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  Partner: UNT College of Visual Arts + Design
Ajanta Cave 2
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This view shows the carved figurative decoration on the lintel frieze of figures both seated and standing. digital.library.unt.edu/ark:/67531/metadc44395/
Ajanta Cave 2
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The sculptural relief consists of lotus medallion in a mandala pattern. Two figures flank the sides of the relief. digital.library.unt.edu/ark:/67531/metadc44397/
Ajanta Cave 2
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The painting on the cave wall depicts several seated half-clothed figures inside an architectural setting. In the lower right corner is another couple can be seen through a gold embellished window. In the upper right corner are more people. On the left side is an animal that resembles a horse or dog. There are many missing chips. Vidhurapandita teaches the sacred doctrine to the Naga King Varuna on the left and Queen Vimala is on the balcony discussing her marriage. Vidhurapandita and the court lady are below the balcony. digital.library.unt.edu/ark:/67531/metadc44396/
Ajanta Cave 10, Votive Stupa in Chaitya Hall
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The stupa inside the cave is shown in this view. The stupa is a large religious structure housed under the domed interior of the prayer hall. digital.library.unt.edu/ark:/67531/metadc43518/
Ajanta, Cave 17 Painted Wall
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The scene painted on the wall of the cave consists of many male and female figures. In the foreground, a couple are engaged in an enclosed shrine. digital.library.unt.edu/ark:/67531/metadc44400/
Ajanta, Cave 17 Painted Wall
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An elephant charges then kneels at feet of a Buddha figure as people watch. digital.library.unt.edu/ark:/67531/metadc44398/
Ajanta, Cave 17 Painted Wall
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An elephant dominates the scene with some figures in the foreground and background. Some foliage and rocky formations are also part of this painted imagery on the wall of the cave. digital.library.unt.edu/ark:/67531/metadc44399/
Alameda Bridge
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The view is from underneath the bridge and looks eastward. digital.library.unt.edu/ark:/67531/metadc41001/
Alameda Bridge
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The view shows both the automobile and the pedestrian paths. The view is looking south. digital.library.unt.edu/ark:/67531/metadc41000/
Alameda Bridge
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The view shows the pedestrian and automobile bridge at a raking angle with a person emerging from the metro station included in the architect's design. digital.library.unt.edu/ark:/67531/metadc40997/
Alameda Bridge
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The view is of the underneath side of the bridge and shows the Turia riverbed. digital.library.unt.edu/ark:/67531/metadc40998/
Alameda Bridge
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The view is of the bridge looking east across the old riverbed of the Turia river. digital.library.unt.edu/ark:/67531/metadc40999/
[Albi]
Photograph of Albi, France. A stone building is visible in the foreground surrounded by red brick walls. digital.library.unt.edu/ark:/67531/metadc10410/
Alcatraz Island
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This is a detail view that shows a great amount of distance, the Golden Gate bridge, the lighthouse and some contemporary visitors. digital.library.unt.edu/ark:/67531/metadc40760/
Alcatraz Island
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This view is of several cells inside the prison. digital.library.unt.edu/ark:/67531/metadc40764/
Alcatraz Island
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This view shows a corridor of cells. Two tourists are also in the view. digital.library.unt.edu/ark:/67531/metadc40763/
Alcatraz Island
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This view is of a sign indicating Alcatraz Island. digital.library.unt.edu/ark:/67531/metadc40765/
Alcatraz Island
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The administration building's crest is shown in this close detail. digital.library.unt.edu/ark:/67531/metadc40762/
Alcatraz Island: Topographical View
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This view depicts a detail of the building on the island. Several tourists are also visible. digital.library.unt.edu/ark:/67531/metadc40761/
Alcatraz Island: Topographical View
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The view shows the main building on the island and the surroundings with the mountainous landscape in the background. digital.library.unt.edu/ark:/67531/metadc40757/
Alcatraz Island: Topographical View
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The view includes the island in its entirety and its immediate surroundings and landscape in the background. digital.library.unt.edu/ark:/67531/metadc40758/
Alcatraz Island: Topographical View
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This view of Alcatraz Island includes the facade of the prison and the surrounding waters. digital.library.unt.edu/ark:/67531/metadc40759/
The Alchemist's Wedding Band
The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead. digital.library.unt.edu/ark:/67531/metadc129771/
Alfred, Lord Tennyson
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An early photographic print of a man. digital.library.unt.edu/ark:/67531/metadc8345/
The Alhambra and Court of Lions
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Architecture digital.library.unt.edu/ark:/67531/metadc44545/
Alice Antoinette de la Mar
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A young girl wearing a pink dress with pink stockings and a large white feather hat is flanked by two large white and tan dogs. digital.library.unt.edu/ark:/67531/metadc41267/
