UNT College of Visual Arts and Design - 5,479 Matching Results
Search Results
- Ensemble - Jacket, Skirt and Blouse
- Suit in hot pink nubbly wool knit. The ensemble consists of three pieces: a jacket, matching skirt, and black silk shell. The jacket is hip-length, with a shawl collar which has an attached black silk tie. The center front closure has 6 circular brass buttons with central embossed lion's heads and black outer edges. There are four faux flap pockets at front, two on each side of opening, each with button matching those of the closure. The long sleeves have simulated closure, with a line of three buttons matching others on each sleeve. The pocket flaps, cuffs, collar, center front, and hem are all edged in black. Designer's label sewn inside jacket at collar: "Adolfo / New York", with retailer's label sewn in just below: "Neiman-Marcus". The matching skirt is below-knee length, of the same pink wool knit, with pleating beginning 7" below waistband and extending to hem. Skirt has designer's label sewn inside at waistband as jacket. The accompanying black silk blouse is sleeveless, with rounded neckline. Single black silk -covered button closure at back of neck. Shell has designer's label sewn inside at left of closure as jacket.
- Mourning Ensemble - Bodice and Skirt
- Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, front and back, is constructed of vertically tucked black silk that finishes in a wide black silk waistband which is appliqued with black lace medallions and edged in narrow black velvet ribbon. The waistband laps slightly left of center and secures with three hook-and-eyes. The bodice is fully lined with heavily boned glazed black cotton and has figure enhancing pads sewn over the bust and underarm areas and has a black cotton petersham that hooks at center front. There are two hooks at back waist-level to connect the bodice to the skirt. The matching seven-panel gored skirt is of black …
- Dress
- Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)
- Handbag
- Handbag. Rectangular frame of cast openwork brass floral designs with traces of gilding. Ball and snap closure and gilt brass suspension chain. Bag is of dark purple crocheted silk, with three different types of beading. Area at frame is plain all-over beading of purple/bronze iridescent cut beads. Below this, and at bottom of bag is fringe of looped beading. The main body of the bag has vertical stripes of beads arranged in horizontal rows. Lined with bright purple silk, trimmed in gold cording. Contains a small gold kid leather purse embossed with a stylized thorn pattern.
- Ensemble - Dress and Jacket
- Ensemble of oatmeal colored wool tweed: a) Jacket of beige and black wool tweed with V-neckline with standard notched collar and wide lapels; short, princess seams; 3/4 length, set in, two piece sleeves; double breasted opening with four round, plastic, beige buttons and two bound buttonholes supplemented by single large covered snap inside lap at waist; fully lined in beige silk. Label stitched inside back neck below collar. b) Dress of same; sleeveless; falling just below the knee; deep rounded neckline; empire waist seam; straight skirt has slight gathers in front; left side underarm zipper closure supplemented by single hook&eye closure; folded hem; armhole and neck facings; brassiere strap keepers snap inside shoulders; unlined.
- Dress
- Dress of navy wool gabardine in two parts. The main body of the tubular-shaped dress is full-length, sleeveless, with a round neckline. It has decorative bead-work at upper bust, on back at shoulders and down spine, in a line from right hip down to hem, and around hem. The bead-work includes lines of red and clear beads, spirals and "bursts" of clear and red beads, circular ornaments of red beads, and a roundel at front to bottom right at hem of a scene of a wine jug against a blue, clear and green background. The dress has an opening from left shoulder to waist which is secured with a line of hidden snaps, and is decorated with nine cloth and plastic circular non-functioning buttons arranged in groups of three. The dress is unlined. The dress has with it a detachable cropped camisole of white cotton with center front hook-and-eyes closure and white elastic waistband. The sleeves of the camisole are of navy wool gabardine, bell-shaped, and match the dress. They are decorated with the same style bead-work as the dress, including lines of red and clear beads running from shoulders to wrist, clear and red beaded spirals and "bursts", and roundels with designs in blue, red, and green. When worn, the camisole sleeves blend in with the dress and look like one garment.
- Wedding Dress
- Wedding dress of hot pink net with shirred all-over appliques and rhinestones. Dress is a short sheath style with V-neck and long sleeves with full length train in back with pink satin bustle with pink silk flowers. Has a matching headpiece with hot pink net veil, not photographed.
- Pillbox Hat
- Pillbox hat of black straw. The low, cylindrical crown of black woven straw has a flat top, slightly recessed, forming a ridge around outer edge. Retailer's label: "Neiman-Marcus"
- Dress
- Dress of brown/beige coffee-colored wool.
