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  Partner: UNT College of Visual Arts + Design
All Human Forms (The End of the Song of Jerusalem)
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A man with a halo emanating from his head and a woman embrace in the center of this composition with the text above. digital.library.unt.edu/ark:/67531/metadc41271/
Allegories of Good and Bad Government and the effects of good and bad government
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Frescoes digital.library.unt.edu/ark:/67531/metadc44519/
Allegories of Good and Bad Government and the effects of good and bad government
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Frescoes digital.library.unt.edu/ark:/67531/metadc44516/
Allegories of Good and Bad Government and the effects of good and bad government
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Frescoes digital.library.unt.edu/ark:/67531/metadc44509/
Allegory of Alfonso d'Avalos
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Painting depicting Allegory of Alfonso d'Avalos digital.library.unt.edu/ark:/67531/metadc46135/
Allegory of Alfonso d'Avalos
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Detail at right side of painting depicting Allegory of Alfonso d'Avalos. digital.library.unt.edu/ark:/67531/metadc46137/
Allegory of Alfonso d'Avalos
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Detail at left side of painting depicting Allegory of Alfonso d'Avalos. digital.library.unt.edu/ark:/67531/metadc46136/
Allegory of Astronomy
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Front center digital.library.unt.edu/ark:/67531/metadc48565/
Allegory of Astronomy
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Rear center digital.library.unt.edu/ark:/67531/metadc48566/
Allegory of Astronomy
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Left front digital.library.unt.edu/ark:/67531/metadc48567/
Allegory of Fertility
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No Description digital.library.unt.edu/ark:/67531/metadc47882/
Allegory of Geometry
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A heavily robed female figure holds for display a sheet of paper upon which are geometric drawings. In the figure's left hand are a right angle and a compass. A globe, a serpent, an obilisk, a carved sarcophagus, and a sphinx round out the composition. digital.library.unt.edu/ark:/67531/metadc31262/
Allegory of Painting (The Artist in His Studio)
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the artist digital.library.unt.edu/ark:/67531/metadc48236/
Allegory of Painting (The Artist in His Studio)
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the model digital.library.unt.edu/ark:/67531/metadc48238/
Allegory of Painting (The Artist in His Studio)
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close detail of chandelier digital.library.unt.edu/ark:/67531/metadc48239/
Allegory of Perseverance (?)
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No Description digital.library.unt.edu/ark:/67531/metadc46381/
Allegory of Sight (figures by RUBENS)
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No Description digital.library.unt.edu/ark:/67531/metadc48040/
Allegory of Sight (figures by RUBENS)
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Venus and Cupid (by RUBENS), jewelry, portrait digital.library.unt.edu/ark:/67531/metadc48041/
Allegory of Sight (figures by RUBENS)
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gold vessels, celestial model, portrait digital.library.unt.edu/ark:/67531/metadc48042/
Allegory of Sight (figures by RUBENS)
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paintings, art gallery, parrot digital.library.unt.edu/ark:/67531/metadc48043/
Allegory of Vigilance
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No Description digital.library.unt.edu/ark:/67531/metadc48820/
Allegory of Winter or of Love (Man Blowing on Glowing Coals)
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No Description digital.library.unt.edu/ark:/67531/metadc7869/
Alleyway in Historic Bastakiya Neighborhood
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The view is of the facades next to an alleyway and shows the maintenance scaffolding and pipes projecting from the walls. A wind tower is also shown. digital.library.unt.edu/ark:/67531/metadc51922/
Allies Day, May 1917
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No Description digital.library.unt.edu/ark:/67531/metadc8938/
Almshouse Man in a Top Hat
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This graphite drawing depicts the profile of a man wearing a hat and coat. digital.library.unt.edu/ark:/67531/metadc8059/
Alphonsine Fournaise
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Painting depicting Alphonsine Fournaise. digital.library.unt.edu/ark:/67531/metadc50832/
Alpine Hat
Alpine hat of dark green felt hat. Brim slightly turned up. Hatband of lighter green yarn with feather brush on one side with metal bird on handle. One metal hat pin with a stag and doe and a black and red emblem in top right corner. Unlined with leather inner headband. Labels inside crown: "Ludwig Zapf hutmacher Werfen" and "Lanz Salzburg". digital.library.unt.edu/ark:/67531/metadc39092/
