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  Partner: UNT College of Visual Arts + Design
 Resource Type: Physical Object
Monument to Frederic Chopin (1810-1849)
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A man playing a piano is visible in this portion of the monument. digital.library.unt.edu/ark:/67531/metadc41224/
Monument to Frederic Chopin (1810-1849)
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The white marble sculpture depicts a man playing a piano while a woman swoons on the ground. digital.library.unt.edu/ark:/67531/metadc41223/
Mortuary Temple of Queen Hatshepsut
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Closer aerial view of the Mortuary Temple of Queen Hatshepsut from SE of temple in setting. From the New Kingdom, 18th Dynasty. digital.library.unt.edu/ark:/67531/metadc42035/
Moses
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No Description digital.library.unt.edu/ark:/67531/metadc45954/
Mosque of Córdoba
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Interior of the Mosque of Córdoba with some of the 36 piers and 514 columns. From the Islamic Architecture Period. digital.library.unt.edu/ark:/67531/metadc44548/
Mosque of Córdoba
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View of the arabesque above portal of the Mosque of Córdoba. From the Islamic Architecture Period. ó digital.library.unt.edu/ark:/67531/metadc44549/
Mourning Ensemble - Bodice and Skirt
Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, front and back, is constructed of vertically tucked black silk that finishes in a wide black silk waistband which is appliqued with black lace medallions and edged in narrow black velvet ribbon. The waistband laps slightly left of center and secures with three hook-and-eyes. The bodice is fully lined with heavily boned glazed black cotton and has figure enhancing pads sewn over the bust and underarm areas and has a black cotton petersham that hooks at center front. There are two hooks at back waist-level to connect the bodice to the skirt. The matching seven-panel gored skirt is of black silk and has a narrow waistband with center back placket opening secured with three hook-and-eyes. The rear fullness pleats into the waistband and disguises the opening. Two rear hooks at the waistline connect the skirt to the bodice. The full hem is embellished with seven horizontal rows of narrow black velvet ribbon. The hem is faced with black velvet, and there is a built-in bustle pad. There are no labels in the garment. The mourning dress originally belonged to Margaret Louise Walker (b.1840-d.1903), who lived on the Walker Plantation outside of Aberdeen. Mississippi. digital.library.unt.edu/ark:/67531/metadc30264/
Mourning Fan
Folding mourning fan. Guards and sticks of plain black wood, shaped but not adorned. The leaf is of plain black cloth. No visible labels, marks or signatures. digital.library.unt.edu/ark:/67531/metadc38050/
Mules
Pair of platform mules of pink, purple, and light green suede. Shoes have thick platform soles covered with pink suede, and rounded toes. Open-toe style, the wide vamp section created by color-blocks of suede. 3 1/2" high chunky heel, rounded at back. Stamped on inside: "Lujano / Hand Made / In Italy" digital.library.unt.edu/ark:/67531/metadc114759/
Mural from the Fouquet Jewellers in Paris
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The interior of the jewelry store consisted of decorative wood and bronze details including a large peacock that hung over the main jewelry cabinet. digital.library.unt.edu/ark:/67531/metadc52118/
Museum of Colonial Architecture
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The western exterior facade of the Museo de Arquitectura Colonial in Trinidad, Cuba is visible in a raking view. digital.library.unt.edu/ark:/67531/metadc51791/
Museum of Colonial Architecture
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A raking south side view of the exterior facade is shown of the Museo de Arquitectura Colonial in Trinidad, Cuba. The building is one story, white with tiled roof and a colonnade. digital.library.unt.edu/ark:/67531/metadc51792/
Museum of Colonial Architecture
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The view of the Museo de Arquitectura Colonial in Trinidad, Cuba, is a close-up of the window grille which is a later addition. digital.library.unt.edu/ark:/67531/metadc51794/
Museum of Colonial Architecture
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The view of the Museo Arquitecture Colonial in Trinidad, Cuba, shows the porch and its slim columns with stylized Ionic capitals. digital.library.unt.edu/ark:/67531/metadc51793/
Museum of Colonial Architecture
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The view is of the main facade's entrance with a basket archway. digital.library.unt.edu/ark:/67531/metadc51795/
Music Carpet
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The carpet is composed of gold and blue colors. At either end are women holding musical instruments. digital.library.unt.edu/ark:/67531/metadc47527/
Music Power / Melodie
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The sculpture is created from bronze pieces shaped like parts of violins and other similar instruments. They are stacked and piled one upon another to create a vertical sculpture. digital.library.unt.edu/ark:/67531/metadc51693/
Music Stand and Mantel Clock Once Belonging to Ludwig van Beethoven (1770-1827)
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The music stand and mantel clock once belonged to Beethoven and are of simple and utilitarian design. digital.library.unt.edu/ark:/67531/metadc51941/
Musical Glasses (Armonica)
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The musical instrument resembles a piece of furniture with an opening in which the glass is housed. digital.library.unt.edu/ark:/67531/metadc41402/
National Capitol Building
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The main view of the capitol building shows its dome and two corners of the building. In the foreground there is a cyclist on the street. digital.library.unt.edu/ark:/67531/metadc40994/
National Gallery of Canada
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The view is of the entire south side of the museum and shows the glass walls as well as the glass geometrical shaped towers on either end. Banners grace the side of the building as well. digital.library.unt.edu/ark:/67531/metadc40706/
National Gallery of Canada
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An interior gallery space is shown with artworks installed. The ceiling is arched and a center strip of lighting is revealed. digital.library.unt.edu/ark:/67531/metadc40725/
National Gallery of Canada
