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Abstraction
No Description Available.
Accumulation of Cans
Total view from front of accumulation of cans. From the Contemporary Period.
April
The concentric blues, green, and yellow are centered on the square canvas around a small white circle.
Archeological Find 3
No Description Available.
Balm
No Description Available.
Banner: Pistol
No Description Available.
Basket of Eggs
A wicker basket with a red ribbon tied to the handle holds three eggs and a small white feather nestled on top of a piece of white fabric. The basket rests on a brick surface.
Beta Kappa
No Description Available.
Beta Lambda
The abstract painting is composed of wavy, diagonal lines in hues of green, red, blue, yellow, orange, gold, black, brown and purple painted on canvas.
Blue Veil
No Description Available.
Booster
No Description Available.
Cage II,
No Description Available.
Christus
Mixed Media Painting of charcoal, watercolor, gouache, ink and oil slick on paper. Black erratic mark making throughout the plane.
Cobalt Night,
No Description Available.
Compact Object
No Description Available.
Construction in Space in the Third and Fourth Dimensions
The sculpture consists of abstract shapes, covered with converging lines, folding and flowing through space.
Construction in Space in the Third and Fourth Dimensions
The large outdoor sculpture consists of abstract shapes covered in converging lines.
The Couple
Painting entitled The Couple.
Crucifix
No Description Available.
Crying Girl
No Description Available.
Current
Painting of black and white contrasted lines that appear to vibrate and form three-dimensional depressions in a "S" shaped pattern. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast.
Daybreak -- A Time to Rest
No Description Available.
Dejeuner sur L'Herbe
Painting entitled Dejeuner sur L'Herbe.
Dejeuner sur L'Herbe
central detail
Delusions of Grandeur
The bronze sculpture depicts three sections of a human figure stacked upon each other and shrinking in relative scale.
Delusions of Grandeur
The side view of the triple segmented bronze sculpture is shown.
Denise
No Description Available.
Elegy to the Spanish Republic, 108
Painting of large black geometric shapes layered on top of brown and green background.
Empress of India
Painting of burgundy, burnt sienna and brown irregular joined triangle shapes with parallel white lines across.
Fission
Painting of black and white contrasted polka-dots that appear to vibrate and form three-dimensional depression at the center of the piece. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast.
Five Feet of Colorful Tools
No Description Available.
Flowers by the Sea
Painting of light and darker hues of green, blue and brown. Bouquet of assorted flowers in a clear glass vase on a table. Large window featuring greenery shrubs by the sea.
Flying Object (Rocket)
No Description Available.
Fragment from Homage to New York
No Description Available.
Free Ride
No Description Available.
Gaea
No Description Available.
Gandhi
No Description Available.
Generative Painting: Black, Red, Orange
The painting is a geometric abstraction composed of circular, symmetrical patterns in hues of orange, red, and black.
Grandes Carrières
This abstract painting is in hues of red, blue, green, brown and white.
Great American Nude Number 2
Painting of seated pink female nude with yellow hair. Floral collage on the left side of the composition and fruit collage of the right.
Green Leaves
No Description Available.
Le Gros
No Description Available.
Habitat '67
The raking view of a portion of the exterior facade is seen behind some landscaping and a water feature.
Habitat '67
The exterior view shows one section of the apartment complex.
Habitat '67
The close detail view is of the upper stories of the concrete units and shows their placements and juxtapositions.
Habitat '67
The very close detail view shows the underside of some units as well as how the street integrates with the building complex.
Habitat '67
The view is close showing at a raking angle some units and their undersides next to parking and a street.
Habitat '67
The raking view shows some undersides of units and the arrangement of some parking and some elevated walkways.
Habitat '67
The upward view shows the arrangement of some elevated walkways and juxtaposition of some concrete units.
Habitat '67
The view shows the entirety of the facade and the complex's orientation to the river.
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