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UNT Scholarly Works
- [handmade paper art]
- The detail view of the artwork includes some grid shapes floating horizontally on a pale pink background. digital.library.unt.edu/ark:/67531/metadc27069/
- [handmade paper art]
- The long horizontal background holds several square and rectangular shapes floating from one side to the other. The background is a pale pink or white and the rectangular and square shapes range from a dark green to a gray as well as white and light blue. digital.library.unt.edu/ark:/67531/metadc27070/
- [handmade paper bowl]
- The bowl shape constructed of handmade paper is decorated by floating geometric shapes and muted pinks, oranges, blues, grays and browns. digital.library.unt.edu/ark:/67531/metadc27067/
- [handmade paper on silk artwork]
- This detail view of the artwork shows the texture of the handmade paper in strips and geometric shapes. The background silk consists of images of cloud forms and geometric structural type lines that echo the handmade paper shapes. digital.library.unt.edu/ark:/67531/metadc27053/
- [handmade paper on silk artwork]
- This horizontally arranged artwork consists of both geometric and ribbon shapes floating through the space from side to side. Frame shapes move at different angles and are connected by stripes in the background and two reddish ribbons weaving through the geometric shapes. digital.library.unt.edu/ark:/67531/metadc27064/
- Highland Street
- The painting depicts a monument set among trees. digital.library.unt.edu/ark:/67531/metadc102349/
- Houses on Oak Street
- Image of the digital photograph that depicts, in black and white, houses and trees. It appears that many houses are superimposed. digital.library.unt.edu/ark:/67531/metadc129800/
- Humble Origins
- The platter's edge is a yellow crackled surface on that encloses a green crackle texture in the center. Six purple curved rectangular shapes begin at the outside edge and move to the center while yellow and orange coils fill one side of the interior of the platter. digital.library.unt.edu/ark:/67531/metadc102317/
- Ice Station Florentine
- The bowl shape sits atop a cushion shape. The white porcelain bowl is decorated with bold black curlicues and black squares. There is some pale yellow wash and fine linear marks. digital.library.unt.edu/ark:/67531/metadc102314/
- Identi-Tea
- The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint. digital.library.unt.edu/ark:/67531/metadc129778/
- Identi-Tea
- The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. digital.library.unt.edu/ark:/67531/metadc129777/
- In the Valley
- The painting depicts and mountainous landscape with a cluster of houses and a church in the middle ground, the valley. The multitude of colors are muted in tone and the brushstrokes are broad. digital.library.unt.edu/ark:/67531/metadc102352/
- It's Not Always Black and White
- A two-part shape that resembles this artist's three-dimensional cordial glasses stands in an interior into the floor of which is a rectangular cut out. Into this recess in the floor falls two small triangular shapes. Two windows are on the walls of the interior while a square shape is cut out of the ceiling. The artwork is made up of white, purplish grays and black. digital.library.unt.edu/ark:/67531/metadc102403/
- It's Not Always Black and White
- The geometric black, white and gray collage appears to depict a person afloat in the middle of a body of water. However, a shape like this artist has used before for a cordial glass sits atop a set of three steps in the foreground and receding into the distance are planks ranging from white to black. There are some cutouts in the platform that appear to be traps for the seated figure. digital.library.unt.edu/ark:/67531/metadc102402/
- J 97-10
- Vertical painting consists of long gray, black and brown brushstrokes that create a plaid pattern. digital.library.unt.edu/ark:/67531/metadc27141/
- The Jumping Frog is Dead and Buried or Gray Grid Triple Purple
- The horizontal painting is divided vertically into two portions, both of which share a grid pattern texture. Sweeping across both dark and light areas is a large black swath revealing the various textures and grids. A light pinkish color of thick paint appears splattered and squirted in the lower portion on the right hand side of the painting. digital.library.unt.edu/ark:/67531/metadc102422/
- The Jumping Frog is Dead and Buried or Gray Grid Triple Purple, No. 2
- The horizontal painting is vertically divided into two portions. Across the bottom edge are several pink splashes. digital.library.unt.edu/ark:/67531/metadc102421/
- Jumping from the Hoop
- Image of the brooch from the side. digital.library.unt.edu/ark:/67531/metadc129862/
- Jumping from the Hoop
- Image of the brooch from front view. digital.library.unt.edu/ark:/67531/metadc129861/
- Jupiter's Goalee
- The white bowl shape is covered with patterned squares filled in with black and blue short hash marks. A sweeping blue transparent overlay shape hugs the side of the bowl as do two horizontally oriented black outlines. digital.library.unt.edu/ark:/67531/metadc102311/
- K 97-11
- Vertical painting consists of long gray, blue, and black brushstrokes that create a plaid pattern. digital.library.unt.edu/ark:/67531/metadc27142/
- KSC Greenhouse
- The painting depicts the interior of a greenhouse. The perspective in raking along a bench set with potted plants. digital.library.unt.edu/ark:/67531/metadc102353/
- [layered silk and organza, bird, wave, and moon shapes]
- Layer of organza over silk with depictions of birds in flight and wave shapes create depth in this hanging artwork. digital.library.unt.edu/ark:/67531/metadc27030/
- Let's Spend Some Time Together, Number 2
