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  Partner: UNT College of Visual Arts + Design
 Decade: 2000-2009
Great Glass House, National Botanic Garden of Wales
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The interior of the greenhouse exhibits many different plants and a waterfall. digital.library.unt.edu/ark:/67531/metadc31196/
Great Glass House, National Botanic Garden of Wales
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The elliptical shaped greenhouse echoes the gentle shape of the hill on which it sits. digital.library.unt.edu/ark:/67531/metadc31192/
Great Glass House, National Botanic Garden of Wales
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Interior view of the greenhouse shows the arch supports of the ceiling. digital.library.unt.edu/ark:/67531/metadc31194/
Grid Junctions or Roller Coaster Ride
The horizontal painting consists of two grid patterns angled toward each other. Across the surface of the canvas is a large lime green area of thick paint that runs toward the bottom edge of the canvas. A pink wedge runs across the lower right. digital.library.unt.edu/ark:/67531/metadc102417/
Guitarist, New Orleans
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No Description digital.library.unt.edu/ark:/67531/metadc47483/
Hat
Hat with "Pineapple" crown. The domed crown of green felted rabbit fur is worked by gathering, "pinching" and seaming to create a surface resembling a pineapple. Around the hat "orbit" two bands of taupe felted rabbit fur edged in green grosgrain ribbon. They are connected on opposite sides of the hat and extend out into the space around the crown. Crossing the ribbons at one attachment point is a green felted rabbit fur "sheath" from which extend three long pheasant feathers. Inner hatband of green grosgrain ribbon, and with taupe felt lining the inside of the crown. Sewn to the inner hatband is designer's label: "Ian / D" digital.library.unt.edu/ark:/67531/metadc30308/
Hat
Hat of brown and coral pink felted rabbit fur. The high cylindrical crown has alternating horizontal stripes of brown and coral pink rabbit fur, with thin bands of gold lamé cording between the bands. The low, sloping, narrow brim is of brown fur with a visible lining of pink fur. Tied around the base of the crown is a double-strand of the gold lamé cording, knotted at side with hanging ends. The hat has an inner white grosgrain ribbon hatband, and is lined in grey felt. Sewn to the inner ribbon band is designer's label: "Ian / D" digital.library.unt.edu/ark:/67531/metadc30310/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint. digital.library.unt.edu/ark:/67531/metadc129778/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. digital.library.unt.edu/ark:/67531/metadc129777/
Imperial War Museum North
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The museum sits alongside the Manchester Ship Canal and the Lowry Lifting Bridge. digital.library.unt.edu/ark:/67531/metadc31200/
Imperial War Museum North
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The so-called Earth Shard includes exhibition space. digital.library.unt.edu/ark:/67531/metadc31208/
Imperial War Museum North
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The so-called Air Shard and entrance are located on the south facade. digital.library.unt.edu/ark:/67531/metadc31206/
Imperial War Museum North
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The Water Shard contains the cafe. digital.library.unt.edu/ark:/67531/metadc31203/
Imperial War Museum North
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The exit is on the so-called Waterway side. digital.library.unt.edu/ark:/67531/metadc31204/
Imperial War Museum North
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The cafe is located in the so-called Water Shard of the museum. digital.library.unt.edu/ark:/67531/metadc31209/
Imperial War Museum North
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The Air Shard, 55 meters high, is a curved metal clad tower visible from the canal. digital.library.unt.edu/ark:/67531/metadc31202/
Imperial War Museum North
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The view up of the interior of the tower structure shows the tubular construction. digital.library.unt.edu/ark:/67531/metadc31207/
Imperial War Museum North
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The north elevation of the museum sits beside the canal. digital.library.unt.edu/ark:/67531/metadc31201/
Imperial War Museum North
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The corner of the gallery tilts downward toward the exterior. digital.library.unt.edu/ark:/67531/metadc31205/
[Interview with Adelma Benavente Garcia]
This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9523/
[Interview with Elda Harrington]
This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9522/
[Interview with Paula Sibilia]
This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9521/
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple
The horizontal painting is divided vertically into two portions, both of which share a grid pattern texture. Sweeping across both dark and light areas is a large black swath revealing the various textures and grids. A light pinkish color of thick paint appears splattered and squirted in the lower portion on the right hand side of the painting. digital.library.unt.edu/ark:/67531/metadc102422/
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple, No. 2
The horizontal painting is vertically divided into two portions. Across the bottom edge are several pink splashes. digital.library.unt.edu/ark:/67531/metadc102421/
The Last Automat III
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The painting depicts an Automat food dispenser with two pieces of what looks like lemon merigue pie inside. digital.library.unt.edu/ark:/67531/metadc31238/
Light in a Far Field
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Painting of green, gray, red and peach featuring a grassy landscape with multiple trees and red flowers; light smudge rendering. digital.library.unt.edu/ark:/67531/metadc8439/
Lillian Disney Memorial Fountain
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The sculptural flower is blue and white speckled and sits in front of highly polished panels of a building. digital.library.unt.edu/ark:/67531/metadc51857/
Lillian Disney Memorial Fountain
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A close view of the fountain shows its petals filled with water. The shards of Delft china are visible in this close view. digital.library.unt.edu/ark:/67531/metadc51858/
Lillian Disney Memorial Fountain
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The close view of the sculpture shows the individual pieces of Delft china shards as well as the inscription, "A rose for Lilly. Frank Gehry's tribute to Lillian Disney. A gift of her grandchildren and great-grandchildren." digital.library.unt.edu/ark:/67531/metadc51859/
Lillian Disney Memorial Fountain
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A large blue and white speckled blooming flower shape sits on the ground in a garden setting. digital.library.unt.edu/ark:/67531/metadc51856/
Maggie's Center, Ninewells NHS Hospital
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The facade, south elevation, with triple pitched roof and entrance is visible. digital.library.unt.edu/ark:/67531/metadc31198/
Maggie's Center, Ninewells NHS Hospital
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The exterior facade of the center is white and sits on the grounds of the Ninewells Hospital. digital.library.unt.edu/ark:/67531/metadc31197/
Maggie's Center, Ninewells NHS Hospital
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The tower of the building is shown with its windows. digital.library.unt.edu/ark:/67531/metadc31199/
MAMAC, Bird Head/Eagle Totem Series
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The totem shaped sculpture includes a large bird, a bright yellow mask and a pale pink human figure on a bright blue pole and is situated by a body of water. The surface is treated in a mosaic fashion with brightly colored glasses and mirrors, shells, and pebbles. digital.library.unt.edu/ark:/67531/metadc51694/
Model of a chariot
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No Description digital.library.unt.edu/ark:/67531/metadc7811/
Nocturnal Street Scene
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This small monochromatic painting depicts a street corner on which are street signs, a crosswalk sign, a fire hydrant and a multi-story building with an awning over the sidewalk. It is a night scene lit with street lights. digital.library.unt.edu/ark:/67531/metadc31246/
Number 68
This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
Number 69
The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
Number 126
Black and orange painting consists of vertical wavy parallel lines and perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27178/
Number 132
This orange and black painting consists of vertical curved, wavy, and parallel lines. digital.library.unt.edu/ark:/67531/metadc27179/
Number 133
This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
Number 142
Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
Number 149
This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
Number 154
This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/
Number 155
This painting has a predominately white background and includes many multi-colored jagged lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27203/
Number 165
This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27206/
Number 168
This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
Number 169
This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
Numbers 136, 142, 126, and 127
Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
Numbers 143, 144 and 145
Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/