- Ensemble
- Bright red/orange wool dress and coat ensemble.
- Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
- The Frederic Hamilton building is a 2006 extension of the Denver Art Museum located within the Civic Center Cultural Complex.
- Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
- The entrance and spider sculpture are on the eastern side of the building.
- Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
- The northeastern prisms soar high above the entrance.
- Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
- The northern prow of Libeskind's building points toward Gio Ponti's north building.
- Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
- The south side of the Frederic Hamilton building sits in front of the high-rise Republic Building.
- Stata Center
- The facade of the building is shown in its setting on the campus and the view is looking southwest.
- Stata Center
- Two different surface treatments are shown in this exterior view of the facade on the Vassar Street main entry.
- Stata Center
- Raking view of facade along Vassar Street includes the main entry.
- Stata Center
- This exterior view includes the amphitheater.
- Stata Center
- The upper southeast elevation facade, north end, of the building is shown.
- Stata Center
- The view is of the stainless covered lab in the upper court.
- Stata Center
- The interior of hallways, seating and ceiling detail are shown in this view.
- Vietnam Veterans Memorial State Park
- The main facade of the monument stands on a slight hill.
- Vietnam Veterans Memorial State Park
- The exterior rear facade is visible.
- Vietnam Veterans Memorial State Park
- Portion of the Vietnam Veterans Memorial State Park in New Mexico, including the walkway and entrance, with a winding wall and totem plaques.
- Petroglyphs, Kane Creek Road, near Moab, Utah
- This portion of the living rock contains anthropomorphic shapes and animals.
- Petroglyphs, Kane Creek Road, near Moab, Utah
- Shallow incised petroglyphs are visible in this living rock. This view is referred to as the Birth Rock.
- Petroglyphs, Kane Creek Road, near Moab, Utah
- This living rock contains a petroglyph of a snake.
- Petroglyphs, Kane Creek Road, near Moab, Utah
- The petroglyphs in this living rock include some lozenge shapes with x-pattern, small stick figure, mountain sheep, and another small animal, possibly a dog.
- Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
- The prow of the building juts eastward.
- JFK TWA Terminal
- This interior view of the JFK TWA Terminal shows the curvilinear stairs and ceiling with dramatic lighting.
- JFK TWA Terminal
- This interior view of the JFK TWA Terminal shows the curvilinear stairs and ceiling with dramatic lighting and some vending areas.
- JFK TWA Terminal
- This sweeping interior view of the JFK TWA Terminal shows counters and curvilinear windows.
- JFK TWA Terminal
- This interior view of the JFK TWA Terminal shows the curvilinear windows and counters.
- JFK TWA Terminal
- This interior view of the JFK TWA Terminal shows close detail of the ceiling construction.
- JFK TWA Terminal
- This interior view of the JFK TWA Terminal shows ceiling, counters, and flight arrival and departure boards.
- Norton Residence
- The west facade of the beach house is included in this view from the northwest direction.
- Norton Residence
- The study pod elevated on a supporting post is viewed from the west in this depiction.
- Norton Residence
- The view of the house from the northwest includes the separate units towards the rear of the lot as well as the elevated study pod.
- Norton Residence
- The green tiled terrace wall of the upper level unit of the beach house is included in this view.
- Norton Residence
- Close-up view of notched construction joints that create an overhang to the entrance patio at the Norton's Venice Beach House.
- Norton Residence
- The red metal chimney on the north side of the beach house is visible.
- Norton Residence
- The street entrance of the facade, garage doors, and outdoor stairs to roof are shown in the east view.
- Norton Residence
- Close view of the balcony on the beach house is shown.
- Thank You Tree, Edgemar
- This decorative tree is assembled from metal shopping carts and large Christmas tree ornaments. It is about forty feet tall and is an annual tradition which began in 1996. The piece is presented in the Edgemar Complex, Santa Monica, California, courtyard during the Christmas season.
- Pacific Design Center
- Night time view of the facade of Center Green is visible behind a portion of Center Blue.
- Pacific Design Center
- The view is a floodlit view across the landscaped plaza with some Center Green facade visible behind Center Blue.
- Pacific Design Center
- The atrium, floodlit at night, of Center Blue is visible.
- Pacific Design Center
- Design of the floor and ceiling of the interior of the atrium of Center Green is seen.
- Pacific Design Center
- Escalators in cylindrical escalator tower are part of Center Green.