UNT College of Visual Arts and Design - 17,248 Matching Results

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Envelope for Vogue Pattern #1695
Vogue American Designer Pattern #1695 by Perry Ellis to make a misses' sleeveless top or dress with funnel neckline, tailored shorts, and wide-legged pants with waistband, including illustrations of the finished pieces and information about sizing and construction on the back.
Dress shirt
Man's English broadcloth cotton shirt with geometric brown/taupe print. Placket front with mother of pearl buttons. Long sleeves with larger buttons on cuffs and buttoned vents. Pin stripe on straight point collar requires separate printing for each collar. Label: Made of / Kantex / Fabrics Second label: Green Hood / Genuine / Imported English / Broadcloth / Will Not Fade
Envelope for Vogue Pattern #1284
Very Easy Very Vogue Pattern #1284 to make a misses' dress with extended shoulders and shoulder pads, flap pockets at chest, gathered waist, narrow or flared skirt, and jewel neckline with optional rounded collar, including illustrations of the finished pieces and information about sizing and construction on the back.
Envelope for Vogue Pattern #2689
Vogue Americana Pattern #2689 by Anne Klein to make a jacket with notched lapels, vest with front button closure, shirt with pointed convertible collar, flared skirt, and straight-legged pants, including illustrations of the finished pieces and information about sizing and construction on the back.
Necktie
Wide kipper tie of big, bright stylized paisley in yellows and gold on a blue field. The blue dye was originally much more intense and is gradually fading to white. Label: Brent, with Montgomery Ward symbol
Envelope for Vogue Pattern #7420
Very Easy Very Vogue Pattern #7420 to make a misses coat with loose fit, extended shoulders and shoulder pads, patch pockets, center front button closure, and jewel neckline, fitted skirt, and pleated pants, including illustrations of the finished pieces and information about sizing and construction on the back.
Gloves
Pair of ladies' gloves. The "hands" are of pale brown with white fabric, possibly a silk/cotton blend. Seamed on inside, they have 3 darts on back of each hand done with dark brown stitching. At wrist on each side is a v-shaped extension which joins to the "cuff", which is of light brown cotton with yellow tones. The scalloped edges of the "cuff" and semi-circular sections on the back of each are piped in dark brown fabric. The "cuffs" are styled as a wrap dress, with an overlap at back of wrist. The overlap has a single cylindrical button of black plastic designed to appear carved with three notches in the side revealing pale green/yellow below and at ends. Manufacturer's tag inside gloves: "Kayser, 52 * Reg / Made in Germany / 6"; Stamped in lining by tag: "Kayser 52". The gloves are accompanied by the original paper care tag: "WASH / GLOVES / ON HANDS / Use almost cool / water and a pure / mild soap. We re- / commend PALM- / OLIVE BEADS. Do / not rub. After wash- / ing take gloves off / rinse thoroughly in / cold water. Pull / lengthwise wrap / and squeeze in / towel. Then stretch / into shape and / leave to dry / KAYSER / The Name on every pair / Made in Germany / Trade Marks / Rege Krussig."
Envelope for Vogue Pattern #1004
Vogue Guide to Perfect Fit of Fitted Garment to make a shell and dress to individualized measurements, including illustrations of the finished pieces and information about sizing and construction on the back.
Envelope for Vogue Pattern #1812
Vogue Basic Design Pattern #1812 to make a misses' blouse with optional bow or contrast trim at neckline, center front closure, oversize patch pockets at bust, and full long or short sleeves, including illustrations of the finished pieces and information about sizing and construction on the back.
Envelope for Vogue Pattern #1268
Vogue Basic Design Pattern #1268 to make a misses' dress with long or short set-in sleeves gathered at armscye, center front closure, optional lapels, and varying lengths, including illustrations of the finished pieces and information about sizing and construction on the back.
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference."
Richardson Endorses Obama
Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles.
Gotta Gun
This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve.
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.
Senate Testimony
The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman.
Abbey and Abbey Church of Melk
Total view of entrance gate
16.12.1981 Kopalnia "Wujek" 50 zł 1984 R.K.W. Region Slasko-Dabrowski
Postage stamp printed in black on a white ground depicts two crossed hammers with a piece of an olive branch above. Below the tools is the date of the Wujek Coal Miners' Strike.
93-4/94-1
Black background with linear patterns created by many small dots of paint. Many small, multi-hued circles float across the surface and dotted lines follow the background linear zigzag pattern.
94-2
Black painting with zigzag linear pattern created with many small dots of paint and layered with many gray circles of various patterns and sizes.
H 97-8
Vertical painting with several horizontal stripes of reddish brown and black with blue, red and orange gradation motifs floating on the surface.
J 97-10
Vertical painting consists of long gray, black and brown brushstrokes that create a plaid pattern.
K 97-11
Vertical painting consists of long gray, blue, and black brushstrokes that create a plaid pattern.
M 98-1
Vertical painting consists of horizontal stripes of black and blue. Short vertical stripes of various colors float on the surface in the top half of the painting.
88-4
Black background with linear patterns and small multi-hued geometric shapes float on the surface.
AC 99-8
The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors.
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas.
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas.
AH 99-13
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes.
95-3
This vertical painting consists of a highly detailed patterned background across which are scattered various sized circles.
95-6
Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles.
95-7
Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag.
A 97-1
Large black brushstrokes fill background with small, multi-colored circles floating on surface.
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting.
L 97-12
Vertical painting with vertical yellow and brown brushstrokes. Floating in the center of the painting a black to white gradation motif consists of horizontal brushstrokes.
S 98-7
Loose brown, white and black brushstrokes scraped and smeared with a gradation from white to black motif floating in the center of the canvas.
AA 99-6
Painting consists of white, black, and tan brushstrokes, smeared and scraped. Two gradation motifs float vertically in the center of the canvas.
94-3
Light gray painting with linear pattern with many small gray circles spread across the surface.
94-203
Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface.
94-204
Vertical black painting with linear pattern and many gray circles floating across the surface.
94-207
Vertical painting in gray shades with white linear pattern and circles of various shades of gray float across the surface.
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas.
B 97-2
Vertical painting with large gray brushstrokes. Several gradation motifs float on the surface.
C 97-3
Red, blue, and brown brushstrokes covered by a black mesh consisting of forty-nine openings arranged seven by seven through which the reds, blues and browns appear.
90-208, Voyager
Light shades of pinkish grays create the background juxtaposed with linear pattern and layered with small multi-hued geometric shapes and a linear drawing of a ship and silhouettes of two figures.
92-204
The background of this painting consists of gradations of red, orange, pink and gray hues layered with lines created by many dots of paint. Overlayed are images of running dogs and small geometric shapes.
Unknown
No Description Available.
V 99-1
Painting consists of black, white, and beige brushstrokes scraped and blended in equal quantities. On the far right edge of the canvas, a gradation from white to black is painted in long horizontal bands.
W 99-2
Brushstrokes of black, white, and beige are smeared and scraped together creating a patterned background upon which, in the center, is a white to black gradation of horizontal brushstrokes.
X 99-3
Black, white and beige brushstrokes create a patterned background upon which several white to black gradation motifs float.
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