Alpine Landscape with Temptation of Christ
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landscape, temptation of Christ digital.library.unt.edu/ark:/67531/metadc47700/
Alpine Landscape with Temptation of Christ
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No Description digital.library.unt.edu/ark:/67531/metadc47699/
Altar of Saint Denis
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No Description digital.library.unt.edu/ark:/67531/metadc45082/
Altar of St. Jerome from San Stefano in Venice
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St. Anthony digital.library.unt.edu/ark:/67531/metadc46695/
Altar of St. Jerome from San Stefano in Venice
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half length of St. Mark digital.library.unt.edu/ark:/67531/metadc46681/
Altar of St. Jerome from San Stefano in Venice
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Madonna and Child digital.library.unt.edu/ark:/67531/metadc46683/
Altar of St. Jerome from San Stefano in Venice
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No Description digital.library.unt.edu/ark:/67531/metadc46684/
Altar of St. Jerome from San Stefano in Venice
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No Description digital.library.unt.edu/ark:/67531/metadc46682/
Altar of St. Jerome from San Stefano in Venice
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No Description digital.library.unt.edu/ark:/67531/metadc46679/
Altar of St. Jerome from San Stefano in Venice
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No Description digital.library.unt.edu/ark:/67531/metadc46678/
Altar of St. Jerome from San Stefano in Venice
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No Description digital.library.unt.edu/ark:/67531/metadc46680/
Altes Museum
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Total facade with colonnade digital.library.unt.edu/ark:/67531/metadc49713/
I am an American? Uneasy Dream
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Painting of white, black, red, orange and blue abstract circular and triangular radiating shapes. digital.library.unt.edu/ark:/67531/metadc8718/
Amalienburg, Nymphenburg
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Total view of entrance fa├žade digital.library.unt.edu/ark:/67531/metadc48116/
[Amenhotep's Colonnade]
Photograph of Amenhotep's colonnade in the temple complex of Luxor, Egypt. A row of columns from Amenhotep's peristyle is visible in the right foreground next to a patch of grass. The colonnade leads into the background on the left side of the frame. More ruins are visible in the background. digital.library.unt.edu/ark:/67531/metadc10128/
American Flag Shoes
"American Flag Shoes". The pair of shoes is of white leather and red and blue suede. Styled in a way reminiscent of bowling shoes, the white leather shoes have rounded toes, and red suede overlays at toe box, upwards in a strip from toebox to vamp, and around lower part of heel. Blue suede overlay stripes at side have star-shaped cut-outs to allow white leather to show through. Blue suede edging at top of upper and top of heel. Shoes lace-up at front, 5 holes per side. White shoe laces. Shoes are "flats", with 3/4" high heels. Brand stamped on inside: "Flings" Illegible stamp inside. digital.library.unt.edu/ark:/67531/metadc86959/
America's Cup Pavilion, Sails and Winds
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The view of the facade is from an angle and shows the lower level details and the cantilevering. digital.library.unt.edu/ark:/67531/metadc41985/
America's Cup Pavilion, Sails and Winds
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The view shows a stair ramp and the underneath side of a cantilevered level. digital.library.unt.edu/ark:/67531/metadc41987/
America's Cup Pavilion, Sails and Winds
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The view is of the symbol on a service cover promoting the 32nd America's Cup. digital.library.unt.edu/ark:/67531/metadc41988/
America's Cup Pavilion, Sails and Winds
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The view shows the dramatic facade. It appears to be stacked layers. digital.library.unt.edu/ark:/67531/metadc41984/
America's Cup Pavilion, Sails and Winds
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The view of the building along the water's front and promenade and cantilevered decks are shown in this view. digital.library.unt.edu/ark:/67531/metadc41989/
America's Cup Pavilion, Sails and Winds
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The view is of the cantilevered levels as seen from beneath and the glass first level. digital.library.unt.edu/ark:/67531/metadc41986/
America's Cup Pavilion, Sails and Winds
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A close view of the facade bearing the name of the building, underneath side of a deck and a stairway are shown. digital.library.unt.edu/ark:/67531/metadc41990/