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  Partner: UNT College of Visual Arts + Design
 Decade: 1970-1979
 Collection: Texas Fashion Collection
Belly Dancer's Costume - Banjara Peoples of India

Belly Dancer's Costume - Banjara Peoples of India

Date: [1975..2000]
Creator: unknown
Description: Belly Dancer's Costume - Banjara Peoples of India A) Choli (top) - Sleeved, backless top. Deep V-neckline. Short sleeves. Patchwork, using various types, colors, and patterns of fabric. Panels at sides, bottom, and upper breasts/lower front shoulders of rows of various sized mirrors framed in different color stitching. Ties in back. Lined in various fabrics. B) Ghaghra (skirt) - Ankle-length skirt made of horizontal bands of various fabrics. From top: Green waistband; Yellow band with red stitched "X" forms; Wide band of three rows of small circular mirrors framed in various colors of cloth, the bands divided by a blue and an orange stripe of cloth with stitched "X" forms; Thin green band with red stitches; Very thin white strip; Pink stripe with center band of yellow/green running across it; Narrow band of various-colored fabric in slightly wavy profile; Black band with center band of various color stitching; White crenelated band; purple band; Wide green section with center wide red stripe with yellow borders; Wide hem with various embroidered bands and stitching. Lined in red fabric with light yellow printed paisley design. Slit at side, tie at waistband. C) Necklace. Yarn/cord necklace. Ball/loop closure at back. Back part of necklace ...
Contributing Partner: UNT College of Visual Arts + Design
Belly Dancer's Costume - Banjara Peoples of India

Belly Dancer's Costume - Banjara Peoples of India

Date: [1970..2000]
Creator: unknown
Description: Bustier of a belly dancer's costume from the Banjara peoples of India. The bra-top of black cotton is embellished at front with silver coins and trimmed in multicolored cross stitch embroidery, mirror work, and Kangura patchwork appliqué. Plain black straps extend over shoulders and around back to tie.
Contributing Partner: UNT College of Visual Arts + Design
Breton Hat

Breton Hat

Date: 1970
Creator: Dajon
Description: Hat in breton style of burnt ochre straw with burnt ochre grosgrain ribbon bow at back on brim. Style can also be referred to as pamela, halo or madeline. Wide upward brim with alternating narrow bands of flat straw. Unlined with ochre grosgrain headband. Designer's label on inside headband: " An Original / by Dajon / New York" Size tag to left of designer's label: "22 1/2" Union label: "565660"
Contributing Partner: UNT College of Visual Arts + Design
Breton Hat

Breton Hat

Date: 1970
Creator: Valerie Modes
Description: Hat in breton style of gray straw with gray grosgrain ribbon bow edged with gray straw at back of high, upturned brim. Style can also be referred to as pamela, halo or madeline. Unlined with gray grosgrain headband. Designer's label on inside hatband: "Valerie / Modes"
Contributing Partner: UNT College of Visual Arts + Design
Coat

Coat

Date: 1970/1978
Creator: Givenchy, Hubert de, 1927-
Description: Sleeveless coat of navy on white zebra printed wool. The street-length coat is of slight A-line, widening to hem. It has wide straps, no collar, and center front opening with 5 circular dark blue plastic buttons. At each hip is a patch pocket with simulated flap, the fabric of the pockets chosen to match the placement on the print. The coat is fully lined in navy fabric. Inside neckline at back is designer's label "Givenchy", folded so that "Made In / France" is not visible. This coat is part of an ensemble that includes a blue wool jersey knit top and slacks. Donor noted that it was "Made for Monte Carlo for day wear". There is also a hat that was worn with the ensemble (1978.013.062)
Contributing Partner: UNT College of Visual Arts + Design
Coat

Coat

Date: 1973
Creator: Norell, Norman
Description: Coat of brown and white felted wool. The garment is knee-length or longer, with long sleeves and a center front opening with 5 large circular plastic buttons. The main body of the coat is of pale brown and white check design, with cuffs, collar, and lower band of coat (about hips to hem) of solid light brown. The coat is lined in pale brown fabric, and has an accompanying light brown and white check belt. Designer's label at inside at center back of neckline: "Norell". A second sew-in handwritten label just above reads "Deborah 929" A hand-written note with the garment states that it is from "the last collection" The coat is part of an ensemble which includes an off-white wool jersey blouse, a brown wool skirt, and a brown leather belt.
Contributing Partner: UNT College of Visual Arts + Design
Coat

