- Imperial War Museum North
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Access: Use of this item is restricted to the UNT Community.
The Air Shard, 55 meters high, is a curved metal clad tower visible from the canal. digital.library.unt.edu/ark:/67531/metadc31202/ - Imperial War Museum North
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The north elevation of the museum sits beside the canal. digital.library.unt.edu/ark:/67531/metadc31201/ - Imperial War Museum North
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The view up of the interior of the tower structure shows the tubular construction. digital.library.unt.edu/ark:/67531/metadc31207/ - Imperial War Museum North
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The museum sits alongside the Manchester Ship Canal and the Lowry Lifting Bridge. digital.library.unt.edu/ark:/67531/metadc31200/ - Imperial War Museum North
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The so-called Earth Shard includes exhibition space. digital.library.unt.edu/ark:/67531/metadc31208/ - Imperial War Museum North
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Access: Use of this item is restricted to the UNT Community.
The exit is on the so-called Waterway side. digital.library.unt.edu/ark:/67531/metadc31204/ - Imperial War Museum North
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Access: Use of this item is restricted to the UNT Community.
The cafe is located in the so-called Water Shard of the museum. digital.library.unt.edu/ark:/67531/metadc31209/ - Imperial War Museum North
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Access: Use of this item is restricted to the UNT Community.
The so-called Air Shard and entrance are located on the south facade. digital.library.unt.edu/ark:/67531/metadc31206/ - Imperial War Museum North
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Access: Use of this item is restricted to the UNT Community.
The Water Shard contains the cafe. digital.library.unt.edu/ark:/67531/metadc31203/ - [Interview with Adelma Benavente Garcia]
- This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9523/
- [Interview with Elda Harrington]
- This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9522/
- [Interview with Paula Sibilia]
- This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9521/
- The Jumping Frog is Dead and Buried or Gray Grid Triple Purple
- The horizontal painting is divided vertically into two portions, both of which share a grid pattern texture. Sweeping across both dark and light areas is a large black swath revealing the various textures and grids. A light pinkish color of thick paint appears splattered and squirted in the lower portion on the right hand side of the painting. digital.library.unt.edu/ark:/67531/metadc102422/
- The Jumping Frog is Dead and Buried or Gray Grid Triple Purple, No. 2
- The horizontal painting is vertically divided into two portions. Across the bottom edge are several pink splashes. digital.library.unt.edu/ark:/67531/metadc102421/
- The Last Automat III
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The painting depicts an Automat food dispenser with two pieces of what looks like lemon merigue pie inside. digital.library.unt.edu/ark:/67531/metadc31238/ - Light in a Far Field
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Painting of green, gray, red and peach featuring a grassy landscape with multiple trees and red flowers; light smudge rendering. digital.library.unt.edu/ark:/67531/metadc8439/ - Lillian Disney Memorial Fountain
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The sculptural flower is blue and white speckled and sits in front of highly polished panels of a building. digital.library.unt.edu/ark:/67531/metadc51857/ - Lillian Disney Memorial Fountain
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A close view of the fountain shows its petals filled with water. The shards of Delft china are visible in this close view. digital.library.unt.edu/ark:/67531/metadc51858/ - Lillian Disney Memorial Fountain
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The close view of the sculpture shows the individual pieces of Delft china shards as well as the inscription, "A rose for Lilly. Frank Gehry's tribute to Lillian Disney. A gift of her grandchildren and great-grandchildren." digital.library.unt.edu/ark:/67531/metadc51859/ - Lillian Disney Memorial Fountain
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A large blue and white speckled blooming flower shape sits on the ground in a garden setting. digital.library.unt.edu/ark:/67531/metadc51856/ - Maggie's Center, Ninewells NHS Hospital
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The tower of the building is shown with its windows. digital.library.unt.edu/ark:/67531/metadc31199/ - Maggie's Center, Ninewells NHS Hospital
