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  Partner: UNT College of Visual Arts + Design
[Acropolis]
Photograph of the Arcopolis in Athens, Greece. Trees and shrubs fill the foreground leading up to a stone hill. Numerous columned structures are visible on the hillside. A hill is visible in the far right background. digital.library.unt.edu/ark:/67531/metadc10491/
Action Pattern, Number 2
The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface. digital.library.unt.edu/ark:/67531/metadc102405/
Activities A-G
The work consists of a series of six books. They were included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012. digital.library.unt.edu/ark:/67531/metadc102376/
Acute Calm Pink
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Painting entitled Acute Calm Pink. digital.library.unt.edu/ark:/67531/metadc51206/
Adam and Eve Eating the Forbidden Fruit and God Discovering Them, north doors trumeau relief, Orvieto Cathedral, Orvieto, Italy
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The relief decoration on the north doors of the Orvieto Cathedral show Adam and Eve eating the forbidden fruit and God discovering them. Large deeply-carved foliage runs across the top of the relief. digital.library.unt.edu/ark:/67531/metadc36457/
[Adjunct Temple]
Photograph of an adjunct temple in the Yakushiji Temple Complex of Nara, Japan. In the foreground, two stone lanterns (ishidoros) are visible. The temple is visible behind the lanterns. Trees are visible in the right background. digital.library.unt.edu/ark:/67531/metadc10695/
[Adjunct Temple]
Photograph of an adjunct temple in the Yakushiji Temple Complex of Nara, Japan. The side of the temple is visible in the foreground. A low stone wall and post are visible in front of the temple entrance. The temple has a thatched roof with tile edges. digital.library.unt.edu/ark:/67531/metadc10705/
The Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc8177/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7886/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7885/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7878/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7879/
The Adoration of the Shepherds
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No Description digital.library.unt.edu/ark:/67531/metadc8850/
Adrienne (Woman with Bangs)
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No Description digital.library.unt.edu/ark:/67531/metadc8102/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
[Aegina]
Photograph of the Temple of Aphaia on the greek island of Aegina. In the foreground, four stone columns are visible; trees and the sea are visible in the background. The temple was built in 490 BCE. digital.library.unt.edu/ark:/67531/metadc10518/
[Aerial View of Arundel]
Aerial Photograph of Arundel, England. The castle, town and Arn River are visible in the bottom half of the image. The surrounding countryside is visible in the rest of the frame. digital.library.unt.edu/ark:/67531/metadc10195/
[Aerial View of Arundel]
Aerial photograph of Arundel. The Arn River, Arundel Castle and city are visible. The surrounding countryside fills the rest of the frame. digital.library.unt.edu/ark:/67531/metadc10194/
[Aerial View of Shoreham]
Photograph of Shoreham, England as seen from a plane. The city is visible in the bottom half of the frame. The ocean is visible in the top. digital.library.unt.edu/ark:/67531/metadc10200/
[Aerial View of Sussex]
Aerial photograph of Sussex, England. Trees and fields are visible on the land below. digital.library.unt.edu/ark:/67531/metadc10196/
After the Bath
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A woman leaving her bath seen from behind is depicted in this pastel drawing. digital.library.unt.edu/ark:/67531/metadc7989/
After the Hunt
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A still life painting of hunting items and game animals. digital.library.unt.edu/ark:/67531/metadc8301/
Afternoon Dress
Afternoon dress of dark green silk satin, crepe and chiffon. The tunic-style dress of dark green silk satin is street-length, with a drop waist. It has a slight standing collar at back which extends out in front to become long ties with a backing of dark maroon. Below the bow formed by the ties is V-shaped neckline. The full-length sleeves are dark green silk satin from shoulders to elbows and are translucent green crepe from elbows to cuffs. The main part of the gauze sections are embroidered with floral motifs in red, pink, and green/gold. The sleeves have two snaps at each cuff, which are trimmed with bands of pink crepe, maroon crepe, and dark green satin. On the front of the skirt are three wide, slightly overlapping tiers of fabric, split at center front, which start below the hips and end slightly above the hem. The dress is unlined, and there are no tags or labels. digital.library.unt.edu/ark:/67531/metadc29995/
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas. digital.library.unt.edu/ark:/67531/metadc27151/
Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of Félix Fénéon in 1890
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Oil painting of Félix Fénéon, wearing a suit and holding a top hat and cane in his left hand and holding out a flower in his right. There are multicolored designs in the background. digital.library.unt.edu/ark:/67531/metadc8598/
