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  Partner: UNT College of Visual Arts + Design
 Collection: ARTsource
Arlington National Cemetery
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An entrance is visible in this view and includes two arched columns flanking the entry drive. digital.library.unt.edu/ark:/67531/metadc40754/
Arlington National Cemetery
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A close architectural detail is visible. digital.library.unt.edu/ark:/67531/metadc40756/
Arlington National Cemetery
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This view includes a reflecting pool at an oblique angle. digital.library.unt.edu/ark:/67531/metadc40753/
Arlington National Cemetery
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A close aerial detail view of a reflecting pool is shown here. digital.library.unt.edu/ark:/67531/metadc40755/
Arlington National Cemetery
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The arched colonnade of the amphitheater is shown in close detail. The capitals are Doric in style. digital.library.unt.edu/ark:/67531/metadc40751/
Arlington National Cemetery
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The view of the cemetery includes that of a single guard. digital.library.unt.edu/ark:/67531/metadc40749/
Armor
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Five detailed depictions of armor stand in front of two or three more partially visible figures. The work is monochromatic on a brown ground. digital.library.unt.edu/ark:/67531/metadc52140/
Armored Train in Action,
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Cubist style painting of green, yellow, blue and white schema. Various abstract shapes layered upon another. digital.library.unt.edu/ark:/67531/metadc8928/
Around the Fish
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No Description digital.library.unt.edu/ark:/67531/metadc8584/
The Artist's Daughter with a Parakeet
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No Description digital.library.unt.edu/ark:/67531/metadc7993/
Asa Benjamin
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Portrait of Asa Benjamin, visible from the waist up. He is wearing a dark coat with a light-colored shirt visible at the collar. digital.library.unt.edu/ark:/67531/metadc8005/
Asante Helmet
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The helmet consists of alternating silver and gold leaf decorative strips moving from the front to the back. There is a gold rim around the front edge. All of the metalwork is decorated with repoussé technique. digital.library.unt.edu/ark:/67531/metadc41217/
Aspendos Aqueduct with Pressure Tower
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Close detail of the surface of the brick is shown at a raking angle. digital.library.unt.edu/ark:/67531/metadc51782/
Aspendos Aqueduct with Pressure Tower
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The full height of the aqueduct is visible with its abutting arches. digital.library.unt.edu/ark:/67531/metadc51783/
Aspendos Aqueduct with Pressure Tower
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The tower constructed of stone is visible and bears the weight of the arched aqueduct structure. digital.library.unt.edu/ark:/67531/metadc51781/
Aspendos Aqueduct with Pressure Tower
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The upper portion of the aqueduct and the abutting arches are visible. digital.library.unt.edu/ark:/67531/metadc51784/
Aspendos Aqueduct with Pressure Tower
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The water flow regulator consists of a stone with a hole in the center. It is part of the pressure tower. digital.library.unt.edu/ark:/67531/metadc51785/
Assault
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A large group of soldiers with swords drawn charge into battle. The drawing is done in black on red with some pink highlights. digital.library.unt.edu/ark:/67531/metadc52158/
Assumption of the Virgin
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No Description digital.library.unt.edu/ark:/67531/metadc8070/
At the Cafe
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A man and woman are seated at a bright red booth in a cafe. digital.library.unt.edu/ark:/67531/metadc41174/
At the Fair
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The painting depicts an outdoor carnival or festival with booths, sun shielded with awnings, selling items while in the background a tent is visible. Children play and men and women walk around the fair grounds. Large trees complete the background. digital.library.unt.edu/ark:/67531/metadc52143/
At the Samovar
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The woman faces the viewer and is in front of a large samovar situated in front of the man seated at the table on which are also a pitcher, coffee cup and saucer, and a glass with a spoon in it. The table is covered with a blue tablecloth. digital.library.unt.edu/ark:/67531/metadc36441/
At the Table of Monsieur and Madame Natanson
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Oil painting depicting several people seated around a table. digital.library.unt.edu/ark:/67531/metadc8066/
Atahualpa, Fourteenth Inca, One of Fourteen Portraits of Inca Kings
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The portrait is inside a roundel with the text, "el tirano Bastardo, Atahualpa," encircling the portrait. The man holds a staff with a sun burst at the end and wears a highly decorated cape. digital.library.unt.edu/ark:/67531/metadc41704/
Athena (from a colossal statue)
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The entire bust is shown in this view. It is from an angle so that the attachment of the bust to the pedestal can be seen. Athena wears a toga over both shoulders with a sphinx on her hat. Her gaze is slightly downward. digital.library.unt.edu/ark:/67531/metadc32325/
Athena (from a colossal statue)
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The view of the bust of Athena faces the viewer frontally. The bust rests on a pedestal. She wears a toga over both shoulders and on her head is a sphinx. digital.library.unt.edu/ark:/67531/metadc32324/