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The exterior facade of the center is white and sits on the grounds of the Ninewells Hospital. digital.library.unt.edu/ark:/67531/metadc31197/ - Maggie's Center, Ninewells NHS Hospital
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The facade, south elevation, with triple pitched roof and entrance is visible. digital.library.unt.edu/ark:/67531/metadc31198/ - MAMAC, Bird Head/Eagle Totem Series
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The totem shaped sculpture includes a large bird, a bright yellow mask and a pale pink human figure on a bright blue pole and is situated by a body of water. The surface is treated in a mosaic fashion with brightly colored glasses and mirrors, shells, and pebbles. digital.library.unt.edu/ark:/67531/metadc51694/ - Nocturnal Street Scene
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This small monochromatic painting depicts a street corner on which are street signs, a crosswalk sign, a fire hydrant and a multi-story building with an awning over the sidewalk. It is a night scene lit with street lights. digital.library.unt.edu/ark:/67531/metadc31246/ - Number 68
- This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
- Number 69
- The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
- Number 126
- Black and orange painting consists of vertical wavy parallel lines and perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27178/
- Number 132
- This orange and black painting consists of vertical curved, wavy, and parallel lines. digital.library.unt.edu/ark:/67531/metadc27179/
- Number 133
- This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
- Number 142
- Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
- Number 149
- This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
- Number 154
- This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/
- Number 155
- This painting has a predominately white background and includes many multi-colored jagged lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27203/
- Number 165
- This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27206/
- Number 168
- This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
- Number 169
- This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
- Numbers 136, 142, 126, and 127
- Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
- Numbers 143, 144 and 145
- Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/
- Pantsuit
- Evening pantsuit of ivory, blue, and black striped silk consisting of three pieces: a) Mid-length jacket of vertically striped silk with very wide, straight sleeves. Center front opening with no closure. Attached shoulder pads. (b) Pants of matching silk. Full-length, with center back snaps and hook-and-eye closure. Designed to fit loosely, with drawstring waist. (c) Short sleeved tank-style top of matching silk. Sleeveless, with round neckline. The hem, armholes, and neckline are trimmed in black. Each piece has designer's label "Oscar de la Renta". digital.library.unt.edu/ark:/67531/metadc30336/
- Pumps
- Pair of woman's pumps of iridescent gold leather. Designed with rounded, open toes, inner sides cut-away. The leather has lightly scored parallel lines over the surface, creating a striped effect. Elongated wedge-style heel 4" high. Designer's label stamped in silver on insole: "Fanziska Hübener" Stamped into sole: "Hübener, Fanziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 38"; "EUR / 40" and "USA / 9" digital.library.unt.edu/ark:/67531/metadc87111/
- Pumps
- Pair of velour, canvas, and leather pumps. Designed with pointed toes, the pumps have uppers of bright green, red, and navy velour, and black canvas in lengthwise stripes. Along bottom edge of upper is a pebbled leather band which is textured to resemble alligator and which is accented with brown stitching. Stiletto heel 3" in height covered with same textured leather. Suspended from top edge of heel is a gold charmed shaped as an "R". Maker's mark stamped in gold inside shoe: "[R logo] Roberta di Camerina" Stamped on sole: "Vero / Cuoio" and "37". Applied sticker on sole with pictograms indicating which parts are leather. digital.library.unt.edu/ark:/67531/metadc87117/
- Pumps
- Pair of woman's pumps of bright tan / golden / honey colored leather. Designed with pointed toes, the shoes have horizontal black stitching following the shape of the shoes over all of the surfaces, creating a striped effect. 4 1/2" spike heel covered with the same leather. Designer's label of tooled copper leather inset in insole: "Rupert Sanderson / London" Impressed in sole: "38"; "Rupert Sanderson"; "Vero Cuoio" and "Made in Italy" digital.library.unt.edu/ark:/67531/metadc87104/
