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  Access Rights: Public
  Partner: UNT College of Visual Arts + Design
Waist-length black simulated alligator jacket. The cropped shell is constructed of panels of leather blind-stamped to simulate alligator. Panels are edged with silver-colored circular metal grommeted eyelets, and are joined with knitted black cording. The high, rounded spread collar is of ribbed black knit. Zipper closure from throat to hem at center front. The jacket is unlined, and has two interior, black canvas, envelope pockets with snap closures. Label is located inside at center back, below the collar. "Paco Rabanne / Paris Made in France". Jacket was donated as part of an ensemble which also included black wool and cashmere knit sweater by Dior, and black hip-hugger trousers by Remy.
Varsity style jacket with front of mustard colored wool felt. Knit male kabuki style face on back. Center front zippered opening with snap at neckline. Wide rolled collar of black corduroy has 5 snaps. Left black corduroy and right red corduroy sleeves are zippered and detachable; cuffs have snap closure. Black corduroy waistband closes with 2 snaps. Two angled pockets at hips and patch pocket at left front with embroidered patch of male kabuki style face. Lined in yellow quilted polyester. Designer's label at center back neckline: "Yamamoto / Kansai"
Jacket of black satin and black mink fur. Short, cropped jacket with high rounded neckline and full-length set-in sleeves made in heavy silk satin. Center front opening without closure devices. Neckline, front opening and cuffs trimmed in black mink fur. Fully lined in black silk. Designer's label at inside center back below collar: "Made in France / Automne-Hiver 1962 / Christian Dior / Paris"and s Style number stamped on label: "117880"
Jacket of off-white linen. Fitted, waist length jacket with wide, notched collar and long sleeves with 3" cuffs and two white, circular buttons and barred buttonholes. Two patch pockets at bust line. Unlined. Combined designer's/retailer's label: "Christian Dior / for / Lou Lattimore, Inc. / Paris New York" Care label to right of designer's label. Lot/size tag at right underarm (faded): "Lot / Size 10" With tie belt for jacket of same fabric; 1" wide.
Box style jacket of brown suede. Wide pointed collar and lapels. Long sleeves. Asymmetrical closing at center front with large appliqued circle patch pocket at right front and 2 large metallic silver buttons with bound buttonholes. Closure reinforced with two large snaps on waistband. Four 12" ties at waist band with1-1/2" diameter suede circles at ends. Lined in brown synthetic fabric. Designer's label at center back neckline: "Pierre Cardin / Paris New York / Made in France" Retailer's label at right front opening: "Neiman-Marcus / Trophy Room" Label at left shoulder: "Made in France (rest illegible)"
[Jan Evertsenplaats]
Photograph of the Jan Evertsenplaats in Rotterdam, Netherlands. In the foreground, a bronze bust on a marble pedestal is visible; two apartment buildings and a parking lot are visible in the background.
[Japanese house]
Photograph of a house in the city of Kyoto, Japan. In the foreground, the outer wall of a house is visible on the corner of a street. The wall has a wooden window and a tile roof. The street that runs perpendicular is visible in the background.
[Jardin des Plantes]
Photograph of the Jardin des Plantes in Paris, France. In the center of the image, a pathway leads from foreground to background. A man is visible walking on the pathway with his back turned towards the camera. The pathway is lined with rows of flower beds and trees. Smoke is visible coming from one of the flower beds in the right middle ground. The Gallery of Evolution is visible in the background at the end of the pathway.
[Jardin des Plantes]
Photograph of the Jardin des Plantes in Paris, France. In the foreground, a greenhouse is visible. Trees are visible behind the greenhouse.
[Jardin du Château]
Photograph of the Jardin du Château in Angers, France. In the foreground the small garden is visible with a wall on one side and the chateau on the other. The city of Angers is visible beyond the walls.
Pair of commercially produced Wrangler denim jeans that were found in the southern Rocky mountains across from Red River, New Mexico in the late 1960's. The pants had been bleached in irregular patterns by the sun, and had various worn and torn places. After discovery, the Wranglers were embellished with red velour fabric pieces to cover some of the worst structural damage, and with a commercially available embroidered butterfly patch added below waistband at center back. Labels: Evidence of rectangular tag having been sewn on right-side back pocket. Both back pockets have "W" stitching; Fly button engraved "Wrangler"; Tag sewn inside fly: "Wrangler / 30 x 34 / Sanforized / Made in U.S.A."; Zipper pull stamped "Gripper Zipper" and "Pat Pending"; Marked on left front pocket, inside pants: "GDW"
Pair of jeans. Commercially manufactured Levi Strauss & Co. denim blue jeans which have been bleached to white, then disassembled and reassembled with embellishments of multi-color crewel embroidered fabric and glass beads. Jeans have two front pockets and two back pockets, front zipper fly and button at waistband.