All Human Forms (The End of the Song of Jerusalem)
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A man with a halo emanating from his head and a woman embrace in the center of this composition with the text above. digital.library.unt.edu/ark:/67531/metadc41271/
Allegories of Good and Bad Government and the effects of good and bad government
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Frescoes digital.library.unt.edu/ark:/67531/metadc44519/
Allegories of Good and Bad Government and the effects of good and bad government
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Frescoes digital.library.unt.edu/ark:/67531/metadc44516/
Allegories of Good and Bad Government and the effects of good and bad government
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Frescoes digital.library.unt.edu/ark:/67531/metadc44509/
Allegory of Alfonso d'Avalos
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Painting depicting Allegory of Alfonso d'Avalos digital.library.unt.edu/ark:/67531/metadc46135/
Allegory of Alfonso d'Avalos
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Detail at right side of painting depicting Allegory of Alfonso d'Avalos. digital.library.unt.edu/ark:/67531/metadc46137/
Allegory of Alfonso d'Avalos
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Detail at left side of painting depicting Allegory of Alfonso d'Avalos. digital.library.unt.edu/ark:/67531/metadc46136/
Allegory of Geometry
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A heavily robed female figure holds for display a sheet of paper upon which are geometric drawings. In the figure's left hand are a right angle and a compass. A globe, a serpent, an obilisk, a carved sarcophagus, and a sphinx round out the composition. digital.library.unt.edu/ark:/67531/metadc31262/
Allegory of Winter or of Love (Man Blowing on Glowing Coals)
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No Description digital.library.unt.edu/ark:/67531/metadc7869/
Alleyway in Historic Bastakiya Neighborhood
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The view is of the facades next to an alleyway and shows the maintenance scaffolding and pipes projecting from the walls. A wind tower is also shown. digital.library.unt.edu/ark:/67531/metadc51922/
Allies Day, May 1917
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No Description digital.library.unt.edu/ark:/67531/metadc8938/
Almshouse Man in a Top Hat
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This graphite drawing depicts the profile of a man wearing a hat and coat. digital.library.unt.edu/ark:/67531/metadc8059/
Alphonsine Fournaise
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Painting depicting Alphonsine Fournaise. digital.library.unt.edu/ark:/67531/metadc50832/
Alpine Hat
Alpine hat of dark green felt hat. Brim slightly turned up. Hatband of lighter green yarn with feather brush on one side with metal bird on handle. One metal hat pin with a stag and doe and a black and red emblem in top right corner. Unlined with leather inner headband. Labels inside crown: "Ludwig Zapf hutmacher Werfen" and "Lanz Salzburg". digital.library.unt.edu/ark:/67531/metadc39092/
Altar of Saint Denis
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No Description digital.library.unt.edu/ark:/67531/metadc45082/
I am an American? Uneasy Dream
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Painting of white, black, red, orange and blue abstract circular and triangular radiating shapes. digital.library.unt.edu/ark:/67531/metadc8718/
[Amenhotep's Colonnade]
Photograph of Amenhotep's colonnade in the temple complex of Luxor, Egypt. A row of columns from Amenhotep's peristyle is visible in the right foreground next to a patch of grass. The colonnade leads into the background on the left side of the frame. More ruins are visible in the background. digital.library.unt.edu/ark:/67531/metadc10128/
American Flag Shoes
"American Flag Shoes". The pair of shoes is of white leather and red and blue suede. Styled in a way reminiscent of bowling shoes, the white leather shoes have rounded toes, and red suede overlays at toe box, upwards in a strip from toebox to vamp, and around lower part of heel. Blue suede overlay stripes at side have star-shaped cut-outs to allow white leather to show through. Blue suede edging at top of upper and top of heel. Shoes lace-up at front, 5 holes per side. White shoe laces. Shoes are "flats", with 3/4" high heels. Brand stamped on inside: "Flings" Illegible stamp inside. digital.library.unt.edu/ark:/67531/metadc86959/
America's Cup Pavilion, Sails and Winds
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The view of the facade is from an angle and shows the lower level details and the cantilevering. digital.library.unt.edu/ark:/67531/metadc41985/
America's Cup Pavilion, Sails and Winds
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The view shows a stair ramp and the underneath side of a cantilevered level. digital.library.unt.edu/ark:/67531/metadc41987/
America's Cup Pavilion, Sails and Winds
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The view is of the symbol on a service cover promoting the 32nd America's Cup. digital.library.unt.edu/ark:/67531/metadc41988/
America's Cup Pavilion, Sails and Winds
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The view shows the dramatic facade. It appears to be stacked layers. digital.library.unt.edu/ark:/67531/metadc41984/
America's Cup Pavilion, Sails and Winds
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The view of the building along the water's front and promenade and cantilevered decks are shown in this view. digital.library.unt.edu/ark:/67531/metadc41989/
America's Cup Pavilion, Sails and Winds
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The view is of the cantilevered levels as seen from beneath and the glass first level. digital.library.unt.edu/ark:/67531/metadc41986/