Coat

Date: 1973
Creator: Givenchy, Hubert de, 1927-
Description: Coat of silk gazar with a printed pattern of red and white polka dots on a black background. The mid-length to below-knee length coat has a rolled collar and short sleeves with princess seaming. There is a center-front opening with 5 circular buttons covered with black gazar, and with piped buttonholes. At some seams are applied whole red or white polka dots where the seams had "cut" printed polka dots. Coat has designer's label at inside back, below collar: "Givenchy", folded over and sewn in a way that obscures the rest of the label: "Made In / France". This coat is part of an ensemble that includes a dress of black gazar, and has matching shoes of same fabric made by Roger Vivier of Paris (1979.011.076) Donor notes: "This is the fabric that was invented for Balenciaga and now only Givenchy can have it .... [the coat] is made so that if a dot had to be cut in half at a noticeable place, Givenchy had a whole dot appliqued over it. Monsieur Givenchy does not do this tedious handwork for all clients."
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1975?
Creator: Victoria Royal Ltd.
Description: Evening dress of pale yellow silk chiffon with bead detailing. V-neckline in front creating the halter, with pieces draped from halter down and out to sides. The entire bodice is finely pleated and gathered, and has beaded panels which creates an empire waist. The beaded panels vary from narrow at center front to wide at sides, and meet at center back. The beading is white and silver beaded horizontal stripes on a mauve background. The skirt is formed by the chiffon being gathered into the beaded panels in many layers and falling to the floor. Dress has a matching lining and has a zipper down center back with hook-and-eye closures at top of zipper and at halter. Label in gown: "Victoria Royal Ltd. / Made In / British Crown Colony / of / Hong Kong".
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1973
Creator: Mori, Hanae
Description: Dress of bright green chiffon printed with multi-color shapes and with all-over scattered sequins and beading. The full-length A-line sheath has a round neckline with beaded band trim at neckline. The long sleeves have five non-functioning beaded buttons at wrist, and five hidden snap closures from wrist. The dress has an attached underdress of matte silk printed with same design as the overdress. The garment is fully lined with cream silk which has woven into it a repeated pattern of Hanae Mori's name. The underdress has a zipper closure at center back from neckline to above waist. The overdress has a series of hidden snaps to conceal the zipper, and a line of eight beaded buttons matching those on the sleeves, also non-functional. A single hook-and-loop closure at neck secures the top of the garment. The printed design includes circles, flowers, and fluid lines and triangles in shades of pink, yellow, blue, orange, and violet. The sequins are clear, and are secured with tiny colored beads, the colors of which match the color of the dress they are sewn over. Sewn inside dress at back at left of zipper is designer label: "[Japanese characters] / Hanae Mori"
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1970
Creator: Cardin, Pierre, 1922-
Description: Dinner dress of printed silk organza. The dress is composed of two parts. The caftan-like outer layer of the dress consists of a square silk organza cocoon printed in psychedelic motifs in purples, blues, pinks and chartreuse. It has a high rounded neckline with center back opening secured with six loops and covered buttons. There are applied flat cuffs at the wrist openings and waist-level slits at center front to accommodate the sash. There is a center front slit from hem to knee-level. The inner dress is a matching, full-length, sleeveless sheath in printed silk of the same design. It has a high rounded neckline with center back zipper closure from neck to hip with a single hook-and-eye closure at the neckline. The outer caftan and inner sheath are joined at the neckline. There is a printed silk organza sash of the same fabric that meets at center front and secures with two hook-and-eye closures and has self ties to disguise closure. The sash is swing tacked at the back. There is a center front slit from the hem to knee-level. Lime green silk panels are inset at sideseams, running from the underarm to the hem, and may be later ...
Contributing Partner: UNT College of Visual Arts + Design
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