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  Partner: UNT College of Visual Arts + Design
 Decade: 1990-1999
Excuse Me
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone. digital.library.unt.edu/ark:/67531/metadc274998/
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat. digital.library.unt.edu/ark:/67531/metadc274996/
Saturday Night / Sunday Times
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This black and white ink wash depicts a man paying for his New York Times at a newstand. The foreground contains stacks of newspapers and the background appears dark with some hanging lights and silhouettes of more people. digital.library.unt.edu/ark:/67531/metadc31241/
My Parents at Coney Island
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This watercolor painting on paper depicts two people, parents, standing at a food stand at Coney Island. digital.library.unt.edu/ark:/67531/metadc31240/
The Last Automat II
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A coffee vending machine is depicted along with many cups. digital.library.unt.edu/ark:/67531/metadc31243/
Movie Theatre Nocturne
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This watercolor painting on paper depicts a cashier in his booth at the movie theater. digital.library.unt.edu/ark:/67531/metadc31242/
Thank You Tree, Edgemar
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This decorative tree is assembled from metal shopping carts and large Christmas tree ornaments. It is about forty feet tall and is an annual tradition which began in 1996. The piece is presented in the Edgemar Complex, Santa Monica, California, courtyard during the Christmas season. digital.library.unt.edu/ark:/67531/metadc31273/
W 99-2
Brushstrokes of black, white, and beige are smeared and scraped together creating a patterned background upon which, in the center, is a white to black gradation of horizontal brushstrokes. digital.library.unt.edu/ark:/67531/metadc27155/
AH 99-13
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes. digital.library.unt.edu/ark:/67531/metadc27152/
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas. digital.library.unt.edu/ark:/67531/metadc27151/
Y 99-4
Black, beige, and white brushstrokes are scattered evenly on the background of the painting creating a patterned surface upon which a large white to black gradation floats in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27157/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
Z 99-5
The abstract painting consists of shades of tan, white, black and gray with two bars of gradations floating on the surface, one lower edge and one center right. digital.library.unt.edu/ark:/67531/metadc27158/
V 99-1
Painting consists of black, white, and beige brushstrokes scraped and blended in equal quantities. On the far right edge of the canvas, a gradation from white to black is painted in long horizontal bands. digital.library.unt.edu/ark:/67531/metadc27154/
X 99-3
Black, white and beige brushstrokes create a patterned background upon which several white to black gradation motifs float. digital.library.unt.edu/ark:/67531/metadc27156/
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27153/
[framed masked face floating above wavy landscape receding into distance]
Depth is achieved by the diminishing scale of purple wavy lines atop green straight verticals. Floating to the right is a multi-shade brown frame, again with the illusion of depth and inside is a masked face. digital.library.unt.edu/ark:/67531/metadc27029/
94-3
Light gray painting with linear pattern with many small gray circles spread across the surface. digital.library.unt.edu/ark:/67531/metadc27130/
95-3
This vertical painting consists of a highly detailed patterned background across which are scattered various sized circles. digital.library.unt.edu/ark:/67531/metadc27131/
95-6
Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles. digital.library.unt.edu/ark:/67531/metadc27132/
A 97-1
Large black brushstrokes fill background with small, multi-colored circles floating on surface. digital.library.unt.edu/ark:/67531/metadc27137/
Study for 95-3 and E 95-7
A vertical work with horizontal stripes in light blue and light tan and includes gray to black numbered brushstrokes. digital.library.unt.edu/ark:/67531/metadc27134/
C 97-3
Red, blue, and brown brushstrokes covered by a black mesh consisting of forty-nine openings arranged seven by seven through which the reds, blues and browns appear. digital.library.unt.edu/ark:/67531/metadc27138/
Study
Vertical dark gray painting with shade gradations from white to black on surface. Some numbers and some text in upper right portion along with red, blue, and yellow green spots. digital.library.unt.edu/ark:/67531/metadc27135/
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27139/
B 97-2
Vertical painting with large gray brushstrokes. Several gradation motifs float on the surface. digital.library.unt.edu/ark:/67531/metadc27136/
