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  Partner: UNT College of Visual Arts + Design
 Decade: 2000-2009
Crying Giant
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The bronze sculpture depicts in an abstract style a seated figure resting his head in his hands. digital.library.unt.edu/ark:/67531/metadc40952/
CU 08-2
This square painting has a predominately light peach background and includes many gray curved lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27209/
Curved Edges and Grid
This square painting consists of two yellow sections with grid patterns and texture. Across the surface is a rough swath of purple which reveals the scratched and grid pattern texture of the underlying layer. digital.library.unt.edu/ark:/67531/metadc102408/
Cycling Round the Geometric Sky
The horizontal painting is divided into colorful geometric shapes. Across the bottom edge are five large and dark comma shapes and across the top edge are small similar marks. digital.library.unt.edu/ark:/67531/metadc102409/
La Dama Iberica
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The tripartite sculpture consists of geometric shapes covered in dark blue pieces of mosaic. digital.library.unt.edu/ark:/67531/metadc41982/
La Dama Iberica
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The side view of the sculpture consists of a disc shape covered in dark blue pieces of mosaic. The sculpture sits at a street intersection. digital.library.unt.edu/ark:/67531/metadc41983/
Dialectics
The sculpture consists of a yellow head shape with a secondary face appearing in an oval shape on the surface. Protruding vertically out of the top of the head are three leaf like covered elongated shapes. digital.library.unt.edu/ark:/67531/metadc102329/
Different Orders, Number 4
The horizontal painting is divided into two large and one narrow sections. Each are decorated with grid patterns and connecting the two larger vertical sections is a large white X. digital.library.unt.edu/ark:/67531/metadc102410/
Different Orders, Number 6
The horizontal painting is divided into three basic geometric shapes. Each is decorated with a grid pattern and across the yellow section is a large black swath of paint in a vertical comma shape. digital.library.unt.edu/ark:/67531/metadc102411/
Different Orders, Number 8
The horizontal painting consists of several geometric shapes in blues and oranges. Across the surface is a large yellow green swath arcing across the canvas. digital.library.unt.edu/ark:/67531/metadc102412/
Dress
Tunic-style evening dress of royal blue hammered silk. Full-length, narrowing to hem and with a slit up the side. Dress has a round neckline with hook-and-eye closure at back and has wide, straight, bracelet-length sleeves. Hand-written notation on the designer label: "8634 #2" digital.library.unt.edu/ark:/67531/metadc30337/
Dress
No Description digital.library.unt.edu/ark:/67531/metadc30332/
Dress
Dress of black silk taffeta and black and white cotton; strapless; full-length; bodice of black silk taffeta has uneven horizontal tucks creating a ruching effect across the ribs; bow at CF neckline; full white cotton lawn skirt gathers into waistline; black cotton lawn floral applique covers skirt; CB zipper; 6" wide crinoline around inside of hem; first layer under skirt is sheer white nylon with 6" wide crinoline around inside of hem; bottom layer of skirt is heavy white silk with 6" wide crinoline encased around hem. Designer's label: Oscar de la Renta Size: "8" Origin: "Made / in USA" digital.library.unt.edu/ark:/67531/metadc115026/
Dress
Dress of black lace and black silk chiffon laser cut floral fringe. Ankle length; bodice of black lace; round neck; sleeveless. Skirt of black lace with twelve tiers of laser cut floral fringe. Center back zipper and 6 hook and eye closures. Sixteen decorative lace covered button down back. Skirt lined in light brown; bodice partially lined in sheer black chiffon. With a sash of black satin. Designer's label at inside back zipper at top of brown lining: "Pierre Balmain" Style number tag on back of designer's label: "174 303" digital.library.unt.edu/ark:/67531/metadc87100/
Dress
Dress of dark red silk. Full length; empire waist; v-neck with detail stitching; darker red rough silk weave inserts at shoulders and extending from sides to back; sleeveless; low back has partially attached fabric drape; back has curved seams with triangular openings that reveal red iridescent silk taffeta lining; center back zipper. Designer's label inside: "Chado / Ralph Rucci" Content label inside: "100% / Silk" digital.library.unt.edu/ark:/67531/metadc87101/
Dress
Dress of black net with all over applique of strips of gold holographic foil and braided black netting. Calf length. Bodice top has a series of points. Three-quarter length sleeves of sheer black net. Skirt has five layers: appliqued over-skirt, three layers of black net and lining of light brown silk covered in black net. Center back zipper. Designer's label at side seam: "Pierre Balmain / Paris" Handwritten style number tag under designer's label: "172257" digital.library.unt.edu/ark:/67531/metadc283671/
Dress
Dress of green silk and hand beading. Bodice is green with netting ; V-neck; lace and beading detail on bodice. Strapless, with off-the-shoulder "cap sleeves" of black lace with green beaded floral motif; motif continues over full length skirt. Green sash attached to bodice. Side zipper closure. Designer's label: "Michael Faircloth" digital.library.unt.edu/ark:/67531/metadc286938/
Dress
