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  Partner: UNT College of Visual Arts + Design
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc274994/
Elvis / Blue Boy Still Life
This large, mostly black and white painting, depicts a scene of a bar fight from one of Elvis Presley's movies and a reproduction of the famous painting, Blue Boy, by Thomas Gainsborough is superimposed. In front of the painting is a wooden table holding an apple, a pear and a pitcher, not unlike a Paul Cezanne still life. digital.library.unt.edu/ark:/67531/metadc274990/
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat. digital.library.unt.edu/ark:/67531/metadc274996/
Paul Newman is Hombre
The nearly square painting is composed of several standing figures, some of whom hold weapons. The colors of the painting are primarily reds, blues and yellows. Two figures on the right side of the canvas appear to be holding microphone and a guitar. Green and red silhouettes of horses are in the background. The picture plane is filled with figures with almost no negative space. digital.library.unt.edu/ark:/67531/metadc274982/
With Globe
This acrylic painting consists of a highly patterned background across which is scattered small geometric shapes and silhouettes. digital.library.unt.edu/ark:/67531/metadc27211/
St. Matthew
This acrylic painting on paper consists of small geometric shapes spread across the surface of ninety-degree turned and columnar patterns. St. Matthew is depicted at the lower right edge in an outline. An upside down silhouette shape of a dog is included in the upper left portion of the painting. digital.library.unt.edu/ark:/67531/metadc27210/
CE 04-6
This predominately blue oil painting contains many parallel wavy vertical black lines, a few red and yellow vertical lines as well with horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27189/
Number 149
This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
CD 04-5
This predominately yellow oil painting also has many vertical wavy black lines and linear horizontal texture. digital.library.unt.edu/ark:/67531/metadc27188/
Numbers 136, 142, 126, and 127
Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
Number 133
This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
Voertman Awards / Call for Entries
This poster was created by an art student for the 1983 Voertman Award Competition and Exhibition. Depicted near the bottom of the poster is a palette and paintbrush displayed as though a fine dish of food. The stylized design is in blue and pink. digital.library.unt.edu/ark:/67531/metadc27025/
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
AQ 01-5
This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
AZ 01-14
This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line. digital.library.unt.edu/ark:/67531/metadc27167/
AL 00-3
This abstract painting is mostly black with some white vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27160/
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
AV 01-10
This oil painting is predominately pink with vertical scrapes of black and white. digital.library.unt.edu/ark:/67531/metadc27164/
Number 68
This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
AX 01-12
This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27166/
AU 01-9
This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
Voertman's Student Competion (sic) Competition / The Race is On!
This poster was created by an art student for the annual 1984 Voertman Award Competition and Exhibition. The imagery depicted at the top of the poster is a large pencil turned into a race car. The colors are red, yellow and black. digital.library.unt.edu/ark:/67531/metadc27027/
Numbers 143, 144 and 145
Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/
CA 04-2
This mostly white painting includes vertical wavy parallel black and gray lines and lined horizontal texture. digital.library.unt.edu/ark:/67531/metadc27187/
Number 142
Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows the curvilinear stairs and ceiling with dramatic lighting and some vending areas. digital.library.unt.edu/ark:/67531/metadc31255/
Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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The south side of the Frederic Hamilton building sits in front of the high-rise Republic Building. digital.library.unt.edu/ark:/67531/metadc31252/
Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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The northern prow of Libeskind's building points toward Gio Ponti's north building. digital.library.unt.edu/ark:/67531/metadc31251/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows the curvilinear stairs and ceiling with dramatic lighting. digital.library.unt.edu/ark:/67531/metadc31254/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows ceiling, counters, and flight arrival and departure boards. digital.library.unt.edu/ark:/67531/metadc31259/
JFK TWA Terminal
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This sweeping interior view of the JFK TWA Terminal shows counters and curvilinear windows. digital.library.unt.edu/ark:/67531/metadc31256/
Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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The prow of the building juts eastward. digital.library.unt.edu/ark:/67531/metadc31253/
Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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The northeastern prisms soar high above the entrance. digital.library.unt.edu/ark:/67531/metadc31250/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows close detail of the ceiling construction. digital.library.unt.edu/ark:/67531/metadc31258/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows the curvilinear windows and counters. digital.library.unt.edu/ark:/67531/metadc31257/
Ms 327 folio 201v, A Surveyor with His Workers
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A surveyor and his workers are depicted in this illuminated manuscript folio. digital.library.unt.edu/ark:/67531/metadc31285/
Loom
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View of a loom invented by Joseph Jacquard. digital.library.unt.edu/ark:/67531/metadc31282/
Singer
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Vertically oriented oil painting depicts a singer playing a stringed instrument. The setting appears to be a small enclosed space. digital.library.unt.edu/ark:/67531/metadc31281/
Anatomical Drawing of the Human Head
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Gouache drawing on paper depicts the anatomy of a human head. digital.library.unt.edu/ark:/67531/metadc31289/
Ms 327 folio 226v, Demarcation of Land
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Two men are depicted marking off a piece of land. digital.library.unt.edu/ark:/67531/metadc31286/
Ms 327 (2) folio 214v, Stonemasons
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Stonemasons exhibit their techniques to each other. digital.library.unt.edu/ark:/67531/metadc31283/
Anatomical Drawing of the Bones of the Foot
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Drawing with gouache paint on paper depicts bones of the human foot. digital.library.unt.edu/ark:/67531/metadc31287/
First Loom for Weaving Stockings
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Main view of the first loom used for weaving stockings. digital.library.unt.edu/ark:/67531/metadc31280/
The Fisherman
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This oil painting, almost square, depicts a boy sitting on a rock catching a fish in a small net. In the background are stylized houses, trees, and hills. The colors are saturated greens, pinks, and blues. digital.library.unt.edu/ark:/67531/metadc31288/
Ms 327 folio 28r, Surveying and Demarcation of Land
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Surveyors are depicted demarcating land. digital.library.unt.edu/ark:/67531/metadc31284/
Stata Center
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The view is of the stainless covered lab in the upper court. digital.library.unt.edu/ark:/67531/metadc31175/
Stata Center
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No Description digital.library.unt.edu/ark:/67531/metadc31172/
Saturday Night / Sunday Times
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This black and white ink wash depicts a man paying for his New York Times at a newstand. The foreground contains stacks of newspapers and the background appears dark with some hanging lights and silhouettes of more people. digital.library.unt.edu/ark:/67531/metadc31241/
Central Park Nocturnal Snow II
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Empty sidewalk, snow covered, along Central Park is shown at night in the winter. Street lamps illuminate the empty sidewalk. digital.library.unt.edu/ark:/67531/metadc31247/