- Purple Grid Yellow Edge Yellow Road
- The square painting consists of a purple ground that has been scratched through with a grid pattern. Horizontally across the top portion is a loose yellow brush stroke and across the bottom edge a similarly hued stripe. digital.library.unt.edu/ark:/67531/metadc102418/
- Sandals
- Pair of woman's sandals of pink and silver metallic leather, white leather, and black patent leather. Insole/sole of silver leather with pink leather inner section. Across instep is narrow band of pink, white, and black leather segments set with a single square black faceted gem mounted in silver colored metal. A second matching strap extends from insole, curves across instep, threads through a similar band, then continues around back of heel and back down to reattach to insole on same side it began. This band also set with two square faceted black gems. 3" high spike heel is thick, covered with black patent leather on sides and back and brown leather as sole on front. Designer/Maker's label stamped on insole at heel: "RODO / Since / 1956" within wreath. Impressed in sole: "RODO / [outline of hide] Vero / Cuoio / Made in Italy / 36" With applied sticker on sole showing pictograms indicating what materials make up the parts of the shoe. digital.library.unt.edu/ark:/67531/metadc87112/
- Sandals
- Pair of sandals made of deep pink leather. Two thick straps extend from sides and meet to form vamp/throat with surmounting bow. A thinner, single strap extends up and across near base of toes. Spike heel is 3" high, and covered with same pink leather. Inset black label on sole with maker's mark embroidered in silver: "Mario Valentino / Made in Italy" Molded into sole: "Mario / Valentino" Stamped into sole: Outline of a hide containing words: "Vero Cuoio / Cuir / Veritable / Leather / Leder Echt"; "Made in Italy"; "39" digital.library.unt.edu/ark:/67531/metadc87114/
- Sandals
- Pair of sandals made of metallic cobalt blue leather. Two thick straps extend from sides and meet to form vamp/throat with surmounting bow. A single strap extends up from sole at heel and is topped by strap to encircle ankle. Strap secures with single silver tear-shaped buckle. Spike heel is 4" high, and covered with same blue leather. Inset black label on sole with maker's mark embroidered in silver: "Mario Valentino / Made in Italy" Molded into sole: "Mario / Valentino" Stamped into sole: Outline of a hide containing words: "Vero Cuoio / Cuir / Veritable / Leather / Leder Echt"; "Made in Italy"; "39" digital.library.unt.edu/ark:/67531/metadc87116/
- Sandals
- Pair of women's sandals of silver metallic leather. Designed as "gladiator style" sandals, with six narrow silver leather criss-crossed or interwoven straps at front over vamp, and six more similar straps extending around ankle and originating from vertical band at heel. 5" zipper along heel band. Designer's label on both sides of sole: "Barbara Bui" Impressed on underside of sole: "Made in Spain" and "40". Attached sticker under sole showing pictograms indicating which parts of shoe are leather. digital.library.unt.edu/ark:/67531/metadc87113/
- Sandals
- Pair of woman's sandals of black suede. Designed with pointed toe, the slip-on sandals have two wavy-edged black suede bands crossing at instep, and a second pair of similar straps extending from heel and mid-foot to cross at slightly below ankle. At each crossing is mounted a faceted clear crystal set in a silver filigree rosette of four petals. 3 1/2" spike heel is covered in black satin. Tan leather sole. Maker's logo/label stamped in gold on cream leather inset in insole: "[logo of T bracketed by facing L's within oval] / Couture / Les Tropeziennes" Stamped in gold on sole: "Made in Italy / Vero Cuoio"; logo repeated; "Les Tropeziennes" and "35". digital.library.unt.edu/ark:/67531/metadc87107/
- Sandals
- Pair of woman's high-heeled sandals of multi-colored metallic leathers. Designed with rounded, open toes, the shoes have a vamp of an open-work figure 8 created by dark and light blue and violet braided leather bands. Bands of same leather extend from sides of vamp along sides of sandal to heel. Openwork heel formed of same braided leathers in inverted teardrop or petal shapes radiating from heel, and with upper band arching over the heel. Insole of metallic blue leather with inlaid teardrop shape of violet leather. 4" high heel rounded at sides and back tapers to ground and is covered with iridescent blue/great material. Designer's label stamped in silver on insole: "Fanziska Hübener" Stamped into sole: "Hübener, Fanziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 35"; "EUR / 37" and "USA / 6" Size sticker on sole: "36" digital.library.unt.edu/ark:/67531/metadc87106/