Hat of ivory/ecru panne velvet, black fur, ivory lace, and a black plume. The crown is of low, crushed ivory or ecrue panne velvet, with a lower border of black fur. The wide brim had an inner wire framework covered with ivory lace, edged with the same black fur. Extending from lower edge of crown at side to off of the edge of the brim is a large black plume. Crown is lined with ivory/ecru satin, with gathered section at center. There are no labels in the hat. Gift of Margaret Baker. From the trousseau of Mrs. Thomas Elmer Braniff.
Small girl's dress of fine white cotton or linen. Wide lace ruffle borders small yoke of lace and net. Short puffed sleeves trimmed with matching lace. Dress falls full from gathering under yoke ruffle with three rows of fine tucks, two rows of lace inserts and matching lace border at hem.
Purse of midnight blue cotton velvet with pewter cathedral frame in filigree leaves/vine motif. Chain of pewter colored metal; flip closure matching frame with velvet pull tab. Gathered base with crochet ball and chenille tassel accent. Lining of yellow satin (deteriorated); built in change purse section on axel with ball twist closure and metal frame. No labels. Measurements: Width: 7 1/2" Height: 9", without handle Height: 17 1/2", with handle Depth: 2"
Nightgown of white cotton batiste, lapped v-neckline or surplice bodice with snap closure at reinforced waistband, lace inserts along bodice and with stripes around side of skirt suggesting handkerchief materials, calf length.
Nightgown of off white cotton, full length with loose silhouette and gores at sides, short raglan sleeves with narrow lace inserts, hand made crochet lace trim at sleeves and round neckline gathered with light pink ribbon, whitework embroidery along neckline.
Shift-style nightgown of white cotton batiste, pink ribbon laced through whitework openings around wide, round neckline, short sleeves, ankle length, no markings.
Opera gloves of off-white nylon. Opera length; floral embroidery; three self-covered snaps on palm side. Three tucks on back of hand; fagoting joins wrists to main body of glove.
Pair of ivory cotton or silk mitts. The elbow-length fingerless gloves are of crocheted ivory material in the style of the 1860s. The long sleeves have bands of lacework patterning. The hands are fingerless, with cording between where fingers would go, and an oval opening for the thumb.
Maternity corset of white cotton with boning and five sections of lace-up, hook and eye closures along right of center front lacing, six garters, adjustable straps across back shoulders Label: THE Gossard Corset (PAT'D) Guaranteed Not To Rust
Purse of silver mesh in square shape with triangle mesh fringe and alternating dangles of teardrops and spheres. Square metal frame with etching on one side. Single handle of oval chain links. Ball twist closure. Interior of frame stamped "GERMAN SILVER" Measurements: 14 cm x 14 cm excluding frame and fringe.
Handbag of brass, steel, gold and aqua metal micro beads with square gilt frame in floral motif. Plunger style closure with circular, laurel leaf pull. Straight fringe of self beading with looped ends. Chain link handle. Lined in light green taffeta with roses and vine trim. No labels or markings. Measurements: 12.5 cm x 14.5 cm, excluding fringe.
Jacket with lavender pleated silk trim on cuffs, hem and collar; ribbed(banded) silk trim on armholes, cuffs and hem; chiffon ruffle trim on cuffs; sewn "sash" around front with silver beads and embroidery.
Handbag of silver mesh in rectangular shape with three faceted amethyst cabochons on filigree frame. Opposite side of frame is plain; single elongated chain handle. Ball twist clasp. No labels or markings. Measurements: 17 cm x 11.5 cm.
Night gown of white cotton, full length, round neckline gathered with a narrow satin ribbon, set-in elbow-length sleeves, whitework embroidery along neckline and bottom of sleeves, loose silhouette.
Bow tie of silk in the bat's wing shape (pointed ends) of geometric pattern with highlights of tan diamonds. Adjustable length. Tag: "Adjustable All Silk"
Chinese jacket of red damask silk with multicolored embroidery. Almost knee-length, with long sleeves. Floral damask pattern, embroidery of flowers, moths(?), foliage, and other symbols. Angled center front opening bordered with blue, fastened with carved/chased gold sphere buttons and loops. Around opening, hem, collar, and cuffs is embroidered band in blues and white scrolls, with outer border of gold and black. Lined in pink silk. No labels.
