You limited your search to:

  Access Rights: Public
  Partner: UNT College of Visual Arts + Design
[Kiln opening]
Photograph of a kiln in Shigaraki, Japan. The opening to a kiln is visible in the foreground. The opening is an archway made of bricks. digital.library.unt.edu/ark:/67531/metadc10675/
Kimono
Kimono of burgundy red silk with printed all-over design of large butterflies in creams, tans, blues, etc. Lined in orange crepe silk. Padded hem. Hand-sewn. digital.library.unt.edu/ark:/67531/metadc276990/
Kimono
Kimono of purple silk printed with designs of flowers, birds and butterflies in purples, blues, tans, reds, etc. Detailing in gold embroidery. With five white "mon" designs similar to a "yin-yang" shape of matched commas. Partly lined in red silk. digital.library.unt.edu/ark:/67531/metadc277142/
[King's College Chapel Ceiling]
Photograph of the interior of King's College Chapel in Cambridge, Cambridge. The photograph was taken looking up at the ceiling and the tops of the stained-glass windows. digital.library.unt.edu/ark:/67531/metadc10302/
[King's College Chapel Interior]
Photograph of the interior of the King's College Chapel in Cambridge, England. On the right side, large stained-glass windows arch upwards toward the carved stone ceiling. To the left of the windows, the dark silhouette of the organ is visible. digital.library.unt.edu/ark:/67531/metadc10342/
[King's College Gatehouse]
Photograph of the gatehouse of King's College in Cambridge, England. A green lawn is visible in front of the gatehouse facade. digital.library.unt.edu/ark:/67531/metadc10336/
[Kinkakaji]
Photograph of the Kinkakaji Temple in Kyoto, Japan. A wood roof is visible in the foreground. The trees in the background are out of focus. digital.library.unt.edu/ark:/67531/metadc10782/
Kipper Tie
Wide kipper tie of large stylized paisley designs in yellows and gold on a blue field. Blue is somewhat faded from the original shade. The tie has a tag on reverse marked "Brent" and with the logo for Montgomery Ward. The creation of the kipper tie, a form of extra-wide necktie known for bright colors and patterns, is credited to British designer Michael Fish. He brought out the earliest ones in the 1960's. This example was a gift to the donor by his maternal grandmother, Mary Kathleen King Miller (1898-1969). digital.library.unt.edu/ark:/67531/metadc30325/
Kitchen
Image of the kitchen with the original doors as seen in 1973. digital.library.unt.edu/ark:/67531/metadc129961/
[Kiyomizu Pottery Community]
Photograph of the Kiyomizu Pottery Community in Kyoto, Japan. A workshop is visible in the foreground. A man faces the camera. He sits behind a shelf filled with white bowls. Another worker is visible in the background in front of a row of windows. digital.library.unt.edu/ark:/67531/metadc10824/
[Kiyomizu Pottery Community]
Photograph of the Kiyomizu Potter's Community in Kyoto, Japan. In the foreground, two workers stand next to a ledge with rows and stacks of bowls piled up. A window is visible in the background behind the men. digital.library.unt.edu/ark:/67531/metadc10741/
[Knossos]
Photograph of a building in Knossos, Greece. In the foreground, a stone building with black and brown columns is visible; three figures are visible through a doorway in the background. digital.library.unt.edu/ark:/67531/metadc10453/
[Knossos]
Photograph of an architectural ruin in Knossos, Greece. A group of men and women are visible in the foreground. Two balcony levels with brown and black columns are also visible in the foreground. digital.library.unt.edu/ark:/67531/metadc10447/
[Knossos]
Photograph of an architectural ruin in Knossos, Greece. The heads of several people are visible in the bottom foreground. The building in the foreground is partially deteriorated with two frescoes visible on the wall. The frescoes each depict a pair of men carrying jugs. Trees and a stone wall are visible in the background. digital.library.unt.edu/ark:/67531/metadc10451/
[Knossos]
Photograph of an architectural interior in Knossos, Greece. Three black and brown columns are visible on the right side of the frame. Five framed paintings are hung along the walls. Windows and a doorway are visible in the foreground. digital.library.unt.edu/ark:/67531/metadc10448/
[Köln]
Photograph of a building in Köln, Germany. In the foreground, cars and people are covered in shadow. The building sits in the background next to other smaller buildings. digital.library.unt.edu/ark:/67531/metadc10375/
[Köln]
Photograph of a building in Köln, Germany. A brown brick building rises up in the foreground. Scaffolding is visible through the center arches. digital.library.unt.edu/ark:/67531/metadc10361/
[Köln]
