baroque style with ceiling painting, columns with Corinthian capitals. The ceiling includes a pale pink hue topped with a white relief floral motif. digital.library.unt.edu/ark:/67531/metadc40641/
Abbey Church of Ottobeuren, Picture Gallery
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An interior view of a picture gallery with white walls. Frescoes and stucco decoration decorate the ceiling. digital.library.unt.edu/ark:/67531/metadc40642/
Abbey Church of Ottobeuren, Picture Gallery
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A corridor outside the monks cells displays paintings and the arched ceilings are decorated with relief floral motifs. digital.library.unt.edu/ark:/67531/metadc40643/
Abe Lincoln the Great Emancipator
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Painting of five male subjects in warm and cool hues of burnt-orange, dark blue, gray and black. Abraham Lincoln is depicted wearing his signature black top hat and black knee-length overcoat. The subject to the left of Abraham Lincoln appears to be in decorated military attire. The two subjects on the far right are also in military attire. digital.library.unt.edu/ark:/67531/metadc8643/
Abigail Smith Babcock (Mrs Adam Babcock)
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Oil painting of Abigail Smith Babcock wearing a pink-colored gown and a fur-lined cloak. She is seated for the portrait, facing toward the right side of the painting. She appears to be holding beads in her hands. digital.library.unt.edu/ark:/67531/metadc8000/
[Above View of the Odeion of Herodes Atticus]
Photograph of the Odeion of Herodes Atticus in the Acropolis of Athens, Greece. The photograph was taken on the hillside above the odeion. A stone pathway is visible in the foreground above the odeion. A street and the city of Athens are visible behind the odeion in the background. digital.library.unt.edu/ark:/67531/metadc10496/
Abraham and Melchizedek
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No Description digital.library.unt.edu/ark:/67531/metadc7828/
Abraham Lincoln Center
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The building is clad in red brick, flat topped and unadorned. digital.library.unt.edu/ark:/67531/metadc36472/
Abraham Sacrificing Isaac
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The horizontally oriented painting depicts a man in a red robe with a knife threatening a seated figure while a winged angelic figure reaches for the man with the knife. digital.library.unt.edu/ark:/67531/metadc48737/
Abraham Sacrificing Isaac
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The painting detail shows the central portion with the action of the figures. digital.library.unt.edu/ark:/67531/metadc48738/
Abstract Composition
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No Description digital.library.unt.edu/ark:/67531/metadc8789/
Abstract Emotions 10
The born digital photograph consists of a textured red color in the bottom two-thirds of the image and the upper portion is mostly purple with many spots of various colors. digital.library.unt.edu/ark:/67531/metadc129796/
Abstract Emotions 14
The born digital photograph orange textured color in the lower area while the uppermost is mostly a white textured area with many colors creating the texture. Between the orange and white areas is a blue section. The surface of the work is highly textured and swirls with movement. digital.library.unt.edu/ark:/67531/metadc129797/
Abstract Painting of Marcel Duchamp
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No Description digital.library.unt.edu/ark:/67531/metadc8716/
Abstraction
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No Description digital.library.unt.edu/ark:/67531/metadc8438/