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  Partner: UNT College of Visual Arts + Design
Large Vase with Notables in a Landscape
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Polychrome vase with depictions of notable people in landscape. digital.library.unt.edu/ark:/67531/metadc7899/
[Large Vessel]
Photograph a pottery workshop in Shigaraki, Japan. In the foreground, a craftsman stands over a large clay vessel he is working on. Two other men are visible next to the vessel. Rows of shelves are visible in the background. digital.library.unt.edu/ark:/67531/metadc10671/
The Last Automat I
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The spout of a coffee or tea vending machine is depicted along with some cups along the right hand side of the painting. digital.library.unt.edu/ark:/67531/metadc31245/
The Last Automat II
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A coffee vending machine is depicted along with many cups. digital.library.unt.edu/ark:/67531/metadc31243/
The Last Automat III
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The painting depicts an Automat food dispenser with two pieces of what looks like lemon merigue pie inside. digital.library.unt.edu/ark:/67531/metadc31238/
The Last Supper
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The painting depicts the Last Supper with yellow streaks of light emanating from Christ's head. The background is dark and the composition mostly yellows and blues. digital.library.unt.edu/ark:/67531/metadc8183/
The Last Valley -- Paradise Rocks
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No Description digital.library.unt.edu/ark:/67531/metadc8111/
Lato 1953, obóz Berlin; Jesien 1956, obóz Budapest; Wiosna 1968, obóz Praga; Zima 1979, obóz Kabul; Poczta Podziemna 50 złoty
Postage stamps used in the Polish Solidarity movement during the 1980s depicting uprisings and invasions leading up to the 1980s Polish Solidarity movement. digital.library.unt.edu/ark:/67531/metadc130093/
[Latticework]
Photograph of a building in the Yu Garden of Shanghai, China. The open passageway of a building is visible in the foreground. Two wooden latticework windows are visible on the back wall. A tree is growing out of the roofline in the top of the frame. digital.library.unt.edu/ark:/67531/metadc10021/
[layered silk and organza, bird, wave, and moon shapes]
Layer of organza over silk with depictions of birds in flight and wave shapes create depth in this hanging artwork. digital.library.unt.edu/ark:/67531/metadc27030/
LBJ
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No Description digital.library.unt.edu/ark:/67531/metadc8760/
leaf from a manuscript of the Shahnama (Book of Kings) written by Abu'l-Qasim Manur Firdawsi
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The leaf has a wide, patterned border on three sides. A large crowd of people are illustrated, some on horseback, some with weapons. The colors blue, red, and white are predominant. digital.library.unt.edu/ark:/67531/metadc41364/
leaf from a manuscript of the Shahnama (Book of Kings) written by Abu'l-Qasim Manur Firdawsi
Access: Use of this item is restricted to the UNT Community.
A wide patterned border around three sides encloses a scene of busy human activity as well as several small scenes. Red, blue, and white are the predominate colors. digital.library.unt.edu/ark:/67531/metadc41366/
The Leaf of the Artichoke is an Owl
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No Description digital.library.unt.edu/ark:/67531/metadc8580/
The Learned, Court of the Fiestas, Corrido of the Agrarian Revolution
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A close view of one of the women is shown in this mural detail. digital.library.unt.edu/ark:/67531/metadc40932/
The Learned, Court of the Fiestas, Corrido of the Agrarian Revolution
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The detail of the mural shows the elderly man with the long white beard and the people nearest him. digital.library.unt.edu/ark:/67531/metadc40931/
The Learned, Court of the Fiestas, Corrido of the Agrarian Revolution
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A group of people surround an elderly man with a long white beard and wearing a funnel on his head. In the background are men wearing straps of ammunition. One man in the foreground sits on a stack of books and another man in the foreground holds a feather quill pen and sits on an elephant sculpture. Some text in Spanish drapes across the top of the mural panel. digital.library.unt.edu/ark:/67531/metadc40930/
[Leaves]
Photograph of large green leaves in Mexico. The leaves and stems are visible in the foreground with a gray background. digital.library.unt.edu/ark:/67531/metadc10911/
Leaves and Navels
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No Description digital.library.unt.edu/ark:/67531/metadc8200/
Leopard Devouring a Crocodile
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Bronze sculpture of a leopard devouring a crocodile. digital.library.unt.edu/ark:/67531/metadc7858/
Léopold Zborowski
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No Description digital.library.unt.edu/ark:/67531/metadc8103/
Let's Spend Some Time Together, Number 2
This collage features extreme perspective with the piers in yellow and orange moving from the center foreground straight to the horizon line depicted by the blue background meeting the black sky. In the left background area are several green geometric shapes that resemble buildings. A pink orb with a hole in the center floats in the left sky area while a purple one floats in the right hand portion of the sky area. Piercing each of these is a long hollow spear that spills tiny black, blue, white, gray and green circles into the foreground. digital.library.unt.edu/ark:/67531/metadc102399/
Letter from Charles Baudelaire to Richard Wagner
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The fourth and final page of the letter is written in pen and ink in French. Baudelaire's signature is included at the end of the page. digital.library.unt.edu/ark:/67531/metadc52085/