Photograph of a deserted building in Köln, Germany. Bushes and trees are growing in front of the building in the foreground. Metal rods sticking up in the sky are visible in the background. digital.library.unt.edu/ark:/67531/metadc10364/
[Köln]
Photograph of a city street in Köln, Germany. A street with tram lines and a gray building are visible in the foreground. Other buildings, cars, and a church are visible in the background. digital.library.unt.edu/ark:/67531/metadc10363/
Kościoły Lwowa: Herb Lwowa, Polska; Katedra Ormianska, Polska; Katedra Łacińska, Polska; Katedra Unicka, Polska
Postage stamps used in the Polish Solidarity movement during the 1980s depicting churches in the once Polish town of Lwowa, Poland, now L'viv, Ukraine. The background is silver with black depictions for the church structures and the crest. The words, Poczta Solidarność [Solidarity Stamp], are in red at the bottom of each stamp. digital.library.unt.edu/ark:/67531/metadc130080/
KSC Greenhouse
The painting depicts the interior of a greenhouse. The perspective in raking along a bench set with potted plants. digital.library.unt.edu/ark:/67531/metadc102353/
Ku Lepszemu Jutru Teraz od Nowa Dynamiczny Rozwój coś Drgnęło
Stamps used in the Polish Solidarity movement during the 1980s. On the left side of each of the four, a man's face is depicted in black. On the right side a number, 40 PRL, 30 PRL, 20 PRL, and 10, 40 LAT PRL, a red line aligns each stamp and forms a unified design that depicts a plummeting red mark. digital.library.unt.edu/ark:/67531/metadc130076/
[Kyoto Imperial Palace]
Photograph of the Old Imperial Palace in Kyoto, Japan. A low building with tile roof spans from foreground to background. Trees are visible behind the building. A mountain is visible in the far background. digital.library.unt.edu/ark:/67531/metadc10755/
[Kyteler's Inn]
Photograph of Kyteler's Inn in Kilkenny, Ireland. In the foreground, a street is visible in front of the row of stone buildings. The inn is at the left end of the street. There is an antique shop on the right end. More buildings and power lines are visible in the background. digital.library.unt.edu/ark:/67531/metadc10477/
[Lake Geneva]
Photograph of Lake Geneva in Switzerland. The lake is visible in the foreground. The opposite shore is visible in the background. The shore is full of trees and houses. digital.library.unt.edu/ark:/67531/metadc10951/
[Lama Temple]
Photograph of a man exiting a building in the Lama Temple of Beijing, China. Another man in similar dress is seen within the doorway. The two men wear long black dresses with red sashes. digital.library.unt.edu/ark:/67531/metadc10152/
[Lama Temple]
Photograph of the Lama Temple in Beijing, China. A doorway is visible in the foreground. Stone steps lead up to the doorway. Another doorway is visible through the front doorway. Temple buildings are visible through the opening in the background. digital.library.unt.edu/ark:/67531/metadc10131/
[Large Vessel]
Photograph a pottery workshop in Shigaraki, Japan. In the foreground, a craftsman stands over a large clay vessel he is working on. Two other men are visible next to the vessel. Rows of shelves are visible in the background. digital.library.unt.edu/ark:/67531/metadc10671/
Lato 1953, obóz Berlin; Jesien 1956, obóz Budapest; Wiosna 1968, obóz Praga; Zima 1979, obóz Kabul; Poczta Podziemna 50 złoty
Postage stamps used in the Polish Solidarity movement during the 1980s depicting uprisings and invasions leading up to the 1980s Polish Solidarity movement. digital.library.unt.edu/ark:/67531/metadc130093/
[Latticework]
Photograph of a building in the Yu Garden of Shanghai, China. The open passageway of a building is visible in the foreground. Two wooden latticework windows are visible on the back wall. A tree is growing out of the roofline in the top of the frame. digital.library.unt.edu/ark:/67531/metadc10021/
[layered silk and organza, bird, wave, and moon shapes]
Layer of organza over silk with depictions of birds in flight and wave shapes create depth in this hanging artwork. digital.library.unt.edu/ark:/67531/metadc27030/
[Leaves]
Photograph of large green leaves in Mexico. The leaves and stems are visible in the foreground with a gray background. digital.library.unt.edu/ark:/67531/metadc10911/
Let's Spend Some Time Together, Number 2
This collage features extreme perspective with the piers in yellow and orange moving from the center foreground straight to the horizon line depicted by the blue background meeting the black sky. In the left background area are several green geometric shapes that resemble buildings. A pink orb with a hole in the center floats in the left sky area while a purple one floats in the right hand portion of the sky area. Piercing each of these is a long hollow spear that spills tiny black, blue, white, gray and green circles into the foreground. digital.library.unt.edu/ark:/67531/metadc102399/