95-7
Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag. digital.library.unt.edu/ark:/67531/metadc27133/
Crown of Thorns
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No Description digital.library.unt.edu/ark:/67531/metadc8985/
Chapultepec Park: Topographic Views
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1 built complex digital.library.unt.edu/ark:/67531/metadc40746/
Chapultepec Park: Topographic Views
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1 built complex digital.library.unt.edu/ark:/67531/metadc40745/
[Graffiti, Venice Beach, California]
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The side of a building is painted with graffiti. The colors are predominately blues and there is some English text. digital.library.unt.edu/ark:/67531/metadc40895/
[Graffiti, Venice Beach, California]
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This detail of the painted wall shows the face from the lower right section. digital.library.unt.edu/ark:/67531/metadc40897/
[Graffiti, Venice Beach, California]
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The main portion of the north wall is shown. There is some text and two faces. digital.library.unt.edu/ark:/67531/metadc40898/
[Graffiti, Venice Beach, California]
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A close view of a person's face is depicted in this image. digital.library.unt.edu/ark:/67531/metadc40899/
[Graffiti, Venice Beach, California]
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The detail shows a portion of the wall that has been covered with a graffiti mural. digital.library.unt.edu/ark:/67531/metadc40896/
[Graffiti, Venice Beach, California]
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A close view of some of the text is shown. digital.library.unt.edu/ark:/67531/metadc40901/
[Graffiti, Venice Beach, California]
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A portion of the north wall includes a face and parts of some text. digital.library.unt.edu/ark:/67531/metadc40900/
[Graffiti, Venice Beach, California]
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A close view of the wall includes the texture underneath the paint and a detail of some of the text. digital.library.unt.edu/ark:/67531/metadc40902/
Acoustic / Electric Guitar (Chrysalis Model)
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The main front view of the guitar is visible with its red body. digital.library.unt.edu/ark:/67531/metadc41415/
Vancouver Library Square
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The view includes both the entry area of the main building as well as a portion of the freestanding elliptical wall. digital.library.unt.edu/ark:/67531/metadc41055/
Vancouver Library Square
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The summit of the freestanding wall is shown. The simple, unadorned engaged columns and square insets are shown. digital.library.unt.edu/ark:/67531/metadc41052/
Vancouver Library Square
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The close detail shows the window detail of the freestanding outer wall. digital.library.unt.edu/ark:/67531/metadc41051/
Vancouver Library Square
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The view shows the inner side of the free standing elliptical wall as well as a sliver of the facade of the main library building. digital.library.unt.edu/ark:/67531/metadc41057/
Vancouver Library Square
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The extremely close view shows the upper two colonnades of the free standing wall. digital.library.unt.edu/ark:/67531/metadc41050/
Alameda Bridge
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The view is from underneath the bridge and looks eastward. digital.library.unt.edu/ark:/67531/metadc41001/
Alameda Bridge
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The view shows both the automobile and the pedestrian paths. The view is looking south. digital.library.unt.edu/ark:/67531/metadc41000/
Vancouver Library Square
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The close detail view shows the separation of the free standing outer wall and the rest of the building. digital.library.unt.edu/ark:/67531/metadc41049/
Vancouver Library Square
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The view is of the free standing elliptical colonnaded wall. digital.library.unt.edu/ark:/67531/metadc41046/
Vancouver Library Square
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The southern outer retail wall is shown in this view. digital.library.unt.edu/ark:/67531/metadc41065/
Vancouver Library Square
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The Federal Government Office Tower is shown in this view. The Vancouver Library Square includes a library facilities, retail shops, parking, federal office tower and a public garden. digital.library.unt.edu/ark:/67531/metadc41062/
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