Letter from Charles Baudelaire to Richard Wagner
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The first page of the letter is written in pen and ink on paper in French. The date is at the top of the page and Baudelaire addresses Wagner as monsieur. digital.library.unt.edu/ark:/67531/metadc52082/
Letter from Charles Baudelaire to Richard Wagner
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The third page of the letter is written in pen and ink in French. digital.library.unt.edu/ark:/67531/metadc52084/
Letter from Charles Baudelaire to Richard Wagner
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The second page of the letter is written in pen and ink in French. digital.library.unt.edu/ark:/67531/metadc52083/
Lever No. 3
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Sculptural of a large dark brown organic shape with a long curved piece attached. digital.library.unt.edu/ark:/67531/metadc8493/
[Li River]
Photograph of the Li River in Guilin, China. The river crosses the foreground. The river bank is visible in the middle ground. A mountain range rises behind the river bank. digital.library.unt.edu/ark:/67531/metadc10065/
[Li River]
Photograph of the Li River in Guilin, China. The riverbank is visible in the foreground. A few small boats line the shore. Trees line the bluff with tall hills visible in the background. digital.library.unt.edu/ark:/67531/metadc10075/
[Li River]
Photograph of the Li River in Guilin, China. A red bottomed boat is visible in the water in the right foreground. Trees and hills line the shoreline. digital.library.unt.edu/ark:/67531/metadc10068/
[Liberty Store]
Photograph of the Liberty store in London, England. The store is visible in the left foreground surrounded by a busy street. The street curves into the background. digital.library.unt.edu/ark:/67531/metadc10227/
The Library in Venice
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No Description digital.library.unt.edu/ark:/67531/metadc8079/
Library of Alexandria Complex, Conference Center
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The view is of the northwest facade with attached pyramidal structures. digital.library.unt.edu/ark:/67531/metadc51823/
Library of Alexandria Complex Plaza
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The view of the southwest glassed side shows the cafeteria wing that is pierced by a pedestrian walkway and supported by massive pillars. digital.library.unt.edu/ark:/67531/metadc51815/
Library of Alexandria Complex Plaza
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The view is extremely close showing the detail texture on the encircling wall. digital.library.unt.edu/ark:/67531/metadc51812/
Library of Alexandria Complex Plaza
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The view is towards the east and shows a close detail of the texture of the encircling wall next to the moat-like pool. digital.library.unt.edu/ark:/67531/metadc51811/
Library of Alexandria Complex Plaza
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The view shows an interior display area inside the library. digital.library.unt.edu/ark:/67531/metadc51817/
Library of Alexandria Complex Plaza
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The view show the encircling architecture which links the base to the roof. The view is from the south. The surface of the wall is etched with text in various languages and hieroglyphics. digital.library.unt.edu/ark:/67531/metadc51810/
Library of Alexandria Complex Plaza
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A close interior view reveals the cylindrical concrete columns with metal bands, lighting and patterned square wall details. digital.library.unt.edu/ark:/67531/metadc51818/
Library of Alexandria Complex Plaza
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The raking view skyward shows the various alphabets and symbols incised into the granite encircling wall. digital.library.unt.edu/ark:/67531/metadc51814/
Library of Alexandria Complex Plaza
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The view down from above shows many desks on the lower level and lighted shelving. digital.library.unt.edu/ark:/67531/metadc51819/
Library of Alexandria Complex Plaza
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The interior view shows an artwork in one of the display areas and windows above. digital.library.unt.edu/ark:/67531/metadc51816/
Library of Alexandria Complex Plaza
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A close detail shows the various texts, alphabets and symbols incised into the granite encircling wall. digital.library.unt.edu/ark:/67531/metadc51813/
Library of Alexandria Complex Plaza
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The interior view shows a curving wall with square cut-out texture, upper levels and work stations. digital.library.unt.edu/ark:/67531/metadc51820/
Library of Alexandria Complex Plaza
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The view is of the plaza area on the northwest side, adjacent and open to the corniche. digital.library.unt.edu/ark:/67531/metadc51824/
Library of Alexandria Complex Plaza
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The close detail shows the ceiling construction and the various elements and the ways in which they meet. digital.library.unt.edu/ark:/67531/metadc51822/
Library of Alexandria Complex Plaza
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The interior view shows an upper overlook level, pillars and blue and green lighting decoration on the ceiling. digital.library.unt.edu/ark:/67531/metadc51821/
Library of Celsus
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No Description digital.library.unt.edu/ark:/67531/metadc43604/
[Lichères Church]
Photograph of a church in Lichères, France. The church is visible in the foreground in a field. the field is surrounded by trees. A man is visible in the far right foreground. digital.library.unt.edu/ark:/67531/metadc10394/
Lidded Vase
Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas. digital.library.unt.edu/ark:/67531/metadc129745/