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  Partner: UNT College of Visual Arts + Design
 Resource Type: Physical Object
Imperial War Museum North
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The exit is on the so-called Waterway side. digital.library.unt.edu/ark:/67531/metadc31204/
Imperial War Museum North
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The cafe is located in the so-called Water Shard of the museum. digital.library.unt.edu/ark:/67531/metadc31209/
Imperial War Museum North
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The so-called Air Shard and entrance are located on the south facade. digital.library.unt.edu/ark:/67531/metadc31206/
Imperial War Museum North
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The Water Shard contains the cafe. digital.library.unt.edu/ark:/67531/metadc31203/
Imperial War Museum North
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The Air Shard, 55 meters high, is a curved metal clad tower visible from the canal. digital.library.unt.edu/ark:/67531/metadc31202/
Imperial War Museum North
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The corner of the gallery tilts downward toward the exterior. digital.library.unt.edu/ark:/67531/metadc31205/
Infant's Jacket
Infant's jacket or capelet of cream wool. Open on the sides with pink ribbon ties at neck and underarms. Trimmed around the edges with blanket stitch embroidery. Front flaps decorated with french knots and daisy stitch flowers. digital.library.unt.edu/ark:/67531/metadc87057/
Infant's Jacket
Infant's jacket of cream colored wool twill. One piece construction. Edges trimmed with ivory blanket stitch embroidery. Open on sides. Closed with ivory ribbons at neck and under arms. digital.library.unt.edu/ark:/67531/metadc87058/
Infant's Slip
Slip for an infant of white cotton. Sleeveless. White work embroidery at neck and hem. Narrow lace edging at neck and armholes with wider lace edging at hemline. Two button closure at center back neckline. digital.library.unt.edu/ark:/67531/metadc87056/
Isola Tiberina with the Ponte Rotto
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Isola Tiberina with the Ponte Rotto, 16th c. bridge, built on Roman ruins, collapsed in 1598. From the Italian Renaissance Period. digital.library.unt.edu/ark:/67531/metadc43169/
Jacket
Jacket of black silk satin. The jacket, formed as a basque bodice with typical close-fitting achieved by seaming, has extended front panels and is edged with ivory lace. The jacket is embellished with dark blue velvet and olive brown chenille appliques of floral and leaf forms and black jet beading. Lined in ivory silk satin. Photograph is from the exhibition Haute Couture - The Great Paris Designers, held at The Grace Museum, Abilene Texas, October 17 - December 30, 2000, and shows jacket as displayed with a period hat (Accession #: 1981.015.001) and skirt (Accession #: 1967.025.099). digital.library.unt.edu/ark:/67531/metadc29991/
Jacket
Jacket of black, green, red, pink, and yellow flannel in a large, painterly plaid pattern. The jacket is just below hip-length, and has a round neckline and no collar. Center front closure has a zipper with a gold metal rose charm pull, matching the pulls of the zippers on the two diagonal slit pockets at hips. Long-sleeved, with three non-functional buttons at wrists, formed as coiled snakes/spirals of gold metal. The jacket has inner shoulder pads and is fully lined in black satin. Designer's label: "Ungaro / Parallele / Paris" digital.library.unt.edu/ark:/67531/metadc286901/
Jacket
Jacket of Golden Spotted Seal fur with rounded collar and lapels; double breasted button accents with buttons of pearl grey circle set in gold metallic soft square; 4 fur covered belt loops, 2 on front and 2 on back, front belt loops are accented with self-buttons (right side button missing); two slit pockets at sides are lined in grey silk satin; long sleeves, pockets and jacket opening are trimmed in leather piping; 2 concealed metal hook and leather eye closures, one at bust and one at waist; fully lined in grey silk satin; hits at below hips. Label inside coat: Expressly made for William Schmidt/ OSLO/ 1853. With belt of black leather with oval, silver metal buckle; 2” width. digital.library.unt.edu/ark:/67531/metadc283730/
Jacket
Jacket of black satin and black mink fur. Short, cropped jacket with high rounded neckline and full-length set-in sleeves made in heavy silk satin. Center front opening without closure devices. Neckline, front opening and cuffs trimmed in black mink fur. Fully lined in black silk. Designer's label at inside center back below collar: "Made in France / Automne-Hiver 1962 / Christian Dior / Paris"and s Style number stamped on label: "117880" digital.library.unt.edu/ark:/67531/metadc115012/
Jacket
Jacket of navy blue wool crepe. Asymmetrically trimmed with pleated band falling from right shoulder, secured with white buckle at waistline. Self belt at waist with matching white buckle. Long sleeved with pleated diagonal at lower right sleeve. Designer's label: "Adrian / Original" digital.library.unt.edu/ark:/67531/metadc283688/