Chinese Wedding Skirt for a Member of the Court. Mid-calf length wrap-style skirt comprised of two panels of red brocade silk with chrysanthemum pattern attached to 2.25" waistband of green wool; panels connect with interior button of green wool and skirt is secured with ties of green wool that wrap around the waistband. Panels are unadorned where wrap overlaps and finely pleated where panel is visible. On pleated sections are long strips of dark blue silk piped and backed in light blue silk; strips are decorated with silk and metallic embroidery with floral, dragon, and geometric designs, and at the bottom each strip has a modified fleur-de-lis shape and two silk tassels, one of lavender and the other turquoise. Inset into each side section of skirt are rectangular bands of floral embroidery in silk threads on white silk cloth. The bottom of the skirt has a bands of white and blue silk with embroidery, which are also pleated where visible. Primary background cloth of skirt is red silk. Side panels are lined with turquoise silk fabric. Inside labels from Neiman Marcus and The People’s Republic of China indicate the skirt was probably bought during an Asian Fortnight in 1962 or 1969.
Chinese ensemble of blue silk with multi-colored embroidery. A) Jacket/Bodice. Knee-length, A-line, standing collar, long sleeves with white cuffs embroidered with scenes of Chinese people in various situations. Center front opening with black frogs fastened with spherical gold buttons. Wide band at collar and part of front opening, and hem with embroidery of figures on brown ground. Field of jacket with large multi-colored embroidered flowers and butterflies. B) Pants. Matching. Drawstring waist. Full-length, with matching embroidery, but only on lower legs. Cuffs with wide band of white embroidered with foliage and moths.
Purse. Ornate bell-shaped silver (plated?) frame with openwork latticework set with red and blue cabochons and with silver (plated?) chain. Body of purse is of crocheted gray with vertical stripes of horizontal rows of faceted blue beads. Bottom of bag with fringe formed of loops of matching beading. Lined in gray satin with roses and vine trim.
Small cartwheel-style hat. Cylindrical crown of gold and ochre/brown brocade with irregular folds. Circular stiff brown velour brim, not as wide as a typical cartwheel hat but in the same style. Affixed to the crown near the brim on one side is a cluster of three cloth flowers and a sprig of cloth leaves. Affixed to the other side is a plume of brown ostrich feathers. Inside of crown lined in black silk. Embroidered inside crown is maker's marks, including an oval frame containing a monogram, possibly RSCM, and "Gold Medal / Pattern"
Purse of copper colored knit and vertical rows of copper iridescent glass beads. Ornate brass frame in open spiral floral design. Single, long linked chain handle. Lined in dark brown crepe with elasticized slip pocket. Ball and socket closure. No labels or markings. Measurements: 12 cm across frame; 19 cm from top of frame to bottom
Child's purse of dark green cotton with multicolored beads in floral pattern. Square shape; brass frame, ball twist closing and chain handle. Lined in black cotton. No labels. Measurements: 12.5 x 13.5 cm
Petticoat of white cotton. Full-length, with plain waistband. Side opening with two buttons, both now missing. Thin horizontal band of applied lace with "running square" design near knee-height. At bottom is an 8" deep ruffle of fabric with eyelet lace, laid over the hem of the dress, with a band of the "running square" lace at upper edge. Scalloped hand embroidery.
Boy's suit of olive green wool tweed with gold flecks and small blue and white vertical stripes. A) Jacket. Triangular, placket front is bordered with black twill tape and has a vertical, center insert of red wool bordered with black braid. Four gilded brass buttons on each side of placket with right side closure having tailored buttonholes. 1-1/2" belt of self attaches at bottom button. Long, set-in sleeves are trimmed with two, smaller, nonfunctional matching buttons. Turn down collar closes with 2 hook & eyes. Bow tie of black silk faille. Horizontal, double welt pockets at side. Body of jacket is lined with black polished cotton and sleeves are lined in cotton fabric in stripes of light gray with thin green stripes. B) Short pants of matching tweed. Closes with a single brown button on each side of waist above pockets. Single slit pocket on the back at right. Sides of legs trimmed with 3 matching, nonfunctional buttons. Interior cotton satin waistband has 8 vertical buttonholes and is stamped: "Aletor(?) Waist Band / Patented / June 29, 1896 / 3 / Brooklyn, N. Y." Front lined in brown polished cotton.