Dress of violet paisley silk crepe with black, cream, and teal accents; crepe is gathered at neckline and attached to a brass metal neck adornment with open-front; V-neckline bodice wraps around at front into wide waistband; side-zip closure under left arm; large, loose bracelet-length sleeves are gathered at the wrists into a ½” cuff with a single button closure; knee-length skirt is heavily gathered into waistband and has an attached slip of red crepe. Designer's label: "Etro" digital.library.unt.edu/ark:/67531/metadc330511/
Dress
Tank dress of ecru silk organza and cotton with floral embellishment of self-fabric at center neckline; bodice is composed of vertical panels of mesh, stretch nylon, and cotton; skirt of paneled, crinkled cotton has ties that can be cinched up gathering the fabric; underskirt of silk organza with ties to raise skirt in sections; full-length; center-back zip closure. Label: Donna Karan/ (Duplicate/ Not For Sale/ Style # Z2043) digital.library.unt.edu/ark:/67531/metadc330460/
Dress
Dress of various color blocks of blues, browns, pinks, and yellow knit with 2 ¾” single shoulder strap and waistband of dark red knit; some of the geometrical blocks blocks are accented with gems, beads, and/or sequins; dress is full-length and slim fitting with 26” slit at center-back; left side-zip closure under left arm. Designer's label: "Missoni / Made in Italy" digital.library.unt.edu/ark:/67531/metadc330352/
Ensemble - Dress and Coat
Ensemble consisting of two pieces: A) Dress of gray striped cashmere with scoop neckline and long sleeves with rolled hem and edges; wide, horizontal stripes of alternating gray and light gray; tunic-length. B) Coat of discs of laminated news clippings sewn on white jersey knit with wide silver fox trim at neckline, opening, and cuffs; lined in champagne satin; mid-length. digital.library.unt.edu/ark:/67531/metadc330379/
Ensemble - Dress and Coat
Ensemble consisting of two pieces: A) Trench coat; little black slip dress laminated within clear plastic trench coat; slip dress has spaghetti straps, and lace trim at upper bodice and hem; trench coat has double breasted front opening; notched collar; buckles at wrists; slanted pocket lapels at hips with no pockets. Designer's label molded into plastic: "Gaultier / Pairs" B) Dress of pale pink chiffon with shadowing, and sequin and bead embellishments which create a realistic “nude woman" figure; sleeveless; full-length. No label in dress. digital.library.unt.edu/ark:/67531/metadc330478/
Ensemble - Dress and Sandals
Ensemble: A) Dress of blues and black metallic knit, and ivory open-woven wool/ cashmere knit with long sleeves with deep armhole; scoop neckline; lined in off-white, fine wool jersey; knee-length. No label in dress. B,C) Sandals of royal blue satin accented with striped bands of black satin; open-toe; 4 ½” spike heel and ankle straps with blue ribbon bow at back; size 38. Designer's label: "Nina Ricci / Made in Italy" digital.library.unt.edu/ark:/67531/metadc330403/
Ensemble - Dress, Belt, and Shoes
Ensemble: A) Dress of wax coated metallic Bordeaux. Strapless, the heavy-weight fabric is stiffened and crinkled with fold accents; top spreads outward along neckline; dress has fitted under-structure with boning; mid-length; fully lined in maroon silk satin; side zip-closures. Designer's label: "Dolce & Gabbana / Made in Italy" Handwritten label: "POR F6A83T/R0226" B,C) 2 corset belts of silver metal with black lace-up closure at back and 2 locks with keys each at front; flat head screw accents. Each lock engraved with designer's label: "Dolce & Gabbana" D,E) Pumps of silver patent leather with pointed toe. Around lower section of toe box and heel are a line of simulated flat head screw accents. High spike heel. Size 39. Designer's label inside: "Dolce & Gabbana / Made in Italy" Stamped on sole: "Vero Cuoio / Made in Italy" "DG" "39" digital.library.unt.edu/ark:/67531/metadc330510/
Evelina Children's Hospital
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The ceiling supports and construction components are visible outside and above the patients' rooms. digital.library.unt.edu/ark:/67531/metadc31217/
Evelina Children's Hospital
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A portion of the facade and main entrance are visible from Lambeth Palace Road. digital.library.unt.edu/ark:/67531/metadc31210/
Evelina Children's Hospital
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The interior of the children's hospital includes a vaulted glass ceiling and a bright red elevator from the lobby to the fourth floor. A cafeteria is on the ground, so-called beach level, floor. digital.library.unt.edu/ark:/67531/metadc31215/
Evelina Children's Hospital
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The rear elevation detail and a view upward of the Conservatory is visible. digital.library.unt.edu/ark:/67531/metadc31212/
Evelina Children's Hospital
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The interior includes tubular steel and glass shaft for the elevator. digital.library.unt.edu/ark:/67531/metadc31214/
Evelina Children's Hospital
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The view straight up into the ceiling reveals the pattern of arch supports. digital.library.unt.edu/ark:/67531/metadc31216/
Evelina Children's Hospital
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An interior view that shows a children's slide and an activities zone. Starslide, a fiberglass slide, seventeen feet high, created by Lilliane Lijn, is part of the activities area. digital.library.unt.edu/ark:/67531/metadc31213/
Evelina Children's Hospital
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Four levels of vaulted glass, steel and brick are juxtaposed. digital.library.unt.edu/ark:/67531/metadc31211/