- This collage features extreme perspective with the piers in yellow and orange moving from the center foreground straight to the horizon line depicted by the blue background meeting the black sky. In the left background area are several green geometric shapes that resemble buildings. A pink orb with a hole in the center floats in the left sky area while a purple one floats in the right hand portion of the sky area. Piercing each of these is a long hollow spear that spills tiny black, blue, white, gray and green circles into the foreground. digital.library.unt.edu/ark:/67531/metadc102399/
- Lidded Vase
- Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas. digital.library.unt.edu/ark:/67531/metadc129745/
- Life on the Moon
- The porcelain artwork consists of a cup shape seated on a base. The cup is covered with yellow, gray and black geometric decoration. The yellow sections are textured with linear striations while the gray areas include some squiggly marks that resemble cursive handwriting. digital.library.unt.edu/ark:/67531/metadc102312/
- Life's Cycle
- The artwork depicts a partial circle of geometric shapes through which float some small oval shapes which float out of two vertical white containers. The ground of the piece is a gradation of pale blue to a darker blue at the top edge. digital.library.unt.edu/ark:/67531/metadc102378/
- Life's Cycle
- The textured artwork consists of pinks and blues predominately. Geometric shapes float on a blue woven background. Making a circular arc, partially seen, are some wedge shapes with pink tops and turquoise sides. At the far left are two cylindrical pink and purple shapes. Floating among the larger shapes are many small open ovals and open chevron shapes. digital.library.unt.edu/ark:/67531/metadc102382/
- The Light from a Shoji Window
- The horizontally arranged artwork depicts a circle in the foreground left corner and window grid type images in the middle and background. A pale gray stair image dominates the central portion of the composition. digital.library.unt.edu/ark:/67531/metadc27061/
- Light vs. Shadow 01
- The black and white image depicts three drinking glasses and their shadows. digital.library.unt.edu/ark:/67531/metadc129801/
- Light vs. Shadow 14
- Depicted in this digital photograph are several planes of varying levels of value with highlights and shadows. digital.library.unt.edu/ark:/67531/metadc129802/
- Limb
- The sculptural piece is vertical and begins with a large bulbous, teardrop shape as its base. Emerging vertically is a column from which spring nine flower bud shapes that are attached mechanically with pins and cotter pins to the column or stem. digital.library.unt.edu/ark:/67531/metadc129779/
- Liqueur
- The cordial glass consists of two pieces which are similar in form. The ebony base holds the sterling silver vessel portion. At the top and bottom of the piece are similar thin silver bands. digital.library.unt.edu/ark:/67531/metadc102395/
- Liqueurs
- These two cordial glasses are designed in the shape of an angular animal's horn or cornucopia, one piece in wood acts as the stand and the smaller one in metal acts as the drinking vessel portion. digital.library.unt.edu/ark:/67531/metadc102396/
- Little Chapel
- The black and white digital image depicts the interior of a church with brick arches and large globe lamps with the stained glass window in the background. digital.library.unt.edu/ark:/67531/metadc129803/
- I'll Tumble For You
- The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars. digital.library.unt.edu/ark:/67531/metadc129821/
- M 98-1
- Vertical painting consists of horizontal stripes of black and blue. Short vertical stripes of various colors float on the surface in the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27144/
- Marvel
- A tall bowl shape sits atop a cushion shaped base. Both the base and the vessel are covered with a complex series of patterns and textures. Vertical panels of yellow, light blue and black are further enhanced with texture and short curvilinear lines in gray and black. Rectangular cutouts are inside the black sections of both the vessel and base. digital.library.unt.edu/ark:/67531/metadc102313/
- The Mask
- Image of painting that consists of a portrait of a masked man, seated with his arm resting on a table. The horned mask is red with some black expressive marks. Behind the man is the back side of a stretched canvas. This painting was shown in the senior level painting exhibit in the Lightwell Gallery at University of North Texas in October of 2012. digital.library.unt.edu/ark:/67531/metadc129792/
- Mechanical Music
- The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible. digital.library.unt.edu/ark:/67531/metadc129820/
- The Moon on a Pool
- The horizontally oriented work of art consists of a very dark ground. In the upper left corner is a shape resembling a window and in the lower right corner is a circular shape made of horizontal bars. Floating from the lower edge to the upper portion of the work is a lighter colored ribbon shape. digital.library.unt.edu/ark:/67531/metadc27076/
- My Dream
- The vertical orientation with the muted and pale purples and blues of this piece create in ribbon like forms a simultaneous recession and progression of space. digital.library.unt.edu/ark:/67531/metadc27113/
- Number 68
- This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
- Number 69
- The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
- Number 126
- Black and orange painting consists of vertical wavy parallel lines and perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27178/
- Number 132
- This orange and black painting consists of vertical curved, wavy, and parallel lines. digital.library.unt.edu/ark:/67531/metadc27179/
- Number 133
- This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
- Number 142
- Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
- Number 149
- This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
- Number 154
- This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/