Jacket
Woman's jacket of purple wool with asymmetrical curved inset at right shoulder. Two bound slit pockets below shoulder. Center front closure with 3 buttons and bound buttonholes. Two slit pockets at hips with an asymmetrical inset over left pocket. Designer's label: "Adrian / Original" digital.library.unt.edu/ark:/67531/metadc283694/
Jacket
Waist-length black simulated alligator jacket. The cropped shell is constructed of panels of leather blind-stamped to simulate alligator. Panels are edged with silver-colored circular metal grommeted eyelets, and are joined with knitted black cording. The high, rounded spread collar is of ribbed black knit. Zipper closure from throat to hem at center front. The jacket is unlined, and has two interior, black canvas, envelope pockets with snap closures. Label is located inside at center back, below the collar. "Paco Rabanne / Paris Made in France". Jacket was donated as part of an ensemble which also included black wool and cashmere knit sweater by Dior, and black hip-hugger trousers by Remy. The Valerian Stux-Rybar collection of materials was donated by Jean-Francois Daigre to the Metropolitan Museum of Art in memory of Daigre's companion V.Stux-Rybar. Part of collection was subsequently transferred from the Metropolitan Museum of Art to the Texas Fashion Collection. digital.library.unt.edu/ark:/67531/metadc30238/
Japanese Pottery
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The ceramic object depicts a person huddled in a reddish blanket or covering with just his face showing. digital.library.unt.edu/ark:/67531/metadc41387/
Japanese Pottery
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The short straight sided bowl is decorated in deep blue and lighter blue tones and has a small foot. digital.library.unt.edu/ark:/67531/metadc41389/
Jar
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No Description digital.library.unt.edu/ark:/67531/metadc7974/
Jeans
Pair of commercially produced Wrangler denim jeans that were found in the southern Rocky mountains across from Red River, New Mexico in the late 1960's. The pants had been bleached in irregular patterns by the sun, and had various worn and torn places. After discovery, the Wranglers were embellished with red velour fabric pieces to cover some of the worst structural damage, and with a commercially available embroidered butterfly patch added below waistband at center back. Labels: Evidence of rectangular tag having been sewn on right-side back pocket. Both back pockets have "W" stitching; Fly button engraved "Wrangler"; Tag sewn inside fly: "Wrangler / 30 x 34 / Sanforized / Made in U.S.A."; Zipper pull stamped "Gripper Zipper" and "Pat Pending"; Marked on left front pocket, inside pants: "GDW" digital.library.unt.edu/ark:/67531/metadc30327/
Jeans
Pair of jeans. Commercially manufactured Levi Strauss & Co. denim blue jeans which have been bleached to white, then disassembled and reassembled with embellishments of multi-color crewel embroidered fabric and glass beads. Jeans have two front pockets and two back pockets, front zipper fly and button at waistband. digital.library.unt.edu/ark:/67531/metadc30328/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows the curvilinear stairs and ceiling with dramatic lighting and some vending areas. digital.library.unt.edu/ark:/67531/metadc31255/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows the curvilinear stairs and ceiling with dramatic lighting. digital.library.unt.edu/ark:/67531/metadc31254/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows ceiling, counters, and flight arrival and departure boards. digital.library.unt.edu/ark:/67531/metadc31259/
JFK TWA Terminal
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This sweeping interior view of the JFK TWA Terminal shows counters and curvilinear windows. digital.library.unt.edu/ark:/67531/metadc31256/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows close detail of the ceiling construction. digital.library.unt.edu/ark:/67531/metadc31258/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows the curvilinear windows and counters. digital.library.unt.edu/ark:/67531/metadc31257/
Jodh Bai's Palace, Fatehpur Sikri, India
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The facade of the reddish pink harem quarters is shown. Two windows with balconies and rooftops rise above and next to the arched and horseshoe entrance. Two cupolas on stilts rise above the rooftop. digital.library.unt.edu/ark:/67531/metadc45467/
John G. Diefenbaker Building
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The view is of the exterior. Visible is the large pyramidal shape and the slim point of a second one. Large concrete block portions of the building are also visible on either side of the round glass protrusion. digital.library.unt.edu/ark:/67531/metadc40740/
John G. Diefenbaker Building