Evelina Children's Hospital
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The interior view upwards shows the end of the conservatory wall and ceiling. digital.library.unt.edu/ark:/67531/metadc31218/
Evening Dress
Evening dress of ivory silk crepe with over-layer of ivory organza; layered, tiered rectangles of ivory organza down front; strapless bodice silhouette with attached fine cord straps at top of a rectangle of light brown tulle with layered ivory organza rectangles over it; rectangle goes above the bodice top at the center-front; side-zip closure; full-length. Designer's label: "Akris" digital.library.unt.edu/ark:/67531/metadc330355/
Evening Gown
Evening gown of heavy-weight bronze silk with metallic gold, red, green and brown silk embroidery. Strapless sheath silhouette trimmed with brown velvet above bust, and embellished with heavy beading at the bodice. Train cascades from inside back of bodice; multiple hook and eye closures with zipper; lined with orange acetate. Designer's label: "Marta de Diego" digital.library.unt.edu/ark:/67531/metadc87102/
Evening Gown
Ballgown of olive/brown iridescent silk taffeta with all over Lesage embroidery of metallic thread, beads, small sequins, and green chenille yarn. Full length; round neck; long sleeves; center back zipper. Lined in copper colored organza. Designer's label: "Pierre Balmain / Paris" Style label under designer's label: "173666" Accompanying gown, but not shown: Stole of olive green silk; fringed ends. Petticoat for dress. Under layers of very stiff olive netting. Inner support bodice of copper brown silk; extends below waist to knee to form underskirt. Back zipper. digital.library.unt.edu/ark:/67531/metadc286947/
Evening Gown
Gown of black jersey crepe with halter top embellished with gems, pearls, and patent leather pin wheels; halter top is trimmed in silver flat chain; jersey is gathered at center-front neckline and center-back; full-length with hip-length, center-front slit; center-back zip closure. Designer's label: "Carolina Herrera / New York" digital.library.unt.edu/ark:/67531/metadc330336/
Evening Gown
Evening gown of champagne chiffon with swirl gold details of metallic thread and sequins; metallic trim at strapless neckline and a silk ribbon bow center-front at empire waistline; bust is heavily embellished with gold beads and sequins; bust has boning and is lined in silk; skirt has attached slip of silk crepe; full-length; side-zip closure. Designer's label: "Oscar de la Renta" digital.library.unt.edu/ark:/67531/metadc330408/
Faux Blue and Pink Diamond Squares Speed West Eastward
The horizontal painting is divided into several divisions. Grid patterns in various incarnations cover the surface and foiling this are two horizontal dark drips of thick paint. digital.library.unt.edu/ark:/67531/metadc102413/
Five Orange Strokes Two Down with Eggs and Grid
The square painting consists of a blue background upon which the scratched grid reveals an underlying pattern of egg shapes. Across the center of the painting are four bright orange streaks, horizontal and vertical. digital.library.unt.edu/ark:/67531/metadc102414/
Five Purples Running to the West
The horizontal painting is divided vertically into two sections across which run horizontally running amounts of thick paint. Drawn onto the surface of the canvas is a grid. digital.library.unt.edu/ark:/67531/metadc102415/
Flock
The orange platter contains a yellow face in low relief in the center and surrounding the face are highly textured blue bird silhouettes. digital.library.unt.edu/ark:/67531/metadc102331/
Forum Building and Plaza
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The view upward shows the mirror clad skylight. digital.library.unt.edu/ark:/67531/metadc41436/
Forum Building and Plaza
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The view is of the stairs leading down to the auditorium. The upper level which consists of the exhibition hall is supported by the pillars. digital.library.unt.edu/ark:/67531/metadc41433/
Forum Building and Plaza
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The view is of an apex of the triangular shaped building. Pillars underneath creating an open public space are also visible. digital.library.unt.edu/ark:/67531/metadc41428/
Forum Building and Plaza
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The interior of the exhibition hall is shown in this view which includes one of the main support pillars. The decorative metal texture of the pillar is shown in this view as well. digital.library.unt.edu/ark:/67531/metadc41434/
Forum Building and Plaza
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The view is of one side of the triangular shaped and elevated building. The sliver shapes are windows. The pillars underneath and some space is also visible. digital.library.unt.edu/ark:/67531/metadc41429/
Forum Building and Plaza
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A close view of the decorative metal cladding of one of the pillars is shown in this view. The texture consists of shiny area punctuated with pierced areas. digital.library.unt.edu/ark:/67531/metadc41435/
Forum Building and Plaza
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A very close detail of the exterior of the building shows the textured blue concrete and a large vertical angular break in the surface of the facade shows a window inserted in the fissure. digital.library.unt.edu/ark:/67531/metadc41431/
Forum Building and Plaza
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The close detail view shows the decorative textures of the panels comprising the skylight walls. digital.library.unt.edu/ark:/67531/metadc41437/