[Jerzy Popiełuszko]
Poster used in the Polish Solidarity movement during the 1980s depicting a portrait of the Catholic priest Jerzy Popiełuszko. The background is red with the figure depicted in black and a thin white halo around his head. In the margins, registration marks can be seen for creating multiples of this image.
[Jerzy Popiełuszko]
Poster used in the Polish Solidarity movement during the 1980s depicting a portrait of the Catholic priest Jerzy Popiełuszko. The figure is depicted in black on a white background. In the margins, registration marks can be seen for creating multiples of this image and in the lower right are the handwritten in pencil words, kolor czarny (drugi), color black, second.
Jest Wielka noc będzie zmartwychwstanie
Postcard used in the Polish Solidarity movement during the 1980s depicting the side view, in black outline, a ram holding the Polish flag. The text above and below the image is also in black.
[Jesuit Church]
Photograph of the interior of the Jesuit Church in Vienna, Austria. An ornate window is visible in the foreground. The window is encased in green marble with gold painted highlights on a white marble wall. A pink curtain is visible through the window. The church is located on the Dr. Ignaz Seipel-Platz.
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines.
[Jesus Statue]
Photograph of a tall pillar with a statue of Jesus in Austria. The pillar is visible on the right side covered with statues. Stone figures climb up the tower. Jesus is at the top. A building is visible in the background.
[Joan of Arc Statue]
Photograph of the Basilica of the Sacred Heart in Paris, France. In the foreground, an equestrian Joan of Arc statue sits atop an archway in the foreground. The rest of the basilica is visible behind the statue.
[John Stephen's Store]
Photograph of John Stephen's Store in London, England. The second story and up is visible in the foreground. The building is painted black and white.
[Joost Banckertsplaats]
Photograph of the Joost Banckertsplaats in Rotterdam, Netherlands. In the foreground, a light post is visible; two apartment buildings are visible in the background. There is a figure walking in front of the apartment building in the left background.
Juliet Cap
Juliet cap of black velvet with wide band of ecru crocheted lace covering all but small circular area on top. Bow of ecru crocheted lace on front of hat held in place with band of black velvet. Lined in black silk. Designer's label: " J Suzanne Talbot / modes / 14 Rue Royal Paris" Tag attached to designer's label: "Made in France"
Juliet Cap
Juliet-style hat of light blue felt with four teardrop-shaped appliques of iridescent sequins and faux pearls outlined in clear beads across front. Wire frame covered in light blue velour. Unlined. Retailer's Label: Volk
Jump Suit
Jumpsuit of royal blue wool knit. Double-breasted with 14 large, circular white buttons and bound buttonholes. Long sleeves. Peter Pan style collar and rolled 3" cuffs of white pique cotton. Matching tie belt, 1" wide. Unlined. Combined designer/retailer label at right side seam: "Norman Norell for Bonwit Teller"
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple
The horizontal painting is divided vertically into two portions, both of which share a grid pattern texture. Sweeping across both dark and light areas is a large black swath revealing the various textures and grids. A light pinkish color of thick paint appears splattered and squirted in the lower portion on the right hand side of the painting.
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple, No. 2
The horizontal painting is vertically divided into two portions. Across the bottom edge are several pink splashes.
Jumping from the Hoop
Image of the brooch from the side.
Jumping from the Hoop
Image of the brooch from front view.
Jumpsuit of pink, yellow, green and blue horizontal striped paper. The full-length rayon fiber remay paper pantsuit has olive green, pink, blue and tan stripes. Bodice is sleeveless, empire style, with with high rounded neckline and narrow spread collar, with stripes going horizontally. There is a center back zipper closure from the neck to hip-level. Pants are full-length, wide legged palazzo pants with vertical stripes. The pant legs are slit from the hem to mid-calf, and are unhemmed. The piece is lined in a white rayon fiber paper cloth. Retailer's label at inside left beneath the collar: "Change-In-Time / Boutique / Dallas, Texas".