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The view is of a tiled courtyard with two outdoor sculptures. digital.library.unt.edu/ark:/67531/metadc40744/
John G. Diefenbaker Building
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The view is of the connections between buildings and some of the landscape. Also visible is an elevated walkway tunnel. digital.library.unt.edu/ark:/67531/metadc40743/
John G. Diefenbaker Building
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The view is of the exterior facade that faces the river. The scaffolding towers are visible in the foreground. digital.library.unt.edu/ark:/67531/metadc40742/
John G. Diefenbaker Building
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The view is of the top of the metal and glass pointed shapes reaching above the main rooftop. digital.library.unt.edu/ark:/67531/metadc40741/
John G. Diefenbaker Building
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The view of the exterior shows two pyramidal shapes on the rooftops. digital.library.unt.edu/ark:/67531/metadc40680/
John G. Diefenbaker Building
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No Description digital.library.unt.edu/ark:/67531/metadc40679/
John G. Diefenbaker Building
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The close detail view shows the concrete and glass juxtaposition as well as two pyramidal shapes on the rooftops. digital.library.unt.edu/ark:/67531/metadc40730/
John G. Diefenbaker Building
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The raking interior view shows two floors and the air space allowed between the exterior of the building and the hallway above the first floor. A portion of the glass roof is visible. The tall concrete columns and the glass walls with the tiled floor are seen. digital.library.unt.edu/ark:/67531/metadc40738/
John G. Diefenbaker Building
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A close detail of the facade with its three-story columns is visible. digital.library.unt.edu/ark:/67531/metadc40734/
John G. Diefenbaker Building
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The interior view shows the glass exterior wall, some flooring and some of the concrete columns supporting the upper floors. The green lawn is also visible past the glass wall. digital.library.unt.edu/ark:/67531/metadc40739/
John G. Diefenbaker Building
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The view is parallel to the facade and shows a close detail with each floor visible through the glass walls. digital.library.unt.edu/ark:/67531/metadc40736/
John G. Diefenbaker Building
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The view is of an entrance with a paved patio, raised planting beds and a large grassy lawn. In the distance can be seen the pyramidal shapes and a portion of the tower scaffolding. digital.library.unt.edu/ark:/67531/metadc40733/
John G. Diefenbaker Building
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This view of the building complex includes a structural log-cabin style fortress in a small area next to the building. The fort is constructed of hewn logs with a fence along the top of which are sculpted fish-like forms. digital.library.unt.edu/ark:/67531/metadc40735/
John G. Diefenbaker Building
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The view is a detail of an entrance with a large glass and steel pyramidal structure butting through the columns that form a foyer. digital.library.unt.edu/ark:/67531/metadc40732/
John G. Diefenbaker Building
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This detail shows the juxtaposition of one of the pyramidal glass shapes that emerges from the stone columns. digital.library.unt.edu/ark:/67531/metadc40731/
John G. Diefenbaker Building
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The raking view is of the interior hallway of the top floor which runs the width of the building. The glass roof is visible as are the glass rails next to the exterior glass wall. A small space between the glass railings and the columns affords air space and an open feel to the floors below. digital.library.unt.edu/ark:/67531/metadc40737/
John G. Diefenbaker Building
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The building as well as the bare scaffold towers are seen from across the river and bridge. digital.library.unt.edu/ark:/67531/metadc40727/
John G. Diefenbaker Building
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The view from afar shows the facade of the main building as well as part of the tower scaffolding. digital.library.unt.edu/ark:/67531/metadc40728/
John G. Diefenbaker Building
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The view is of the building street side and includes a large portion of two sides of the facade. digital.library.unt.edu/ark:/67531/metadc40729/
Judith and Holofernes
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Front center of the Judith and Holofernes sculpture. Originated in Florence, Piazza Signoria. From the Renaissance Period. digital.library.unt.edu/ark:/67531/metadc45702/