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  Partner: UNT College of Visual Arts + Design
 Collection: College of Visual Arts + Design Archival Project
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27139/
L 97-12
Vertical painting with vertical yellow and brown brushstrokes. Floating in the center of the painting a black to white gradation motif consists of horizontal brushstrokes. digital.library.unt.edu/ark:/67531/metadc27143/
S 98-7
Loose brown, white and black brushstrokes scraped and smeared with a gradation from white to black motif floating in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27147/
AA 99-6
Painting consists of white, black, and tan brushstrokes, smeared and scraped. Two gradation motifs float vertically in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27148/
Abstract Emotions 10
The born digital photograph consists of a textured red color in the bottom two-thirds of the image and the upper portion is mostly purple with many spots of various colors. digital.library.unt.edu/ark:/67531/metadc129796/
Abstract Emotions 14
The born digital photograph orange textured color in the lower area while the uppermost is mostly a white textured area with many colors creating the texture. Between the orange and white areas is a blue section. The surface of the work is highly textured and swirls with movement. digital.library.unt.edu/ark:/67531/metadc129797/
AC 99-8
The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors. digital.library.unt.edu/ark:/67531/metadc27149/
Action Pattern, Number 2
The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface. digital.library.unt.edu/ark:/67531/metadc102405/
Activities A-G
The work consists of a series of six books. They were included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012. digital.library.unt.edu/ark:/67531/metadc102376/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas. digital.library.unt.edu/ark:/67531/metadc27151/
AH 99-13
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes. digital.library.unt.edu/ark:/67531/metadc27152/
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27153/
AJ 00-1
This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center. digital.library.unt.edu/ark:/67531/metadc27159/
The Alchemist's Wedding Band
The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead. digital.library.unt.edu/ark:/67531/metadc129771/
AQ 01-5
This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
Arjuna's Bell
Half of the bowl is decorated in yellow while the other half consists of many closely spaced dark blue rectangular hash marks. On the yellow half of the bowl are many hieroglyphic type marks. digital.library.unt.edu/ark:/67531/metadc102325/
[an artwork from the from Bridges Into Space series]
The strongly geometrically designed artwork consists of vertical strips that create circles and angled stripes. The bold colors range from dark browns and deep yellows to both light and dark purples and blues. digital.library.unt.edu/ark:/67531/metadc27102/
[artwork made of handmade paper and screen printed cotton velveteen]
The horizontally arranged artwork consists of silhouettes of mountains in the distance in various pale shades of gray. In the foreground are two curved shapes consisting of parallel lines of textured pink paper. Three lines geometric in shape move through the picture plane flattening while also creating more space. digital.library.unt.edu/ark:/67531/metadc27059/
[artwork made of handmade paper and screen printed cotton velveteen]
The horizontally arranged artwork depicts a silhouette of a city skyline. In the foreground appears soft pink texture in arch design and a grid ladder pattern appears at the left edge. digital.library.unt.edu/ark:/67531/metadc27056/
[artwork made of handmade paper and screen printed cotton velveteen]
The horizontally arranged artwork consists of textured paper in a blue-green that gradates to a pink color and moves from the foreground to the background in a curving motion. Angular brown lines are in the background and the middle ground consists of pink colors. Some white cloud like forms float through the picture plane and a gray stacked shape fills the left side of the picture. digital.library.unt.edu/ark:/67531/metadc27058/
[artwork made of handmade paper and screen printed silk]
The artwork depicts a horizontally situated composition and is reinforced on the left and top sides by a wide gray gradated border. Emerging from the bottom edge is a wide, green curve that recedes into the distance. At the right is an open grid shape and behind that a large pink textured circle. Two small cloud like shapes float in the background. digital.library.unt.edu/ark:/67531/metadc27060/
[artwork made of handmade paper on silk]
The horizontally arranged work consists of perspective lines receding into the distance. Halfway into the distance the receding lines are covered in blue soft textured handmade paper fibers. The floor of the space is checkerboard pattern and also recedes into distance. A brown ribbon type images also slither into the distance. digital.library.unt.edu/ark:/67531/metadc27054/
[artwork of handmade paper on silk satin]
The long horizontal artwork depicts geometric shaped borders floating through the structured space. Loose ribbon shapes float among and between the geometric shapes. The colors are muted in blue, brown, green and pink tones. digital.library.unt.edu/ark:/67531/metadc27063/
[artwork of screen printed silk and handmade paper]