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Three different levels of pedestrian passage are shown as is a portion of the steep glass rooftop. digital.library.unt.edu/ark:/67531/metadc40722/
National Gallery of Canada
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The interior is shown and the light entering the building through the glass tower is reflected on the floor. Structural supports are visible as are entrances and hallways to galleries. digital.library.unt.edu/ark:/67531/metadc40718/
National Gallery of Canada
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A close view of the concrete buttresses attachment to the building and the support of the glass tower are shown in this detail of the museum's glass facade. digital.library.unt.edu/ark:/67531/metadc40714/
National Gallery of Canada
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The view of the exterior is seen from the inside of the large first floor space. Some of the white triangular panels are visible in the glass ceiling panels. digital.library.unt.edu/ark:/67531/metadc40719/
National Gallery of Canada
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An extremely close view of the glass facade shows structural details. digital.library.unt.edu/ark:/67531/metadc40716/
National Gallery of Canada
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The vertical concrete buttresses arrangement is visible in this raking view of the exterior facade of the museum. digital.library.unt.edu/ark:/67531/metadc40713/
National Gallery of Canada
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The exterior wall is shown at a raking angle with the large glass geometric tower in the background. A banner announcing an Anish Kapoor exhibition is also visible. digital.library.unt.edu/ark:/67531/metadc40707/
National Gallery of Canada
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The glass exterior is shown with the pointed glass roof top and banners announcing exhibitions hanging on the side of the building. digital.library.unt.edu/ark:/67531/metadc40708/
National Gallery of Canada
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A long hallway topped with a glass roof is shown with a solitary figure walking the hall. digital.library.unt.edu/ark:/67531/metadc40721/
National Gallery of Canada
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The view upward into the pyramidal glass tower is shown with its white triangular panels. digital.library.unt.edu/ark:/67531/metadc40720/
National Gallery of Canada
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Ceiling lighting, natural and artificial, is shown in this detail view of the art museum. digital.library.unt.edu/ark:/67531/metadc40726/
National Gallery of Canada
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The lower level arched arcade and courtyard are seen with the level above with its bench seating. A portion of the glass rooftop is also visible. digital.library.unt.edu/ark:/67531/metadc40723/
National Gallery of Canada
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The facade and the tower are glass. A blue banner announcing an exhibition hangs on the exterior of the building. digital.library.unt.edu/ark:/67531/metadc40709/
National Gallery of Canada
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The courtyard is seen from above along with a portion of the arcade. digital.library.unt.edu/ark:/67531/metadc40724/
National Gallery of Canada
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The exterior of the museum is seen in full from a raking angle from the east to south-southwest. digital.library.unt.edu/ark:/67531/metadc40705/
National Gallery of Canada
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The view shows one of the glass towers that consists of several pinnacle-less pyramidal shapes combined into one glass tower. digital.library.unt.edu/ark:/67531/metadc40711/
National Gallery of Canada
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The view is of the immense interior space underneath the glass tower. Several people mill around inside the foyer and give scale to the large glassed space. digital.library.unt.edu/ark:/67531/metadc40717/
National Gallery of Canada
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A close view of the glass facade and concrete buttresses shows structural details. digital.library.unt.edu/ark:/67531/metadc40715/
National Gallery of Canada
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A close view of the glass tower reveals the white triangular panels inside. Vertical concrete buttresses are clearly seen and the glass wall continues upward to create the glass tower on the corner of the museum. digital.library.unt.edu/ark:/67531/metadc40712/
National Gallery of Canada
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The view up into the glass tower shows the structure as well as the lighting fixtures and the triangular white banners. digital.library.unt.edu/ark:/67531/metadc40710/
Ngombi
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A vertical structure with a figurative top supports an arched and strung piece of wood. digital.library.unt.edu/ark:/67531/metadc47562/
Nike (Victory) of Samothrace
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From the Greek Hellenistic Period. Total from front center. digital.library.unt.edu/ark:/67531/metadc42389/
Nineteenth-century Replica of Gargoyle on the Balustrade of the Grande Galerie, Notre Dame Cathedral
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The gargoyle is situated on the exterior of the cathedral. The sculpted creature leans on the railing and overlooks the city. digital.library.unt.edu/ark:/67531/metadc41256/
Nineteenth-century Replica of Gargoyle on the Balustrade of the Grande Galerie, Notre Dame Cathedral
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The sculpted creature acts as a gargoyle on the cathedral. digital.library.unt.edu/ark:/67531/metadc41255/
Norton Residence
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The red metal chimney on the north side of the beach house is visible. digital.library.unt.edu/ark:/67531/metadc31270/
Norton Residence
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Close view of the balcony on the beach house is shown. digital.library.unt.edu/ark:/67531/metadc31272/
Norton Residence
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The street entrance of the facade, garage doors, and outdoor stairs to roof are shown in the east view. digital.library.unt.edu/ark:/67531/metadc31271/
Norton Residence
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The study pod elevated on a supporting post is viewed from the west in this depiction. digital.library.unt.edu/ark:/67531/metadc31266/