Agam Fountain, Paris, France
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The water is visible from the ground level seating. digital.library.unt.edu/ark:/67531/metadc40947/
Agam Fountain, Paris, France
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An aerial view of the fountain shows its scale and colors. digital.library.unt.edu/ark:/67531/metadc40946/
The Age of Bronze
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A nude male statue. digital.library.unt.edu/ark:/67531/metadc8369/
Age of Rectangles
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No Description digital.library.unt.edu/ark:/67531/metadc8712/
Agostina
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No Description digital.library.unt.edu/ark:/67531/metadc8846/
The Agra Diamond
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1 gem : digital.library.unt.edu/ark:/67531/metadc36434/
AH 99-13
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes. digital.library.unt.edu/ark:/67531/metadc27152/
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27153/
Air
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No Description digital.library.unt.edu/ark:/67531/metadc40961/
Air
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This view from the top of the sculpture shows the face and the figure's left hand frontally and shows the figure in extreme perspective. digital.library.unt.edu/ark:/67531/metadc40962/
AJ 00-1
This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center. digital.library.unt.edu/ark:/67531/metadc27159/
Ajanta Cave 2
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This view shows the carved figurative decoration on the lintel frieze of figures both seated and standing. digital.library.unt.edu/ark:/67531/metadc44395/
Ajanta Cave 2
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The sculptural relief consists of lotus medallion in a mandala pattern. Two figures flank the sides of the relief. digital.library.unt.edu/ark:/67531/metadc44397/
Ajanta Cave 2
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The painting on the cave wall depicts several seated half-clothed figures inside an architectural setting. In the lower right corner is another couple can be seen through a gold embellished window. In the upper right corner are more people. On the left side is an animal that resembles a horse or dog. There are many missing chips. Vidhurapandita teaches the sacred doctrine to the Naga King Varuna on the left and Queen Vimala is on the balcony discussing her marriage. Vidhurapandita and the court lady are below the balcony. digital.library.unt.edu/ark:/67531/metadc44396/
Ajanta Cave 10, Votive Stupa in Chaitya Hall
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The stupa inside the cave is shown in this view. The stupa is a large religious structure housed under the domed interior of the prayer hall. digital.library.unt.edu/ark:/67531/metadc43518/
Ajanta, Cave 17 Painted Wall
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The scene painted on the wall of the cave consists of many male and female figures. In the foreground, a couple are engaged in an enclosed shrine. digital.library.unt.edu/ark:/67531/metadc44400/
Ajanta, Cave 17 Painted Wall
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An elephant charges then kneels at feet of a Buddha figure as people watch. digital.library.unt.edu/ark:/67531/metadc44398/
Ajanta, Cave 17 Painted Wall
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An elephant dominates the scene with some figures in the foreground and background. Some foliage and rocky formations are also part of this painted imagery on the wall of the cave. digital.library.unt.edu/ark:/67531/metadc44399/
Alameda Bridge
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The view is from underneath the bridge and looks eastward. digital.library.unt.edu/ark:/67531/metadc41001/
Alameda Bridge
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The view shows both the automobile and the pedestrian paths. The view is looking south. digital.library.unt.edu/ark:/67531/metadc41000/
Alameda Bridge
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The view shows the pedestrian and automobile bridge at a raking angle with a person emerging from the metro station included in the architect's design. digital.library.unt.edu/ark:/67531/metadc40997/
Alameda Bridge
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The view is of the underneath side of the bridge and shows the Turia riverbed. digital.library.unt.edu/ark:/67531/metadc40998/
Alameda Bridge
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The view is of the bridge looking east across the old riverbed of the Turia river. digital.library.unt.edu/ark:/67531/metadc40999/
[Albi]
Photograph of Albi, France. A stone building is visible in the foreground surrounded by red brick walls. digital.library.unt.edu/ark:/67531/metadc10410/
Alcatraz Island
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This is a detail view that shows a great amount of distance, the Golden Gate bridge, the lighthouse and some contemporary visitors. digital.library.unt.edu/ark:/67531/metadc40760/