Jumpsuit of champagne satin with strapless bodice and wide leg pants pleated at waistline; bodice is fitted with constructed bust and princess seams; bodice is heavily embellished at the bust with faceted crystal disc beads that fade out just below the waist; center-back zip closure.
Jupiter's Goalee
The white bowl shape is covered with patterned squares filled in with black and blue short hash marks. A sweeping blue transparent overlay shape hugs the side of the bowl as do two horizontally oriented black outlines.
K 97-11
Vertical painting consists of long gray, blue, and black brushstrokes that create a plaid pattern.
[Kanazawa Castle]
Photograph of the Kanazawa Castle in Kanazawa, Japan. A wooden lantern and trees are visible in the foreground. More greenery leads to the castle in the background.
Photograph of the Karlskirche in Vienna, Austria. In the foreground, a black sculpture is visible in a pool of water. The left side of the church facade is visible in the background. The Karlskirche was designed by the architect Johann Bernhard Fischer von Erlach.
[Karnak, Egypt]
Photograph of the Temple of Amun-Re in Karnak, Egypt. A path lined with columns cuts down the center of the image. In front of each column line is a seated stone figure. Other columns and surrounding ruins are visible in the foreground and background.
[Karnak Obelisk]
Photograph of an obelisk in the Temple of Amun-Re in Karnak, Egypt. A long pathway lined with stone columns leads to the obelisk in the background.
[Karnak Temple Complex]
Photograph of the temple complex of Karnak, Egypt. In the foreground, the ruins of a temple are visible. A man in a white robe with a blue umbrella is visible in the foreground amongst the ruins. A mass of excavated bricks is visible behind the temple walls. Palm trees are visible in the background.
[Kenrokuen Garden]
Photograph of a bridge in the Kenrokuen Garden in Kanazawa, Japan. The bridge sits next to a bush in the foreground. The bridge crosses over a small river or stream. A man is visible on the other side of the bridge.
[Kensington Gardens]
Photograph of Kensington Gardens in London, England. The corner of a lily pond is visible in the right foreground. The pond is surrounded by a tile pathway. Flowerbeds surround the pathway. The garden hedge is visible in the background.
Photograph of a house in Kent, England. A street intersects the foreground. A large house sits next to the road. Three people stand in front of the house.
[Kenzo Tange building]
Photograph of the Yoyogi National Gymnasium in Tokyo, Japan. The side of the gymnasium is visible in the foreground. The building was designed by Kenzo Tange.
[Kiln opening]
Photograph of a kiln in Shigaraki, Japan. The opening to a kiln is visible in the foreground. The opening is an archway made of bricks.
Kimono of burgundy red silk with printed all-over design of large butterflies in creams, tans, blues, etc. Lined in orange crepe silk. Padded hem. Hand-sewn.
Kimono of purple silk printed with designs of flowers, birds and butterflies in purples, blues, tans, reds, etc. Detailing in gold embroidery. With five white "mon" designs similar to a "yin-yang" shape of matched commas. Partly lined in red silk.
Kimono. Traditional silk kimono with mid-length sleeves. Snaps at collar for removable collar. The whole is of white silk dyed with an all-over pattern of shibori in a pale orange/pink, which creates a tiny grid with dark brownish dots at center of each square. Lined in silk, upper part of light brown (resembles tea dyed?), lower part of white, and lower hem of orange/red.
[King's College Chapel Ceiling]
Photograph of the interior of King's College Chapel in Cambridge, Cambridge. The photograph was taken looking up at the ceiling and the tops of the stained-glass windows.
[King's College Chapel Interior]
Photograph of the interior of the King's College Chapel in Cambridge, England. On the right side, large stained-glass windows arch upwards toward the carved stone ceiling. To the left of the windows, the dark silhouette of the organ is visible.
[King's College Gatehouse]
Photograph of the gatehouse of King's College in Cambridge, England. A green lawn is visible in front of the gatehouse facade.
Photograph of the Kinkakaji Temple in Kyoto, Japan. A wood roof is visible in the foreground. The trees in the background are out of focus.
Kipper Tie
Wide kipper tie of large stylized paisley designs in yellows and gold on a blue field. Blue is somewhat faded from the original shade. The tie has a tag on reverse marked "Brent" and with the logo for Montgomery Ward. The creation of the kipper tie, a form of extra-wide necktie known for bright colors and patterns, is credited to British designer Michael Fish. He brought out the earliest ones in the 1960's. This example was a gift to the donor by his maternal grandmother, Mary Kathleen King Miller (1898-1969).