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  Partner: UNT College of Visual Arts + Design
 Language: No Language
 Collection: UNT Scholarly Works
Grid Junctions or Roller Coaster Ride
The horizontal painting consists of two grid patterns angled toward each other. Across the surface of the canvas is a large lime green area of thick paint that runs toward the bottom edge of the canvas. A pink wedge runs across the lower right. digital.library.unt.edu/ark:/67531/metadc102417/
H 97-8
Vertical painting with several horizontal stripes of reddish brown and black with blue, red and orange gradation motifs floating on the surface. digital.library.unt.edu/ark:/67531/metadc27140/
Hallway
This low-chroma painting shows the length of the upper western wing of the property. It features the ink wash, which adds to the effect of decay in the subject matter. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129754/
[handmade paper and silkscreen on cotton velveteen artwork]
This detail view of the artwork shows the geometric shapes that float through the atmospheric landscape. The colors are in the dull pink, muted blues and beige ranges. Deep space is depicted with mountainous shapes reaching into water. digital.library.unt.edu/ark:/67531/metadc27055/
[handmade paper art]
The detail view of the handmade paper piece consists of several floating oval shapes and some colored string moving in a loose horizontally direction. The colors are light and muted from pale pinks to grays and purples. digital.library.unt.edu/ark:/67531/metadc27068/
[handmade paper art]
The detail view of the artwork includes some grid shapes floating horizontally on a pale pink background. digital.library.unt.edu/ark:/67531/metadc27069/
[handmade paper art]
The long horizontal background holds several square and rectangular shapes floating from one side to the other. The background is a pale pink or white and the rectangular and square shapes range from a dark green to a gray as well as white and light blue. digital.library.unt.edu/ark:/67531/metadc27070/
[handmade paper bowl]
The bowl shape constructed of handmade paper is decorated by floating geometric shapes and muted pinks, oranges, blues, grays and browns. digital.library.unt.edu/ark:/67531/metadc27067/
[handmade paper on silk artwork]
This detail view of the artwork shows the texture of the handmade paper in strips and geometric shapes. The background silk consists of images of cloud forms and geometric structural type lines that echo the handmade paper shapes. digital.library.unt.edu/ark:/67531/metadc27053/
[handmade paper on silk artwork]
This horizontally arranged artwork consists of both geometric and ribbon shapes floating through the space from side to side. Frame shapes move at different angles and are connected by stripes in the background and two reddish ribbons weaving through the geometric shapes. digital.library.unt.edu/ark:/67531/metadc27064/
Highland Street
The painting depicts a monument set among trees. digital.library.unt.edu/ark:/67531/metadc102349/
Houses on Oak Street
Image of the digital photograph that depicts, in black and white, houses and trees. It appears that many houses are superimposed. digital.library.unt.edu/ark:/67531/metadc129800/
Humble Origins
The platter's edge is a yellow crackled surface on that encloses a green crackle texture in the center. Six purple curved rectangular shapes begin at the outside edge and move to the center while yellow and orange coils fill one side of the interior of the platter. digital.library.unt.edu/ark:/67531/metadc102317/
Ice Station Florentine
The bowl shape sits atop a cushion shape. The white porcelain bowl is decorated with bold black curlicues and black squares. There is some pale yellow wash and fine linear marks. digital.library.unt.edu/ark:/67531/metadc102314/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint. digital.library.unt.edu/ark:/67531/metadc129778/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. digital.library.unt.edu/ark:/67531/metadc129777/
In the Valley
The painting depicts and mountainous landscape with a cluster of houses and a church in the middle ground, the valley. The multitude of colors are muted in tone and the brushstrokes are broad. digital.library.unt.edu/ark:/67531/metadc102352/
It's Not Always Black and White
The geometric black, white and gray collage appears to depict a person afloat in the middle of a body of water. However, a shape like this artist has used before for a cordial glass sits atop a set of three steps in the foreground and receding into the distance are planks ranging from white to black. There are some cutouts in the platform that appear to be traps for the seated figure. digital.library.unt.edu/ark:/67531/metadc102402/
It's Not Always Black and White
A two-part shape that resembles this artist's three-dimensional cordial glasses stands in an interior into the floor of which is a rectangular cut out. Into this recess in the floor falls two small triangular shapes. Two windows are on the walls of the interior while a square shape is cut out of the ceiling. The artwork is made up of white, purplish grays and black. digital.library.unt.edu/ark:/67531/metadc102403/
J 97-10
Vertical painting consists of long gray, black and brown brushstrokes that create a plaid pattern. digital.library.unt.edu/ark:/67531/metadc27141/
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc274994/
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple
The horizontal painting is divided vertically into two portions, both of which share a grid pattern texture. Sweeping across both dark and light areas is a large black swath revealing the various textures and grids. A light pinkish color of thick paint appears splattered and squirted in the lower portion on the right hand side of the painting. digital.library.unt.edu/ark:/67531/metadc102422/
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple, No. 2
The horizontal painting is vertically divided into two portions. Across the bottom edge are several pink splashes. digital.library.unt.edu/ark:/67531/metadc102421/
Jumping from the Hoop
Image of the brooch from the side. digital.library.unt.edu/ark:/67531/metadc129862/
Jumping from the Hoop
Image of the brooch from front view. digital.library.unt.edu/ark:/67531/metadc129861/
