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  Partner: UNT College of Visual Arts + Design
The Conquest of the Air
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No Description digital.library.unt.edu/ark:/67531/metadc8660/
Cadeau (Gift)
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No Description digital.library.unt.edu/ark:/67531/metadc8675/
The Back IV
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No Description digital.library.unt.edu/ark:/67531/metadc8669/
Jeanette V
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No Description digital.library.unt.edu/ark:/67531/metadc8667/
Number 24: Child labor and a lack of education was one of the other reasons for people wishing to leave their homes.
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No Description digital.library.unt.edu/ark:/67531/metadc8365/
Number 40: The migrants arrived in great numbers.
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No Description digital.library.unt.edu/ark:/67531/metadc8364/
Blues
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No Description digital.library.unt.edu/ark:/67531/metadc8368/
Booster
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No Description digital.library.unt.edu/ark:/67531/metadc8372/
Banana Flower
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Grey scale study of a banana flower. digital.library.unt.edu/ark:/67531/metadc8346/
New House in the Suburbs
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No Description digital.library.unt.edu/ark:/67531/metadc8399/
Two Youths
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Painting of two male subjects rendered in light and darker flesh tones. The subject of the left is sitting on a large block and the other subject is standing. Two vases on a structure in the background. digital.library.unt.edu/ark:/67531/metadc8415/
The City Square
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No Description digital.library.unt.edu/ark:/67531/metadc8403/
Charing Cross Bridge, London
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No Description digital.library.unt.edu/ark:/67531/metadc8407/
Madame Picasso
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Painting of a seated woman with head turned three-quarters view in a red-brown chair. She is wearing a blue-gray coat with a red-brown fur trimmed collar. digital.library.unt.edu/ark:/67531/metadc8416/
White Line
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No Description digital.library.unt.edu/ark:/67531/metadc8406/
Shell No. 1
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No Description digital.library.unt.edu/ark:/67531/metadc8418/
Head of a Woman
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No Description digital.library.unt.edu/ark:/67531/metadc8420/
Tioga II
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Painting of yellow analogous palette broken into four rectangular quadrants. digital.library.unt.edu/ark:/67531/metadc8693/
Wall Fragment Number 2
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No Description digital.library.unt.edu/ark:/67531/metadc8694/
Proun 19D
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No Description digital.library.unt.edu/ark:/67531/metadc8677/
The Meeting
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No Description digital.library.unt.edu/ark:/67531/metadc8678/
Figure in Rain
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No Description digital.library.unt.edu/ark:/67531/metadc8683/
Autumn Landscape
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Painting of red, brown, green and blue loosely painted landscape featuring trees, hills and a water source in the background. digital.library.unt.edu/ark:/67531/metadc8684/
Composition
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No Description digital.library.unt.edu/ark:/67531/metadc8691/
Sanctuary of the Four Directions
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Painting of black, red, blue, yellow , gray and black square and rectangle shapes. digital.library.unt.edu/ark:/67531/metadc8692/
The Aunts
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No Description digital.library.unt.edu/ark:/67531/metadc8689/
Composition with the Word ''Vie,'' 2
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No Description digital.library.unt.edu/ark:/67531/metadc8690/
Self-Portrait,
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No Description digital.library.unt.edu/ark:/67531/metadc8681/
Chief
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No Description digital.library.unt.edu/ark:/67531/metadc8682/
Emergency Room
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No Description digital.library.unt.edu/ark:/67531/metadc8685/
The Divers II
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No Description digital.library.unt.edu/ark:/67531/metadc8680/
Chelsea Tower
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The view is of the interior of the sky bridge as it links with the hotel swimming pool entrance. digital.library.unt.edu/ark:/67531/metadc51934/
Chelsea Tower
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The interior view shows the kitchen with some appliances. The window over the sink looks onto another skyscraper. digital.library.unt.edu/ark:/67531/metadc51939/
Hyphen
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Near-abstract painting featuring architectural motifs and geometric forms crowded together vertically. digital.library.unt.edu/ark:/67531/metadc8731/
Relational Painting, Tondo 37
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No Description digital.library.unt.edu/ark:/67531/metadc8738/
Wales
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No Description digital.library.unt.edu/ark:/67531/metadc8736/
Houses in Dresden
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No Description digital.library.unt.edu/ark:/67531/metadc8734/
Male Model
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No Description digital.library.unt.edu/ark:/67531/metadc8733/
Them and Us
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No Description digital.library.unt.edu/ark:/67531/metadc8724/
Yarkand I
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Painting of gray and white large geometric shape at center of composition. digital.library.unt.edu/ark:/67531/metadc8730/
Free Ride
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No Description digital.library.unt.edu/ark:/67531/metadc8753/
Number 3
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No Description digital.library.unt.edu/ark:/67531/metadc8739/
Inner Eye
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No Description digital.library.unt.edu/ark:/67531/metadc8723/
Red Cross
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No Description digital.library.unt.edu/ark:/67531/metadc8742/
From a Day with Juan II
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No Description digital.library.unt.edu/ark:/67531/metadc8728/
Chapultepec Park: Topographic Views
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1 built complex digital.library.unt.edu/ark:/67531/metadc40745/
Factory and the Bridge
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Painting of brown, blue, red, black, gray and yellow rapid linear strokes that form various layered rectangular and semi-dome shapes. digital.library.unt.edu/ark:/67531/metadc8701/
The Capitol City
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No Description digital.library.unt.edu/ark:/67531/metadc8698/
Composition of Circles
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Painting of orange, gray, gold metallic, white and black geometric shapes layered on top of another. digital.library.unt.edu/ark:/67531/metadc8700/
Conversion to Her
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No Description digital.library.unt.edu/ark:/67531/metadc8704/