The horizontally arranged artwork depicts various grids floating and moving in space to create depth. In the background is a large semi-circular shape in a textured blue green color. There is also a wide strip of brown that begins in the far lower right corner and moves at four different angles until it reaches the left side of the picture. digital.library.unt.edu/ark:/67531/metadc27057/
Asteroids and Asterisks Warped and Trapped by Red Yellow and Gray Gestures
The horizontal painting consists of two red backgrounds that have been decorated with a scratched into the surface grid pattern. Dancing across the surface are seven vertical gray swaths and two thick yellow paint drips running from the top edge of the painting. digital.library.unt.edu/ark:/67531/metadc102404/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
Attic Turbine Vent
The brooch is to be worn on the shoulder and is in the form of an attic vent. The piece spins. digital.library.unt.edu/ark:/67531/metadc129772/
AU 01-9
This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
Auto Fellatio
The artwork consists of collage images and small scale constructions that create a tableaux that is then photographed. The black and white photograph depicts a person having sexual relations with himself. Three teddy bears are in the foreground. The room depicted has one window in the background and a small alcove with an octagonal window in the upper right hand portion of the picture. There is a small foot stool underneath and to the side of the window. This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus. digital.library.unt.edu/ark:/67531/metadc129767/
AV 01-10
This oil painting is predominately pink with vertical scrapes of black and white. digital.library.unt.edu/ark:/67531/metadc27164/
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
AX 01-12
This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27166/
B 97-2
Vertical painting with large gray brushstrokes. Several gradation motifs float on the surface. digital.library.unt.edu/ark:/67531/metadc27136/
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
Backward N Come Together Edges
The square blue painting's surface is covered with a scratched into the surface grid pattern and across the uppermost surface is a backward N shape in a bright orange color. digital.library.unt.edu/ark:/67531/metadc102406/
Bandana
The ceramic sculptural piece consists of several geometric tubular shapes decorated with various colors and textures. The piece is vertical and almost appears to be walking. digital.library.unt.edu/ark:/67531/metadc102337/
Battlefield
The two paper pieces consists of many layers, hang on the wall and protrude into the space. These pieces were included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012. digital.library.unt.edu/ark:/67531/metadc102375/
BE 02-4
Predominately orange painting includes many parallel vertical wavy black lines with horizontal texture. digital.library.unt.edu/ark:/67531/metadc27171/
Bean Tree Pod Rockets Measured and Marked
The drawing consists of a grid drawn in graphite with each corner marked by cross marks. Foiling this pattern is a series of marks created from bean pods that had been dipped in ink and slapped across the surface of the paper. digital.library.unt.edu/ark:/67531/metadc102407/
Between Spaces 05
The digital photograph depicts, in the lower portion of the frame, an unmade bed with striped sheets and a white blanket. In the background, on the headboard, hangs a black and white image of architecture. The wooden frame from the bed continues up onto the wall and holds the black and white image. Along the right hand edge of the work is a set of shelves. digital.library.unt.edu/ark:/67531/metadc129798/
Between Spaces 07
Image of the digital photograph which depicts the pyramids of Egypt on the wall behind a sofa and coffee table. A clock is on the wall amid the Egyptian landscape and a lamp sits in front of the landscape. Various household items sit on the table in front of the sofa. digital.library.unt.edu/ark:/67531/metadc129799/
BH 02-7
The bright orange painting also contains many vertical parallel wavy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27172/
BI 02-8
This predominately yellow painting includes vertical curved and wavy orange lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27173/
The Big Heat
The black and white painting depicts a version of a famous scene in the movie The Big Heat from 1953 directed by Fritz Lang and starring Glenn Ford. The brushstrokes are loose. One man holds a gun on a second wounded man. The man in the right foreground reaches out to the man in the center who leans against the wall. digital.library.unt.edu/ark:/67531/metadc274992/
BJ 02-9
This predominately orange/red painting contains lined texture at various horizontal angles and contains curved vertical yellow parallel lines. digital.library.unt.edu/ark:/67531/metadc27174/
Black Growth
This head piece was created using mylar removed from floppy disks that were individually machine stitched into form, then hand sewn to create the overall look. digital.library.unt.edu/ark:/67531/metadc139521/
Blessing of the Sea
The vertical strip of printed cloth depicts at forty-five degree angle wave like forms resembling water. At the left edge are orange square checkerboard shapes. digital.library.unt.edu/ark:/67531/metadc27093/
Blindly Follow
Image of painting that depicts two hooded men chained together. The view is from below showing the ceiling which resembles a cathedral. digital.library.unt.edu/ark:/67531/metadc129789/
[blue and green waves layered amongst gray and brown frames]
Waves depicted in greens and blues within and without several framing devices of shades of gray and edged in brown. digital.library.unt.edu/ark:/67531/metadc27031/