Nightgown of pale pink silk and floral tulle lace with under skirt of finely pleated chiffon; square neckline with 1 1/8" straps of silk ribbon; bodice is of lace with upper trimmed in silk; waistband of tulle set in pique stitch; mid-length skirt of lace with diamond insets that wrap around both sides of silk; 5" silk trim at hem with zig-zag where it attaches to lace; layer of pleated pink chiffon underneath; button closure at center-back bodice.
Red silk cheongsam style skirt - ankle length taper off skirt fully lined with silk crepe. Hand embroidered silk design motifs - Vertical gold rickrack creates the illusion of the traditional aproned skirt popular in the Qing Dynasty. This is probably a transitional garment going from the ancient style to the more contemporary garments of the 1920's and 1930's. There is a Neiman Marcus and a People’s Republic of China label inside.
Dress. Bodice of vertically striped blue and black satin with short sleeves in black. Shallow v-neck trimmed with band of gold net ribbon which continues down center of back to waist. Bodice has black band just below bust line as "hem". Below this hem is pleated sash of blue and black striped materials at raised waistline, and a second band of the striped material running vertically from below "hem" to under top tier of skirt. Mid-calf-length black skirt with two vertical tiers of long box pleats from waistline. Bodice is lined in cream silk(?) with wide ribbon inner waistband, with cream-trimmed pads added at underarms. Skirt is lined in black. Garment fastens down back from neck to mid-thigh with a series of hook-and-eye and hook-and-loop closures. Sash around waist fastens at center front and has hook-and-loop closures running around left side to back. Garment has no labels.
Handbag. Arched frame of silver (plated?), lightly chased and engraved. Openwork areas on sides of frame allow rings from suspension chain to slide up and down acting as "locks". Mesh bag with enameled design of flowers. Inside bag are makers tag marked: "Mesh / Whiting & Davis Co. / Bags / Reg. U.S. & Can." and brand tag marked "El Sah".
Infant's ensemble of fine white persian lawn consisting of: A) Infant's dress of white batiste cotton. Full length dress gathers into square yoke with narrow, vertical rows of fine eyelet and hair pin lace. Two rows of pin tucking separated by two rows of eyelet and hair pin lace matching yoke at bottom with 2-1/2" ruffle of scalloped eyelet lace at hem. Round neckline trimmed in lace. Long sleeves with lace at hem; center back opening. B) Slip of white batiste cotton. Neckline and armholes trimmed in lace. Full length. Narrow row of pin tucks and row of eyelet and hair pin lace matching dress with matching ruffle of scalloped, eyelet at hem. Closure of mother-of-pearl buttons at shoulders. No labels in garment.
Beaded handbag. Rectangular gilt metal frame with suspension chain and ball closure. Body of bag is covered with multi-colored glass beads forming a picture of a bird and flowers amid scrolling forms, same image on each side. Bottom of bag with blue beaded loops of fringe. Interior lining of blue satin, with attached circular mirror on a ribbon. European, either Paris or Vienna.
Child's coat of off-white cotton faille with box pleats front and back; one each at shoulder and one down the middle of both back and front. Front opening to waist of four small white mother-of-pearl buttons and two snaps at neckline, covered by pleat. Sailor collar embroidered with simple flower and vine pattern and embroidered scalloped edges. Long sleeves have the same treatment for 3" cuffs. Dropped waist with belt loops (belt missing).
(a) Corset of silk pink brocade with ruched ribbon details; elastic garter belts (b) original Bon Ton box Information (from box): Average Figure Low Bust, 1079 (model #?) Pink Silk Broche, 30 (waist measurement?), Protected Tonge Perfected Front Lace, Non-Pinching O-I-C Clasp. Written in pencil on box: K. H. S. Wedding Corsets--Oct 17, 1918. Measurements: Waist: 30"
a) Formal wear vest/evening waistcoat of creme satin with cotton lining and back. Single breasted with closure of three self-covered buttons; shawl collar; three welt pockets. Adjustable waistband with buckle. Buckle reads: Patent 1855 b) Bowtie of creme satin.
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