[Li River]
Photograph of the Li River in Guilin, China. The river crosses the foreground. The river bank is visible in the middle ground. A mountain range rises behind the river bank. digital.library.unt.edu/ark:/67531/metadc10065/
[Li River]
Photograph of the Li River in Guilin, China. The riverbank is visible in the foreground. A few small boats line the shore. Trees line the bluff with tall hills visible in the background. digital.library.unt.edu/ark:/67531/metadc10075/
[Li River]
Photograph of the Li River in Guilin, China. A red bottomed boat is visible in the water in the right foreground. Trees and hills line the shoreline. digital.library.unt.edu/ark:/67531/metadc10068/
[Liberty Store]
Photograph of the Liberty store in London, England. The store is visible in the left foreground surrounded by a busy street. The street curves into the background. digital.library.unt.edu/ark:/67531/metadc10227/
[Lichères Church]
Photograph of a church in Lichères, France. The church is visible in the foreground in a field. the field is surrounded by trees. A man is visible in the far right foreground. digital.library.unt.edu/ark:/67531/metadc10394/
Lidded Vase
Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas. digital.library.unt.edu/ark:/67531/metadc129745/
Life on the Moon
The porcelain artwork consists of a cup shape seated on a base. The cup is covered with yellow, gray and black geometric decoration. The yellow sections are textured with linear striations while the gray areas include some squiggly marks that resemble cursive handwriting. digital.library.unt.edu/ark:/67531/metadc102312/
Life's Cycle
The artwork depicts a partial circle of geometric shapes through which float some small oval shapes which float out of two vertical white containers. The ground of the piece is a gradation of pale blue to a darker blue at the top edge. digital.library.unt.edu/ark:/67531/metadc102378/
Life's Cycle
The textured artwork consists of pinks and blues predominately. Geometric shapes float on a blue woven background. Making a circular arc, partially seen, are some wedge shapes with pink tops and turquoise sides. At the far left are two cylindrical pink and purple shapes. Floating among the larger shapes are many small open ovals and open chevron shapes. digital.library.unt.edu/ark:/67531/metadc102382/
The Light from a Shoji Window
The horizontally arranged artwork depicts a circle in the foreground left corner and window grid type images in the middle and background. A pale gray stair image dominates the central portion of the composition. digital.library.unt.edu/ark:/67531/metadc27061/
Light vs. Shadow 01
The black and white image depicts three drinking glasses and their shadows. digital.library.unt.edu/ark:/67531/metadc129801/
Light vs. Shadow 14
Depicted in this digital photograph are several planes of varying levels of value with highlights and shadows. digital.library.unt.edu/ark:/67531/metadc129802/
Limb
The sculptural piece is vertical and begins with a large bulbous, teardrop shape as its base. Emerging vertically is a column from which spring nine flower bud shapes that are attached mechanically with pins and cotter pins to the column or stem. digital.library.unt.edu/ark:/67531/metadc129779/
[Lindos]
Photograph of archeological ruins in Lindos on the island of Rhodes, Greece. The foreground is covered in shadow. In the background, a set of columns positioned on the end of a cliff is visible. The sea is visible in the distant background. digital.library.unt.edu/ark:/67531/metadc10445/
[Lindos]
Photograph of a street in Lindos on the island of Rhodes, Greece. In the foreground, a cobblestone street curves out of view. A carved stone doorway is visible in the right foreground. A few branches of a tree are visible in the background. digital.library.unt.edu/ark:/67531/metadc10444/
[Lindos, Rhodes]
Photograph of a street in Lindos on the island of Rhodes, Greece. In the foreground, a cobblestone street is visible with men and women walking on the left shaded side. The street is lined with stone buildings. Two archways over the street are visible in the background. digital.library.unt.edu/ark:/67531/metadc10446/
[Line of Sphinxes]
Photograph of a line of stone sphinxes at the Temple of Amun-Re in Karnak, Egypt. The line leads from foreground to background. The sphinxes are in various levels of deterioration. A large brick wall with a metal gate is visible at the end of the line of sphinxes. digital.library.unt.edu/ark:/67531/metadc10153/