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  Partner: UNT College of Visual Arts + Design
 Decade: 1900-1909
 Collection: Texas Fashion Collection
Hat

Hat

Date: 1905
Creator: unknown
Description: Little girl's Easter bonnet. Wired base with mushroom type top of black velvet and double ruffled brim of white lace. Small pink roses and green stems encircle hat above lace brim.
Contributing Partner: UNT College of Visual Arts + Design
Bonnet

Bonnet

Date: [1900..1909]
Creator: unknown
Description: Child's poke-type bonnet of white silk. Completely shirred and trimmed with white satin ribbon, outlined with lace. High crown to which circular shirred flange has been added. Label inside crown mostly illegible; last word is "Chicago".
Contributing Partner: UNT College of Visual Arts + Design
Boots

Boots

Date: 1900
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of black and tan leather. The lower section of the shoes, designed with pointed toes, are of black leather. The upper sections, of tan leather, close along center front with laces, 17 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black and tan leather. Stamped on sole: "TEDCO / Trade Mark" Stamped on lining: "435 72307 4" and "Tedco"
Contributing Partner: UNT College of Visual Arts + Design
Beaded Bag

Beaded Bag

Date: 1900/1920
Creator: unknown
Description: Handbag. Rectangular bronze frame chased with scrolling floral forms. Ball/snap closure and bronze chain. Body of purse of off-white woven cloth covered in beaded design of red, pink, green, black, and white in an American Indian or possibly Caucasian motifs. Originally lined in pink silk. Frame is marked "Germany".
Contributing Partner: UNT College of Visual Arts + Design
Boots

Boots

Date: 1900
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of tan leather. The shoes, designed with pointed toes, are of tan leather which close along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Heels covered with matching leather. Sole of tan leather. Stamped on lining: "H.Seligmann / Seguin, Tex." and "356 10146" Stamped on sole is a wreath containing an image of a shoe and label "Duchess".
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1900/1909
Creator: Wichert Shoe (New York, New York)
Description: Pair of lady's shoes of black kid leather and broadcloth. The "high button shoes" have black leather toe boxes with pointed toes and black leather sections at heels which extend from heel up the back of the shoe. The uppers are of black wool broadcloth. Shoes secure at outside edges with 12 circular, slightly domed black buttons. Upper edges lined with black leather, the rest lined with white cloth. The medium-height heel is rounded at sides and back, and squared-off at front. Although not technically a "stacked" heel, the layers can be seen. Maker's label sewn into lining at top: "Wichert / Shoe / Trade Mark / New York U.S.A." Retailer's gilt stamp on inside edge: "Norton's / Gainesville, Tex." Handwritten notation inside boot, just below upper edge: "36-1 36752 / 330".
Contributing Partner: UNT College of Visual Arts + Design
Riding Boots

Riding Boots

Date: 1900/1920
Creator: unknown
Description: Pair of lady's riding boots of black/dark brown leather. The "high button shoes" are designed with pointed toes gently rounded at tips, the boots lace up along the back with 12 holes/hooks. Lined in white fabric. High heels are rounded at sides and back, flaring slightly to base, and curved at front. Black leather soles. Hand-written note: "3-13 / 38405 / 413" Retailer's label stamped in gilt, mostly illegible: "Portland Ore" Brand stamped in gilt: "STEPINSHU / Trade Mark / Pat. Applied" Stamped in sole: "WICHERT"
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1902
Creator: Harbison, Samuel
Description: Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: [1907..1930]
Creator: unknown
Description: Pair of shoes of off-white leather. Designed with pointed toes, the shoes have uppers cut to create a large tongue with upper edged cut to a point. Applied to vamp is medium sized bow of same leather. Modified Louis heel covered with same leather. Retailer's label stamped inside: "Neiman Marcus"
Contributing Partner: UNT College of Visual Arts + Design
Capelet

Capelet

Date: 1900
Creator: unknown
Description: Capelet of dark brown to black plush, possibly silk and cotton, resembling seal fur. Rounded roll collar trimmed in brown soutache braid stitched with a line of purple thread and black glass or jet beads. Center front opening with hook & eye at neck. Trimmed in light brown with purple soutache braid and hexagonal prism, black glass beads. Collar and center front opening bound by black braid (appears to have been added after the original garment was made). Fully lined in a printed polished cotton (not original) of black with looping rope design and repeated fan shapes of pale blue, red, and cream.
Contributing Partner: UNT College of Visual Arts + Design