Athena from the Farnese Collection
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The view of the female statue is from the right side. The face is seen in profile. The marble is a creamy white with some areas darker. One winged animal is visible on her hat and the broken fingers on her right hand are visible. She wears heavily draped clothing and sandals. Her left arm is bent at the elbow and she holds a staff. The coiled snakes and the Gorgoneion amulet are visible as well. digital.library.unt.edu/ark:/67531/metadc32373/
Athena from the Farnese Collection
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This detail view of the female statue shows her head to her waist. The close view of the hat shows the winged animals and the Gorgoneion amulet and the snakes are shown. The waves in the figure's hair as well as her facial features are clearly shown in this view. The marble is a creamy white with portions of it yellowish. digital.library.unt.edu/ark:/67531/metadc32374/
Athena from the Farnese Collection
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The view of the marble statue is frontal. The figure holds a staff and wears draped clothing. On her head is the hat sporting winged animals and around her neck is a Gorgoneion amulet and coiled snakes. The figure stands on thick sandals. digital.library.unt.edu/ark:/67531/metadc32372/
Athlete from Ephesus
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The athlete stands nude and with his weight on one foot. He looks downward and holds both hands in front of his hips. The patina is green and in many places restoration can be seen. The view is frontal. digital.library.unt.edu/ark:/67531/metadc32305/
Athlete from Ephesus
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The full view of the life sized statue is seen at a 3/4 angle. The weight of the man is on one foot and he holds his hands in front of his body at hip level. His gaze is downward. The patina is green and many places of restoration are visible. digital.library.unt.edu/ark:/67531/metadc32306/
Athlete from Ephesus
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This detail view shows the athlete's head and his chest. His gaze is pensive and he has short curly hair. The patina is green and the surface damaged and textured. digital.library.unt.edu/ark:/67531/metadc32307/
Atlantic City
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A boardwalk with a ferris wheel and other rides juts from the right side of the canvas, a small boat grounded on the shore, a young woman building a sand castle, and scattered children play and wade at the water's edge are depicted in this oil painting. digital.library.unt.edu/ark:/67531/metadc31233/
The Attack into the Unknown: German Troops Advancing on Stalingrad, from Signal Magazine
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Single page from Signal magazine shows a Nazi flag, soldiers and a tank. Text at the bottom of the image has the title "El asalto en lo desconocido" and the text: "El corresponsal de guerra de "Signal" PK. Artur Grimm describe en las páginas siguientes la cooperación alemana entre Infantería, Ingenieros y Caros de Combate." digital.library.unt.edu/ark:/67531/metadc41241/
Attacked by Birds
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The frontal view of a face is painted in hues of brown and tan with touches of red. digital.library.unt.edu/ark:/67531/metadc8770/
August rue Daguerre
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No Description digital.library.unt.edu/ark:/67531/metadc7977/
Aule Metele
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Total from front right. From the Etruscan Period. digital.library.unt.edu/ark:/67531/metadc43429/
Aule Metele
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Total from right. From the Etruscan Period. digital.library.unt.edu/ark:/67531/metadc43430/
The Aunts
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No Description digital.library.unt.edu/ark:/67531/metadc8689/
Australia
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No Description digital.library.unt.edu/ark:/67531/metadc8754/
Autumn II
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No Description digital.library.unt.edu/ark:/67531/metadc7985/
Autumn in Bruges
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A body of water is crossed with a bridge and buildings in the background are reflected in the water. Small brushstrokes of many colors are juxtaposed in an impressionistic manner. digital.library.unt.edu/ark:/67531/metadc41175/
Autumn Landscape
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Painting of red, brown, green and blue loosely painted landscape featuring trees, hills and a water source in the background. digital.library.unt.edu/ark:/67531/metadc8684/
Autumn of the Rooster
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An couple shows concern for each other in a kitchen setting. To the couple's left is a table with a white tablecloth and a rooster. A large window in the background looks out onto other buildings. digital.library.unt.edu/ark:/67531/metadc36453/
Avalokiteshvara with a Thousand Arms
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No Description digital.library.unt.edu/ark:/67531/metadc7928/
Avalokiteshvara with a Thousand Arms
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No Description digital.library.unt.edu/ark:/67531/metadc7929/
Baboon and Young
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No Description digital.library.unt.edu/ark:/67531/metadc8579/
Baby at Play
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A painting of a baby playing with blocks. digital.library.unt.edu/ark:/67531/metadc8141/
Baby with Wavy Hair
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A young baby with light brown wavy hair is depicted in this miniature painting on ivory. The image is pale and delicate. digital.library.unt.edu/ark:/67531/metadc41299/
Bac de Roda/Felip II Bridge
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No Description digital.library.unt.edu/ark:/67531/metadc8989/