Jupiter's Goalee
The white bowl shape is covered with patterned squares filled in with black and blue short hash marks. A sweeping blue transparent overlay shape hugs the side of the bowl as do two horizontally oriented black outlines. digital.library.unt.edu/ark:/67531/metadc102311/
K 97-11
Vertical painting consists of long gray, blue, and black brushstrokes that create a plaid pattern. digital.library.unt.edu/ark:/67531/metadc27142/
KSC Greenhouse
The painting depicts the interior of a greenhouse. The perspective in raking along a bench set with potted plants. digital.library.unt.edu/ark:/67531/metadc102353/
[layered silk and organza, bird, wave, and moon shapes]
Layer of organza over silk with depictions of birds in flight and wave shapes create depth in this hanging artwork. digital.library.unt.edu/ark:/67531/metadc27030/
Let's Spend Some Time Together, Number 2
This collage features extreme perspective with the piers in yellow and orange moving from the center foreground straight to the horizon line depicted by the blue background meeting the black sky. In the left background area are several green geometric shapes that resemble buildings. A pink orb with a hole in the center floats in the left sky area while a purple one floats in the right hand portion of the sky area. Piercing each of these is a long hollow spear that spills tiny black, blue, white, gray and green circles into the foreground. digital.library.unt.edu/ark:/67531/metadc102399/
Lidded Vase
Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas. digital.library.unt.edu/ark:/67531/metadc129745/
Life on the Moon
The porcelain artwork consists of a cup shape seated on a base. The cup is covered with yellow, gray and black geometric decoration. The yellow sections are textured with linear striations while the gray areas include some squiggly marks that resemble cursive handwriting. digital.library.unt.edu/ark:/67531/metadc102312/
Life's Cycle
The textured artwork consists of pinks and blues predominately. Geometric shapes float on a blue woven background. Making a circular arc, partially seen, are some wedge shapes with pink tops and turquoise sides. At the far left are two cylindrical pink and purple shapes. Floating among the larger shapes are many small open ovals and open chevron shapes. digital.library.unt.edu/ark:/67531/metadc102382/
Life's Cycle
The artwork depicts a partial circle of geometric shapes through which float some small oval shapes which float out of two vertical white containers. The ground of the piece is a gradation of pale blue to a darker blue at the top edge. digital.library.unt.edu/ark:/67531/metadc102378/
The Light from a Shoji Window
The horizontally arranged artwork depicts a circle in the foreground left corner and window grid type images in the middle and background. A pale gray stair image dominates the central portion of the composition. digital.library.unt.edu/ark:/67531/metadc27061/
Light vs. Shadow 01
The black and white image depicts three drinking glasses and their shadows. digital.library.unt.edu/ark:/67531/metadc129801/
Light vs. Shadow 14
Depicted in this digital photograph are several planes of varying levels of value with highlights and shadows. digital.library.unt.edu/ark:/67531/metadc129802/
Limb
The sculptural piece is vertical and begins with a large bulbous, teardrop shape as its base. Emerging vertically is a column from which spring nine flower bud shapes that are attached mechanically with pins and cotter pins to the column or stem. digital.library.unt.edu/ark:/67531/metadc129779/
Liqueur
The cordial glass consists of two pieces which are similar in form. The ebony base holds the sterling silver vessel portion. At the top and bottom of the piece are similar thin silver bands. digital.library.unt.edu/ark:/67531/metadc102395/
Liqueurs
These two cordial glasses are designed in the shape of an angular animal's horn or cornucopia, one piece in wood acts as the stand and the smaller one in metal acts as the drinking vessel portion. digital.library.unt.edu/ark:/67531/metadc102396/
Little Chapel
The black and white digital image depicts the interior of a church with brick arches and large globe lamps with the stained glass window in the background. digital.library.unt.edu/ark:/67531/metadc129803/
I'll Tumble For You
The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars. digital.library.unt.edu/ark:/67531/metadc129821/
M 98-1
Vertical painting consists of horizontal stripes of black and blue. Short vertical stripes of various colors float on the surface in the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27144/
Marvel
A tall bowl shape sits atop a cushion shaped base. Both the base and the vessel are covered with a complex series of patterns and textures. Vertical panels of yellow, light blue and black are further enhanced with texture and short curvilinear lines in gray and black. Rectangular cutouts are inside the black sections of both the vessel and base. digital.library.unt.edu/ark:/67531/metadc102313/
The Mask
Image of painting that consists of a portrait of a masked man, seated with his arm resting on a table. The horned mask is red with some black expressive marks. Behind the man is the back side of a stretched canvas. This painting was shown in the senior level painting exhibit in the Lightwell Gallery at University of North Texas in October of 2012. digital.library.unt.edu/ark:/67531/metadc129792/
Mechanical Music
The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible. digital.library.unt.edu/ark:/67531/metadc129820/
The Moon on a Pool
The horizontally oriented work of art consists of a very dark ground. In the upper left corner is a shape resembling a window and in the lower right corner is a circular shape made of horizontal bars. Floating from the lower edge to the upper portion of the work is a lighter colored ribbon shape. digital.library.unt.edu/ark:/67531/metadc27076/
My Dream
The vertical orientation with the muted and pale purples and blues of this piece create in ribbon like forms a simultaneous recession and progression of space. digital.library.unt.edu/ark:/67531/metadc27113/
Number 68
This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
Number 69
The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/